When he began to write his “Gesta Peguinorum,” Johannes Talpa was already old. The good monk4 has taken care to tell us this in his book: “My head has long since lost,” he says, “its adornment5 of fair hair, and my scalp resembles those convex mirrors of metal which the Penguin6 ladies consult with so much care and zeal7. My stature8, naturally small, has with years become diminished and bent9. My white beard gives warmth to my breast.”
With a charming simplicity10, Talpa informs us of certain circumstances in his life and some features in his character. “Descended,” he tells us, “from a noble family, and destined11 from childhood for the ecclesiastical state, I was taught grammer and music. I learned to read under the guidance of a master who was called Amicus, and who would have been better named Inimicus. As I did not easily attain12 to a knowledge of my letters, he beat me violently with rods so that I can say that he printed the alphabet in strokes upon my back.”
In another passage Talpa confesses his natural inclination13 towards pleasure. These are his expressive14 words: “In my youth the ardour of my senses was such that in the shadow of the woods I experienced a sensation of boiling in a pot rather than of breathing the fresh air. I fled from women, but in vain, for every object recalled them to me.”
While he was writing his chronicle, a terrible war, at once foreign and domestic, laid waste the Penguin land. The soldiers of Crucha came to defend the monastery of Beargarden against the Penguin barbarians15 and established themselves strongly within its walls. In order to render it impregnable they pierced loop-holes through the walls and they took the lead off the church roof to make balls for their slings16. At night they lighted huge fires in the courts and cloisters17 and on them they roasted whole oxen which they spitted upon the ancient pine-trees of the mountain. Sitting around the flames, amid smoke filled with a mingled18 odour of resin19 and fat, they broached20 huge casks of wine and beer. Their songs, their blasphemies21, and the noise of their quarrels drowned the sound of the morning bells.
At last the Porpoises22, having crossed the defiles23, laid siege to the monastery. They were warriors24 from the North, clad in copper25 armour26. They fastened ladder’s a hundred and fifty fathoms27 long to the sides of the cliffs and sometimes in the darkness and storm these broke beneath the weight of men and arms, and bunches of the besiegers were hurled28 into the ravines and precipices29. A prolonged wail30 would be heard going down into the darkness, and the assault would begin again. The Penguins31 poured streams of burning wax upon their assailants, which made them blaze like torches. Sixty times the enraged32 Porpoises attempted to scale the monastery and sixty times they were repulsed33.
For six months they had closely invested the monastery, when, on the day of the Epiphany, a shepherd of the valley showed them a hidden path by which they climbed the mountain, penetrated34 into the vaults35 of the abbey, ran through the cloisters, the kitchens, the church, the chapter halls, the library, the laundry, the cells, the refectories, and the dormitories, and burned the buildings, killing36 and violating without distinction of age or sex. The Penguins, awakened37 unexpectedly, ran to arms, but in the darkness and alarm they struck at one another, whilst the Porpoises with blows of their axes disputed the sacred vessels38, the censers, the candlesticks, dalmatics, reliquaries, golden crosses, and precious stones.
The air was filled with an acrid39 odour of burnt flesh. Groans40 and death-cries arose in the midst of the flames, and on the edges of the crumbling41 roofs monks42 ran in thousands like ants, and fell into the valley. Yet Johannes Talpa kept on writing his Chronicle. The soldiers of Crucha retreated speedily and filled up all the issues from the monastery with pieces of rock so as to shut up the Porpoises in the burning buildings. And to crush the enemy beneath the ruin they employed the trunks of old oaks as battering-rams. The burning timbers fell in with a noise like thunder and the lofty arches of the naves43 crumbled44 beneath the shock of these giant trees when moved by six hundred men together. Soon there was left nothing of the rich and extensive abbey but the cell of Johannes Talpa, which, by a marvellous chance, hung from the ruin of a smoking gable. The old chronicler still kept writing.
