Chapter 28 A Doll’s Correspondence

Chrysanthème has brought but few things with her, knowing that our domestic life would probably be brief.

She has placed her gowns and her fine sashes in little closed recesses¹, hidden in one of the walls of our apartment (the north wall, the only one of the four which can not be taken to pieces). The doors of these niches² are white paper panels; the standing³ shelves and inside partitions, consisting of light woodwork, are put together almost too finically and too ingeniously, giving rise to suspicions of secret drawers and conjuring⁴ tricks. We put there only things without any value, having a vague feeling that the cupboards themselves might spirit them away.

The box in which Chrysanthème stores away her gewgaws and letters, is one of the things that amuse me most; it is of English make, tin, and bears on its cover the colored representation of some manufactory in the neighborhood of London. Of course, it is as an exotic work of art, as a precious knickknack, that Chrysanthème prefers it to any of her other boxes in lacquer or inlaid work. It contains all that a mousme requires for her correspondence: Indian ink, a paintbrush, very thin, gray-tinted paper, cut up in long narrow strips, and odd-shaped envelopes, into which these strips are slipped (having been folded up in about thirty folds); the envelopes are ornamented⁵ with pictures of landscapes, fishes, crabs⁶, or birds.

On some old letters addressed to her, I can make out the two characters that represent her name: Kikousan (“Chrysanthème, Madame”). And when I question her, she replies in Japanese, with an air of importance:

“My dear, they are letters from my woman friends.”

Oh, those friends of Chrysanthème, what funny little faces they have! That same box contains their portraits, their photographs stuck on visiting cards, which are printed on the back with the name of Uyeno, the fashionable photographer in Nagasaki — the little creatures fit only to figure daintily on painted fans, who have striven to assume a dignified⁷ attitude when once their necks have been placed in the head-rest, and they have been told: “Now, don’t move.”

It would really amuse me to read the letters of my mousme’s friends — and above all her replies!

1 recesses   

n.壁凹( recess的名词复数 )；（工作或业务活动的）中止或暂停期间；学校的课间休息；某物内部的凹形空间v.把某物放在墙壁的凹处( recess的第三人称单数 )；将（墙）做成凹形，在（墙）上做壁龛；休息，休会，休庭

参考例句：

• I could see the inmost recesses. 我能看见最深处。 来自《简明英汉词典》
• I had continually pushed my doubts to the darker recesses of my mind. 我一直把怀疑深深地隐藏在心中。 来自《简明英汉词典》

2 niches   

壁龛( niche的名词复数 )； 合适的位置[工作等]； （产品的）商机； 生态位（一个生物所占据的生境的最小单位）

参考例句：

• Some larvae extend the galleries to form niches. 许多幼虫将坑道延伸扩大成壁龛。
• In his view differences in adaptation are insufficient to create niches commensurate in number and kind. 按照他的观点，适应的差异不足以在数量上和种类上形成同量的小生境。

3 standing   

n.持续，地位；adj.永久的，不动的，直立的，不流动的

参考例句：

• After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
• They're standing out against any change in the law.他们坚决反对对法律做任何修改。

4 conjuring   

n.魔术

参考例句：

• Paul's very good at conjuring. 保罗很会变戏法。
• The entertainer didn't fool us with his conjuring. 那个艺人变的戏法没有骗到我们。

5 ornamented   

adj.花式字体的v.装饰，点缀，美化( ornament的过去式和过去分词 )

参考例句：

• The desk was ornamented with many carvings. 这桌子装饰有很多雕刻物。 来自《简明英汉词典》
• She ornamented her dress with lace. 她用花边装饰衣服。 来自《简明英汉词典》

6 crabs   

n.蟹( crab的名词复数 )；阴虱寄生病；蟹肉v.捕蟹( crab的第三人称单数 )

参考例句：

• As we walked along the seashore we saw lots of tiny crabs. 我们在海岸上散步时看到很多小蟹。 来自《简明英汉词典》
• The fish and crabs scavenge for decaying tissue. 鱼和蟹搜寻腐烂的组织为食。 来自《简明英汉词典》

7 dignified   

a.可敬的，高贵的

参考例句：

• Throughout his trial he maintained a dignified silence. 在整个审讯过程中，他始终沉默以保持尊严。
• He always strikes such a dignified pose before his girlfriend. 他总是在女友面前摆出这种庄严的姿态。