But as perfectly1 beautiful bodies are not composed of angular parts, so their parts never continue long in the same right line.16 They vary their direction every moment, and they change under the eye by a deviation2 continually carrying on, but for whose beginning or end you will find it difficult to ascertain3 a point. The view of a beautiful bird will illustrate4 this observation. Here we see the head increasing insensibly to the middle, from whence it lessens5 gradually until it mixes with the neck; the neck loses itself in a larger swell6, which continues to the middle of the body, when the whole decreases again to the tail; the tail takes a new direction, but it soon varies its new course, it blends again with the other parts, and the line is perpetually changing, above, below, upon every side. In this description I have before me the idea of a dove; it agrees very well with most of the conditions of beauty. It is smooth and downy; its parts are (to use that expression) melted into one another; you are presented with no sudden protuberance through the whole, and yet the whole is continually changing. Observe that part of a beautiful woman where she is perhaps the most beautiful, about the neck and breasts; the smoothness, the softness, the easy and insensible swell; the variety of the surface, which is never for the smallest space the same; the deceitful maze7 through which the unsteady eye slides giddily, without knowing where to fix, or whither it is carried. Is not this a demonstration8 of that change of surface, continual, and yet hardly perceptible at any point, which forms one of the great constituents9 of beauty? It gives me no small pleasure to find that I can strengthen my theory in this point by the opinion of the very ingenious Mr. Hogarth, whose idea of the line of beauty I take in general to be extremely just. But the idea of variation, without attending so accurately10 to the manner of the variation, has led him to consider angular figures as beautiful; these figures, it is true, vary greatly, yet they vary in a sudden and broken manner, and I do not find any natural object which is angular, and at the same time beautiful. Indeed, few natural objects are entirely11 angular. But I think those which approach the most nearly to it are the ugliest. I must add, too, that so for as I could observe of nature, though the varied12 line is that alone in which complete beauty is found, yet there is no particular line which is always found in the most completely beautiful, and which is therefore beautiful in preference to all other lines. At least I never could observe it.
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1 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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2 deviation | |
n.背离,偏离;偏差,偏向;离题 | |
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3 ascertain | |
vt.发现,确定,查明,弄清 | |
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4 illustrate | |
v.举例说明,阐明;图解,加插图 | |
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5 lessens | |
变少( lessen的第三人称单数 ); 减少(某事物) | |
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6 swell | |
vi.膨胀,肿胀;增长,增强 | |
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7 maze | |
n.迷宫,八阵图,混乱,迷惑 | |
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8 demonstration | |
n.表明,示范,论证,示威 | |
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9 constituents | |
n.选民( constituent的名词复数 );成分;构成部分;要素 | |
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10 accurately | |
adv.准确地,精确地 | |
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11 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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12 varied | |
adj.多样的,多变化的 | |
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