The 1st of December was a great day on board the Dolphin, for on that day it was announced to the crew that "The Arctic Theatre" would be opened, under the able management of Mr. F. Ellice, with the play of "Blunderbore; or, the Arctic Giant." The bill, of which two copies were issued gratis1 to the crew, announced that the celebrated2 Peter Grim, Esq., who had so long trodden the boards of the Dolphin, with unparalleled success, had kindly3 consented to appear in the character of Blunderbore for one winter only. The other parts were as follows:—Whackinta, a beautiful Esquimau widow, who had been captured by two Polar bears, both of which were deeply in love with her, by Frederick Ellice, Esq. First Bear, a big one, by Terrence O'Riley, Esq. Second Bear, a little one, by David Summers, Esq. Ben Bolt, a brave British seaman5, who had been wrecked6 in Blunderbore's desolate7 dominions8, all the crew having perished except himself, by John Buzzby, Esq. These constituted the various characters of the piece, the name of which had been kept a profound secret from the crew until the morning of the day on which it was acted.
Fred's duties, as manager and author, upon this occasion were by no means light, for his troop, being unaccustomed to study, found the utmost difficulty in committing the simplest sentences to memory. O'Riley turned out to be the sharpest among them, but having agreed to impersonate the First Bear, and having to act his part in dumb show—bears not being supposed capable of speech—his powers of memory had not to be exerted. Grim was also pretty good; but Davie Summers could not be got to remember even the general arrangements of the piece; and as for Buzzby, he no sooner mastered a line than he forgot the one before it, and almost gave it up in despair. But by dint10 of much study and many rehearsals11 in secret, under the superintendence of Fred, and Tom Singleton, who undertook to assist, they succeeded at last in going through it with only a few mistakes.
On the morning of the 1st December, while the most of the crew were away at Red-Snow Valley cutting moss13, Fred collected his corps14 dramatique for a last rehearsal12 in the forecastle, where they were secure from interruption, the place being so cold that no one would willingly go into it except under the force of necessity. A dim lantern lit up the apartment faintly.
"We must do it without a mistake this time," said Fred Ellice, opening his book, and calling upon Grim to begin.
"'Tis cold," began Grim.
"Stop, you're wrong."
"Oh! so I am," cried Grim, slapping his thigh15, "I'll begin again."
It may be remarked here, that although Blunderbore was supposed to be an Esquimau monarch16, he was compelled to speak English, being unfortunately ignorant—if we may so speak—of his native tongue!
"Oh! 'tis a dismal17 thing," began Grim again, "to dwell in solitude18 and cold! 'Tis very cold [Grim shuddered19 here tremendously], and—and—(what's next?)"
"Hunger," said Fred.
"Hunger gnaws20 my vitals. My name is Blunderbore. 'Twere better had I been born a Blunderbuss, 'cause then I'd have gone off and dwelt in climes more shootable to my tender constitoosion. Ha! is that a bear I sees before me?"
"It's not sees," interrupted Fred.
At this moment a tremendous roar was heard, and O'Riley bounded from behind a top-sail, which represented an iceberg22, dressed from head to foot in the skin of a white bear which had been killed a few days before.
"Stop, O'Riley," cried Fred; "you're too soon, man. I have to come on first as an Esquimau woman, and when Grim says to the woman he wishes he could see a bear, then you are to come."
"Och! whirra, but me brains is confuged intirely wid it all," said O'Riley, rising on his hind21 legs, and walking off with his tail, literally23 as well as figuratively, between his legs.
"Now, Buzzby, now; it's your time. When you hear the word 'misery,' come on and fight like a Trojan with the bears. The doctor will remind you."
