A train of fifty minor5 bards7 always attended the chief poet, and they were all entertained free of cost wherever they visited, throughout Ireland, while the Ard-Filé was borne on men’s shoulders to the palace of the king, and there presented with a rich robe, a chain, and a girdle of gold. Of one bard6, it is recorded that the king gave him, in addition, his horse and armour8, fifty rings to his hand, one thousand ounces of pure gold, and his chess-board.
The game of chess is frequently referred to in the old bardic9 tales; and chess seems to have been a favourite pastime with the Irish from the most remote antiquity10. The pieces must have been of great size, for it is narrated11 that the great Cuchullen killed a messenger who had told him a lie, by merely flinging a chessman at him, which pierced his brain. The royal chess-board was very costly12 and richly decorated. One is described in a manuscript of the twelfth century: “It was a board of silver and pure gold, and every angle was illuminated13 with precious stones. And there was a man-bag of woven brass14 wire.” But the ancestors of the same king had in their hall a chess-board with the pieces formed of the bones of their hereditary15 enemies.
The dress of the bards added to their splendour, for the Brehon laws enacted16 that the value of the robes of the chief poet should be five milch cows, and that of the poetess three cows; the queen’s robes being of the value of seven cows, including a diadem17 and golden veil, and a robe of scarlet18 silk, embroidered19 in divers20 colours. The scions21 of the royal house had also the right to seven colours in their mantle22; while the poet was allowed six, and the poetess five—the number of colours being a sign of dignity and rank.
Learning was always highly esteemed23 in Ireland, and in ancient Erin the literati ranked next to the kings.
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The great and wise Ollamh-Fodla, king of Ireland in Druidic times, built and endowed a college at Tara, near the royal palace, which was called Mur-Ollamh, “the Wall of the Learned.” All the arts and sciences were represented there by eminent24 professors, the great ollaves of music, history, poetry, and oratory25; and they lived and feasted together, and formed the great Bardic Association, ruled over by their own president, styled the Ard-Filé, or chief poet of Ireland, from Filidecht (philosophy or the highest wisdom); for the poets, above all men, were required to be pure and free from all sin that could be a reproach to learning. From them was demanded—
“Purity of hand,
Purity of mouth,
Purity of learning,
Purity of marriage;”
and any ollamh that did not preserve these four purities lost half his income and his dignity, the poet being esteemed not only the highest of all men for his learning and intellect, but also as being the true revealer of the supreme26 wisdom.
Music was sedulously27 taught and cultivated at the college of the ollamhs; for all the ancient life of Ireland moved to music.
The Brehons seated on a hill intoned the laws to the listening people; the Senachies chanted the genealogies28 of the kings; and the Poets recited the deeds of the heroes, or sang to their gold harps29 those exquisite30 airs that still enchant31 the world, and which have been wafted32 down along the centuries, an echo, according to tradition, of the soft, pathetic, fairy music, that haunted the hills and glens of ancient Ireland.
The chief poet was required to know by heart four hundred poems, and the minor bards two hundred. And they were bound to recite any poem called for by the kings at the festivals. On one occasion a recitation was demanded of the legend of the Taine-bo-Cuailne, or The Great Cattle Raid, of which Maeve, queen of Connaught, was the heroine, but none of the bards knew it. This was felt to be a great disgrace, and Seanchan and the bards set forth33 to traverse Ireland in search of the story of the Taine, under Geasa, or a solemn oath, not to sleep twice in the same place till it was found.
At length it was revealed to them that only the dead Fergus-Roy knew the poem, and forthwith they proceeded to his grave, and fasted and prayed for three days, while they invoked34 him to appear. And on their invocation Fergus-Roy uprose in awful majesty35, and stood in his grave clothes before them, and recited the Taine from beginning to end to the circle of listening bards. Then, having finished, he descended36 again into the grave, and the earth closed over him.
