Perhaps no river on all the North American continent is marked with interest more romantic than that which attaches to the Rio Grande of Mexico. On its banks has been enacted2 many a tragic3 scene—many an episode of Indian and border war—from the day when the companions of Cortez first unfurled Spain’s pabellon till the Lone4 Star flag of Texas, and later still the banner of the Stars and Stripes, became mirrored on its waves.
Heading in the far-famed “parks” of the Rocky Mountains, under the name of Rio Bravo del Norté, it runs in a due southerly direction between the two main ranges of the Mexican “Sierre Madre;” then, breaking through the Eastern Cordillera, it bends abruptly5, continuing on in a south-easterly course till it espouses6 ocean in the great Mexican Gulf7.
Only its lower portion is known as the “Rio Grande;” above it is the “Bravo del Norté.”
The Pecos is its principal tributary8, which, after running through several degrees of latitude9 parallel to the main stream, at length unites with it below the great bend.
In many respects the Pecos is itself a peculiar10 river. For many hundred miles it courses through a wilderness11 rarely traversed by man, more rarely by men claiming to be civilised. Its banks are only trodden by the savage12, and by him but when going to or returning from a raid. For this turbid13 stream is a true river of the desert, having on its left side the sterile14 tract15 of the Llano Estacado, on its right dry table plains that lead up to the Sierras, forming the “divide” between its waters and those of the Bravo del Norte.
On the side of the Staked Plain the Pecos receives but few affluents16, and these of insignificant17 character. From the Sierras, however, several streams run into it through channels deeply cut into the plain, their beds being often hundreds of feet below its level. While the plateau above is often arid18 and treeless, the bottom lands of these tributaries19 show a rich luxuriant vegetation, here and there expanding into park-like meadows, with groves21 and copses interspersed22.
On the edge of one of these affluents, known as the Arroyo23 Alamo (Anglice “Cottonwood Creek24”), two tents are seen standing25—one a square marquee, the other a “single pole,” of the ordinary conical shape.
Near by a half score of soldiers are grouped around a bivouac fire, some broiling26 bits of meat on sapling spits, others smoking corn-husk cigarettes, all gaily27 chatting. One is some fifty paces apart, under a spreading tree, keeping guard over two prisoners, who, with legs lashed28 and hands pinioned29, lie prostrate30 upon the ground.
As the soldiers are in the uniform of Mexican lancers, it is needless to say they belong to the troop of Colonel Uraga. Superfluous31 to add that the two prisoners under the tree are Don Valerian Miranda and the doctor.
Uraga himself is not visible, nor his adjutant, Roblez. They are inside the conical hut, the square one being occupied by Adela and her maid.
After crossing the Pecos, Uraga separated his troop into two parties. For some time he has sent the main body, under command of his alferez, direct to Albuquerque, himself and the adjutant turning north with the captives and a few files as escort and guard. Having kept along the bank of the Pecos till reaching the Alamo, he turned up the creek, and is now en bivouac in its bottom, some ten miles above the confluence32 of the streams.
A pretty spot has he selected for the site of his encampment. A verdant33 mead20, dotted with groves of leafy alamo trees, that reflect their shadows upon crystal runlets silently coursing beneath, suddenly flashing into the open light like a band of silver lace as it bisects a glade34 green with gramma grass. A landscape not all woodland or meadow, but having also a mountain aspect, for the basaltic cliffs that on both sides bound the valley bottom rise hundreds of feet high, standing scarce two hundred yards apart, grimly frowning at each other, like giant warriors35 about to begin battle, while the tall stems of the pitahaya projecting above might be likened to poised36 spears.