Fred was remarkably24 patient and painstaking25, and his pupils, though not apt scholars, were willing, so that the morning rehearsal was gone through with fewer mistakes than might have been expected; and when the crew came back to dinner about mid-day, which, however, was as dark as midnight, their parts were sufficiently26 well got up, and nothing remained to be done but to arrange the stage and scenery for the evening's entertainment—it having been resolved that the performance should commence after supper. The stage was at the after part of the cabin, and raised about a foot above the deck; and its management had been intrusted to the doctor, who, assisted by Peter Grim, transformed that portion of the ship into a scene so romantically beautiful that the first sight of it petrified27 the crew with surprise. But until the curtain should rise all arrangements were carefully concealed28 from every one except the dramatis personæ. Even the captain and officers were forbidden to peep behind the sail that formed a curtain to the stage; and this secrecy29, besides being necessary, was extremely useful, inasmuch as it excited the curiosity of the men, and afforded them food for converse30 and speculation31 for a week before the great day arrived.
The longed-for hour came at last. The cabin tables having been removed, and rows of seats placed in front of the stage, the men were admitted from the deck, to which they had been expelled an hour previous in order not to impede32 preliminary arrangements. There was great joking, of course, as they took their seats and criticised the fittings up. David Mizzle was of opinion that the foot-lights "wos oncommon grand," which was an unquestionable fact, for they consisted of six tin lamps filled with seal-oil, from the wicks of which rose a compound of yellow flame and smoke that had a singularly luminous34 effect. Amos Parr guessed that the curtain would be certain sure to get jammed at the first haul, and several of the others were convinced that O'Riley would stick his part in one way or another. However, an end was put to all remarks and expectation raised on tip-toe by the ringing of a small hand-bell, and immediately thereafter a violent pulling at the curtain which concealed the stage. But the curtain remained immovable (they always do on such occasions), and a loud whispering was heard behind the scenes.
"Clap on extra tackle and call all hands to hoist35 away," suggested one of the audience.
The laugh with which this advice was received was checked in the bud by the sudden rising of the curtain with such violence that the whole framework of the theatre shook again.
For a few seconds a dead silence reigned36, for the men were stricken dumb with genuine amazement37 at the scene before them. The stage was covered with white sheets arranged in such a manner as to represent snow, and the more effectually to carry out the idea several huge blocks of real ice and a few patches of snow were introduced here and there, the cold in the after part of the cabin being too great to permit of their melting. A top-gallant38-sail, on which were painted several blue cracks, and some strong white lights did duty for an iceberg, and filled up the whole back of the scene. In front of this, in the centre of the stage, on an extemporized40 hummock41, sat Peter Grim, as the Giant Blunderbore. His colossal42 proportions were enhanced by the addition of an entire white bear-skin to his ordinary hairy dress, and which was thrown round his broad shoulders in the form of a tippet. A broad scarlet43 sash was tied round his waist, and a crown of brown paper painted in alternate diamonds of blue, red, and yellow sat upon his brow. Grim was in truth a magnificent-looking fellow, with his black beard and moustache; and the mock-heroic frown with which he gazed up (as one of the audience suggested) at the aurora44 borealis, while he grasped an enormous club in his right hand, became him well.
The first few seconds of dead silence with which this was received were succeeded by a long and loud burst of applause, the heartiness45 of which plainly showed that the scene far exceeded the expectations of the men.
"Bravo!" cried the captain, "excellent! nothing could be better."
"It beats natur', quite," said one.
"All to sticks," cried another.
"And wot a tree-mendous giant he makes. Three cheers for Peter Grim, lads!"
Three cheers were promptly46 given with right goodwill47, but the giant did not move a muscle. He was far too deeply impressed with the importance of playing his part well to acknowledge the compliment. Having gazed long enough to enable the men to get rid of their first flow of enthusiasm, Blunderbore rose majestically48, and coming forward to the foot-lights, looked straight over the heads of the men, and addressed himself to the opposite bulk-head.
"Oh! 'tis a dismal thing," he began, and continued to spout49 his part with flashing eyes and considerable energy, until he came to the word Blunderbuss, when, either from a mistaken notion as to when it was his time to go on, or nervous forgetfulness of the plan of the piece, the Little Bear sprang over the edge of the iceberg and alighted on the middle of the stage.
"Oh! bad luck to yees intirely," said the Big Bear from behind the scenes in an angry whisper, which was distinctly heard by the audience, "ye've gone and spoiled it all, ye have. Come off, will ye, and take yer turn at the right time, won't ye?"
