In the green-room of one of the great London theatres—David Garrick's, perhaps—the stage company and their friends were waiting the call-boy and the rising of the curtain.
As strange boards as any—as broad contrasts. Here a king, with his crown cast down; there a beggar, with his wallet laid aside. But kings and beggars are not affording the glaring discrepancies1 of Hogarth's "Olympus in a Barn," but suggesting and preserving the distinctions far below the buskins, the breastplate, the sandals, the symars. Here are heroes, with the heroism2 only skin deep; and peers, like their Graces of Bolton and Wharton, with less of the lofty, self-denying graces and the ancient chivalry3, than the most grovelling4 of ploughmen.
Among the crowd, Lady Betty is biding5 her time, very nonchalant, and a little solitary6 in her state. Ladies who are independent, exclusive, and inflexible7, however admired and respected, are generally left to enjoy their own opinions unmolested and at their leisure, whether behind the stage curtain or elsewhere.
Just then a country gentleman, whose murrey coat has a certain country cut, while his complexion8 breathes of hay-fields and hedge sides, is introduced, gazes round, and steps up to her. Mistress Betty cries out, "La!"—an [Page 87]exclamation not a whit9 vulgar in her day—"the Justice!" And she holds forth10 both her hands. "How are dear Mistress Prissy and Mistress Fiddy? Have you come up to town for any time, sir? I wish prosperity to your business."
He has not held such kind, unaffected, friendly hands since they parted; he has only once before held a hand that could have led a Jaffier to confess his conspiracy—that could have clung to a crushed man, and striven to raise him when calamity11, like a whirlwind, cast him down.
The squire12 is sensibly moved, and Mistress Betty vindicates13 her womanliness by jumping at a conclusion and settling in her own mind that his brain is addled14 with this great London—its politicians, its mohawks, its beggars in Axe15 Lane, its rich tradesmen in Cranbourne Alley16, its people of quality, fashion, and taste in their villas17 at Twickenham.
He asks if she is on in Belvidera, and when he hears that it is another actress's benefit, and that she has only consented to appear in a secondary part in a comedy of Sir John's, who is now a great castle-builder, he does not trouble himself to enter a box; at which she is half flattered, half perplexed18. He waits, hot and excited, until her short service is over. He will not call upon her at her lodgings19, because, in his delicacy20, he has so keen a remembrance of her exposed position.
In the corner behind the curtain, bounded by the refreshment21 table, and filled with the prompter's monotonous22 drawl,—far, far from his barley23 ripe for the mowing24, his boxwood peacocks, his greyhaired Hal and his buxom25 [Page 88]milkmaids; far from old madam, the pedantic26, formal vicar, young madam, brisk, hot, and genial27, and his old charmers Prissy and Fiddy,—the squire told his tale of true love. The man threw down the costs and besought28 Mistress Betty Lumley, Lady Betty, to renounce29 the stage, forsake30 fame, quit studies, rehearsals31, opening-nights, and concluding curtsies amidst the cheers of thousands, to go down with him to rural Larks32' Hall, to grow younger, happier, and better every day, and die like Lady Loudon in her hundredth year, universally regretted,—above all, to fill up the gulf33 which had yawned in the market-place of his existence since that night at Bath.
It was a primitive34 proceeding35. Lady Betty was amazed at the man's assurance, simplicity36, and loyalty37. He spoke38 plainly—almost bluntly—but very forcibly. It was no slight or passing passion which had brought the squire, a gentleman of a score and more of honourable39 descents, to seek such an audience-chamber to sue a pasteboard queen. It was no weak love which had dislodged him from his old resting-place, and pitched him to this dreary40 distance.
Mistress Betty was taken "all in a heap;" she had heard many a love-tale, but never one with so manly41 a note. Shrewd, sensitive Mistress Betty was bewildered and confounded, and in her hurry she made a capital blunder. She dismissed him summarily, saw how white he grew, and heard how he stopped to ask if there were no possible alternative, no period of probation42 to endure, no achievement to be performed by him. She waved him off the faster because she became affrighted at his humility43; and got away in her chair, and wrung44 her hands, [Page 89]and wept all night in the long summer twilight45, and sat pensive46 and sick for many days.
In time, Mistress Betty resumed her profession; but she was unusually languid: she played to disappointed houses, and cherished always, with more romance, the shade of the brave, trustful, Somersetshire squire and antiquary. Suddenly she adopted the resolution of retiring from the stage in the summer of her popularity, and living on her savings47 and her poor young brother's bequest48. Her tastes were simple; why should she toil49 to provide herself with luxuries? She had no one now for whose old age she could furnish ease, or for the aims and accidents of whose rising station she need lay by welcome stores; she had not even a nephew or niece to tease her. She would not wear out the talents a generous man had admired on a mass of knaves50 and villains51, coxcombs and butterflies; she would not expose her poor mind and heart to further deterioration52. She would fly from the danger; she would retire, and board with her cousin Ward53, and help her with a little addition to her limited income, and a spare hand in her small family; and she would jog-trot onwards for the rest of her life, so that when she came to die, Mistress Prissy and Mistress Fiddy would have no cause to be ashamed that so inoffensive, inconspicuous, respectable a person had once been asked to stand to them in the dignified54 relation of aunt. The public vehemently55 combated Mrs. Betty's verdict, in vain; they were forced to lament56 during twice nine days their vanished favourite, who had levanted so unceremoniously beyond the reach of their good graces.
