When Mr and Mrs Twitter had dismissed the few friends that night, they sat down at their own fireside, with no one near them but the little foundling, which lay in the youngest Twitter’s disused cradle, gazing at them with its usual solemnity, for it did not seem to require sleep. They opened up their minds to each other thus:—
“Now, Samuel,” said Mrs Twitter, “the question is, what are you going to do with it?”
“Well, Mariar,” returned her spouse1, with an assumption of profound gravity, “I suppose we must send it to the workhouse.”
“You know quite well, Sam, that you don’t mean that,” said Mrs Twitter, “the dear little forsaken2 mite3! Just look at its solemn eyes. It has been clearly cast upon us, Sam, and it seems to me that we are bound to look after it.”
“What! with six of our own, Mariar?”
“Yes, Sam. Isn’t there a song which says something about luck in odd numbers?”
“And with only 500 pounds a year?” objected Mr Twitter.
“Only five hundred. How can you speak so? We are rich with five hundred. Can we not educate our little ones?”
“Yes, my dear.”
“And entertain our friends?”
“Yes, my love,—with crumpets and tea.”
“Don’t forget muffins and bloater paste, and German sausage and occasional legs of mutton, you ungrateful man!”
“I don’t forget ’em, Mariar. My recollection of ’em is powerful; I may even say vivid.”
“Well,” continued the lady, “haven’t you been able to lend small sums on several occasions to friends—”
“Yes, my dear,—and they are still loans,” murmured the husband.
“And don’t we give a little—I sometimes think too little—regularly to the poor, and to the church, and haven’t we got a nest-egg laid by in the Post-office savings-bank?”
“All true, Mariar, and all your doing. But for your thrifty4 ways, and economical tendencies, and rare financial abilities, I should have been bankrupt long ere now.”
Mr Twitter was nothing more than just in this statement of his wife’s character. She was one of those happily constituted women who make the best and the most of everything, and who, while by no means turning her eyes away from the dark sides of things, nevertheless gave people the impression that she saw only their bright sides. Her economy would have degenerated5 into nearness if it had not been commensurate with her liberality, for while, on the one hand, she was ever anxious, almost eager, to give to the needy6 and suffering every penny that she could spare, she was, on the other hand, strictly7 economical in trifles. Indeed Mrs Twitter’s vocabulary did not contain the word trifle. One of her favourite texts of Scripture8, which was always in her mind, and which she had illuminated9 in gold and hung on her bedroom walls with many other words of God, was, “Gather up the fragments, that nothing be lost.” Acting10 on this principle with all her heart, she gathered up the fragments of time, so that she had always a good deal of that commodity to spare, and was never in a hurry. She gathered up bits of twine11 and made neat little rings of them, which she deposited in a basket—a pretty large basket—which in time became such a repository of wealth in that respect that the six Twitters never failed to find the exact size and quality of cordage wanted by them—and, indeed, even after the eldest12, Sammy, came to the years of discretion13, if he had suddenly required a cable suited to restrain a first-rate iron-clad, his mind would, in the first blush of the thing, have reverted14 to mother’s basket! If friends wrote short notes to Mrs Twitter—which they often did, for the sympathetic find plenty of correspondents—the blank leaves were always torn off and consigned15 to a scrap-paper box, and the pile grew big enough at last to have set up a small stationer in business. And so with everything that came under her influence at home or abroad. She emphatically did what she could to prevent waste, and became a living fulfilment of the well-known proverb, for as she wasted not she wanted not.
But to return from this digression—
“Well, then,” said Mrs Twitter, “don’t go and find fault, Samuel,” (she used the name in full when anxious to be impressive), “with what Providence16 has given us, by putting the word ‘only’ to it, for we are rich with five hundred a year.”
Mr Twitter freely admitted that he was wrong, and said he would be more careful in future of the use to which he put the word “only.”
“But,” said he, “we haven’t a hole or corner in the house to put the poor thing in. To be sure, there’s the coal-cellar and the scuttle17 might be rigged up as a cradle, but—”
He paused, and looked at his wife. The deceiver did not mean all this to be taken as a real objection. He was himself anxious to retain the infant, and only made this show of opposition18 to enlist19 Maria more certainly on his side.
“Not a corner!” she exclaimed, “why, is there not the whole parlour? Do you suppose that a baby requires a four-post bed, and a wash-hand-stand, and a five-foot mirror? Couldn’t we lift the poor darling in and out in half a minute? Besides, there is our own room. I feel as if there was an uncomfortable want of some sort ever since our baby was transplanted to the nursery. So we will establish the old bassinet and put the mite there.”
“And what shall we call it, Maria?”
“Call it—why, call it—call it—Mite—no name could be more appropriate.”
“But, my love, Mite, if a name at all, is a man’s—that is, it sounds like a masculine name.”
“Call it Mita, then.”
And so it was named, and thus that poor little waif came to be adopted by that “rich” family.
It seems to be our mission, at this time, to introduce our readers to various homes—the homes of England, so to speak! But let not our readers become impatient, while we lead the way to one more home, and open the door with our secret latch-key.
This home is in some respects peculiar20. It is not a poor one, for it is comfortable and clean. Neither is it a rich one, for there are few ornaments21, and no luxuries about it. Over the fire stoops a comely22 young woman, as well as one can judge, at least, from the rather faint light that enters through a small window facing a brick wall. The wall is only five feet from the window, and some previous occupant of the rooms had painted on it a rough landscape, with three very green trees and a very blue lake, and a swan in the middle thereof, sitting on an inverted23 swan which was meant to be his reflection, but somehow seemed rather more real than himself. The picture is better, perhaps, than the bricks were, yet it is not enlivening. The only other objects in the room worth mentioning are, a particularly small book-shelf in a corner; a cuckoo-clock on the mantel-shelf, an engraved24 portrait of Queen Victoria on the wall opposite in a gilt25 frame, and a portrait of Sir Robert Peel in a frame of rosewood beside it.