In the midst of the shout of delight caused by this mistake, O'Riley, forgetting that he was a bear, rushed on the stage on his hind legs, seized the Little Bear by the fore9 leg, and dragged him off at the other side amid loud applause. Blunderbore, with admirable self-possession, resumed his part the instant there was a calm, and carried it successfully to a close.
Just as he ended, Fred waddled50 on, in the guise51 of an Esquimau woman; and so well was he got up that the crew looked round to see if Aninga (who, with her husband, had been allowed to witness the play) was in her place. Fred had intentionally52 taken Aninga as his model, and had been very successful in imitating the top-knot of hair. The baby, too, was hit off to perfection, having been made by Mivins, who proved himself a genius in such matters. Its head was a ball of rags covered with brown leather, and two white bone buttons with black spots in the centre did duty for its eyes.
The first thing Whackinta did on coming forward was to deposit the baby on the snow with its head downwards53 by mistake, whereat it began to scream vociferously55. This scream was accomplished56 by Davie Summers creeping below the stage and putting his mouth to a hole in the flooring close to which the baby's head lay. Davie's falsetto was uncommonly57 like to a child's voice, and the effect was quite startling. Of course Whackinta tried to soothe59 it, and failing in this she whipped it, which caused it to yell with tenfold violence. Thereafter losing all patience, she covered its face and stuffed its mouth with a quantity of snow, and laying it down on its back, placed a large block of ice on its head. This, as might be expected, had the desired effect, and the baby was silenced—not, however, until Whackinta had twice called down the hole in a hoarse60 whisper, "That'll do, Davie; stop, man, stop!" Then, sitting down on the hummock which Blunderbore had just left—and from behind which he was now eagerly watching her—she began to weep.
Having given full vent61 to her feelings in a series of convulsive sobs62, Whackinta addressed a lengthened63 harangue64, in a melancholy65 tone of voice, to the audience, the gist66 of which was that she was an unfortunate widow; that two bears had fallen in love with her, and stolen her away from her happy home in Nova Zembla; and, although they allowed her to walk about as much as she chose, they watched her closely and prevented her escaping to her own country. Worst of all, they had told her that she must agree to become the wife of one or other of them, and if she did not make up her mind and give them an answer that very day, she was to be killed and eaten by both of them. In order the more strongly to impress the audience with her forlorn condition, Whackinta sang a tender and touching67 ditty, composed by herself expressly for the occasion, and sang it so well that it was encored twice.
To all this Blunderbore listened with apparent rapture68, and at length ventured to advance and discover himself; but the instant Whackinta saw him she fell on her knees and trembled violently.
"Spare me, good king," she said; "do not slay69 me. I am a poor widow, and have been brought here by two bears against my will."
"Woman," said the giant, "my name is Blunderbore. I am, as you perceive by my crown, a king; and I am a lonely man. If I kill the two bears you speak of, will you marry me?"
"Oh, do not ask me, good Blunderbore! I cannot; it is impossible. I cannot love you—you are—forgive me for saying it—too big, and fierce, and ugly to love."
Blunderbore frowned angrily, and the audience applauded vociferously at this.
"You cannot love me! ha!" exclaimed the giant, glaring round with clenched70 teeth.
At this moment the Big Bear uttered an awful roar, Whackinta gave a piercing scream and fled, and Blunderbore hid himself hastily behind the hummock. The next moment the two bears bounded on the stage and began to gambol71 round it, tossing up their hind legs and roaring and leaping in a manner that drew forth72 repeated plaudits. At length the Little Bear discovered the baby, and, uttering a frantic73 roar of delight, took it in its fore paws and held it up. The Big Bear roared also, of course, and rushing forward caught the baby by the leg, and endeavoured to tear it away from the Little Bear, at which treatment the poor baby again commenced to cry passionately74. In the struggle the baby's head came off, upon which the Little Bear put the head into its mouth and swallowed it. The Big Bear immediately did the same with the body; but its mouth was too small, and the body stuck fast and could not be finally disposed of until the Little Bear came to the rescue and pushed it forcibly down its throat. Having finished this delicate little morsel75 the two bears rose on their hind legs and danced a hornpipe together—Tom Singleton playing the tune76 for them on a flute77 behind the scenes. When this was done they danced off the stage, and immediately, as if in the distance, was heard the voice of a man singing. It came gradually nearer, and at last Buzzby, in the character of Ben Bolt, swaggered up to the foot-lights with his hands in his breeches pockets.
