She was quite young, rather fat, and fairly pretty, and she strummed her guitar and sang, rolling her eyes fiercely, like a virtuoso1 executing feats2 of difficulty. She lowered her head, stuck her chin into her neck, in order to draw deeper notes from the furthermost recesses3 of her body; and succeeded in bringing forth4 a great, hoarse5 voice — a voice that might have belonged to an aged6 frog, a ventriloquist’s voice, coming whence it would be impossible to say (this is the best stage manner, the last touch of art, in the interpretation7 of tragic8 pieces).
Yves cast an indignant glance upon her.
“Good gracious,” said he, “she has the voice of a —— ” (words failed him, in his astonishment) “the voice of a — a monster!”
And he looked at me, almost frightened by this little being, and desirous to know what I thought of it.
Yves was out of temper on this occasion, because I had induced him to come out in a straw hat with a turned-up brim, which did not please him.
“That hat suits you remarkably9 well, Yves, I assure you,” I said.
“Oh, indeed! You say so, you. For my part, I think it looks like a magpie’s nest!”
As a fortunate diversion from the singer and the hat, here comes a cortege, advancing toward us from the end of the street, something remarkably like a funeral. Bonzes march in front, dressed in robes of black gauze, having much the appearance of Catholic priests; the principal object of interest of the procession, the corpse10, comes last, laid in a sort of little closed palanquin, which is daintily pretty. This is followed by a band of mousmes, hiding their laughing faces beneath a kind of veil, and carrying in vases of the sacred shape the artificial lotus with silver petals11 indispensable at a funeral; then come fine ladies, on foot, smirking12 and stifling13 a wish to laugh, beneath parasols on which are painted, in the gayest colors, butterflies and storks14.
Now they are quite close to us, we must stand back to give them room. Chrysanthème all at once assumes a suitable air of gravity, and Yves bares his head, taking off the magpie’s nest.
Yes, it is true, it is death that is passing!
I had almost lost sight of the fact, so little does this procession recall it.
The procession will climb high above Nagasaki, into the heart of the green mountain covered with tombs. There the poor fellow will be laid at rest, with his palanquin above him, and his vases and his flowers of silvered paper. Well, at least he will lie in a charming spot commanding a lovely view.
Then they will return half laughing, half snivelling, and tomorrow no one will think of it again.

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1
virtuoso
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n.精于某种艺术或乐器的专家,行家里手 | |
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2
feats
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功绩,伟业,技艺( feat的名词复数 ) | |
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3
recesses
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n.壁凹( recess的名词复数 );(工作或业务活动的)中止或暂停期间;学校的课间休息;某物内部的凹形空间v.把某物放在墙壁的凹处( recess的第三人称单数 );将(墙)做成凹形,在(墙)上做壁龛;休息,休会,休庭 | |
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4
forth
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adv.向前;向外,往外 | |
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5
hoarse
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adj.嘶哑的,沙哑的 | |
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6
aged
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adj.年老的,陈年的 | |
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7
interpretation
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n.解释,说明,描述;艺术处理 | |
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8
tragic
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adj.悲剧的,悲剧性的,悲惨的 | |
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9
remarkably
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ad.不同寻常地,相当地 | |
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10
corpse
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n.尸体,死尸 | |
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11
petals
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n.花瓣( petal的名词复数 ) | |
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12
smirking
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v.傻笑( smirk的现在分词 ) | |
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13
stifling
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a.令人窒息的 | |
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14
storks
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n.鹳( stork的名词复数 ) | |
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