Mary Louise couldn't see all these details from her seat in the pavilion across the river, but she was near enough to observe the general effect of the old man's antiquated5 costume and it amazed her.
Yes, he was old, nearly as ancient as his apparel, the girl decided6; but although he moved with slow deliberation his gait was not feeble, by any means. With hands clasped behind him and head slightly bowed, as if in meditation7, he paced the length of the well-worn path, reached the bridge and disappeared down the road toward the village.
"That," said a voice beside her, "is the Pooh-Bah of Cragg's Crossing. It is old Cragg himself."
Gran'pa Jim was leaning against the outer breast of the pavilion, book in hand.
"You startled me," she said, "but no more than that queer old man did. Was the village named after him, Gran'pa?"
"I suppose so; or after his father, perhaps, for the place seems even older than old Cragg. He has an 'office' in a bare little room over the store, and I rented this place from him. Whatever his former fortunes may have been—and I imagine the Craggs once owned all the land about here—old Hezekiah seems reduced to a bare existence."
"Perhaps," suggested Mary Louise, "he inherited those clothes with the land, from his father. Isn't it an absurd costume, Gran'pa Jim? And in these days of advanced civilization, too! Of course old Hezekiah Cragg is not strong mentally or he would refuse to make a laughingstock of himself in that way."
Colonel Hathaway stared across the river for a time without answering. Then he said:
"I do not think the natives here laugh at him, although I remember they called him 'Old Swallowtail' when I was directed to him as the only resident real estate agent. I found the old man quite shrewd in driving a bargain and thoroughly8 posted on all the affairs of the community. However, he is not a gossip, but inclined to be taciturn. There is a fathomless9 look in his eyes and he is cold and unresponsive. Country life breeds strange characteristics in some people. The whimsical dress and mannerisms of old Mr. Cragg would not be tolerated in the cities, while here they seem regarded with unconcern because they have become familiar. I was rather, pleased with his personality because he is the Cragg of Cragg's Crossing. How much of the original plot of land he still owns I don't know."
"Why, he lives in that hovel!" said the girl.
"So it seems, although he may have been merely calling there."
"He fits the place," she declared. "It's old and worn and neglected, just as he and his clothes are. I'd be sorry, indeed, to discover that Mr. Cragg lives anywhere else."
The Colonel, his finger between the leaves of the book he held, to mark the place where he was reading, nodded somewhat absently and started to turn away. Then he paused to ask anxiously:
"Does this place please you, my dear?"
"Ever so much, Gran'pa Jim!" she replied with enthusiasm, leaning from her seat inside the pavilion to press a kiss upon his bare gray head. "I've a sense of separation from all the world, yet it seems good to be hidden away in this forgotten nook. Perhaps I wouldn't like it for always, you know, but for a summer it is simply delightful10. We can rest—and rest—and rest!—and be as cozy11 as can be."
Again the old gentleman nodded, smiling at the girl this time. They were good chums, these two, and what pleased one usually pleased the other.
Colonel Hathaway had endured a sad experience recently and his handsome old face still bore the marks of past mental suffering. His only daughter, Beatrice Burrows12, who was the mother of Mary Louise, had been indirectly13 responsible for the Colonel's troubles, but her death had lifted the burden; her little orphaned14 girl, to whom no blame could be attached, was very dear to "Gran'pa Jim's" heart. Indeed, she was all he now had to love and care for and he continually planned to promote her happiness and to educate her to become a noble woman. Fortunately he had saved considerable money from the remains15 of an immense estate he had once possessed16 and so was able to do anything for his grandchild that he desired. In New York and elsewhere Colonel James Hathaway had a host of influential17 friends, but he was shy of meeting them since his late unpleasant experiences.
Mary Louise, for her part, was devotedly18 attached to her grandfather and preferred his society to that of any other person. As the erect19 form of the old gentleman sauntered away through the trees she looked after him affectionately and wagged her little head with hearty20 approval.
"This is just the place for Gran'pa Jim," she mused21. "There's no one to bother him with questions or sympathy and he can live as quietly as he likes and read those stuffy22 old books—the very name 'classics' makes me shudder—to his heart's content. He'll grow stronger and happier here, I'm sure."
Then she turned anew to revel23 in the constantly shifting view of river and woodland that extended panoramically24 from her seat in the pavilion. As her eyes fell on the old cottage opposite she was surprised to see a dishpan sail through the open window, to fall with a clatter25 of broken dishes on the hard ground of the yard. A couple of dish-towels followed, and then a broom and a scrubbing-brush—all tossed out in an angry, energetic way that scattered26 them in every direction. Then on the porch appeared the form of a small girl, poorly dressed in a shabby gingham gown, who danced up and down for a moment as if mad with rage and then, observing the washtub, gave it a kick which sent it rolling off the porch to join the other utensils27 on the ground.