"I'm a jolly, jolly tar58,
Wot has comed from afar,
An' it's all for to seek my fortin"—
sang Buzzby. "But I've not found it yit," he continued, breaking into prose, "and there don't seem much prospect78 o' findin' it here anyhow. Wot an 'orrible cold place it is, ugh!"
Buzzby was received with enthusiastic cheers, for he was dressed in the old familiar blue jacket, white ducks, pumps, and straw hat set jauntily80 on one side of his head—a costume which had not been seen for so many months by the crew of the Dolphin, that their hearts warmed to it as if it were an old friend.
Buzzby acted with great spirit, and was evidently a prime favourite. He could scarcely recollect81 a word of his part, but he remembered the general drift of it, and had ready wit enough to extemporize39. Having explained that he was the only survivor82 of a shipwrecked crew, he proceeded to tell some of his adventures in foreign lands, and afterwards described part of his experiences in a song, to which the doctor played an accompaniment behind the scenes. The words were composed by himself, sung to the well-known Scotch83 air, "Corn Riggs," and ran as follows:—
THE JOLLY TAR.
My comrades, you must know
It was many years ago
I left my daddy's cottage in the greenwood O!
And I jined a man-o'-war
An' became a jolly tar,
An' fought for king and country on the high seas O!
Pull, boys, cheerily, our home is on the sea
Pull, boys, merrily and lightly O!
Pull, boys, cheerily, the wind is passing free
An' whirling up the foam84 an' water sky-high O!
There's been many a noble fight,
But Trafalgar was the sight
That beat the Greeks and Romans in their glory O!
For Britain's jolly sons
Worked the thunder-blazing guns,
And Nelson stood the bravest in the fore-front O!
Pull, boys, etc.
A roaring cannon85 shot
Came an' hit the very spot
Where my leg goes click-an'-jumble in the socket86 O!
And swept it overboard
With the precious little hoard87
Of pipe an' tin an' baccy in the pocket O!
Pull, boys, etc.
They took me down below,
An' they laid me with a row
Of killed and wounded messmates on a table O!
Then up comes Dr. Keg,
An' says, Here's a livin' leg
I'll sew upon the stump88 if I am able O!
Pull, boys, etc.
This good and sturdy limb
Had belonged to fightin' Tim,
An' scarcely had they sewed it on the socket O!
When up the hatch I flew,
An' dashed among the crew,
An' sprang on board the Frenchman like a rocket O!
Pull, boys, etc.
'Twas this that gained the day,
For that leg it cleared the way—
And the battle raged like fury while it lasted O!
Then ceased the shot and shell
To fall upon the swell89,
And the union Jack79 went bravely to the mast-head O!'
Pull, boys, etc.
We need scarcely say that this song was enthusiastically encored, and that the chorus was done full justice to by the audience, who picked it up at once and sang it with lusty vehemence90. At the last word Ben Bolt nodded familiarly, thrust his hands into his pockets, and swaggered off whistling "Yankee Doodle." It was a matter of uncertainty91 where he had swaggered off to, but it was conjectured92 that he had gone on his journey to anywhere that might turn up.
Meanwhile, Blunderbore had been bobbing his head up and down behind the hummock in amazement at what he heard and saw, and when Ben Bolt made his exit he came forward. This was the signal for the two bears to discover him and rush on with a terrific roar. Blunderbore instantly fetched them each a sounding whack4 on their skulls93, leaped over both their backs, and bounded up the side of the iceberg, where he took refuge, and turned at bay on a little ice pinnacle94 constructed expressly for that purpose.
