The vast apartment is filled with rare and interesting mementos4 of its distinguished5 owners, including spoils of war and trophies6 of the chase, acquired in one way or another in the long course of their history, and bespeaking7 the courage, the power, the ruthlessness, and, sometimes, the unscrupulousness of the hard-hearted, heavy-handed line. Every country in Europe and every age, apparently8, has been levied9 upon to adorn10 this great hall, with its long mullioned windows, its enormous fireplace, its huge carved stone mantel, its dark oak paneled walls and beamed ceiling. But, the most interesting, the most precious of all the wonderful things therein has a place of honor to itself at the end farthest from the main entrance.
Fixed11 against this wall is a broken staff, or pole, surmounted12 by a small metallic13 figure. The staff is fastened to the wall by clamps of tempered steel which are further secured by delicate locks of skillful and intricate workmanship. The pole is topped by the gilded14 effigy15 of an eagle.
In dimensions the eagle is eight inches high, from head to feet, and nine and a half inches wide, from wing tip to wing tip. Heraldically, "Un Aigle Éployé" it would be called. That is, an eagle in the act of taking flight—in the vernacular16, a "spread eagle." The eagle looks to the left, with its wings half expanded. In its talons17 it grasps a thunderbolt, as in the old Roman standard. Those who have ever wandered into the Monastery18 of the Certosa, at Milan, have seen just such an eagle on one of the tombs of the great Visconti family. For, in truth, this emblem19 has been modeled after that one.
Below the thunderbolt is a tablet of brass20, three inches square, on which is a raised number. In this instance, the number is five. The copper21 of which the eagle is molded was originally gilded, but in its present battered22 condition much of the gilt23 has been worn off, or shot off, and the original material is plainly discernible. If it could be lifted its weight would be found to be about three and a half pounds.
Around the neck of the eagle hangs a wreath of pure gold. There is an inscription24 on the back of it, which says that the wreath was presented to the regiment25 by the loyal city of Paris after the wonderful Ulm campaign.
One of the claws of the eagle has been shot away. The gold laurel wreath has also been struck by a bullet, and some of its leaves are gone. The tip of one wing is missing. The head of the eagle, originally proudly and defiantly26 erect27, has been bent28 backward so that, instead of a level glance, it looks upward, and there is a deep dent29 in it, as from a blow. And right in the breast gapes30 a great ragged31 shot-hole, which pierces the heart of the proud emblem. The eagle has seen service. It has been in action. It bears its honorable wounds. No attempt has been made to repair it.
The staff on which the eagle stands has been broken at about half its length, presumably by a bullet. The shattered, splintered end indicates that the staff is made of oak. It had been painted blue originally. The freshness of the paint has been marred32. On one side, a huge slice has been cut out of it as if by a mighty33 sword stroke. The tough wood is gashed34 and scarred in various places, and there is a long, dark blur35 just above the broken part, which looks as if it might be a blood stain.
Below the eagle, and attached to the remainder of the staff for about three-fourths of its length, is what remains36 of a battle flag. The material of it was originally rich and heavy crimson37 silk, bordered with gold fringe. It is faded, tattered38, shot-torn, bullet-ridden, wind-whipped; parts of it have disappeared. It has been carefully mounted, and is stretched out so as to present its face to the beholder39. In dull, defaced letters of gold may be read inscriptions—the imagination piecing out the missing parts. Here is a line that runs as follows:
Napoleon, Empereur des Français, au 5e Infanterie
de la Ligne.
And underneath40, in smaller and brighter letters, as if a later addition:
Grenadiers du Garde Imperiale.
There has been some sort of device in the middle, but most of it has disappeared. From what remains, one guesses that it was a facsimile of the eagle on the staff-head. There are little tarnished41 spots of gold here and there. A close observation discloses that they are golden bees. In the corners near the staff, the only ones that are left are golden wreaths in the center of which may be seen the letter "N".
On the other side of the flag, hidden from the beholder, are a series of names. They have been transcribed42 upon a silver plate, which is affixed43 to the wall below the broken staff. They read as follows:
"Marengo; Ulm; Austerlitz; Jena; Berlin; Eylau; Friedland; Madrid; Eckmuhl; Wagram; Vienna; Smolensk; Moskowa; Bautzen; Leipsic; Montmirail; Arcis."
Beneath this list is a heavy dash and below all in larger letters, which unlike the rest have been filled with black enamel44, is the last word,
"WATERLOO."
