The clergyman’s horse, stumbling with a dull blunt sound among the graves, was cropping the grass; at once deriving12 orthodox consolation13 from the dead parishioners, and enforcing last Sunday’s text that this was what all flesh came to; a lean ass11 who had sought to expound14 it also, without being qualified15 and ordained16, was pricking17 his ears in an empty pound hard by, and looking with hungry eyes upon his priestly neighbour.
The old man and the child quitted the gravel18 path, and strayed among the tombs; for there the ground was soft, and easy to their tired feet. As they passed behind the church, they heard voices near at hand, and presently came on those who had spoken.
They were two men who were seated in easy attitudes upon the grass, and so busily engaged as to be at first unconscious of intruders. It was not difficult to divine that they were of a class of itinerant19 showmen — exhibitors of the freaks of Punch — for, perched cross-legged upon a tombstone behind them, was a figure of that hero himself, his nose and chin as hooked and his face as beaming as usual. Perhaps his imperturbable20 character was never more strikingly developed, for he preserved his usual equable smile notwithstanding that his body was dangling21 in a most uncomfortable position, all loose and limp and shapeless, while his long peaked cap, unequally balanced against his exceedingly slight legs, threatened every instant to bring him toppling down.
In part scattered22 upon the ground at the feet of the two men, and in part jumbled23 together in a long flat box, were the other persons of the Drama. The hero’s wife and one child, the hobby-horse, the doctor, the foreign gentleman who not being familiar with the language is unable in the representation to express his ideas otherwise than by the utterance24 of the word ‘Shallabalah’ three distinct times, the radical25 neighbour who will by no means admit that a tin bell is an organ, the executioner, and the devil, were all here. Their owners had evidently come to that spot to make some needful repairs in the stage arrangements, for one of them was engaged in binding26 together a small gallows27 with thread, while the other was intent upon fixing a new black wig28, with the aid of a small hammer and some tacks29, upon the head of the radical neighbour, who had been beaten bald.
They raised their eyes when the old man and his young companion were close upon them, and pausing in their work, returned their looks of curiosity. One of them, the actual exhibitor no doubt, was a little merry-faced man with a twinkling eye and a red nose, who seemed to have unconsciously imbibed31 something of his hero’s character. The other — that was he who took the money — had rather a careful and cautious look, which was perhaps inseparable from his occupation also.
The merry man was the first to greet the strangers with a nod; and following the old man’s eyes, he observed that perhaps that was the first time he had ever seen a Punch off the stage. (Punch, it may be remarked, seemed to be pointing with the tip of his cap to a most flourishing epitaph, and to be chuckling32 over it with all his heart.)
‘Why do you come here to do this?’ said the old man, sitting down beside them, and looking at the figures with extreme delight.
‘Why you see,’ rejoined the little man, ‘we’re putting up for to-night at the public-house yonder, and it wouldn’t do to let ’em see the present company undergoing repair.’
‘No!’ cried the old man, making signs to Nell to listen, ‘why not, eh? why not?’
‘Because it would destroy all the delusion33, and take away all the interest, wouldn’t it?’ replied the little man. ‘Would you care a ha’penny for the Lord Chancellor34 if you know’d him in private and without his wig? —-certainly not.’
‘Good!’ said the old man, venturing to touch one of the puppets, and drawing away his hand with a shrill35 laugh. ‘Are you going to show ’em to-night? are you?’
‘That is the intention, governor,’ replied the other, ‘and unless I’m much mistaken, Tommy Codlin is a calculating at this minute what we’ve lost through your coming upon us. Cheer up, Tommy, it can’t be much.’
The little man accompanied these latter words with a wink30, expressive36 of the estimate he had formed of the travellers’ finances.
To this Mr Codlin, who had a surly, grumbling37 manner, replied, as he twitched38 Punch off the tombstone and flung him into the box, ‘I don’t care if we haven’t lost a farden, but you’re too free. If you stood in front of the curtain and see the public’s faces as I do, you’d know human natur’ better.’
‘Ah! it’s been the spoiling of you, Tommy, your taking to that branch,’ rejoined his companion. ‘When you played the ghost in the reg’lar drama in the fairs, you believed in everything — except ghosts. But now you’re a universal mistruster. I never see a man so changed.’
‘Never mind,’ said Mr Codlin, with the air of a discontented philosopher. ‘I know better now, and p’raps I’m sorry for it.’
Turning over the figures in the box like one who knew and despised them, Mr Codlin drew one forth39 and held it up for the inspection40 of his friend:
‘Look here; here’s all this judy’s clothes falling to pieces again. You haven’t got a needle and thread I suppose?’
The little man shook his head, and scratched it ruefully as he contemplated41 this severe indisposition of a principal performer. Seeing that they were at a loss, the child said timidly:
‘I have a needle, Sir, in my basket, and thread too. Will you let me try to mend it for you? I think I could do it neater than you could.’
Even Mr Codlin had nothing to urge against a proposal so seasonable. Nelly, kneeling down beside the box, was soon busily engaged in her task, and accomplishing it to a miracle.