An awful fight now ensued between the giant and the two bears. The pinnacle on which Blunderbore stood was so low that the Big Bear, by standing95 up on its hind legs, could just scratch his toes, which caused the giant to jump about continually; but the sides of the iceberg were so smooth that the bears could not climb up it. This difficulty, indeed, constituted the great and amusing feature of the fight; for no sooner did the Little Bear creep up to the edge of the pinnacle, than the giant's tremendous club came violently down on its snout (which had been made of hard wood on purpose to resist the blows), and sent it sprawling96 back on the stage, where the Big Bear invariably chanced to be in the way, and always fell over it. Then they both rose, and, roaring fearfully, renewed the attack, while Blunderbore laid about him with the club ferociously97. Fortune, however, did not on this occasion favour the brave. The Big Bear at last caught the giant by the heel and pulled him to the ground; the Little Bear instantly seized him by the throat; and, notwithstanding his awful yells and struggles, it would have gone ill with Blunderbore had not Ben Bolt opportunely98 arrived at that identical spot at that identical moment in the course of his travels.
Oh! it was a glorious thing to see the fear-nothing, dare-anything fashion in which, when he saw how matters stood, Ben Bolt threw down his stick and bundle, drew his cutlass, and attacked the two bears at once, single-handed, crying, "Come on," in a voice of thunder. And it was a satisfactory thing to behold99 the way in which he cut and slashed100 at their heads (the heads having been previously101 prepared for such treatment), and the agility102 he displayed in leaping over their backs and under their legs, and holding on by their tails, while they vainly endeavoured to catch him. The applause was frequent and prolonged, and the two Esquimau prisoners rolled about their burly figures and laughed till the tears ran down their fat cheeks. But when Ben Bolt suddenly caught the two bears by their tails, tied them together in a double knot, and fled behind a hummock, which the Big Bear passed on one side and the Little Bear on the other, and so, as a matter of course, stuck hard and fast, the laughter was excessive; and when the gallant British seaman again rushed forward, massacred the Big Bear with two terrific cuts, slew103 the Little Bear with one tremendous back-hander, and then sank down on one knee and pressed his hand to his brow as if he were exhausted104, a cheer ran from stem to stern of the Dolphin, the like of which had not filled the hull105 of that good ship since she was launched upon her ocean home!
It was just at this moment that Whackinta chanced, curiously106 enough, to return to this spot in the course of her wanderings. She screamed in horror at the sight of the dead bears, which was quite proper and natural, and then she started at the sight of the exhausted Bolt, and smiled sweetly—which was also natural—as she hastened to assist and sympathize with him. Ben Bolt fell in love with her at once, and told her so off-hand, to the unutterable rage of Blunderbore, who recovered from his wounds at that moment, and seizing the sailor by the throat, vowed107 he would kill and quarter, and stew108 and boil, and roast and eat him in one minute if he didn't take care what he was about.
The audience felt some fears for Ben Bolt at this point, but their delight knew no bounds when, shading the giant off and springing backwards109, he buttoned up his coat and roared, rather than said, that though he were all the Blunderbores and blunderbusses in the world rolled together and changed into one immortal110 blunder-cannon, he didn't care a pinch of bad snuff for him, and would knock all the teeth in his head down his throat. This valorous threat he followed up by shaking his fist close under the giant's nose and crying out, "Come on'"
But the giant did not come on. He fortunately recollected111 that he owed his life to the brave sailor; so he smiled, and saying he would be his friend through life, insisted on seizing him by the hand and shaking it violently. Thereafter he took Ben Bolt and Whackinta by their right hands, and leading them forward to the foot-lights, made them a long speech to the effect that he owed a debt of gratitude112 to the former for saving his life which he could never repay, and that he loved the latter too sincerely to stand in the way of her happiness. Then he joined their right hands, and they went down on one knee, and he placed his hands on their heads, and looked up at the audience with a benignant smile, and the curtain fell amid rapturous cheers.
