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Book XI Chapter 12
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If the categories are classified as substance, quality, place, acting1 or being acted on, relation, quantity, there must be three kinds of movement-of quality, of quantity, of place. There is no movement in respect of substance (because there is nothing contrary to substance), nor of relation (for it is possible that if one of two things in relation changes, the relative term which was true of the other thing ceases to be true, though this other does not change at all,-so that their movement is accidental), nor of agent and patient, or mover and moved, because there is no movement of movement nor generation of generation, nor, in general, change of change. For there might be movement of movement in two senses; (1) movement might be the subject moved, as a man is moved because he changes from pale to dark,-so that on this showing movement, too, may be either heated or cooled or change its place or increase. But this is impossible; for change is not a subject. Or (2) some other subject might change from change into some other form of existence (e.g. a man from disease into health). But this also is not possible except incidentally. For every movement is change from something into something. (And so are generation and destruction; only, these are changes into things opposed in certain ways while the other, movement, is into things opposed in another way.) A thing changes, then, at the same time from health into illness, and from this change itself into another. Clearly, then, if it has become ill, it will have changed into whatever may be the other change concerned (though it may be at rest), and, further, into a determinate change each time; and that new change will be from something definite into some other definite thing; therefore it will be the opposite change, that of growing well. We answer that this happens only incidentally; e.g. there is a change from the process of recollection to that of forgetting, only because that to which the process attaches is changing, now into a state of knowledge, now into one of ignorance.

Further, the process will go on to infinity2, if there is to be change of change and coming to be of coming to be. What is true of the later, then, must be true of the earlier; e.g. if the simple coming to be was once coming to be, that which comes to be something was also once coming to be; therefore that which simply comes to be something was not yet in existence, but something which was coming to be coming to be something was already in existence. And this was once coming to be, so that at that time it was not yet coming to be something else. Now since of an infinite number of terms there is not a first, the first in this series will not exist, and therefore no following term exist. Nothing, then, can either come term wi to be or move or change. Further, that which is capable of a movement is also capable of the contrary movement and rest, and that which comes to be also ceases to be. Therefore that which is coming to be is ceasing to be when it has come to be coming to be; for it cannot cease to be as soon as it is coming to be coming to be, nor after it has come to be; for that which is ceasing to be must be. Further, there must be a matter underlying3 that which comes to be and changes. What will this be, then,-what is it that becomes movement or becoming, as body or soul is that which suffers alteration4? And; again, what is it that they move into? For it must be the movement or becoming of something from something into something. How, then, can this condition be fulfilled? There can be no learning of learning, and therefore no becoming of becoming. Since there is not movement either of substance or of relation or of activity and passivity, it remains5 that movement is in respect of quality and quantity and place; for each of these admits of contrariety. By quality I mean not that which is in the substance (for even the differentia is a quality), but the passive quality, in virtue6 of which a thing is said to be acted on or to be incapable7 of being acted on. The immobile is either that which is wholly incapable of being moved, or that which is moved with difficulty in a long time or begins slowly, or that which is of a nature to be moved and can be moved but is not moved when and where and as it would naturally be moved. This alone among immobiles I describe as being at rest; for rest is contrary to movement, so that it must be a privation in that which is receptive of movement.

Things which are in one proximate place are together in place, and things which are in different places are apart: things whose extremes are together touch: that at which a changing thing, if it changes continuously according to its nature, naturally arrives before it arrives at the extreme into which it is changing, is between. That which is most distant in a straight line is contrary in place. That is successive which is after the beginning (the order being determined8 by position or form or in some other way) and has nothing of the same class between it and that which it succeeds, e.g. lines in the case of a line, units in that of a unit, or a house in that of a house. (There is nothing to prevent a thing of some other class from being between.) For the successive succeeds something and is something later; ‘one’ does not succeed ‘two’, nor the first day of the month the second. That which, being successive, touches, is contiguous. (Since all change is between opposites, and these are either contraries or contradictories9, and there is no middle term for contradictories, clearly that which is between is between contraries.) The continuous is a species of the contiguous. I call two things continuous when the limits of each, with which they touch and by which they are kept together, become one and the same, so that plainly the continuous is found in the things out of which a unity10 naturally arises in virtue of their contact. And plainly the successive is the first of these concepts (for the successive does not necessarily touch, but that which touches is successive; and if a thing is continuous, it touches, but if it touches, it is not necessarily continuous; and in things in which there is no touching11, there is no organic unity); therefore a point is not the same as a unit; for contact belongs to points, but not to units, which have only succession; and there is something between two of the former, but not between two of the latter.

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1 acting czRzoc     
n.演戏,行为,假装;adj.代理的,临时的,演出用的
参考例句:
  • Ignore her,she's just acting.别理她,她只是假装的。
  • During the seventies,her acting career was in eclipse.在七十年代,她的表演生涯黯然失色。
2 infinity o7QxG     
n.无限,无穷,大量
参考例句:
  • It is impossible to count up to infinity.不可能数到无穷大。
  • Theoretically,a line can extend into infinity.从理论上来说直线可以无限地延伸。
3 underlying 5fyz8c     
adj.在下面的,含蓄的,潜在的
参考例句:
  • The underlying theme of the novel is very serious.小说隐含的主题是十分严肃的。
  • This word has its underlying meaning.这个单词有它潜在的含义。
4 alteration rxPzO     
n.变更,改变;蚀变
参考例句:
  • The shirt needs alteration.这件衬衣需要改一改。
  • He easily perceived there was an alteration in my countenance.他立刻看出我的脸色和往常有些不同。
5 remains 1kMzTy     
n.剩余物,残留物;遗体,遗迹
参考例句:
  • He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
  • The remains of the meal were fed to the dog.残羹剩饭喂狗了。
6 virtue BpqyH     
n.德行,美德;贞操;优点;功效,效力
参考例句:
  • He was considered to be a paragon of virtue.他被认为是品德尽善尽美的典范。
  • You need to decorate your mind with virtue.你应该用德行美化心灵。
7 incapable w9ZxK     
adj.无能力的,不能做某事的
参考例句:
  • He would be incapable of committing such a cruel deed.他不会做出这么残忍的事。
  • Computers are incapable of creative thought.计算机不会创造性地思维。
8 determined duszmP     
adj.坚定的;有决心的
参考例句:
  • I have determined on going to Tibet after graduation.我已决定毕业后去西藏。
  • He determined to view the rooms behind the office.他决定查看一下办公室后面的房间。
9 contradictories 8e1ad44b195d36261564ddcc984c8ced     
n.矛盾的,抵触的( contradictory的名词复数 )
参考例句:
10 unity 4kQwT     
n.团结,联合,统一;和睦,协调
参考例句:
  • When we speak of unity,we do not mean unprincipled peace.所谓团结,并非一团和气。
  • We must strengthen our unity in the face of powerful enemies.大敌当前,我们必须加强团结。
11 touching sg6zQ9     
adj.动人的,使人感伤的
参考例句:
  • It was a touching sight.这是一幅动人的景象。
  • His letter was touching.他的信很感人。


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