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THE ROMANCE OF THE SWAG
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The Australian swag fashion is the easiest way in the world of carrying a load. I ought to know something about carrying loads: I’ve carried babies, which are the heaviest and most awkward and heartbreaking loads in this world for a boy or man to carry, I fancy. God remember mothers who slave about the housework (and do sometimes a man’s work in addition in the bush) with a heavy, squalling kid on one arm! I’ve humped logs on the selection, “burning-off,” with loads of fencing-posts and rails and palings out of steep, rugged1 gullies (and was happier then, perhaps); I’ve carried a shovel2, crowbar, heavy “rammer,” a dozen insulators3 on an average (strung round my shoulders with raw flax)-to say nothing of soldiering kit4, tucker-bag, billy and climbing spurs—all day on a telegraph line in rough country in New Zealand, and in places where a man had to manage his load with one hand and help himself climb with the other; and I’ve helped hump and drag telegraph-poles up cliffs and sidings where the horses couldn’t go. I’ve carried a portmanteau on the hot dusty roads in green old jackaroo days. Ask any actor who’s been stranded5 and had to count railway sleepers6 from one town to another! he’ll tell you what sort of an awkward load a portmanteau is, especially if there’s a broken-hearted man underneath7 it. I’ve tried knapsack fashion—one of the least healthy and most likely to give a man sores; I’ve carried my belongings8 in a three-bushel sack slung9 over my shoulder—blankets, tucker, spare boots and poetry all lumped together. I tried carrying a load on my head, and got a crick in my neck and spine10 for days. I’ve carried a load on my mind that should have been shared by editors and publishers. I’ve helped hump luggage and furniture up to, and down from, a top flat in London. And I’ve carried swag for months out back in Australia—and it was life, in spite of its “squalidness” and meanness and wretchedness and hardship, and in spite of the fact that the world would have regarded us as “tramps”—and a free life amongst men from all the world!
 
The Australian swag was born of Australia and no other land—of the Great Lone11 Land of magnificent distances and bright heat; the land of self-reliance, and never-give-in, and help-your-mate. The grave of many of the world’s tragedies and comedies—royal and otherwise. The land where a man out of employment might shoulder his swag in Adelaide and take the track, and years later walk into a hut on the Gulf12, or never be heard of any more, or a body be found in the bush and buried by the mounted police, or never found and never buried—what does it matter?
 
The land I love above all others—not because it was kind to me, but because I was born on Australian soil, and because of the foreign father who died at his work in the ranks of Australian pioneers, and because of many things. Australia! My country! Her very name is music to me. God bless Australia! for the sake of the great hearts of the heart of her! God keep her clear of the old-world shams13 and social lies and mockery, and callous14 commercialism, and sordid15 shame! And heaven send that, if ever in my time her sons are called upon to fight for her young life and honour, I die with the first rank of them and be buried in Australian ground.
 
But this will probably be called false, forced or “maudlin sentiment” here in England, where the mawkish16 sentiment of the music-halls, and the popular applause it receives, is enough to make a healthy man sick, and is only equalled by music-hall vulgarity. So I’ll get on.
 
In the old digging days the knapsack, or straps17-across-the chest fashion, was tried, but the load pressed on a man’s chest and impeded19 his breathing, and a man needs to have his bellows20 free on long tracks in hot, stirless weather. Then the “horse-collar,” or rolled military overcoat style—swag over one shoulder and under the other arm—was tried, but it was found to be too hot for the Australian climate, and was discarded along with Wellington boots and leggings. Until recently, Australian city artists and editors—who knew as much about the bush as Downing Street knows about the British colonies in general—seemed to think the horse-collar swag was still in existence; and some artists gave the swagman a stick, as if he were a tramp of civilization with an eye on the backyard and a fear of the dog. English artists, by the way, seem firmly convinced that the Australian bushman is born in Wellington boots with a polish on ’em you could shave yourself by.
 