In this play it seemed somewhat curious and unaccountable that Whackinta forgot to inquire for her demolished113 baby, and appeared to feel no anxiety whatever about it. It was also left a matter of uncertainty whether Ben Bolt and his Esquimau bride returned to live happily during the remainder of their lives in England, or took up their permanent abode114 with Blunderbore. But it is not our province to criticise33; we merely chronicle events as they occurred.
The entertainments were to conclude with a hornpipe from Mivins; but just as that elastic115 individual had completed the first of a series of complicated evolutions, and was about to commence the second, a vociferous54 barking of the dogs was heard outside, accompanied by the sound of human voices. The benches were deserted116 in a moment, and the men rushed upon deck, catching117 up muskets118 and cutlasses, which always stood in readiness, as they went. The sounds proceeded from a party of about twenty Esquimaux who had been sent from the camp with the stolen property, and with a humble119 request that the offence might be forgiven, and their chief and his wife returned to them. They were all unarmed; and the sincerity120 of their repentance121 was further attested122 by the fact that they brought back, not only the hatchet123 and telescope, but a large assortment124 of minor125 articles that had not been missed.
Of course the apology was accepted; and, after speeches were delivered, and protestations of undying friendship made on both sides, the party were presented with a few trinkets and a plug of tobacco each, and sent back in a state of supreme126 happiness to their village, where for a week Awatok kept the men of his tribe, and Aninga the women, in a state of intense amazement by their minute descriptions of the remarkable127 doings of the white strangers.
The friendship thus begun between the Esquimaux and the Dolphin's crew was never once interrupted by any unpleasant collision during the months that they afterwards travelled and hunted in company. Strength of muscle and promptitude in action are qualities which all nations in a savage128 state understand and respect, and the sailors proved that they possessed129 these qualities in a higher degree than themselves during the hardships and dangers incident to Arctic life, while at the same time their seemingly endless resources and contrivances impressed the simple natives with the belief that white men could accomplish anything they chose to attempt.
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gratis
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| adj.免费的 | |
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celebrated
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| adj.有名的，声誉卓著的 | |
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kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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whack
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| v.敲击，重打，瓜分；n.重击，重打，尝试，一份 | |
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seaman
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| n.海员，水手，水兵 | |
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wrecked
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| adj.失事的，遇难的 | |
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desolate
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| adj.荒凉的，荒芜的；孤独的，凄凉的；v.使荒芜，使孤寂 | |
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dominions
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| 统治权( dominion的名词复数 )； 领土； 疆土； 版图 | |
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fore
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| adv.在前面；adj.先前的；在前部的；n.前部 | |
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dint
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| n.由于，靠；凹坑 | |
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rehearsals
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| n.练习( rehearsal的名词复数 )；排练；复述；重复 | |
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rehearsal
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| n.排练，排演；练习 | |
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moss
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| n.苔，藓，地衣 | |
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corps
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| n.(通信等兵种的)部队；(同类作的)一组 | |
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thigh
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| n.大腿；股骨 | |
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monarch
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| n.帝王，君主，最高统治者 | |
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dismal
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| adj.阴沉的，凄凉的，令人忧郁的，差劲的 | |
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solitude
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| n. 孤独; 独居,荒僻之地,幽静的地方 | |
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shuddered
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| v.战栗( shudder的过去式和过去分词 )；发抖；（机器、车辆等）突然震动；颤动 | |
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gnaws
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| 咬( gnaw的第三人称单数 )； （长时间） 折磨某人； （使）苦恼； （长时间）危害某事物 | |
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hind
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iceberg
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| n.冰山，流冰，冷冰冰的人 | |
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literally
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| adv.照字面意义，逐字地；确实 | |
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remarkably
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| ad.不同寻常地，相当地 | |
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painstaking
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| adj.苦干的；艰苦的，费力的，刻苦的 | |
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sufficiently
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petrified
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| adj.惊呆的；目瞪口呆的v.使吓呆，使惊呆；变僵硬；使石化(petrify的过去式和过去分词) | |
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concealed
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secrecy
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converse
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| vi.谈话，谈天，闲聊；adv.相反的，相反 | |
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speculation
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| n.思索，沉思；猜测；投机 | |
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32
impede
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| v.妨碍，阻碍，阻止 | |
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33
criticise
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| v.批评，评论；非难 | |
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34
luminous