The eagle, the staff, and the flag are enclosed and protected from careless handling by a heavy glass case, the panes45 set in steel and silver, and the doors carefully locked to prevent its being stolen away. But its security is not entrusted46 to these inanimate materials alone. Every hour of the day and night there keeps watch over it an old soldier. He is armed and equipped as if for battle, in the uniform of the old Fifth Regiment of the Line, somehow temporarily incorporated in the Imperial Guard as a supplementary47 regiment of the Grenadiers thereof. The black gaiters, the white trousers, the blue and scarlet48 coat, with its crossed belts and brilliant decorations, the lofty bearskin head-dress, are all strangely in keeping with the relic49 and its surroundings.
Sometimes the soldier—and there are five of them whose sole and only business it is to watch over the flag—paces steadily50 up and down in front of it, like a sentry51 on his post. Sometimes he stands before it at parade rest. As to each individual's movements, he suits his fancy. These are old soldiers, indeed, highly privileged, veterans of twenty campaigns, fifty pitched battles, and smaller affairs without number. Their weatherbeaten faces are lined and wrinkled, their mustaches are as white as snow.
The guard is always relieved at the appointed intervals52 with military formality and precision. One soldier, older, taller than the rest, is in command of the other four. From his buttonhole dangles53 from a white ribbon a little cross of white enamel. Though he shows no insignia of rank higher than that of a Sergeant54 of the Guard, he has won the proud distinction of the Legion of Honor.
At one stated hour in the day, a tall, handsome, distinguished, middle-aged55 man, wearing for the occasion the uniform of a colonel in the Imperial Guard, a blood-stained, tarnished, battered, battle-worn uniform, be it observed, comes into the room. He is more often than not attended by a lovely lady of beauty and grace, in spite of her years, who leads with either hand a handsome youth and a beautiful maiden56. The four soldiers are always present in full uniform under the command of their sergeant at this hour. As the officer enters they form line, come to attention, and present arms, a salute57 he gravely and punctiliously58 acknowledges. Attendants follow, bearing decanters and glasses; wine for the officer and his family, something stronger for the soldiers. The glasses are filled. With her own fair hands, the lady hands them to the men. When all are ready the officer holds up his glass. The men, stacking arms, do the same. The eyes of all glance upward. Above the eagle and the flag upon a shelf upon the wall stands a marble head, product of Canova's marvelous chisel59. It is Napoleon. White it gleams against the dark stone of the old hall. At a nod the soldiers face about, and——
"Vive l'Empereur," says the officer quietly.
"Vive l'Empereur," in deep and solemn tones repeats the old sergeant.
"Vive l'Empereur," comes from the lips of the four soldiers, and even the woman and the young people join in that ancient acclaim60.
The great Emperor is dead long since. He sleeps beneath the willows61 in the low valley in the lonely, far-off, wave-washed islet of St. Helena. But to these men he will never die. It is their blood that is upon that eagle staff. It was in their hands that it received those wounds. While they carried it, flung to the breeze of battle, it was shot-torn and storm-riven. It is a priceless treasure to them all. As they followed it with the ardor62 and devotion of youth so they now guard it and respect it with the steadier but not less intense consecration63 of maturity64 and old age.
The eagle of a vanished empire, the emblem of a fame that is past. It is as real to them as when into the hands of one of them it was given by the Emperor himself on the Champ de Mars so long ago when he was lord of the world. And so long as they live they will love it, reverence65 it, guard it, salute it as in the past.