While she was thus engaged, the merry little man looked at her with an interest which did not appear to be diminished when he glanced at her helpless companion. When she had finished her work he thanked her, and inquired whither they were travelling.
‘N— no further to-night, I think,’ said the child, looking towards her grandfather.
‘If you’re wanting a place to stop at,’ the man remarked, ‘I should advise you to take up at the same house with us. That’s it. The long, low, white house there. It’s very cheap.’
The old man, notwithstanding his fatigue42, would have remained in the churchyard all night if his new acquaintances had remained there too. As he yielded to this suggestion a ready and rapturous assent43, they all rose and walked away together; he keeping close to the box of puppets in which he was quite absorbed, the merry little man carrying it slung44 over his arm by a strap45 attached to it for the purpose, Nelly having hold of her grandfather’s hand, and Mr Codlin sauntering slowly behind, casting up at the church tower and neighbouring trees such looks as he was accustomed in town-practice to direct to drawing-room and nursery windows, when seeking for a profitable spot on which to plant the show.
The public-house was kept by a fat old landlord and landlady46 who made no objection to receiving their new guests, but praised Nelly’s beauty and were at once prepossessed in her behalf. There was no other company in the kitchen but the two showmen, and the child felt very thankful that they had fallen upon such good quarters. The landlady was very much astonished to learn that they had come all the way from London, and appeared to have no little curiosity touching47 their farther destination. The child parried her inquiries48 as well as she could, and with no great trouble, for finding that they appeared to give her pain, the old lady desisted.
‘These two gentlemen have ordered supper in an hour’s time,’ she said, taking her into the bar; ‘and your best plan will be to sup with them. Meanwhile you shall have a little taste of something that’ll do you good, for I’m sure you must want it after all you’ve gone through to-day. Now, don’t look after the old gentleman, because when you’ve drank that, he shall have some too.’
As nothing could induce the child to leave him alone, however, or to touch anything in which he was not the first and greatest sharer, the old lady was obliged to help him first. When they had been thus refreshed, the whole house hurried away into an empty stable where the show stood, and where, by the light of a few flaring49 candles stuck round a hoop50 which hung by a line from the ceiling, it was to be forthwith exhibited.
And now Mr Thomas Codlin, the misanthrope51, after blowing away at the Pan’s pipes until he was intensely wretched, took his station on one side of the checked drapery which concealed52 the mover of the figures, and putting his hands in his pockets prepared to reply to all questions and remarks of Punch, and to make a dismal53 feint of being his most intimate private friend, of believing in him to the fullest and most unlimited54 extent, of knowing that he enjoyed day and night a merry and glorious existence in that temple, and that he was at all times and under every circumstance the same intelligent and joyful55 person that the spectators then beheld56 him. All this Mr Codlin did with the air of a man who had made up his mind for the worst and was quite resigned; his eye slowly wandering about during the briskest repartee57 to observe the effect upon the audience, and particularly the impression made upon the landlord and landlady, which might be productive of very important results in connexion with the supper.
Upon this head, however, he had no cause for any anxiety, for the whole performance was applauded to the echo, and voluntary contributions were showered in with a liberality which testified yet more strongly to the general delight. Among the laughter none was more loud and frequent than the old man’s. Nell’s was unheard, for she, poor child, with her head drooping58 on his shoulder, had fallen asleep, and slept too soundly to be roused by any of his efforts to awaken59 her to a participation60 in his glee.
The supper was very good, but she was too tired to eat, and yet would not leave the old man until she had kissed him in his bed. He, happily insensible to every care and anxiety, sat listening with a vacant smile and admiring face to all that his new friend said; and it was not until they retired61 yawning to their room, that he followed the child up stairs.
It was but a loft62 partitioned into two compartments63, where they were to rest, but they were well pleased with their lodging64 and had hoped for none so good. The old man was uneasy when he had lain down, and begged that Nell would come and sit at his bedside as she had done for so many nights. She hastened to him, and sat there till he slept.
There was a little window, hardly more than a chink in the wall, in her room, and when she left him, she opened it, quite wondering at the silence. The sight of the old church, and the graves about it in the moonlight, and the dark trees whispering among themselves, made her more thoughtful than before. She closed the window again, and sitting down upon the bed, thought of the life that was before them.
She had a little money, but it was very little, and when that was gone, they must begin to beg. There was one piece of gold among it, and an emergency might come when its worth to them would be increased a hundred fold. It would be best to hide this coin, and never produce it unless their case was absolutely desperate, and no other resource was left them.
Her resolution taken, she sewed the piece of gold into her dress, and going to bed with a lighter65 heart sunk into a deep slumber66.
