Part 7 Chapter 5

At the concert in the afternoon two very interesting things were performed. One was a fantasia, King Lear; the other was a quartette dedicated¹ to the memory of Bach. Both were new and in the new style, and Levin was eager to form an opinion of them. After escorting his sister-in-law to her stall, he stood against a column and tried to listen as attentively² and conscientiously³ as possible. He tried not to let his attention be distracted, and not to spoil his impression by looking at the conductor in a white tie, waving his arms, which always disturbed his enjoyment⁴ of music so much, or the ladies in bonnets⁵, with strings⁶ carefully tied over their ears, and all these people either thinking of nothing at all or thinking of all sorts of things except the music. He tried to avoid meeting musical connoisseurs⁷ or talkative acquaintances, and stood looking at the floor straight before him, listening.

But the more he listened to the fantasia of Ring Lear the further he felt from forming any definite opinion of it. There was, as it were, a continual beginning, a preparation of the musical expression of some feeling, but it fell to pieces again directly, breaking into new musical motives⁸, or simply nothing but the whims⁹ of the composer, exceedingly complex but disconnected sounds. And these fragmentary musical expressions, though sometimes beautiful, were disagreeable, because they were utterly¹⁰ unexpected and not led up to by anything. Gaiety and grief and despair and tenderness and triumph followed one another without any connection, like the emotions of a madman. And those emotions, like a madman's, sprang up quite unexpectedly.

During the whole of the performance Levin felt like a deaf man watching people dancing, and was in a state of complete bewilderment when the fantasia was over, and felt a great weariness from the fruitless strain on his attention. Loud applause resounded¹¹ on all sides. Everyone got up, moved about, and began talking. Anxious to throw some light on his own perplexity from the impressions of others, Levin began to walk about, looking for connoisseurs, and was glad to see a well-known musical amateur in conversation with Pestsov, whom he knew.

"Marvelous!" Pestsov was saying in his mellow¹² bass¹³. "How are you, Konstantin Dmitrievitch? Particularly sculpturesque and plastic, so to say, and richly colored is that passage where you feel Cordelia's approach, where woman, das ewig Weibliche, enters into conflict with fate. Isn't it?"

"You mean...what has Cordelia to do with it?" Levin asked timidly, forgetting that the fantasia was supposed to represent King Lear.

"Cordelia comes in...see here!" said Pestsov, tapping his finger on the satiny surface of the program he held in his hand and passing it to Levin.

Only then Levin recollected¹⁴ the title of the fantasia, and made haste to read in the Russian translation the lines from Shakespeare that were printed on the back of the program.

"You can't follow it without that," said Pestsov, addressing Levin, as the person he had been speaking to had gone away, and he had no one to talk to.

In the entr'acte Levin and Pestsov fell into an argument upon the merits and defects of music of the Wagner school. Levin maintained that the mistake of Wagner and all his followers¹⁵ lay in their trying to take music into the sphere of another art, just as poetry goes wrong when it tries to paint a face as the art of painting ought to do, and as an instance of this mistake he cited the sculptor¹⁶ who carved in marble certain poetic¹⁷ phantasms flitting round the figure of the poet on the pedestal. "These phantoms¹⁸ were so far from being phantoms that they were positively¹⁹ clinging on the ladder," said Levin. The comparison pleased him, but he could not remember whether he had not used the same phrase before, and to Pestsov, too, and as he said it he felt confused.

Pestsov maintained that art is one, and that it can attain²⁰ its highest manifestations²¹ only by conjunction with all kinds of art.

The second piece that was performed Levin could not hear. Pestsov, who was standing²² beside him, was talking to him almost all the time, condemning²³ the music for its excessive affected²⁴ assumption of simplicity²⁵, and comparing it with the simplicity of the Pre-Raphaelites in painting. As he went out Levin met many more acquaintances, with whom he talked of politics, of music, and of common acquaintances. Among others he met Count Bol, whom he had utterly forgotten to call upon.

"Well, go at once then," Madame Lvova said, when he told her; "perhaps they'll not be at home, and then you can come to the meeting to fetch me. You'll find me still there."

1 dedicated   

adj.一心一意的；献身的；热诚的

参考例句：

• He dedicated his life to the cause of education.他献身于教育事业。
• His whole energies are dedicated to improve the design.他的全部精力都放在改进这项设计上了。

2 attentively   

adv.聚精会神地；周到地；谛；凝神

参考例句：

• She listened attentively while I poured out my problems. 我倾吐心中的烦恼时，她一直在注意听。 来自《简明英汉词典》
• She listened attentively and set down every word he said. 她专心听着，把他说的话一字不漏地记下来。 来自《简明英汉词典》

3 conscientiously   

adv.凭良心地；认真地，负责尽职地；老老实实

参考例句：

• He kept silent,eating just as conscientiously but as though everything tasted alike. 他一声不吭，闷头吃着，仿佛桌上的饭菜都一个味儿。 来自《简明英汉词典》
• She discharged all the responsibilities of a minister conscientiously. 她自觉地履行部长的一切职责。 来自《简明英汉词典》

4 enjoyment   

n.乐趣；享有；享用

参考例句：

• Your company adds to the enjoyment of our visit. 有您的陪同，我们这次访问更加愉快了。
• After each joke the old man cackled his enjoyment.每逢讲完一个笑话，这老人就呵呵笑着表示他的高兴。