点击收听单词发音
1 domain | |
n.(活动等)领域,范围;领地,势力范围 | |
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2 champagne | |
n.香槟酒;微黄色 | |
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3 vassals | |
n.奴仆( vassal的名词复数 );(封建时代)诸侯;从属者;下属 | |
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4 mementos | |
纪念品,令人回忆的东西( memento的名词复数 ) | |
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5 distinguished | |
adj.卓越的,杰出的,著名的 | |
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6 trophies | |
n.(为竞赛获胜者颁发的)奖品( trophy的名词复数 );奖杯;(尤指狩猎或战争中获得的)纪念品;(用于比赛或赛跑名称)奖 | |
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7 bespeaking | |
v.预定( bespeak的现在分词 );订(货);证明;预先请求 | |
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8 apparently | |
adv.显然地;表面上,似乎 | |
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9 levied | |
征(兵)( levy的过去式和过去分词 ); 索取; 发动(战争); 征税 | |
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10 adorn | |
vt.使美化,装饰 | |
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11 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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12 surmounted | |
战胜( surmount的过去式和过去分词 ); 克服(困难); 居于…之上; 在…顶上 | |
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13 metallic | |
adj.金属的;金属制的;含金属的;产金属的;像金属的 | |
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14 gilded | |
a.镀金的,富有的 | |
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15 effigy | |
n.肖像 | |
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16 vernacular | |
adj.地方的,用地方语写成的;n.白话;行话;本国语;动植物的俗名 | |
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17 talons | |
n.(尤指猛禽的)爪( talon的名词复数 );(如爪般的)手指;爪状物;锁簧尖状突出部 | |
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18 monastery | |
n.修道院,僧院,寺院 | |
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19 emblem | |
n.象征,标志;徽章 | |
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20 brass | |
n.黄铜;黄铜器,铜管乐器 | |
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21 copper | |
n.铜;铜币;铜器;adj.铜(制)的;(紫)铜色的 | |
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22 battered | |
adj.磨损的;v.连续猛击;磨损 | |
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23 gilt | |
adj.镀金的;n.金边证券 | |
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24 inscription | |
n.(尤指石块上的)刻印文字,铭文,碑文 | |
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25 regiment | |
n.团,多数,管理;v.组织,编成团,统制 | |
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26 defiantly | |
adv.挑战地,大胆对抗地 | |
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27 erect | |
n./v.树立,建立,使竖立;adj.直立的,垂直的 | |
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28 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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29 dent | |
n.凹痕,凹坑;初步进展 | |
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30 gapes | |
v.目瞪口呆地凝视( gape的第三人称单数 );张开,张大 | |
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31 ragged | |
adj.衣衫褴褛的,粗糙的,刺耳的 | |
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32 marred | |
adj. 被损毁, 污损的 | |
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33 mighty | |
adj.强有力的;巨大的 | |
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34 gashed | |
v.划伤,割破( gash的过去式和过去分词 ) | |
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35 blur | |
n.模糊不清的事物;vt.使模糊,使看不清楚 | |
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36 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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37 crimson | |
n./adj.深(绯)红色(的);vi.脸变绯红色 | |
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38 tattered | |
adj.破旧的,衣衫破的 | |
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39 beholder | |
n.观看者,旁观者 | |
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40 underneath | |
adj.在...下面,在...底下;adv.在下面 | |
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41 tarnished | |
(通常指金属)(使)失去光泽,(使)变灰暗( tarnish的过去式和过去分词 ); 玷污,败坏 | |
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42 transcribed | |
(用不同的录音手段)转录( transcribe的过去式和过去分词 ); 改编(乐曲)(以适应他种乐器或声部); 抄写; 用音标标出(声音) | |
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43 affixed | |
adj.[医]附着的,附着的v.附加( affix的过去式和过去分词 );粘贴;加以;盖(印章) | |
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44 enamel | |
n.珐琅,搪瓷,瓷釉;(牙齿的)珐琅质 | |
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45 panes | |
窗玻璃( pane的名词复数 ) | |
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46 entrusted | |
v.委托,托付( entrust的过去式和过去分词 ) | |
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47 supplementary | |
adj.补充的,附加的 | |
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48 scarlet | |
n.深红色,绯红色,红衣;adj.绯红色的 | |
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49 relic | |
n.神圣的遗物,遗迹,纪念物 | |
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50 steadily | |
adv.稳定地;不变地;持续地 | |
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51 sentry | |
n.哨兵,警卫 | |
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52 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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53 dangles | |
悬吊着( dangle的第三人称单数 ); 摆动不定; 用某事物诱惑…; 吊胃口 | |
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54 sergeant | |
n.警官,中士 | |
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55 middle-aged | |
adj.中年的 | |
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56 maiden | |
n.少女,处女;adj.未婚的,纯洁的,无经验的 | |
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57 salute | |
vi.行礼,致意,问候,放礼炮;vt.向…致意,迎接,赞扬;n.招呼,敬礼,礼炮 | |
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58 punctiliously | |
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59 chisel | |
n.凿子;v.用凿子刻,雕,凿 | |
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60 acclaim | |
v.向…欢呼,公认;n.欢呼,喝彩,称赞 | |
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61 willows | |
n.柳树( willow的名词复数 );柳木 | |
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62 ardor | |
n.热情,狂热 | |
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63 consecration | |
n.供献,奉献,献祭仪式 | |
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64 maturity | |
n.成熟;完成;(支票、债券等)到期 | |
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65 reverence | |
n.敬畏,尊敬,尊严;Reverence:对某些基督教神职人员的尊称;v.尊敬,敬畏,崇敬 | |
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