Book V Chapter 29

‘The false’ means (1) that which is false as a thing, and that (a) because it is not put together or cannot be put together, e.g. ‘that the diagonal of a square is commensurate with the side’ or ‘that you are sitting’; for one of these is false always, and the other sometimes; it is in these two senses that they are non-existent. (b) There are things which exist, but whose nature it is to appear either not to be such as they are or to be things that do not exist, e.g. a sketch¹ or a dream; for these are something, but are not the things the appearance of which they produce in us. We call things false in this way, then,-either because they themselves do not exist, or because the appearance which results from them is that of something that does not exist.

(2) A false account is the account of non-existent objects, in so far as it is false. Hence every account is false when applied² to something other than that of which it is true; e.g. the account of a circle is false when applied to a triangle. In a sense there is one account of each thing, i.e. the account of its essence, but in a sense there are many, since the thing itself and the thing itself with an attribute are in a sense the same, e.g. Socrates and musical Socrates (a false account is not the account of anything, except in a qualified³ sense). Hence Antisthenes was too simple-minded when he claimed that nothing could be described except by the account proper to it,-one predicate to one subject; from which the conclusion used to be drawn⁴ that there could be no contradiction, and almost that there could be no error. But it is possible to describe each thing not only by the account of itself, but also by that of something else. This may be done altogether falsely indeed, but there is also a way in which it may be done truly; e.g. eight may be described as a double number by the use of the definition of two.

These things, then, are called false in these senses, but (3) a false man is one who is ready at and fond of such accounts, not for any other reason but for their own sake, and one who is good at impressing such accounts on other people, just as we say things are which produce a false appearance. This is why the proof in the Hippias that the same man is false and true is misleading. For it assumes that he is false who can deceive (i.e. the man who knows and is wise); and further that he who is willingly bad is better. This is a false result of induction-for a man who limps willingly is better than one who does so unwillingly-by ‘limping’ Plato means ‘mimicking a limp’, for if the man were lame⁵ willingly, he would presumably be worse in this case as in the corresponding case of moral character.

1 sketch   

n.草图；梗概；素描；v.素描；概述

参考例句：

• My sister often goes into the country to sketch. 我姐姐常到乡间去写生。
• I will send you a slight sketch of the house.我将给你寄去房屋的草图。

2 applied   

adj.应用的；v.应用，适用

参考例句：

• She plans to take a course in applied linguistics.她打算学习应用语言学课程。
• This cream is best applied to the face at night.这种乳霜最好晚上擦脸用。

3 qualified   

adj.合格的，有资格的，胜任的，有限制的

参考例句：

• He is qualified as a complete man of letters.他有资格当真正的文学家。
• We must note that we still lack qualified specialists.我们必须看到我们还缺乏有资质的专家。

4 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

5 lame   

adj.跛的，(辩解、论据等)无说服力的

参考例句：

• The lame man needs a stick when he walks.那跛脚男子走路时需借助拐棍。
• I don't believe his story.It'sounds a bit lame.我不信他讲的那一套。他的话听起来有些靠不住。