It is a scene at once soft and sublime—an Eden of angels beset37 by a serried38 phalanx of fiends; below, sweetly smiling; above, darkly frowning and weirdly39 picturesque40. A wilderness, with all its charms, uninhabited; no house in sight; no domestic hearth41 or chimney towering over it; no smoke, save that curling aloft from the fire lately kindled42 in the soldiers’ camp. Beasts and birds are its only habitual43 denizens44; its groves the chosen perching place of sweet songsters; its openings the range of the prong-horn antelope45 and black-tailed deer; while soaring above, or seated on prominent points of the precipice46, may be seen the caracara, the buzzard, and bald-headed eagle.
Uraga has pitched his tents in an open glade of about ten acres in superficial extent, and nearly circular in shape, lying within the embrace of an umbrageous47 wood, the trees being mostly cotton woods of large dimensions. Through its midst the streamlet meanders48 above, issuing out of the timber, and below again entering it.
On one side the bluffs49 are visible, rising darkly above the tree-tops, and in the concavity underneath50 stand the tents, close to the timber edge, though a hundred paces apart from each other. The troop horses, secured by their trail-ropes, are browsing51 by the bank of the stream; and above, perched upon the summit of the cliff, a flock of black vultures sun themselves with out-spread wings, now and then uttering an ominous52 croak53 as they crane their necks to scan what is passing underneath.
Had Uraga been influenced by a sense of sylvan beauty, he could not have chosen a spot more suitable for his camping-place.
Scenic54 effect has nought55 to do with his halting there. On the contrary, he has turned up the Alamo, and is bivouacking on its bank, for a purpose so atrocious that no one would give credit to it unacquainted with the military life of Mexico in the days of the Dictator Don Antonio Lopez de Santa Anna. This purpose is declared in a dialogue between the lancer colonel and his lieutenant56, occurring inside the conical tent shortly after its being set up.
But before shadowing the bright scene we have painted by thoughts of the dark scheme so disclosed, let us seek society of a gentler kind. We shall find it in the marquee set apart for Adela Miranda and her maid.
It scarce needs to say that a change is observable in the appearance of the lady. Her dress is travel-stained, bedraggled by dust and rain; her hair, escaped from its coif, hangs dishevelled; her cheeks show the lily where but roses have hitherto bloomed. She is sad, drooping57, despondent58.
The Indian damsel seems to suffer less from her captivity59, having less to afflict60 her—no dread61 of that terrible calamity62 which, like an incubus63, broods upon the mind of her mistress.
In the conversation passing between them Conchita is the comforter.
“Don’t grieve so, senorita,” she says, “I’m sure it will be all right yet. Something whispers me it will. It may be the good Virgin—bless her! I heard one of the soldiers say they’re taking us to Santa Fé, and that Don Valerian will be tried by a court martial—I think that’s what he called it. Well, what of it? You know well he hasn’t done anything for which they can condemn64 him to death—unless they downright assassinate65 him. They dare not do that, tyrants66 as they are.”
At the words “assassinate him,” the young lady gives a start. It is just that which is making her so sad. Too well she knows the man into whose hands they have unfortunately fallen. She remembers his design, once nigh succeeding, only frustrated67 by that hurried flight from their home. Is it likely the fiend will be contented68 to take her brother back and trust to the decision of a legal tribunal, civil or military? She cannot believe it; but shudders69 as she reflects upon what is before them.
“Besides,” pursues Conchita, in her consolatory70 strain, “your gallant71 Francisco and my big, brave Gualtero have gone before us. They’ll be in Albuquerque when we get there, and will be sure to hear of our arrival. Trust them for doing something to save Don Valerian.”
“No, no,” despondingly answers Adela, “they can do nothing for my brother. That is beyond their power, even if he should ever reach there. I fear he never will—perhaps, none of us.”
“Santissima! What do you mean, senorita? Surely these men will not murder us on the way?”
“They are capable of doing that—anything. Ah! Conchita, you do not know them. I am in as much danger as my brother, for I shall choose death rather than—”
She forbears speaking the word that would explain her terrible apprehension72. Without waiting for it, Conchita rejoins—
“If they kill you, they may do the same with me. Dear duena, I’m ready to die with you.”