点击收听单词发音
1 discrepancies | |
n.差异,不符合(之处),不一致(之处)( discrepancy的名词复数 ) | |
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2 heroism | |
n.大无畏精神,英勇 | |
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3 chivalry | |
n.骑士气概,侠义;(男人)对女人彬彬有礼,献殷勤 | |
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4 grovelling | |
adj.卑下的,奴颜婢膝的v.卑躬屈节,奴颜婢膝( grovel的现在分词 );趴 | |
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5 biding | |
v.等待,停留( bide的现在分词 );居住;(过去式用bided)等待;面临 | |
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6 solitary | |
adj.孤独的,独立的,荒凉的;n.隐士 | |
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7 inflexible | |
adj.不可改变的,不受影响的,不屈服的 | |
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8 complexion | |
n.肤色;情况,局面;气质,性格 | |
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9 whit | |
n.一点,丝毫 | |
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10 forth | |
adv.向前;向外,往外 | |
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11 calamity | |
n.灾害,祸患,不幸事件 | |
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12 squire | |
n.护卫, 侍从, 乡绅 | |
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13 vindicates | |
n.澄清(某人/某事物)受到的责难或嫌疑( vindicate的名词复数 );表明或证明(所争辩的事物)属实、正当、有效等;维护v.澄清(某人/某事物)受到的责难或嫌疑( vindicate的第三人称单数 );表明或证明(所争辩的事物)属实、正当、有效等;维护 | |
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14 addled | |
adj.(头脑)糊涂的,愚蠢的;(指蛋类)变坏v.使糊涂( addle的过去式和过去分词 );使混乱;使腐臭;使变质 | |
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15 axe | |
n.斧子;v.用斧头砍,削减 | |
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16 alley | |
n.小巷,胡同;小径,小路 | |
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17 villas | |
别墅,公馆( villa的名词复数 ); (城郊)住宅 | |
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18 perplexed | |
adj.不知所措的 | |
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19 lodgings | |
n. 出租的房舍, 寄宿舍 | |
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20 delicacy | |
n.精致,细微,微妙,精良;美味,佳肴 | |
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21 refreshment | |
n.恢复,精神爽快,提神之事物;(复数)refreshments:点心,茶点 | |
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22 monotonous | |
adj.单调的,一成不变的,使人厌倦的 | |
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23 barley | |
n.大麦,大麦粒 | |
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24 mowing | |
n.割草,一次收割量,牧草地v.刈,割( mow的现在分词 ) | |
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25 buxom | |
adj.(妇女)丰满的,有健康美的 | |
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26 pedantic | |
adj.卖弄学问的;迂腐的 | |
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27 genial | |
adj.亲切的,和蔼的,愉快的,脾气好的 | |
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28 besought | |
v.恳求,乞求(某事物)( beseech的过去式和过去分词 );(beseech的过去式与过去分词) | |
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29 renounce | |
v.放弃;拒绝承认,宣布与…断绝关系 | |
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30 forsake | |
vt.遗弃,抛弃;舍弃,放弃 | |
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31 rehearsals | |
n.练习( rehearsal的名词复数 );排练;复述;重复 | |
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32 larks | |
n.百灵科鸟(尤指云雀)( lark的名词复数 );一大早就起床;鸡鸣即起;(因太费力而不想干时说)算了v.百灵科鸟(尤指云雀)( lark的第三人称单数 );一大早就起床;鸡鸣即起;(因太费力而不想干时说)算了 | |
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33 gulf | |
n.海湾;深渊,鸿沟;分歧,隔阂 | |
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34 primitive | |
adj.原始的;简单的;n.原(始)人,原始事物 | |
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35 proceeding | |
n.行动,进行,(pl.)会议录,学报 | |
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36 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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37 loyalty | |
n.忠诚,忠心 | |
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38 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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39 honourable | |
adj.可敬的;荣誉的,光荣的 | |
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40 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
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41 manly | |
adj.有男子气概的;adv.男子般地,果断地 | |
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42 probation | |
n.缓刑(期),(以观后效的)察看;试用(期) | |
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43 humility | |
n.谦逊,谦恭 | |
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44 wrung | |
绞( wring的过去式和过去分词 ); 握紧(尤指别人的手); 把(湿衣服)拧干; 绞掉(水) | |
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45 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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46 pensive | |
a.沉思的,哀思的,忧沉的 | |
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47 savings | |
n.存款,储蓄 | |
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48 bequest | |
n.遗赠;遗产,遗物 | |
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49 toil | |
vi.辛劳工作,艰难地行动;n.苦工,难事 | |
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50 knaves | |
n.恶棍,无赖( knave的名词复数 );(纸牌中的)杰克 | |
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51 villains | |
n.恶棍( villain的名词复数 );罪犯;(小说、戏剧等中的)反面人物;淘气鬼 | |
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52 deterioration | |
n.退化;恶化;变坏 | |
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53 ward | |
n.守卫,监护,病房,行政区,由监护人或法院保护的人(尤指儿童);vt.守护,躲开 | |
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54 dignified | |
a.可敬的,高贵的 | |
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55 vehemently | |
adv. 热烈地 | |
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56 lament | |
n.悲叹,悔恨,恸哭;v.哀悼,悔恨,悲叹 | |
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