Next, the small girl looked around her as if seeking more inanimate things upon which to vent29 her anger, but finding none she dashed into the cottage and soon reappeared with a much-worn straw hat which she jammed on her flaxen head and then, with a determined30 air, walked down the plank31 and marched up the path toward the bridge—the same direction that old Cragg had taken a short time before.
Mary Louise gave a gasp32 of amazement33. The scene had been dramatic and exciting while it lasted and it needed no explanation whatever. The child had plainly rebelled at enforced drudgery34 and was going—where?
Mary Louise sprang lightly from her seat and ran through the grounds to their entrance. When she got to the road she sped along until she came to the bridge, reaching one end of it just as the other girl started to cross from the opposite end. Then she stopped and in a moment the two met.
"Where are you going?" asked Mary Louise, laying a hand on the child's arm as she attempted to pass her.
"Oh, it is, indeed," said Mary Louise, panting a little from her run. "I saw you throw things, a minute ago, so I guess you mean to run away."
The girl turned and stared at her.
"I don't know ye," said she. "Never saw ye before. Where'd ye come from anyway?"
"Why, my grandfather and I have taken the Kenton house for the summer, so we're to be your neighbors. Of course, you know, we must get acquainted."
"Ye kin28 be neighbors to my Gran'dad, if ye like, but not to me. Not by a ginger36 cookie! I've done wi' this place fer good an' all, I hev, and if ye ever see me here ag'in my name ain't Ingua Scammel!"
"Here; let's sit down on the bridge and talk it over," proposed Mary Louise. "There's plenty of time for you to run away, if you think you'd better. Is Mr. Cragg your grandfather, then?"
"Not to his face, do you?"
"I ain't so foolish. He's got a grip on him like a lobster38, an' when he's mad at me he grips my arm an' twists it till I holler. When Gran'dad's aroun' you bet I hev to knuckle39 down, er I gits the worst of it."
"So he's cruel, is he?"
"Uh-huh. Thet is, he's cruel when I riles him, as I got a habit o' doin'. When things runs smooth, Gran'dad ain't so bad; but I ain't goin' to stand that slave life no longer, I ain't. I've quit fer good."
"Wherever you go," said Mary Louise gently, "you will have to work for someone. Someone, perhaps, who treats you worse than your grandfather does. No one else is obliged to care for you in any way, so perhaps you're not making a wise change."
"I ain't, eh?"
"Perhaps not. Have you any other relatives to go to?"
"No."
"Or any money?"
"Not a red cent."
"Then you'll have to hire out as a servant. You're not big enough or strong enough to do much, so you'll search a long time before you find work, and that means being hungry and without shelter. I know more of the world than you do, Ingua—what an odd name you have!—and I honestly think you are making a mistake to run away from your own grandfather."
The girl stared into the water in sullen40 silence for a time. Mary Louise got a good look at her now and saw that her freckled41 face might be pretty if it were not so thin and drawn42. The hands lying on her lap were red and calloused43 with housework and the child's whole appearance indicated neglect, from the broken-down shoes to the soiled and tattered44 dress. She seemed to be reflecting, for after a while she gave a short, bitter laugh at the recollection of her late exhibition of temper and said:
"That is bad," said Mary Louise; "but it might be worse. Mr. Cragg can buy more dishes."
"Oh, he can, can he? Where's the money comin' from?"
"Is he poor?"
"He ain't got no money, if that's what ye mean. That's what he says, anyhow. Says it were a godsend you folks rented that house of him, 'cause it'll keep us in corn bread an' pork for six months, ef we're keerful. Bein' keerful means that he'll eat the pork an' I gits a chunk46 o' corn bread now an' then."
"Dear me!" exclaimed Mary Louise in a distressed47 voice. "Don't you get enough to eat?"
"Oh, I manages it somehow," declared Ingua, with indifference48. "I be'n swipin' one egg a day fer weeks an' weeks. Gran'dad says he'll trim me good an' plenty if he catches me eatin' eggs, 'cause all that our chickens lays he takes down to the store an' sells. But he ain't home daytimes, to count what eggs is laid, an' so I watches out an' grabs one a day. He's mighty49 cute, I tell ye, Gran'dad is; but he ain't cute enough to catch me at the egg-swipin'."
Mary Louise was greatly shocked. Really, she decided, something must be done for this poor child. Looking at the matter from Ingua's report, the smashing of the dishes might prove serious. So she said:
"Come, dear, let's go together to your house and see if we can't restore the damage."
But the girl shook her head.
"Noth'n' can't mend them busted dishes," she said, "an' when Gran'dad sees 'em he'll hev a fit. That's why I did it; I wanted to show him I'd had revenge afore I quit him cold. He won't be home till night, but I gotta be a long way off, afore then, so's he can't ketch me."
"Give it up," suggested Mary Louise. "I've come here to live all summer, Ingua, and now that we're friends I'm going to help you to get along more comfortably. We will have some splendid times together, you and I, and you will be a good deal better off than wandering among strangers who don't care for you."
