He has no hope of freedom and as complaint will avail him nothing, he begins to while away the hours by reciting poems and stories that he had learned in youth. So happily does he vary the tones of the speakers, feigning2 in turn the voices of kings and courtiers, lovers and princesses, birds and beasts, that he speedily draws all his fellow-prisoners around him, beguiling3 them by the spell of his genius.
Those who have food, eagerly press it upon him that his strength may be replenished4; the jailer, who has been drawn5 into the charmed circle, loosens his bonds that he may move more freely, and finally grants him better quarters that the stories may be heard to greater advantage. Next the petty officers hear of the prisoner's marvellous gifts and report them everywhere with such effect that the higher authorities at last become interested and grant him a pardon.
Tales like these, that draw children from play and old men from the chimney-corner; that gain the freedom of a Singing Prisoner, and enable a Scheherazade to postpone6 from night to night her hour of death, are one and all pervaded7 by the same eternal magic. Pain, grief, terror, care, and bondage8 are all forgotten for a time when lakes of gems9 and enchanted10 waterfalls shimmer11 in the sunlight, when Rakshas's palaces rise, full-built, before our very eyes, or when Caballero's Knights12 of the Fish prance13 away on their magic chargers. "I wonder when!" "I wonder how!" "I wonder where!" we say as we follow them into the land of mystery.
[xii]
So Youngling said when he heard the sound of the mysterious axe14 in the forest and asked himself who could be chopping there.
"I wonder!" he cried again when he listened to the faerie spade digging and delving15 at the top of the rocks.
"I wonder!" he questioned a third time when he drank from the streamlet and sought its source, finding it at last in the enchanted walnut16. Axe and spade and walnut each gladly welcomed him, you remember, saying, "It's long I've been looking for you, my lad!" for the new world is always awaiting its Columbus.
No such divine curiosity as that of Youngling's stirred the dull minds of his elder brothers and to them came no such reward. They jeered17 at the wanderer, reproaching him that he forever strayed from the beaten path, but when Youngling issues from the forest with the magic axe, the marvellous spade, and the miraculous18 nut to conquer his little world, we begin to ask ourselves which of the roads in the wood are indeed best worth following.
"Childish wonder is the first step in human wisdom," said the greatest of the world's showmen, but there are no wonders to the eyes that lack real vision. In the story of "What the Birds Said," for instance, the stolid19 jailer flatly denies that the feathered creatures have any message of import to convey; it is the poor captive who by sympathy and insight divines the meaning of their chatter20 and thus saves the city and his own life.
The tales in this book are of many kinds of wonder; of black magic, white magic and gray; ranging from the recital21 of strange and supernatural deeds and experiences to those that fore-shadow modern conquests of nature and those that utilize22 the marvellous to teach a moral lesson. Choose among them as you will, for as the Spaniards might say, "The book is at your feet; whatever you admire is yours!"
"Tales of Wonder" is the fourth and last of our Fairy Series in the Children's Classics, so this preface is in the nature of an epilogue. "The Fairy Ring," "Magic Casements," "Tales of Laughter"—each had its separate message for its little public, and "Tales of Wonder" rings down the curtain.
[xiii]
There was once a little brown nightingale that sang melodious23 strains in the river-thickets of the Emperor's garden, but when she was transported to the Porcelain25 Palace the courtiers soon tired of her wild-wood notes and supplanted26 her with a wonderful bird-automaton, fashioned of gold and jewels.
Time went on, but the Emperor, wisest of the court, began at last to languish27, and to long unceasingly for the fresh, free note of the little brown nightingale. It was sweeter by far than the machine-made trills and roulades of the artificial songster, and he felt instinctively28 that only by its return could death be charmed away.
The old, yet ever new, tales in these four books are like the wild notes of the nightingale in the river-thicket24, and many are the emperors to whom they have sung.
Whenever we tire of what is trivial and paltry29 in the machine-made fairy tale of to-day, let us open one of these crimson30 volumes and hear again the note of the little brown bird in the thicket.
Kate Douglas Wiggin.
点击收听单词发音
1 dungeon | |
n.地牢,土牢 | |
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2 feigning | |
假装,伪装( feign的现在分词 ); 捏造(借口、理由等) | |
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3 beguiling | |
adj.欺骗的,诱人的v.欺骗( beguile的现在分词 );使陶醉;使高兴;消磨(时间等) | |
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4 replenished | |
补充( replenish的过去式和过去分词 ); 重新装满 | |
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5 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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6 postpone | |
v.延期,推迟 | |
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7 pervaded | |
v.遍及,弥漫( pervade的过去式和过去分词 ) | |
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8 bondage | |
n.奴役,束缚 | |
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9 gems | |
growth; economy; management; and customer satisfaction 增长 | |
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10 enchanted | |
adj. 被施魔法的,陶醉的,入迷的 动词enchant的过去式和过去分词 | |
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11 shimmer | |
v./n.发微光,发闪光;微光 | |
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12 knights | |
骑士; (中古时代的)武士( knight的名词复数 ); 骑士; 爵士; (国际象棋中)马 | |
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13 prance | |
v.(马)腾跃,(人)神气活现地走 | |
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14 axe | |
n.斧子;v.用斧头砍,削减 | |
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15 delving | |
v.深入探究,钻研( delve的现在分词 ) | |
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16 walnut | |
n.胡桃,胡桃木,胡桃色,茶色 | |
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17 jeered | |
v.嘲笑( jeer的过去式和过去分词 ) | |
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18 miraculous | |
adj.像奇迹一样的,不可思议的 | |
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19 stolid | |
adj.无动于衷的,感情麻木的 | |
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20 chatter | |
vi./n.喋喋不休;短促尖叫;(牙齿)打战 | |
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21 recital | |
n.朗诵,独奏会,独唱会 | |
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22 utilize | |
vt.使用,利用 | |
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23 melodious | |
adj.旋律美妙的,调子优美的,音乐性的 | |
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24 thicket | |
n.灌木丛,树林 | |
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25 porcelain | |
n.瓷;adj.瓷的,瓷制的 | |
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26 supplanted | |
把…排挤掉,取代( supplant的过去式和过去分词 ) | |
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27 languish | |
vi.变得衰弱无力,失去活力,(植物等)凋萎 | |
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28 instinctively | |
adv.本能地 | |
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29 paltry | |
adj.无价值的,微不足道的 | |
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30 crimson | |
n./adj.深(绯)红色(的);vi.脸变绯红色 | |
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