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1
tint
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| n.淡色，浅色；染发剂；vt.着以淡淡的颜色 | |
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ivy
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| n.常青藤，常春藤 | |
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3
shunning
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| v.避开，回避，避免( shun的现在分词 ) | |
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4
mounds
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| 土堆，土丘( mound的名词复数 )； 一大堆 | |
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humble
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| adj.谦卑的，恭顺的；地位低下的；v.降低，贬低 | |
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6
wither
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| vt.使凋谢，使衰退，(用眼神气势等)使畏缩；vi.枯萎，衰退，消亡 | |
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7
lasting
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| adj.永久的，永恒的；vbl.持续，维持 | |
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pompous
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| adj.傲慢的，自大的；夸大的；豪华的 | |
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9
virtues
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| 美德( virtue的名词复数 )； 德行； 优点； 长处 | |
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10
meekly
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| adv.温顺地，逆来顺受地 | |
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ass
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| n.驴；傻瓜，蠢笨的人 | |
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12
deriving
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| v.得到( derive的现在分词 )；（从…中）得到获得；源于；（从…中）提取 | |
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13
consolation
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| n.安慰，慰问 | |
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expound
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| v.详述；解释；阐述 | |
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15
qualified
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| adj.合格的，有资格的，胜任的，有限制的 | |
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16
ordained
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| v.任命（某人）为牧师( ordain的过去式和过去分词 )；授予（某人）圣职；（上帝、法律等）命令；判定 | |
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17
pricking
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| 刺，刺痕，刺痛感 | |
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18
gravel
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| n.砂跞；砂砾层；结石 | |
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19
itinerant
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| adj.巡回的；流动的 | |
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imperturbable
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| adj.镇静的 | |
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21
dangling
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| 悬吊着( dangle的现在分词 )； 摆动不定； 用某事物诱惑…； 吊胃口 | |
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22
scattered
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| adj.分散的，稀疏的；散步的；疏疏落落的 | |
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23
jumbled
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| adj.混乱的；杂乱的 | |
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utterance
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| n.用言语表达，话语，言语 | |
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radical
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| n.激进份子，原子团，根号；adj.根本的，激进的，彻底的 | |
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binding
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| 有约束力的，有效的，应遵守的 | |
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gallows
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| n.绞刑架，绞台 | |
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28
wig
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| n.假发 | |
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29
tacks
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| 大头钉( tack的名词复数 )； 平头钉； 航向； 方法 | |
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30
wink
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| n.眨眼，使眼色，瞬间；v.眨眼，使眼色，闪烁 | |
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31
imbibed
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| v.吸收( imbibe的过去式和过去分词 )；喝；吸取；吸气 | |
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32
chuckling
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| 轻声地笑( chuckle的现在分词 ) | |
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33
delusion
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| n.谬见，欺骗，幻觉，迷惑 | |
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34
chancellor
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| n.(英)大臣；法官；(德、奥)总理；大学校长 | |
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35
shrill
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| adj.尖声的；刺耳的；v尖叫 | |
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36
expressive
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| adj.表现的，表达…的，富于表情的 | |
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grumbling
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| adj. 喃喃鸣不平的, 出怨言的 | |
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38
twitched
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| vt.& vi.（使）抽动，（使）颤动（twitch的过去式与过去分词形式） | |
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39
forth
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| adv.向前；向外，往外 | |
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40
inspection
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| n.检查，审查，检阅 | |
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41
contemplated
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| adj. 预期的 动词contemplate的过去分词形式 | |
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42
fatigue
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| n.疲劳，劳累 | |
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43
assent
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| v.批准，认可；n.批准，认可 | |
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44
slung
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| 抛( sling的过去式和过去分词 )； 吊挂； 遣送； 押往 | |
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45
strap
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| n.皮带，带子；v.用带扣住，束牢；用绷带包扎 | |
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46
landlady
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| n.女房东，女地主 | |
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47
touching
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| adj.动人的，使人感伤的 | |
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48
inquiries
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| n.调查( inquiry的名词复数 )；疑问；探究；打听 | |
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49
flaring
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| a.火焰摇曳的，过份艳丽的 | |
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50
hoop
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| n.（篮球）篮圈，篮 | |
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51
misanthrope
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| n.恨人类的人；厌世者 | |
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52
concealed
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| a.隐藏的，隐蔽的 | |
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53
dismal
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| adj.阴沉的，凄凉的，令人忧郁的，差劲的 | |
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54
unlimited
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| adj.无限的，不受控制的，无条件的 | |
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55
joyful
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| adj.欢乐的，令人欢欣的 | |
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56
beheld
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| v.看，注视( behold的过去式和过去分词 )；瞧；看呀；（叙述中用于引出某人意外的出现）哎哟 | |
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57
repartee
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| n.机敏的应答 | |
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58
drooping
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| adj. 下垂的，无力的 动词droop的现在分词 | |
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59
awaken
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| vi.醒，觉醒；vt.唤醒，使觉醒，唤起，激起 | |
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60
participation
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| n.参与，参加，分享 | |
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61
retired
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| adj.隐退的，退休的，退役的 | |
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62
loft
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| n.阁楼，顶楼 | |
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63
compartments
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| n.间隔( compartment的名词复数 )；（列车车厢的）隔间；（家具或设备等的）分隔间；隔层 | |
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64
lodging
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| n.寄宿，住所；(大学生的)校外宿舍 | |
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65
lighter
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| n.打火机，点火器；驳船；v.用驳船运送；light的比较级 | |
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66
slumber
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| n.睡眠，沉睡状态 | |
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