It may be worth while to examine how darkness can operate in such a manner as to cause pain. It is observable, that still as we recede1 from the light, nature has so contrived2 it, that the pupil is enlarged by the retiring of the iris3, in proportion to our recess4. Now, instead of declining from it but a little, suppose that we withdraw entirely5 from the light; it is reasonable to think that the contraction6 of the radial fibres of the iris is proportionally greater; and that this part may by great darkness come to be so contracted, as to strain the nerves that compose it beyond their natural tone; and by this means to produce a painful sensation. Such a tension it seems there certainly is, whilst we are involved in darkness; for in such a state, whilst the eye remains7 open, there is a continual nisus to receive light; this is manifest from the flashes and luminous8 appearances which often seem in these circumstances to play before it; and which can be nothing but the effect of spasms9, produced by its own efforts in pursuit of its object: several other strong impulses will produce the idea of light in the eye, besides the substance of light itself, as we experience on many occasions. Some, who allow darkness to be a cause of the sublime10, would infer, from the dilatation of the pupil, that a relaxation11 may be productive of the sublime as well as a convulsion: but they do not, I believe, consider, that although the circular ring of the iris be in some sense a sphincter, which may possibly be dilated12 by a simple relaxation, yet in one respect it differs from most of the other sphincters of the body, that it is furnished with antagonist13 muscles, which are the radial fibres of the iris: no sooner does the circular muscle begin to relax, than these fibres, wanting their counterpoise, are forcibly drawn14 back, and open the pupil to a considerable wideness. But though we were not apprised15 of this, I believe any one will find, if he opens his eyes and makes an effort to see in a dark place, that a very perceivable pain ensues. And I have heard some ladies remark, that after having worked a long time upon a ground of black, their eyes were so pained and weakened, they could hardly see. It may perhaps be objected to this theory of the mechanical effect of darkness, that the ill effects of darkness or blackness seem rather mental than corporeal16: and I own it is true that they do so; and so do all those that depend on the affections of the finer parts of our system. The ill effects of bad weather appear often no otherwise than in a melancholy17 and dejection of spirits; though without doubt, in this case, the bodily organs suffer first, and the mind through these organs.
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1 recede | |
vi.退(去),渐渐远去;向后倾斜,缩进 | |
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2 contrived | |
adj.不自然的,做作的;虚构的 | |
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3 iris | |
n.虹膜,彩虹 | |
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4 recess | |
n.短期休息,壁凹(墙上装架子,柜子等凹处) | |
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5 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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6 contraction | |
n.缩略词,缩写式,害病 | |
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7 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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8 luminous | |
adj.发光的,发亮的;光明的;明白易懂的;有启发的 | |
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9 spasms | |
n.痉挛( spasm的名词复数 );抽搐;(能量、行为等的)突发;发作 | |
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10 sublime | |
adj.崇高的,伟大的;极度的,不顾后果的 | |
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11 relaxation | |
n.松弛,放松;休息;消遣;娱乐 | |
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12 dilated | |
adj.加宽的,扩大的v.(使某物)扩大,膨胀,张大( dilate的过去式和过去分词 ) | |
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13 antagonist | |
n.敌人,对抗者,对手 | |
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14 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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15 apprised | |
v.告知,通知( apprise的过去式和过去分词 );评价 | |
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16 corporeal | |
adj.肉体的,身体的;物质的 | |
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17 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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