The swag is usually composed of a tent “fly” or strip of calico (a cover for the swag and a shelter in bad weather—in New Zealand it is oilcloth or waterproof21 twill), a couple of blankets, blue by custom and preference, as that colour shows the dirt less than any other (hence the name “bluey” for swag), and the core is composed of spare clothing and small personal effects. To make or “roll up” your swag: lay the fly or strip of calico on the ground, blueys on top of it; across one end, with eighteen inches or so to spare, lay your spare trousers and shirt, folded, light boots tied together by the laces toe to heel, books, bundle of old letters, portraits, or whatever little knick-knacks you have or care to carry, bag of needles, thread, pen and ink, spare patches for your pants, and bootlaces. Lay or arrange the pile so that it will roll evenly with the swag (some pack the lot in an old pillowslip or canvas bag), take a fold over of blanket and calico the whole length on each side, so as to reduce the width of the swag to, say, three feet, throw the spare end, with an inward fold, over the little pile of belongings, and then roll the whole to the other end, using your knees and judgment22 to make the swag tight, compact and artistic23; when within eighteen inches of the loose end take an inward fold in that, and bring it up against the body of the swag. There is a strong suggestion of a roley-poley in a rag about the business, only the ends of the swag are folded in, in rings, and not tied. Fasten the swag with three or four straps, according to judgment and the supply of straps. To the top strap18, for the swag is carried (and eased down in shanty24 bars and against walls or veranda-posts when not on the track) in a more or less vertical25 position—to the top strap, and lowest, or lowest but one, fasten the ends of the shoulder strap (usually a towel is preferred as being softer to the shoulder), your coat being carried outside the swag at the back, under the straps. To the top strap fasten the string of the nose-bag, a calico bag about the size of a pillowslip, containing the tea, sugar and flour bags, bread, meat, baking-powder and salt, and brought, when the swag is carried from the left shoulder, over the right on to the chest, and so balancing the swag behind. But a swagman can throw a heavy swag in a nearly vertical position against his spine, slung from one shoulder only and without any balance, and carry it as easily as you might wear your overcoat. Some bushmen arrange their belongings so neatly26 and conveniently, with swag straps in a sort of harness, that they can roll up the swag in about a minute, and unbuckle it and throw it out as easily as a roll of wall-paper, and there’s the bed ready on the ground with the wardrobe for a pillow. The swag is always used for a seat on the track; it is a soft seat, so trousers last a long time. And, the dust being mostly soft and silky on the long tracks out back, boots last marvellously. Fifteen miles a day is the average with the swag, but you must travel according to the water: if the next bore or tank is five miles on, and the next twenty beyond, you camp at the five-mile water to-night and do the twenty next day. But if it’s thirty miles you have to do it. Travelling with the swag in Australia is variously and picturesquely27 described as “humping bluey,” “walking Matilda,” “humping Matilda,” “humping your drum,” “being on the wallaby,” “jabbing trotters,” and “tea and sugar burglaring,” but most travelling shearers now call themselves trav’lers, and say simply “on the track,” or “carrying swag.”
 
And there you have the Australian swag. Men from all the world have carried it—lords and low-class Chinamen, saints and world martyrs28, and felons29, thieves, and murderers, educated gentlemen and boors30 who couldn’t sign their mark, gentlemen who fought for Poland and convicts who fought the world, women, and more than one woman disguised as a man. The Australian swag has held in its core letters and papers in all languages, the honour of great houses, and more than one national secret, papers that would send well-known and highly-respected men to jail, and proofs of the innocence31 of men going mad in prisons, life tragedies and comedies, fortunes and papers that secured titles and fortunes, and the last pence of lost fortunes, life secrets, portraits of mothers and dead loves, pictures of fair women, heart-breaking old letters written long ago by vanished hands, and the pencilled manuscript of more than one book which will be famous yet.
 
The weight of the swag varies from the light rouseabout’s swag, containing one blanket and a clean shirt, to the “royal Alfred,” with tent and all complete, and weighing part of a ton. Some old sundowners have a mania32 for gathering33, from selectors’ and shearers’ huts, and dust-heaps, heart-breaking loads of rubbish which can never be of any possible use to them or anyone else. Here is an inventory34 of the contents of the swag of an old tramp who was found dead on the track, lying on his face on the sand, with his swag on top of him, and his arms stretched straight out as if he were embracing the mother earth, or had made, with his last movement, the sign of the cross to the blazing heavens:
 