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During this expedition, Guaire the Generous took charge of all the wives and the poetesses of the Bardic Association, so as they should not trouble the bards while on their wanderings in search of the ballad37 of the Taine. Yet they do not seem to have been great feeders, these learned ladies; for it is related of one of them, Brigit the poetess, that although she only ate one hen’s egg at a meal, yet she was called “Brigit of the great appetite.”
It was on their return from the search for the Taine that the bards decreed a vote of thanks to Guaire the king.
In order to keep up the dignity of the great bardic clan38, an income was paid by the State to each of the professors and poets according to his eminence39; that of the chief poet being estimated by antiquarians at about five thousand a year of our money, for the lofty and learned Bardic Association disdained40 commerce and toil41. The Fileas lived only on inspiration and the hospitality of their royal and noble patrons, which they amply repaid by laudatory42 odes and sonnets43. But, if due homage44 were denied them, they denounced the ungenerous and niggard defaulter in the most scathing45 and bitter satires46. Of one chief it is recorded that he absolutely went mad and died in consequence of the malignant47 poems that were made on him by a clever satirical bard.
At last the Brehons found it necessary to take cognizance of this cruel and terrible implement48 of social torture, and enactments49 were framed against it, with strict regulations regarding the quality and justice of the satires poured out by the poets on those who had the courage to resist their exactions and resent their insolence50. Finally, however, the ollamhs, poets, and poetesses became so intolerable that the reigning51 king of Ireland about the seventh century made a great effort to extirpate52 the whole bardic race, but failed; they were too strong for him, though he succeeded in, at least, materially abridging53 their privileges, lessening54 their revenues, and reducing their numbers; and though they still continued to exist as the Bardic Association, yet they never afterwards regained55 the power and dignity which they once held in the land, before their pride and insolent56 contempt of all classes who were not numbered amongst the ollamhs and fileas, had aroused such violent animosity. The Brehon laws also decreed, as to the distraint of a poet, that his horsewhip be taken from him, “as a warning that he is not to make use of it until he renders justice.” Perhaps by the horsewhip was meant the wand or staff which the poets carried, made of wood, on which it is conjectured57 they may have inscribed58 their verses in the Ogham character.
The Brehons seem to have made the most minute regulations as to the life of the people, even concerning the domestic cats. In the Senchas Mor (The Great Antiquity) it is enacted that the166 cat is exempt59 from liability for eating the food which he finds in the kitchen, “owing to negligence60 in taking care of it.” But if it were taken from the security of a vessel61, then the cat is in fault, and he may safely be killed. The cat, also, is exempt from liability for injuring an idler in catching62 mice while mousing; but half-fines are due from him for the profitable worker he may injure, and the excitement of his mousing takes the other half. For the distraint of a dog, a stick was placed over his trough in order that he be not fed. And there was a distress63 of two days for a black and white cat if descended from the great champion, which was taken from the ship of Breasal Breac, in which were white-breasted black cats; the same for the lapdog of a queen.