5 bonnets   

n.童帽( bonnet的名词复数 )；（烟囱等的）覆盖物；（苏格兰男子的）无边呢帽；（女子戴的）任何一种帽子

参考例句：

• All the best bonnets of the city were there. 城里戴最漂亮的无边女帽的妇女全都到场了。 来自辞典例句
• I am tempting you with bonnets and bangles and leading you into a pit. 我是在用帽子和镯子引诱你，引你上钩。 来自飘（部分）

6 strings   

n.弦

参考例句：

• He sat on the bed,idly plucking the strings of his guitar.他坐在床上，随意地拨着吉他的弦。
• She swept her fingers over the strings of the harp.她用手指划过竖琴的琴弦。

7 connoisseurs   

n.鉴赏家，鉴定家，行家( connoisseur的名词复数 )

参考例句：

• Let us go, before we offend the connoisseurs. 咱们走吧，免得我们惹恼了收藏家。 来自辞典例句
• The connoisseurs often associate it with a blackcurrant flavor. 葡萄酒鉴赏家们通常会将它跟黑醋栗口味联系起来。 来自互联网

8 motives   

n.动机，目的( motive的名词复数 )

参考例句：

• to impeach sb's motives 怀疑某人的动机
• His motives are unclear. 他的用意不明。

9 WHIMS   

虚妄，禅病

参考例句：

• The mate observed regretfully that he could not account for that young fellow's whims. 那位伙伴很遗憾地说他不能说出那年轻人产生怪念头的原因。
• The rest she had for food and her own whims. 剩下的钱她用来吃饭和买一些自己喜欢的东西。 来自英汉文学 - 嘉莉妹妹

10 utterly   

adv.完全地，绝对地

参考例句：

• Utterly devoted to the people,he gave his life in saving his patients.他忠于人民，把毕生精力用于挽救患者的生命。
• I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。

11 resounded   

v.（指声音等）回荡于某处( resound的过去式和过去分词 )；产生回响；（指某处）回荡着声音

参考例句：

• Laughter resounded through the house. 笑声在屋里回荡。
• The echo resounded back to us. 回声传回到我们的耳中。 来自《简明英汉词典》

12 mellow   

adj.柔和的；熟透的；v.变柔和；(使)成熟

参考例句：

• These apples are mellow at this time of year.每年这时节，苹果就熟透了。
• The colours become mellow as the sun went down.当太阳落山时，色彩变得柔和了。

13 bass   

n.男低音(歌手)；低音乐器；低音大提琴

参考例句：

• He answered my question in a surprisingly deep bass.他用一种低得出奇的声音回答我的问题。
• The bass was to give a concert in the park.那位男低音歌唱家将在公园中举行音乐会。

14 recollected   

adj.冷静的；镇定的；被回忆起的；沉思默想的v.记起，想起( recollect的过去式和过去分词 )

参考例句：

• I recollected that she had red hair. 我记得她有一头红发。 来自《简明英汉词典》
• His efforts, the Duke recollected many years later, were distinctly half-hearted. 据公爵许多年之后的回忆，他当时明显只是敷衍了事。 来自辞典例句

15 followers   

追随者( follower的名词复数 )； 用户； 契据的附面； 从动件

参考例句：

• the followers of Mahatma Gandhi 圣雄甘地的拥护者
• The reformer soon gathered a band of followers round him. 改革者很快就获得一群追随者支持他。

16 sculptor   

n.雕刻家，雕刻家

参考例句：

• A sculptor forms her material.雕塑家把材料塑造成雕塑品。
• The sculptor rounded the clay into a sphere.那位雕塑家把黏土做成了一个球状。

17 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

18 phantoms   

n.鬼怪，幽灵( phantom的名词复数 )

参考例句：

• They vanished down the stairs like two phantoms. 他们像两个幽灵似的消失在了楼下。 来自辞典例句
• The horrible night that he had passed had left phantoms behind it. 他刚才度过的恐布之夜留下了种种错觉。 来自辞典例句

19 positively   

adv.明确地，断然，坚决地；实在，确实

参考例句：

• She was positively glowing with happiness.她满脸幸福。
• The weather was positively poisonous.这天气着实讨厌。

20 attain   

vt.达到，获得，完成

参考例句：

• I used the scientific method to attain this end. 我用科学的方法来达到这一目的。
• His painstaking to attain his goal in life is praiseworthy. 他为实现人生目标所下的苦功是值得称赞的。

21 manifestations   

n.表示，显示（manifestation的复数形式）

参考例句：

• These were manifestations of the darker side of his character. 这些是他性格阴暗面的表现。 来自《简明英汉词典》
• To be wordly-wise and play safe is one of the manifestations of liberalism. 明哲保身是自由主义的表现之一。 来自《现代汉英综合大词典》

22 standing   

n.持续，地位；adj.永久的，不动的，直立的，不流动的

参考例句：

• After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
• They're standing out against any change in the law.他们坚决反对对法律做任何修改。

23 condemning   

v.（通常因道义上的原因而）谴责( condemn的现在分词 )；宣判；宣布…不能使用；迫使…陷于不幸的境地

参考例句：

• The government issued a statement condemning the killings. 政府发表声明谴责这些凶杀事件。
• I concur with the speaker in condemning what has been done. 我同意发言者对所做的事加以谴责。 来自《现代英汉综合大词典》

24 affected   

adj.不自然的，假装的

参考例句：

• She showed an affected interest in our subject.她假装对我们的课题感到兴趣。
• His manners are affected.他的态度不自然。

25 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。