The duena, deeply affected73 by this proffer74 of devotion, flings her white arms around the neck of her brown-skinned maid, and imprints75 upon her brow a kiss, speaking heartfelt gratitude76.
For a time the two remain enlocked in each other’s arms, murmuring words of mutual77 consolation78. Love levels all ranks, but not more than misery—perhaps not so much. In the hour of despair there is no difference between prince and peasant, between the high-born dame79 and the lowly damsel accustomed to serve her caprices and wait upon her wishes.
Adela Miranda has in her veins80 the purest sangre azul of Andalusia. Her ancestors came to New Spain among the proud conquistadores; while those of Conchita, at least on the mother’s side, were of the race conquered, outraged81, and humiliated82.
No thought of ancestral hostility83, no pride of high lineage on one side, or shame of low birth on the other, as the two girls stand inside the tent with arms entwined, endeavouring to cheer one another.
Under the dread of a common danger, the white doncella and the dusky damsel forget the difference in the colour of their skins; and for the first time feel themselves sisters in the true sisterhood of humanity.
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1 sylvan | |
adj.森林的 | |
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2 enacted | |
制定(法律),通过(法案)( enact的过去式和过去分词 ) | |
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3 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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4 lone | |
adj.孤寂的,单独的;唯一的 | |
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5 abruptly | |
adv.突然地,出其不意地 | |
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6 espouses | |
v.(决定)支持,拥护(目标、主张等)( espouse的第三人称单数 ) | |
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7 gulf | |
n.海湾;深渊,鸿沟;分歧,隔阂 | |
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8 tributary | |
n.支流;纳贡国;adj.附庸的;辅助的;支流的 | |
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9 latitude | |
n.纬度,行动或言论的自由(范围),(pl.)地区 | |
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10 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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11 wilderness | |
n.杳无人烟的一片陆地、水等,荒漠 | |
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12 savage | |
adj.野蛮的;凶恶的,残暴的;n.未开化的人 | |
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13 turbid | |
adj.混浊的,泥水的,浓的 | |
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14 sterile | |
adj.不毛的,不孕的,无菌的,枯燥的,贫瘠的 | |
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15 tract | |
n.传单,小册子,大片(土地或森林) | |
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16 affluents | |
n.富裕的,富足的( affluent的名词复数 ) | |
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17 insignificant | |
adj.无关紧要的,可忽略的,无意义的 | |
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18 arid | |
adj.干旱的;(土地)贫瘠的 | |
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19 tributaries | |
n. 支流 | |
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20 mead | |
n.蜂蜜酒 | |
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21 groves | |
树丛,小树林( grove的名词复数 ) | |
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22 interspersed | |
adj.[医]散开的;点缀的v.intersperse的过去式和过去分词 | |
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23 arroyo | |
n.干涸的河床,小河 | |
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24 creek | |
n.小溪,小河,小湾 | |
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25 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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26 broiling | |
adj.酷热的,炽热的,似烧的v.(用火)烤(焙、炙等)( broil的现在分词 );使卷入争吵;使混乱;被烤(或炙) | |
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27 gaily | |
adv.欢乐地,高兴地 | |
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28 lashed | |
adj.具睫毛的v.鞭打( lash的过去式和过去分词 );煽动;紧系;怒斥 | |
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29 pinioned | |
v.抓住[捆住](双臂)( pinion的过去式和过去分词 ) | |
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30 prostrate | |
v.拜倒,平卧,衰竭;adj.拜倒的,平卧的,衰竭的 | |
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31 superfluous | |
adj.过多的,过剩的,多余的 | |
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32 confluence | |
n.汇合,聚集 | |
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33 verdant | |
adj.翠绿的,青翠的,生疏的,不老练的 | |
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34 glade | |
n.林间空地,一片表面有草的沼泽低地 | |
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35 warriors | |
武士,勇士,战士( warrior的名词复数 ) | |