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1 harp | |
n.竖琴;天琴座 | |
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2 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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3 frenzy | |
n.疯狂,狂热,极度的激动 | |
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4 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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5 minor | |
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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6 bard | |
n.吟游诗人 | |
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7 bards | |
n.诗人( bard的名词复数 ) | |
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8 armour | |
(=armor)n.盔甲;装甲部队 | |
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9 bardic | |
adj.吟游诗人的 | |
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10 antiquity | |
n.古老;高龄;古物,古迹 | |
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11 narrated | |
v.故事( narrate的过去式和过去分词 ) | |
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12 costly | |
adj.昂贵的,价值高的,豪华的 | |
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13 illuminated | |
adj.被照明的;受启迪的 | |
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14 brass | |
n.黄铜;黄铜器,铜管乐器 | |
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15 hereditary | |
adj.遗传的,遗传性的,可继承的,世袭的 | |
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16 enacted | |
制定(法律),通过(法案)( enact的过去式和过去分词 ) | |
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17 diadem | |
n.王冠,冕 | |
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18 scarlet | |
n.深红色,绯红色,红衣;adj.绯红色的 | |
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19 embroidered | |
adj.绣花的 | |
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20 divers | |
adj.不同的;种种的 | |
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21 scions | |
n.接穗,幼枝( scion的名词复数 );(尤指富家)子孙 | |
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22 mantle | |
n.斗篷,覆罩之物,罩子;v.罩住,覆盖,脸红 | |
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23 esteemed | |
adj.受人尊敬的v.尊敬( esteem的过去式和过去分词 );敬重;认为;以为 | |
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24 eminent | |
adj.显赫的,杰出的,有名的,优良的 | |
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25 oratory | |
n.演讲术;词藻华丽的言辞 | |
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26 supreme | |
adj.极度的,最重要的;至高的,最高的 | |
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27 sedulously | |
ad.孜孜不倦地 | |
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28 genealogies | |
n.系谱,家系,宗谱( genealogy的名词复数 ) | |
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29 harps | |
abbr.harpsichord 拨弦古钢琴n.竖琴( harp的名词复数 ) | |
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30 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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31 enchant | |
vt.使陶醉,使入迷;使着魔,用妖术迷惑 | |
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32 wafted | |
v.吹送,飘送,(使)浮动( waft的过去式和过去分词 ) | |
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33 forth | |
adv.向前;向外,往外 | |
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34 invoked | |
v.援引( invoke的过去式和过去分词 );行使(权利等);祈求救助;恳求 | |
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35 majesty | |
n.雄伟,壮丽,庄严,威严;最高权威,王权 | |
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36 descended | |
a.为...后裔的,出身于...的 | |
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37 ballad | |
n.歌谣,民谣,流行爱情歌曲 | |
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38 clan | |
n.氏族,部落,宗族,家族,宗派 | |
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39 eminence | |
n.卓越,显赫;高地,高处;名家 | |
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40 disdained | |
鄙视( disdain的过去式和过去分词 ); 不屑于做,不愿意做 | |
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41 toil | |
vi.辛劳工作,艰难地行动;n.苦工,难事 | |
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42 laudatory | |
adj.赞扬的 | |
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43 sonnets | |
n.十四行诗( sonnet的名词复数 ) | |
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44 homage | |
n.尊敬,敬意,崇敬 | |
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45 scathing | |
adj.(言词、文章)严厉的,尖刻的;不留情的adv.严厉地,尖刻地v.伤害,损害(尤指使之枯萎)( scathe的现在分词) | |
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46 satires | |
讽刺,讥讽( satire的名词复数 ); 讽刺作品 | |
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47 malignant | |
adj.恶性的,致命的;恶意的,恶毒的 | |
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48 implement | |
n.(pl.)工具,器具;vt.实行,实施,执行 | |
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49 enactments | |
n.演出( enactment的名词复数 );展现;规定;通过 | |
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50 insolence | |
n.傲慢;无礼;厚颜;傲慢的态度 | |
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51 reigning | |
adj.统治的,起支配作用的 | |
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52 extirpate | |
v.除尽,灭绝 | |
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53 abridging | |
节略( abridge的现在分词 ); 减少; 缩短; 剥夺(某人的)权利(或特权等) | |
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54 lessening | |
减轻,减少,变小 | |
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55 regained | |
复得( regain的过去式和过去分词 ); 赢回; 重回; 复至某地 | |
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56 insolent | |
adj.傲慢的,无理的 | |
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57 conjectured | |
推测,猜测,猜想( conjecture的过去式和过去分词 ) | |
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58 inscribed | |
v.写,刻( inscribe的过去式和过去分词 );内接 | |
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59 exempt | |
adj.免除的;v.使免除;n.免税者,被免除义务者 | |
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60 negligence | |
n.疏忽,玩忽,粗心大意 | |
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61 vessel | |
n.船舶;容器,器皿;管,导管,血管 | |
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62 catching | |
adj.易传染的,有魅力的,迷人的,接住 | |
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63 distress | |
n.苦恼,痛苦,不舒适;不幸;vt.使悲痛 | |
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