Rotten old tent in rags. Filthy35 blue blanket, patched with squares of red and calico. Half of “white blanket” nearly black now, patched with pieces of various material and sewn to half of red blanket. Three-bushel sack slit36 open. Pieces of sacking. Part of a woman’s skirt. Two rotten old pairs of moleskin trousers. One leg of a pair of trousers. Back of a shirt. Half a waistcoat. Two tweed coats, green, old and rotting, and patched with calico. Blanket, etc. Large bundle of assorted37 rags for patches, all rotten. Leaky billy-can, containing fishing-line, papers, suet, needles and cotton, etc. Jam-tin, medicine bottles, corks38 on strings39, to hang to his hat to keep the flies off (a sign of madness in the bush, for the corks would madden a sane40 man sooner than the flies could). Three boots of different sizes, all belonging to the right foot, and a left slipper41. Coffee-pot, without handle or spout42, and quart-pot full of rubbish—broken knives and forks, with the handles burnt off, spoons, etc., picked up on rubbish-heaps; and many rusty43 nails, to be used as buttons, I suppose.
 
Broken saw blade, hammer, broken crockery, old pannikins, small rusty frying-pan without a handle, children’s old shoes, many bits of old bootleather and greenhide, part of yellowback novel, mutilated English dictionary, grammar and arithmetic book, a ready reckoner, a cookery book, a bulgy44 anglo-foreign dictionary, part of a Shakespeare, book in French and book in German, and a book on etiquette45 and courtship. A heavy pair of blucher boots, with uppers parched46 and cracked, and soles so patched (patch over patch) with leather, boot protectors, hoop47 iron and hobnails that they were about two inches thick, and the boots weighed over five pounds. (If you don’t believe me go into the Melbourne Museum, where, in a glass case in a place of honour, you will see a similar, perhaps the same, pair of bluchers labelled “An example of colonial industry.”) And in the core of the swag was a sugar-bag tied tightly with a whip-lash, and containing another old skirt, rolled very tight and fastened with many turns of a length of clothes-line, which last, I suppose, he carried to hang himself with if he felt that way. The skirt was rolled round a small packet of old portraits and almost indecipherable letters—one from a woman who had evidently been a sensible woman and a widow, and who stated in the letter that she did not intend to get married again as she had enough to do already, slavin’ her finger-nails off to keep a family, without having a second husband to keep. And her answer was “final for good and all,” and it wasn’t no use comin’ “bungfoodlin’” round her again. If he did she’d set Satan on to him. “Satan” was a dog, I suppose.
 
The letter was addressed to “Dear Bill,” as were others. There were no envelopes. The letters were addressed from no place in particular, so there weren’t any means of identifying the dead man. The police buried him under a gum, and a young trooper cut on the tree the words:
 
SACRED TO THE MEMORY OF
BILL,
WHO DIED.
 