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| adj.发光的，发亮的；光明的；明白易懂的；有启发的 | |
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35
hoist
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| n.升高，起重机，推动；v.升起，升高，举起 | |
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36
reigned
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| vi.当政，统治（reign的过去式形式） | |
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37
amazement
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| n.惊奇，惊讶 | |
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38
gallant
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| adj.英勇的，豪侠的；(向女人)献殷勤的 | |
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39
extemporize
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| v.即席演说，即兴演奏，当场作成 | |
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40
extemporized
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| v.即兴创作，即席演奏( extemporize的过去式和过去分词 ) | |
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41
hummock
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| n.小丘 | |
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42
colossal
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| adj.异常的，庞大的 | |
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43
scarlet
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| n.深红色，绯红色，红衣；adj.绯红色的 | |
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44
aurora
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| n.极光 | |
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45
heartiness
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| 诚实，热心 | |
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46
promptly
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| adv.及时地，敏捷地 | |
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47
goodwill
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| n.善意，亲善，信誉，声誉 | |
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48
majestically
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| 雄伟地； 庄重地； 威严地； 崇高地 | |
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49
spout
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| v.喷出，涌出；滔滔不绝地讲；n.喷管；水柱 | |
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50
waddled
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| v.（像鸭子一样）摇摇摆摆地走( waddle的过去式和过去分词 ) | |
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51
guise
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| n.外表，伪装的姿态 | |
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52
intentionally
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| ad.故意地，有意地 | |
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53
downwards
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| adj./adv.向下的（地），下行的（地） | |
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54
vociferous
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| adj.喧哗的，大叫大嚷的 | |
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55
vociferously
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| adv.喊叫地，吵闹地 | |
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56
accomplished
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| adj.有才艺的；有造诣的；达到了的 | |
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57
uncommonly
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| adv. 稀罕(极，非常) | |
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58
tar
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| n.柏油，焦油；vt.涂或浇柏油/焦油于 | |
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59
soothe
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| v.安慰；使平静；使减轻；缓和；奉承 | |
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60
hoarse
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| adj.嘶哑的，沙哑的 | |
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61
vent
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| n.通风口，排放口；开衩；vt.表达，发泄 | |
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62
sobs
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| 啜泣（声），呜咽（声）( sob的名词复数 ) | |
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63
lengthened
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| （时间或空间）延长，伸长( lengthen的过去式和过去分词 ) | |
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64
harangue
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| n.慷慨冗长的训话，言辞激烈的讲话 | |
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65
melancholy
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| n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的 | |
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66
gist
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| n.要旨；梗概 | |
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67
touching
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| adj.动人的，使人感伤的 | |
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68
rapture
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| n.狂喜；全神贯注；着迷；v.使狂喜 | |
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69
slay
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| v.杀死，宰杀，杀戮 | |
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70
clenched
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| v.紧握，抓紧，咬紧( clench的过去式和过去分词 ) | |
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71
gambol
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| v.欢呼，雀跃 | |
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72
forth
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| adv.向前；向外，往外 | |
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73
frantic
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| adj.狂乱的，错乱的，激昂的 | |
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74
passionately
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| ad.热烈地，激烈地 | |
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75
morsel
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| n.一口，一点点 | |
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76
tune
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| n.调子；和谐，协调；v.调音，调节，调整 | |
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77
flute
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| n.长笛；v.吹笛 | |
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78
prospect
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| n.前景，前途；景色，视野 | |
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79
jack
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| n.插座，千斤顶，男人；v.抬起，提醒，扛举；n.（Jake）杰克 | |
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80
jauntily
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| adv.心满意足地；洋洋得意地；高兴地；活泼地 | |
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81
recollect
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| v.回忆，想起，记起，忆起，记得 | |
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82
survivor
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| n.生存者，残存者，幸存者 | |