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36 poised | |
a.摆好姿势不动的 | |
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37 beset | |
v.镶嵌;困扰,包围 | |
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38 serried | |
adj.拥挤的;密集的 | |
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39 weirdly | |
古怪地 | |
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40 picturesque | |
adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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41 hearth | |
n.壁炉炉床,壁炉地面 | |
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42 kindled | |
(使某物)燃烧,着火( kindle的过去式和过去分词 ); 激起(感情等); 发亮,放光 | |
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43 habitual | |
adj.习惯性的;通常的,惯常的 | |
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44 denizens | |
n.居民,住户( denizen的名词复数 ) | |
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45 antelope | |
n.羚羊;羚羊皮 | |
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46 precipice | |
n.悬崖,危急的处境 | |
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47 umbrageous | |
adj.多荫的 | |
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48 meanders | |
曲径( meander的名词复数 ); 迂回曲折的旅程 | |
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49 bluffs | |
恐吓( bluff的名词复数 ); 悬崖; 峭壁 | |
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50 underneath | |
adj.在...下面,在...底下;adv.在下面 | |
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51 browsing | |
v.吃草( browse的现在分词 );随意翻阅;(在商店里)随便看看;(在计算机上)浏览信息 | |
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52 ominous | |
adj.不祥的,不吉的,预兆的,预示的 | |
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53 croak | |
vi.嘎嘎叫,发牢骚 | |
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54 scenic | |
adj.自然景色的,景色优美的 | |
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55 nought | |
n./adj.无,零 | |
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56 lieutenant | |
n.陆军中尉,海军上尉;代理官员,副职官员 | |
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57 drooping | |
adj. 下垂的,无力的 动词droop的现在分词 | |
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58 despondent | |
adj.失望的,沮丧的,泄气的 | |
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59 captivity | |
n.囚禁;被俘;束缚 | |
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60 afflict | |
vt.使身体或精神受痛苦,折磨 | |
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61 dread | |
vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
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62 calamity | |
n.灾害,祸患,不幸事件 | |
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63 incubus | |
n.负担;恶梦 | |
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64 condemn | |
vt.谴责,指责;宣判(罪犯),判刑 | |
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65 assassinate | |
vt.暗杀,行刺,中伤 | |
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66 tyrants | |
专制统治者( tyrant的名词复数 ); 暴君似的人; (古希腊的)僭主; 严酷的事物 | |
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67 frustrated | |
adj.挫败的,失意的,泄气的v.使不成功( frustrate的过去式和过去分词 );挫败;使受挫折;令人沮丧 | |
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68 contented | |
adj.满意的,安心的,知足的 | |
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69 shudders | |
n.颤动,打颤,战栗( shudder的名词复数 )v.战栗( shudder的第三人称单数 );发抖;(机器、车辆等)突然震动;颤动 | |
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70 consolatory | |
adj.慰问的,可藉慰的 | |
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71 gallant | |
adj.英勇的,豪侠的;(向女人)献殷勤的 | |
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72 apprehension | |
n.理解,领悟;逮捕,拘捕;忧虑 | |
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73 affected | |
adj.不自然的,假装的 | |
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74 proffer | |
v.献出,赠送;n.提议,建议 | |
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75 imprints | |
n.压印( imprint的名词复数 );痕迹;持久影响 | |
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76 gratitude | |
adj.感激,感谢 | |
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77 mutual | |
adj.相互的,彼此的;共同的,共有的 | |
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78 consolation | |
n.安慰,慰问 | |
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79 dame | |
n.女士 | |
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80 veins | |
n.纹理;矿脉( vein的名词复数 );静脉;叶脉;纹理 | |
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81 outraged | |
a.震惊的,义愤填膺的 | |
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82 humiliated | |
感到羞愧的 | |
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83 hostility | |
n.敌对,敌意;抵制[pl.]交战,战争 | |
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