点击收听单词发音收听单词发音  

1 rugged yXVxX     
adj.高低不平的,粗糙的,粗壮的,强健的
参考例句:
  • Football players must be rugged.足球运动员必须健壮。
  • The Rocky Mountains have rugged mountains and roads.落基山脉有崇山峻岭和崎岖不平的道路。
2 shovel cELzg     
n.铁锨,铲子,一铲之量;v.铲,铲出
参考例句:
  • He was working with a pick and shovel.他在用镐和铲干活。
  • He seized a shovel and set to.他拿起一把铲就干上了。
3 insulators c88ab4337e644aa48cdb61df6ccc0271     
绝缘、隔热或隔音等的物质或装置( insulator的名词复数 )
参考例句:
  • There is no sharp line separating conductors from insulators. 实际上并没有一个明显的界限将半导体和绝缘体分开。
  • To reduce heat losses the pipes are covered by thermal insulators. 为了减少热散失,管子外包保温层。
4 kit D2Rxp     
n.用具包,成套工具;随身携带物
参考例句:
  • The kit consisted of about twenty cosmetic items.整套工具包括大约20种化妆用品。
  • The captain wants to inspect your kit.船长想检查你的行装。
5 stranded thfz18     
a.搁浅的,进退两难的
参考例句:
  • He was stranded in a strange city without money. 他流落在一个陌生的城市里, 身无分文,一筹莫展。
  • I was stranded in the strange town without money or friends. 我困在那陌生的城市,既没有钱,又没有朋友。
6 sleepers 1d076aa8d5bfd0daecb3ca5f5c17a425     
n.卧铺(通常以复数形式出现);卧车( sleeper的名词复数 );轨枕;睡觉(呈某种状态)的人;小耳环
参考例句:
  • He trod quietly so as not to disturb the sleepers. 他轻移脚步,以免吵醒睡着的人。 来自辞典例句
  • The nurse was out, and we two sleepers were alone. 保姆出去了,只剩下我们两个瞌睡虫。 来自辞典例句
7 underneath VKRz2     
adj.在...下面,在...底下;adv.在下面
参考例句:
  • Working underneath the car is always a messy job.在汽车底下工作是件脏活。
  • She wore a coat with a dress underneath.她穿着一件大衣,里面套着一条连衣裙。
8 belongings oy6zMv     
n.私人物品,私人财物
参考例句:
  • I put a few personal belongings in a bag.我把几件私人物品装进包中。
  • Your personal belongings are not dutiable.个人物品不用纳税。
9 slung slung     
抛( sling的过去式和过去分词 ); 吊挂; 遣送; 押往
参考例句:
  • He slung the bag over his shoulder. 他把包一甩,挎在肩上。
  • He stood up and slung his gun over his shoulder. 他站起来把枪往肩上一背。
10 spine lFQzT     
n.脊柱,脊椎;(动植物的)刺;书脊
参考例句:
  • He broke his spine in a fall from a horse.他从马上跌下摔断了脊梁骨。
  • His spine developed a slight curve.他的脊柱有点弯曲。
11 lone Q0cxL     
adj.孤寂的,单独的;唯一的
参考例句:
  • A lone sea gull flew across the sky.一只孤独的海鸥在空中飞过。
  • She could see a lone figure on the deserted beach.她在空旷的海滩上能看到一个孤独的身影。
12 gulf 1e0xp     
n.海湾;深渊,鸿沟;分歧,隔阂
参考例句:
  • The gulf between the two leaders cannot be bridged.两位领导人之间的鸿沟难以跨越。
  • There is a gulf between the two cities.这两座城市间有个海湾。
13 shams 9235049b12189f7635d5f007fd4704e1     
假象( sham的名词复数 ); 假货; 虚假的行为(或感情、言语等); 假装…的人
参考例句:
  • Are those real diamonds or only shams? 那些是真钻石还是赝品?
  • Tear away their veil of shams! 撕开他们的假面具吧!
14 callous Yn9yl     
adj.无情的,冷淡的,硬结的,起老茧的
参考例句:
  • He is callous about the safety of his workers.他对他工人的安全毫不关心。
  • She was selfish,arrogant and often callous.她自私傲慢,而且往往冷酷无情。
15 sordid PrLy9     
adj.肮脏的,不干净的,卑鄙的,暗淡的
参考例句:
  • He depicts the sordid and vulgar sides of life exclusively.他只描写人生肮脏和庸俗的一面。
  • They lived in a sordid apartment.他们住在肮脏的公寓房子里。
16 mawkish 57Kzf     
adj.多愁善感的的;无味的
参考例句:
  • A sordid,sentimental plot unwinds,with an inevitable mawkish ending.一段灰暗而感伤的情节慢慢展开,最后是一个不可避免的幼稚可笑的结局。
  • There was nothing mawkish or funereal about the atmosphere at the weekend shows.在周末的发布会上并没有任何多愁善感或者死寂气氛。