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83
scotch
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| n.伤口，刻痕；苏格兰威士忌酒；v.粉碎，消灭，阻止；adj.苏格兰(人)的 | |
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84
foam
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| v./n.泡沫，起泡沫 | |
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85
cannon
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| n.大炮，火炮；飞机上的机关炮 | |
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86
socket
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| n.窝，穴，孔，插座，插口 | |
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87
hoard
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| n./v.窖藏，贮存，囤积 | |
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88
stump
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| n.残株，烟蒂，讲演台；v.砍断，蹒跚而走 | |
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89
swell
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| vi.膨胀，肿胀；增长，增强 | |
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90
vehemence
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| n.热切；激烈；愤怒 | |
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91
uncertainty
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| n.易变，靠不住，不确知，不确定的事物 | |
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92
conjectured
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| 推测，猜测，猜想( conjecture的过去式和过去分词 ) | |
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93
skulls
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| 颅骨( skull的名词复数 )； 脑袋； 脑子； 脑瓜 | |
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94
pinnacle
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| n.尖塔，尖顶，山峰；(喻)顶峰 | |
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95
standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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96
sprawling
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| adj.蔓生的，不规则地伸展的v.伸开四肢坐[躺]( sprawl的现在分词 )；蔓延；杂乱无序地拓展；四肢伸展坐着（或躺着） | |
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97
ferociously
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| 野蛮地，残忍地 | |
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98
opportunely
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| adv.恰好地，适时地 | |
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99
behold
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| v.看，注视，看到 | |
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100
slashed
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| v.挥砍( slash的过去式和过去分词 )；鞭打；割破；削减 | |
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101
previously
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| adv.以前，先前（地） | |
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102
agility
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| n.敏捷，活泼 | |
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103
slew
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| v.（使）旋转；n.大量，许多 | |
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104
exhausted
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| adj.极其疲惫的，精疲力尽的 | |
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105
hull
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| n.船身；(果、实等的)外壳；vt.去(谷物等)壳 | |
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106
curiously
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| adv.有求知欲地；好问地；奇特地 | |
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107
vowed
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| 起誓，发誓（vow的过去式与过去分词形式） | |
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108
stew
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| n.炖汤，焖，烦恼；v.炖汤，焖，忧虑 | |
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109
backwards
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| adv.往回地，向原处，倒，相反，前后倒置地 | |
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110
immortal
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| adj.不朽的；永生的，不死的；神的 | |
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111
recollected
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| adj.冷静的；镇定的；被回忆起的；沉思默想的v.记起，想起( recollect的过去式和过去分词 ) | |
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112
gratitude
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| adj.感激，感谢 | |
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113
demolished
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| v.摧毁( demolish的过去式和过去分词 )；推翻；拆毁（尤指大建筑物）；吃光 | |
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114
abode
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| n.住处，住所 | |
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115
elastic
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| n.橡皮圈，松紧带；adj.有弹性的；灵活的 | |
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116
deserted
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| adj.荒芜的，荒废的，无人的，被遗弃的 | |
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117
catching
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| adj.易传染的，有魅力的，迷人的，接住 | |
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118
muskets
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| n.火枪，（尤指）滑膛枪( musket的名词复数 ) | |
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119
humble
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| adj.谦卑的，恭顺的；地位低下的；v.降低，贬低 | |
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120
sincerity
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| n.真诚，诚意；真实 | |
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121
repentance
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| n.懊悔 | |
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122
attested
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| adj.经检验证明无病的，经检验证明无菌的v.证明( attest的过去式和过去分词 )；证实；声称…属实；使宣誓 | |
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123
hatchet
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| n.短柄小斧；v.扼杀 | |
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124
assortment
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| n.分类，各色俱备之物，聚集 | |
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125
minor
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| adj.较小(少)的，较次要的；n.辅修学科；vi.辅修 | |
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126
supreme
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| adj.极度的，最重要的；至高的，最高的 | |
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127
remarkable
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| adj.显著的，异常的，非凡的，值得注意的 | |
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128
savage
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| adj.野蛮的；凶恶的，残暴的；n.未开化的人 | |
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129
possessed
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| adj.疯狂的；拥有的，占有的 | |
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