The girl turned and looked into Mary Louise's face long and earnestly. Her eyes wandered to her neatly50 arranged hair, to the white collar at her throat, then down to her blue serge dress and her dainty shoes. But mostly she looked straight into the eyes of her new friend and found there sincerity51 and evident good will. So she sighed deeply, cast a glance at her own bedraggled attire52, and said:
"We ain't much alike, us two, but I guess we kin be friends. Other girls has come here, to the rich people's houses, but they all stuck up their noses at me. You're the first that's ever give me a word."
"All girls are not alike, you know," responded Mary Louise cheerfully. "So now, let's go to your house and see what damage has been done."
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1
quaint
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| adj.古雅的，离奇有趣的，奇怪的 | |
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brass
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| n.黄铜；黄铜器，铜管乐器 | |
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frayed
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| adj.磨损的v.（使布、绳等）磨损，磨破( fray的过去式和过去分词 ) | |
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velvet
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| n.丝绒，天鹅绒；adj.丝绒制的，柔软的 | |
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antiquated
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| adj.陈旧的，过时的 | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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meditation
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| n.熟虑，（尤指宗教的）默想，沉思，（pl.）冥想录 | |
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8
thoroughly
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| adv.完全地，彻底地，十足地 | |
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fathomless
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| a.深不可测的 | |
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delightful
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| adj.令人高兴的，使人快乐的 | |
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cozy
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| adj.亲如手足的，密切的，暖和舒服的 | |
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burrows
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| n.地洞( burrow的名词复数 )v.挖掘（洞穴），挖洞( burrow的第三人称单数 )；翻寻 | |
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indirectly
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| adv.间接地，不直接了当地 | |
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orphaned
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| [计][修]孤立 | |
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remains
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| n.剩余物，残留物；遗体，遗迹 | |
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possessed
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| adj.疯狂的；拥有的，占有的 | |
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influential
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| adj.有影响的，有权势的 | |
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devotedly
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| 专心地； 恩爱地； 忠实地； 一心一意地 | |
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erect
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| n./v.树立，建立，使竖立；adj.直立的，垂直的 | |
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hearty
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| adj.热情友好的；衷心的；尽情的，纵情的 | |
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mused
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| v.沉思，冥想( muse的过去式和过去分词 )；沉思自语说（某事） | |
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stuffy
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| adj.不透气的，闷热的 | |
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revel
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| vi.狂欢作乐，陶醉；n.作乐，狂欢 | |
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panoramically
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clatter
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| v./n.(使)发出连续而清脆的撞击声 | |
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scattered
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| adj.分散的，稀疏的；散步的；疏疏落落的 | |
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utensils
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| 器具，用具，器皿( utensil的名词复数 )； 器物 | |
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kin
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| n.家族，亲属，血缘关系；adj.亲属关系的，同类的 | |
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vent
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| n.通风口，排放口；开衩；vt.表达，发泄 | |
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determined
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| adj.坚定的；有决心的 | |
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plank
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| n.板条，木板，政策要点，政纲条目 | |
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gasp
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| n.喘息，气喘；v.喘息；气吁吁他说 | |
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amazement
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| n.惊奇，惊讶 | |
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drudgery
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| n.苦工，重活，单调乏味的工作 | |
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curt
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| adj.简短的，草率的 | |
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ginger
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| n.姜，精力，淡赤黄色；adj.淡赤黄色的；vt.使活泼，使有生气 | |
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humbug
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| n.花招，谎话，欺骗 | |
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lobster
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| n.龙虾，龙虾肉 | |
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knuckle
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| n.指节；vi.开始努力工作；屈服，认输 | |
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sullen
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| adj.愠怒的，闷闷不乐的，(天气等)阴沉的 | |
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freckled
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| adj.雀斑；斑点；晒斑；（使）生雀斑v.雀斑，斑点( freckle的过去式和过去分词 ) | |
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42
drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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43
calloused
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| adj.粗糙的，粗硬的，起老茧的v.（使）硬结，（使）起茧( callous的过去式和过去分词 )；（使）冷酷无情 | |
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44
tattered
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| adj.破旧的，衣衫破的 | |
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45
busted
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| adj. 破产了的，失败了的，被降级的，被逮捕的，被抓到的 动词bust的过去式和过去分词 | |
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46
chunk
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| n.厚片，大块，相当大的部分（数量） | |
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47
distressed
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| 痛苦的 | |
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48
indifference
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| n.不感兴趣，不关心，冷淡，不在乎 | |
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49
mighty
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| adj.强有力的；巨大的 | |
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50
neatly
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| adv.整洁地，干净地，灵巧地，熟练地 | |
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51
sincerity
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| n.真诚，诚意；真实 | |
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52
attire
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| v.穿衣，装扮[同]array；n.衣着；盛装 | |
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