17 straps 1412cf4c15adaea5261be8ae3e7edf8e     
n.带子( strap的名词复数 );挎带;肩带;背带v.用皮带捆扎( strap的第三人称单数 );用皮带抽打;包扎;给…打绷带
参考例句:
  • the shoulder straps of her dress 她连衣裙上的肩带
  • The straps can be adjusted to suit the wearer. 这些背带可进行调整以适合使用者。
18 strap 5GhzK     
n.皮带,带子;v.用带扣住,束牢;用绷带包扎
参考例句:
  • She held onto a strap to steady herself.她抓住拉手吊带以便站稳。
  • The nurse will strap up your wound.护士会绑扎你的伤口。
19 impeded 7dc9974da5523140b369df3407a86996     
阻碍,妨碍,阻止( impede的过去式和过去分词 )
参考例句:
  • Work on the building was impeded by severe weather. 楼房的施工因天气恶劣而停了下来。
  • He was impeded in his work. 他的工作受阻。
20 bellows Ly5zLV     
n.风箱;发出吼叫声,咆哮(尤指因痛苦)( bellow的名词复数 );(愤怒地)说出(某事),大叫v.发出吼叫声,咆哮(尤指因痛苦)( bellow的第三人称单数 );(愤怒地)说出(某事),大叫
参考例句:
  • His job is to blow the bellows for the blacksmith. 他的工作是给铁匠拉风箱。 来自辞典例句
  • You could, I suppose, compare me to a blacksmith's bellows. 我想,你可能把我比作铁匠的风箱。 来自辞典例句
21 waterproof Ogvwp     
n.防水材料;adj.防水的;v.使...能防水
参考例句:
  • My mother bought me a waterproof watch.我妈妈给我买了一块防水手表。
  • All the electronics are housed in a waterproof box.所有电子设备都储放在一个防水盒中。
22 judgment e3xxC     
n.审判;判断力,识别力,看法,意见
参考例句:
  • The chairman flatters himself on his judgment of people.主席自认为他审视人比别人高明。
  • He's a man of excellent judgment.他眼力过人。
23 artistic IeWyG     
adj.艺术(家)的,美术(家)的;善于艺术创作的
参考例句:
  • The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
  • These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。
24 shanty BEJzn     
n.小屋,棚屋;船工号子
参考例句:
  • His childhood was spent in a shanty.他的童年是在一个简陋小屋里度过的。
  • I want to quit this shanty.我想离开这烂房子。
25 vertical ZiywU     
adj.垂直的,顶点的,纵向的;n.垂直物,垂直的位置
参考例句:
  • The northern side of the mountain is almost vertical.这座山的北坡几乎是垂直的。
  • Vertical air motions are not measured by this system.垂直气流的运动不用这种系统来测量。
26 neatly ynZzBp     
adv.整洁地,干净地,灵巧地,熟练地
参考例句:
  • Sailors know how to wind up a long rope neatly.水手们知道怎样把一条大绳利落地缠好。
  • The child's dress is neatly gathered at the neck.那孩子的衣服在领口处打着整齐的皱褶。
27 picturesquely 88c17247ed90cf97194689c93780136e     
参考例句:
  • In the building trade such a trader is picturesquely described as a "brass plate" merchant. 在建筑行业里,这样一个生意人可以被生动地描述为著名商人。
28 martyrs d8bbee63cb93081c5677dc671dc968fc     
n.martyr的复数形式;烈士( martyr的名词复数 );殉道者;殉教者;乞怜者(向人诉苦以博取同情)
参考例句:
  • the early Christian martyrs 早期基督教殉道者
  • They paid their respects to the revolutionary martyrs. 他们向革命烈士致哀。 来自《现代汉英综合大词典》
29 felons e83120a0492c472fd1dc24a319459666     
n.重罪犯( felon的名词复数 );瘭疽;甲沟炎;指头脓炎
参考例句:
  • Aren't those the seats they use for transporting convicted felons? 这些坐位不是他们用来押运重犯的吗? 来自电影对白
  • House Republicans talk of making felons out of the undocumented and those who help them. 众议院共和党议员正商议对未登记的非法移民以及包庇他们的人课以重罪。 来自互联网
30 boors dc91aa0725725ae7fa7a3e3f8cedfbba     
n.农民( boor的名词复数 );乡下佬;没礼貌的人;粗野的人
参考例句:
  • We painters are no match for boors. We are glass, and they are stone. 我们画家比不过他们粗人。我们是玻璃,他们是石头。 来自辞典例句
  • OK, boors, have a ball. 好吧,伙计们,拿起球来。 来自互联网
31 innocence ZbizC     
n.无罪;天真;无害
参考例句:
  • There was a touching air of innocence about the boy.这个男孩有一种令人感动的天真神情。
  • The accused man proved his innocence of the crime.被告人经证实无罪。
