And in swich forme endure a day or two.”
The Frankeleyn’s Tale.
Landfall and Departure mark the rhythmical1 swing of a seaman2’s life and of a ship’s career. From land to land is the most concise3 definition of a ship’s earthly fate.
A “Departure” is not what a vain people of landsmen may think. The term “Landfall” is more easily understood; you fall in with the land, and it is a matter of a quick eye and of a clear atmosphere. The Departure is not the ship’s going away from her port any more than the Landfall can be looked upon as the synonym4 of arrival. But there is this difference in the Departure: that the term does not imply so much a sea event as a definite act entailing5 a process — the precise observation of certain landmarks6 by means of the compass card.
Your Landfall, be it a peculiarly-shaped mountain, a rocky headland, or a stretch of sand-dunes, you meet at first with a single glance. Further recognition will follow in due course; but essentially7 a Landfall, good or bad, is made and done with at the first cry of “Land ho!” The Departure is distinctly a ceremony of navigation. A ship may have left her port some time before; she may have been at sea, in the fullest sense of the phrase, for days; but, for all that, as long as the coast she was about to leave remained in sight, a southern-going ship of yesterday had not in the sailor’s sense begun the enterprise of a passage.
The taking of Departure, if not the last sight of the land, is, perhaps, the last professional recognition of the land on the part of a sailor. It is the technical, as distinguished8 from the sentimental9, “good-bye.” Henceforth he has done with the coast astern of his ship. It is a matter personal to the man. It is not the ship that takes her departure; the seaman takes his Departure by means of cross-bearings which fix the place of the first tiny pencil-cross on the white expanse of the track-chart, where the ship’s position at noon shall be marked by just such another tiny pencil cross for every day of her passage. And there may be sixty, eighty, any number of these crosses on the ship’s track from land to land. The greatest number in my experience was a hundred and thirty of such crosses from the pilot station at the Sand Heads in the Bay of Bengal to the Scilly’s light. A bad passage. . .
A Departure, the last professional sight of land, is always good, or at least good enough. For, even if the weather be thick, it does not matter much to a ship having all the open sea before her bows. A Landfall may be good or bad. You encompass10 the earth with one particular spot of it in your eye. In all the devious11 tracings the course of a sailing-ship leaves upon the white paper of a chart she is always aiming for that one little spot — maybe a small island in the ocean, a single headland upon the long coast of a continent, a lighthouse on a bluff12, or simply the peaked form of a mountain like an ant-heap afloat upon the waters. But if you have sighted it on the expected bearing, then that Landfall is good. Fogs, snowstorms, gales13 thick with clouds and rain — those are the enemies of good Landfalls.
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1 rhythmical | |
adj.有节奏的,有韵律的 | |
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2 seaman | |
n.海员,水手,水兵 | |
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3 concise | |
adj.简洁的,简明的 | |
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4 synonym | |
n.同义词,换喻词 | |
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5 entailing | |
使…成为必要( entail的现在分词 ); 需要; 限定继承; 使必需 | |
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6 landmarks | |
n.陆标( landmark的名词复数 );目标;(标志重要阶段的)里程碑 ~ (in sth);有历史意义的建筑物(或遗址) | |
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7 essentially | |
adv.本质上,实质上,基本上 | |
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8 distinguished | |
adj.卓越的,杰出的,著名的 | |
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9 sentimental | |
adj.多愁善感的,感伤的 | |
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10 encompass | |
vt.围绕,包围;包含,包括;完成 | |
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11 devious | |
adj.不坦率的,狡猾的;迂回的,曲折的 | |
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12 bluff | |
v.虚张声势,用假象骗人;n.虚张声势,欺骗 | |
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13 gales | |
龙猫 | |
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