We shall carry this proposition yet a step further. We shall venture to propose, that pain and pleasure are not only not necessarily dependent for their existence on their mutual1 diminution2 or removal, but that, in reality, the diminution or ceasing of pleasure does not operate like positive pain; and that the removal or diminution of pain, in its effect, has very little resemblance to positive pleasure.1 The former of these propositions will, I believe, be much more readily allowed than the latter; because it is very evident that pleasure, when it has run its career, sets us down very nearly where it found us. Pleasure of every kind quickly satisfies; and, when it is over, we relapse into indifference3, or, rather, we fall into a soft tranquillity4 which is tinged5 with the agreeable color of the former sensation. I own it is not at first view so apparent that the removal of a great pain does not resemble positive pleasure: but let us recollect6 in what state we have found our minds upon escaping some imminent7 danger, or on being released from the severity of some cruel pain. We have on such occasions found, if I am not much mistaken, the temper of our minds in a tenor8 very remote from that which attends the presence of positive pleasure; we have found them in a state of much sobriety, impressed with a sense of awe9, in a sort of tranquillity shadowed with horror. The fashion of the countenance10 and the gesture of the body on such occasions is so correspondent to this state of mind, that any person, a stranger to the cause of the appearance, would rather judge us under some consternation11, than in the enjoyment12 of anything like positive pleasure.
[Greek:
H?s d’ hotan andr’ atê pykinê labê, host’ eni patrê,
Ph?ta katakteinas, all?n exiketo dêmon,
Andros es aphneiou, thambos d’ echei eisoro?ntas.]
Iliad, [Greek: ?]. 480.
“As when a wretch13, who, conscious of his crime,
Pursued for murder from his native clime,
Just gains some frontier, breathless, pale, amazed;
All gaze, all wonder!”
This striking appearance of the man whom Homer supposes to have just escaped an imminent danger, the sort of mixed passion of terror and surprise, with which he affects the spectators, paints very strongly the manner in which we find ourselves affected14 upon occasions any way similar. For when we have suffered from any violent emotion, the mind naturally continues in something like the same condition, after the cause which first produced it has ceased to operate. The tossing of the sea remains15 after the storm; and when this remain of horror has entirely16 subsided17, all the passion which the accident raised subsides18 along with it; and the mind returns to its usual state of indifference. In short, pleasure (I mean anything either in the inward sensation, or in the outward appearance, like pleasure from a positive cause) has never, I imagine, its origin from the removal of pain or danger.
点击收听单词发音
1 mutual | |
adj.相互的,彼此的;共同的,共有的 | |
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2 diminution | |
n.减少;变小 | |
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3 indifference | |
n.不感兴趣,不关心,冷淡,不在乎 | |
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4 tranquillity | |
n. 平静, 安静 | |
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5 tinged | |
v.(使)发丁丁声( ting的过去式和过去分词 ) | |
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6 recollect | |
v.回忆,想起,记起,忆起,记得 | |
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7 imminent | |
adj.即将发生的,临近的,逼近的 | |
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8 tenor | |
n.男高音(歌手),次中音(乐器),要旨,大意 | |
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9 awe | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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10 countenance | |
n.脸色,面容;面部表情;vt.支持,赞同 | |
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11 consternation | |
n.大为吃惊,惊骇 | |
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12 enjoyment | |
n.乐趣;享有;享用 | |
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13 wretch | |
n.可怜的人,不幸的人;卑鄙的人 | |
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14 affected | |
adj.不自然的,假装的 | |
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15 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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16 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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17 subsided | |
v.(土地)下陷(因在地下采矿)( subside的过去式和过去分词 );减弱;下降至较低或正常水平;一下子坐在椅子等上 | |
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18 subsides | |
v.(土地)下陷(因在地下采矿)( subside的第三人称单数 );减弱;下降至较低或正常水平;一下子坐在椅子等上 | |
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