32 mania 9BWxu     
n.疯狂;躁狂症,狂热,癖好
参考例句:
  • Football mania is sweeping the country.足球热正风靡全国。
  • Collecting small items can easily become a mania.收藏零星物品往往容易变成一种癖好。
33 gathering ChmxZ     
n.集会,聚会,聚集
参考例句:
  • He called on Mr. White to speak at the gathering.他请怀特先生在集会上讲话。
  • He is on the wing gathering material for his novels.他正忙于为他的小说收集资料。
34 inventory 04xx7     
n.详细目录,存货清单
参考例句:
  • Some stores inventory their stock once a week.有些商店每周清点存货一次。
  • We will need to call on our supplier to get more inventory.我们必须请供应商送来更多存货。
35 filthy ZgOzj     
adj.卑劣的;恶劣的,肮脏的
参考例句:
  • The whole river has been fouled up with filthy waste from factories.整条河都被工厂的污秽废物污染了。
  • You really should throw out that filthy old sofa and get a new one.你真的应该扔掉那张肮脏的旧沙发,然后再去买张新的。
36 slit tE0yW     
n.狭长的切口;裂缝;vt.切开,撕裂
参考例句:
  • The coat has been slit in two places.这件外衣有两处裂开了。
  • He began to slit open each envelope.他开始裁开每个信封。
37 assorted TyGzop     
adj.各种各样的,各色俱备的
参考例句:
  • There's a bag of assorted sweets on the table.桌子上有一袋什锦糖果。
  • He has always assorted with men of his age.他总是与和他年令相仿的人交往。
38 corks 54eade048ef5346c5fbcef6e5f857901     
n.脐梅衣;软木( cork的名词复数 );软木塞
参考例句:
  • Champagne corks were popping throughout the celebrations. 庆祝会上开香槟酒瓶塞的砰砰声不绝於耳。 来自辞典例句
  • Champagne corks popped, and on lace tablecloths seven-course dinners were laid. 桌上铺着带装饰图案的网织的桌布,上面是七道菜的晚餐。 来自飘(部分)
39 strings nh0zBe     
n.弦
参考例句:
  • He sat on the bed,idly plucking the strings of his guitar.他坐在床上,随意地拨着吉他的弦。
  • She swept her fingers over the strings of the harp.她用手指划过竖琴的琴弦。
40 sane 9YZxB     
adj.心智健全的,神志清醒的,明智的,稳健的
参考例句:
  • He was sane at the time of the murder.在凶杀案发生时他的神志是清醒的。
  • He is a very sane person.他是一个很有头脑的人。
41 slipper px9w0     
n.拖鞋
参考例句:
  • I rescued the remains of my slipper from the dog.我从那狗的口中夺回了我拖鞋的残留部分。
  • The puppy chewed a hole in the slipper.小狗在拖鞋上啃了一个洞。
42 spout uGmzx     
v.喷出,涌出;滔滔不绝地讲;n.喷管;水柱
参考例句:
  • Implication in folk wealth creativity and undertaking vigor spout.蕴藏于民间的财富创造力和创业活力喷涌而出。
  • This acts as a spout to drain off water during a rainstorm.在暴风雨季,这东西被用作喷管来排水。
43 rusty hYlxq     
adj.生锈的;锈色的;荒废了的
参考例句:
  • The lock on the door is rusty and won't open.门上的锁锈住了。
  • I haven't practiced my French for months and it's getting rusty.几个月不用,我的法语又荒疏了。
44 bulgy 096a72b8ea430b9564e6e81808ed6a79     
a.膨胀的;凸出的
参考例句:
  • And the bone at the back of the neck is bulgy came. 而且脖子后面的骨头都凸出来了。
  • Lumbar shoulder dish what does the earlier note after bulgy operation have? 腰肩盘凸出手术后初期的注重事项有哪些?
45 etiquette Xiyz0     
n.礼仪,礼节;规矩
参考例句:
  • The rules of etiquette are not so strict nowadays.如今的礼仪规则已不那么严格了。
  • According to etiquette,you should stand up to meet a guest.按照礼节你应该站起来接待客人。
46 parched 2mbzMK     
adj.焦干的;极渴的;v.(使)焦干
参考例句:
  • Hot winds parched the crops.热风使庄稼干透了。
  • The land in this region is rather dry and parched.这片土地十分干燥。
47 hoop wcFx9     
n.(篮球)篮圈,篮
参考例句:
  • The child was rolling a hoop.那个孩子在滚铁环。
  • The wooden tub is fitted with the iron hoop.木盆都用铁箍箍紧。


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