They had been walking toward the production office and it took Pat a minute to grasp what the young man had said.
‘You’re my what?’ he asked.
‘Your putative1 son,’ said the young man, in a sort of sing-song. ‘Legally I am the son and heir of the Rajah Dak Raj Indore. But I was born John Brown Hobby.’
‘Yes?’ said Pat. ‘Go on! What’s this?’
‘My mother was Delia Brown. You married her in 1926. And she divorced you in 1927 when I was a few months old. Later she took me to India, where she married my present legal father.’
‘Oh,’ said Pat. They had reached the production office. ‘You want to see Bonita Granville.’
‘Yes,’ said John Hobby Indore. ‘If it is convenient.’
Pat looked at the shooting schedule on the wall.
‘It may be,’ he said heavily. ‘We can go and see.’
As they started toward Stage 4, he exploded.
‘What do you mean, “my potato son”? I’m glad to see you and all that, but say, are you really the kid Delia had in 1926?’
‘Putatively,’ John Indore said. ‘At that time you and she were legally married.’
He turned to his uncle and spoke2 rapidly in Hindustani, whereupon the latter bent3 forward, looked with cold examination upon Pat and threw up his shoulders without comment. The whole business was making Pat vaguely4 uncomfortable.
When he pointed5 out the commissary, John wanted to stop there ‘to buy his uncle a hot dog’. It seemed that Sir Singrim had conceived a passion for them at the World’s Fair in New York, whence they had just come. They were taking ship for Madras tomorrow.
‘— whether or not,’ said John, sombrely. ‘I get to see Bonita Granville. I do not care if I meet her. I am too young for her. She is already an old woman by our standards. But I’d like to see her.’
It was one of those bad days for showing people around. Only one of the directors shooting today was an old timer, on whom Pat could count for a welcome — and at the door of that stage he received word that the star kept blowing up in his lines and had demanded that the set be cleared.
In desperation he took his charges out to the back lot and walked them past the false fronts of ships and cities and village streets, and medieval gates — a sight in which the boy showed a certain interest but which Sir Singrim found disappointing. Each time that Pat led them around behind to demonstrate that it was all phony Sir Singrim’s expression would change to disappointment and faint contempt.
‘What’s he say?’ Pat asked his offspring, after Sir Singrim had walked eagerly into a Fifth Avenue jewellery store, to find nothing but carpenter’s rubble7 inside.
‘He is the third richest man in India,’ said John. ‘He is disgusted. He says he will never enjoy an American picture again. He says he will buy one of our picture companies in India and make every set as solid as the Taj Mahal. He thinks perhaps the actresses just have a false front too, and that’s why you won’t let us see them.’
The first sentence had rung a sort of carillon in Pat’s head. If there was anything he liked it was a good piece of money — not this miserable8, uncertain two-fifty a week which purchased his freedom.
‘I’ll tell you,’ he said with sudden decision. ‘We’ll try Stage 4, and peek9 at Bonita Granville.’
Stage 4 was double locked and barred, for the day — the director hated visitors, and it was a process stage besides. ‘Process’ was a generic10 name for trick photography in which every studio competed with other studios, and lived in terror of spies. More specifically it meant that a projecting machine threw a moving background upon a transparent11 screen. On the other side of the screen, a scene was played and recorded against this moving background. The projector12 on one side of the screen and the camera on the other were so synchronized13 that the result could show a star standing14 on his head before an indifferent crowd on 42nd Street — a real crowd and a real star — and the poor eye could only conclude that it was being deluded15 and never quite guess how.
Pat tried to explain this to John, but John was peering for Bonita Granville from behind the great mass of coiled ropes and pails where they hid. They had not got there by the front entrance, but by a little side door for technicians that Pat knew.
Wearied by the long jaunt16 over the back lot, Pat took a pint17 flask18 from his hip6 and offered it to Sir Singrim who declined. He did not offer it to John.
‘Stunt your growth,’ he said solemnly, taking a long pull.
‘I do not want any,’ said John with dignity.
He was suddenly alert. He had spotted19 an idol20 more glamorous21 than Siva not twenty feet away — her back, her profile, her voice. Then she moved off.
Watching his face, Pat was rather touched.
‘We can go nearer,’ he said. ‘We might get to that ballroom22 set. They’re not using it — they got covers on the furniture.’
On tip toe they started, Pat in the lead, then Sir Singrim, then John. As they moved softly forward Pat heard the word ‘Lights’ and stopped in his tracks. Then, as a blinding white glow struck at their eyes and the voice shouted ‘Quiet! We’re rolling!’ Pat began to run, followed quickly through the white silence by the others.
The silence did not endure.
‘Cut!’ screamed a voice, ‘What the living, blazing hell!’
From the director’s angle something had happened on the screen which, for the moment, was inexplicable23. Three gigantic silhouettes24, two with huge Indian turbans, had danced across what was intended to be a New England harbour — they had blundered into the line of the process shot. Prince John Indore had not only seen Bonita Granville — he had acted in the same picture. His silhouetted25 foot seemed to pass miraculously26 through her blonde young head.
点击收听单词发音
1 putative | |
adj.假定的 | |
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2 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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3 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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4 vaguely | |
adv.含糊地,暖昧地 | |
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5 pointed | |
adj.尖的,直截了当的 | |
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6 hip | |
n.臀部,髋;屋脊 | |
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7 rubble | |
n.(一堆)碎石,瓦砾 | |
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8 miserable | |
adj.悲惨的,痛苦的;可怜的,糟糕的 | |
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9 peek | |
vi.偷看,窥视;n.偷偷的一看,一瞥 | |
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10 generic | |
adj.一般的,普通的,共有的 | |
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11 transparent | |
adj.明显的,无疑的;透明的 | |
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12 projector | |
n.投影机,放映机,幻灯机 | |
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13 synchronized | |
同步的 | |
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14 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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15 deluded | |
v.欺骗,哄骗( delude的过去式和过去分词 ) | |
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16 jaunt | |
v.短程旅游;n.游览 | |
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17 pint | |
n.品脱 | |
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18 flask | |
n.瓶,火药筒,砂箱 | |
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19 spotted | |
adj.有斑点的,斑纹的,弄污了的 | |
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20 idol | |
n.偶像,红人,宠儿 | |
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21 glamorous | |
adj.富有魅力的;美丽动人的;令人向往的 | |
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22 ballroom | |
n.舞厅 | |
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23 inexplicable | |
adj.无法解释的,难理解的 | |
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24 silhouettes | |
轮廓( silhouette的名词复数 ); (人的)体形; (事物的)形状; 剪影 | |
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25 silhouetted | |
显出轮廓的,显示影像的 | |
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26 miraculously | |
ad.奇迹般地 | |
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