On a little table in the centre of the room are the remains26 of a repast. Under the table is a very small child, probably four years of age. Near the window is another small, but older child—a boy of about six or seven. He is engaged in fitting on his little head a great black cloth helmet with a bronze badge, and a peak behind as well as before.
Having nearly extinguished himself with the helmet, the small boy seizes a very large truncheon, and makes a desperate effort to flourish it.
Close to the comely woman stands a very tall, very handsome, and very powerful man, who is putting in the uppermost buttons of a police-constable’s uniform.
Behold27, reader, the tableau28 vivant to which we would call your attention!
“Where d’you go on duty to-day, Giles,” asked the comely young woman, raising her face to that of her husband.
“Oxford Circus,” replied the policeman. “It is the first time I’ve been put on fixed-point duty. That’s the reason I’m able to breakfast with you and the children, Molly, instead of being off at half-past five in the morning as usual. I shall be on for a month.”
“I’m glad of it, Giles, for it gives the children a chance of seeing something of you. I wish you’d let me look at that cut on your shoulder. Do!”
“No, no, Molly,” returned the man, as he pushed his wife playfully away from him. “Hands off! You know the punishment for assaulting the police is heavy! Now then, Monty,” (to the boy), “give up my helmet and truncheon. I must be off.”
“Not yet, daddy,” cried Monty, “I’s a pleeceman of the A Division, Number 2, ’ats me, an’ I’m goin’ to catch a t’ief. I ’mell ’im.”
“You smell him, do you? Where is he, d’you think?”
“Oh! I know,” replied the small policeman—here he came close up to his father, and, getting on tiptoe, said in a very audible whisper, “he’s under de table, but don’ tell ’im I know. His name’s Joe!”
“All right, I’ll keep quiet, Monty, but look alive and nab him quick, for I must be off.”
Thus urged the small policeman went on tiptoe to the table, made a sudden dive under it, and collared his little brother.
The arrest, however, being far more prompt than had been expected, the “t’ief” refused to be captured. A struggle ensued, in the course of which the helmet rolled off, a corner of the tablecloth29 was pulled down, and the earthenware30 teapot fell with a crash to the floor.
“It’s my duty, I fear,” said Giles, “to take you both into custody31 and lock you up in a cell for breaking the teapot as well as the peace, but I’ll be merciful and let you off this time, Monty, if you lend your mother a hand to pick up the pieces.”
Monty agreed to accept this compromise. The helmet and truncheon were put to their proper uses, and the merciful police-constable went out “on duty.”
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1
spouse
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| n.配偶(指夫或妻) | |
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2
Forsaken
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| adj. 被遗忘的, 被抛弃的 动词forsake的过去分词 | |
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mite
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| n.极小的东西；小铜币 | |
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4
thrifty
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| adj.节俭的；兴旺的；健壮的 | |
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degenerated
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| 衰退，堕落，退化( degenerate的过去式和过去分词 ) | |
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needy
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| adj.贫穷的，贫困的，生活艰苦的 | |
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strictly
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| adv.严厉地，严格地；严密地 | |
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8
scripture
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| n.经文，圣书，手稿；Scripture:(常用复数)《圣经》，《圣经》中的一段 | |
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illuminated
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| adj.被照明的；受启迪的 | |
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10
acting
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| n.演戏，行为，假装；adj.代理的，临时的，演出用的 | |
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11
twine
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| v.搓，织，编饰；（使）缠绕 | |
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eldest
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| adj.最年长的，最年老的 | |
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discretion
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| n.谨慎；随意处理 | |
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14
reverted
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| 恢复( revert的过去式和过去分词 )； 重提； 回到…上； 归还 | |
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15
consigned
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| v.把…置于（令人不快的境地）( consign的过去式和过去分词 )；把…托付给；把…托人代售；丟弃 | |
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16
providence
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| n.深谋远虑，天道，天意；远见；节约；上帝 | |
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scuttle
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| v.急赶，疾走，逃避；n.天窗；舷窗 | |
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opposition
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| n.反对，敌对 | |
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enlist
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| vt.谋取(支持等)，赢得；征募；vi.入伍 | |
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peculiar
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| adj.古怪的，异常的；特殊的，特有的 | |
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ornaments
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| n.装饰( ornament的名词复数 )；点缀；装饰品；首饰v.装饰，点缀，美化( ornament的第三人称单数 ) | |
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comely
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| adj.漂亮的，合宜的 | |
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inverted
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| adj.反向的，倒转的v.使倒置，使反转( invert的过去式和过去分词 ) | |
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24
engraved
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| v.在（硬物）上雕刻（字，画等）( engrave的过去式和过去分词 )；将某事物深深印在（记忆或头脑中） | |
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25
gilt
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| adj.镀金的；n.金边证券 | |
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26
remains
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| n.剩余物，残留物；遗体，遗迹 | |
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27
behold
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| v.看，注视，看到 | |
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tableau
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| n.画面，活人画（舞台上活人扮的静态画面） | |
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29
tablecloth
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| n.桌布，台布 | |
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earthenware
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| n.土器，陶器 | |
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31
custody
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| n.监护，照看，羁押，拘留 | |
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