This admirable intensity45 of thought may seem excessive in the case of an annalist who applies himself to relate the events of his own time. For, however abstracted and detached we may be from surrounding things, we nevertheless resent their influence. I have consulted the original manuscript of Johannes Talpa in the National Library, where it is preserved (Monumenta Peng., K. L6., 12390 four). It is a parchment manuscript of 628 leaves. The writing is extremely confused, the letters instead of being in a straight line, stray in all directions and are mingled together in great disorder46, or, more correctly speaking, in absolute confusion. They are so badly formed that for the most part it is impossible not merely to say what they are, but even to distinguish them from the splashes of ink with which they are plentifully47 interspersed48. Those inestimable pages bear witness in this way to the troubles amid which they were written. To read them is difficult. On the other hand, the monk of Beargarden’s style shows no trace of emotion. The tone of the “Gesta Peguinorum” never departs from simplicity. The narration49 is rapid and of a conciseness50 that sometimes approaches dryness. The reflections are rare and, as a rule, judicious51.
点击收听单词发音
1 monastery | |
n.修道院,僧院,寺院 | |
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2 celebrated | |
adj.有名的,声誉卓著的 | |
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3 inaccessible | |
adj.达不到的,难接近的 | |
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4 monk | |
n.和尚,僧侣,修道士 | |
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5 adornment | |
n.装饰;装饰品 | |
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6 penguin | |
n.企鹅 | |
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7 zeal | |
n.热心,热情,热忱 | |
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8 stature | |
n.(高度)水平,(高度)境界,身高,身材 | |
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9 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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10 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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11 destined | |
adj.命中注定的;(for)以…为目的地的 | |
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12 attain | |
vt.达到,获得,完成 | |
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13 inclination | |
n.倾斜;点头;弯腰;斜坡;倾度;倾向;爱好 | |
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14 expressive | |
adj.表现的,表达…的,富于表情的 | |
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15 barbarians | |
n.野蛮人( barbarian的名词复数 );外国人;粗野的人;无教养的人 | |
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16 slings | |
抛( sling的第三人称单数 ); 吊挂; 遣送; 押往 | |
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17 cloisters | |
n.(学院、修道院、教堂等建筑的)走廊( cloister的名词复数 );回廊;修道院的生活;隐居v.隐退,使与世隔绝( cloister的第三人称单数 ) | |
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18 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
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19 resin | |
n.树脂,松香,树脂制品;vt.涂树脂 | |
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20 broached | |
v.谈起( broach的过去式和过去分词 );打开并开始用;用凿子扩大(或修光);(在桶上)钻孔取液体 | |
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21 blasphemies | |
n.对上帝的亵渎,亵渎的言词[行为]( blasphemy的名词复数 );侮慢的言词(或行为) | |
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22 porpoises | |
n.鼠海豚( porpoise的名词复数 ) | |
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23 defiles | |
v.玷污( defile的第三人称单数 );污染;弄脏;纵列行进 | |
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24 warriors | |
武士,勇士,战士( warrior的名词复数 ) | |
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25 copper | |
n.铜;铜币;铜器;adj.铜(制)的;(紫)铜色的 | |
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26 armour | |
(=armor)n.盔甲;装甲部队 | |
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27 fathoms | |
英寻( fathom的名词复数 ) | |
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28 hurled | |
v.猛投,用力掷( hurl的过去式和过去分词 );大声叫骂 | |
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29 precipices | |
n.悬崖,峭壁( precipice的名词复数 ) | |
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30 wail | |
vt./vi.大声哀号,恸哭;呼啸,尖啸 | |
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31 penguins | |
n.企鹅( penguin的名词复数 ) | |
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32 enraged | |
使暴怒( enrage的过去式和过去分词 ); 歜; 激愤 | |
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33 repulsed | |
v.击退( repulse的过去式和过去分词 );驳斥;拒绝 | |
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34 penetrated | |
adj. 击穿的,鞭辟入里的 动词penetrate的过去式和过去分词形式 | |
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35 vaults | |
n.拱顶( vault的名词复数 );地下室;撑物跳高;墓穴 | |
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36 killing | |
n.巨额利润;突然赚大钱,发大财 | |
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37 awakened | |
v.(使)醒( awaken的过去式和过去分词 );(使)觉醒;弄醒;(使)意识到 | |
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38 vessels | |
n.血管( vessel的名词复数 );船;容器;(具有特殊品质或接受特殊品质的)人 | |
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39 acrid | |
adj.辛辣的,尖刻的,刻薄的 | |
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40 groans | |
n.呻吟,叹息( groan的名词复数 );呻吟般的声音v.呻吟( groan的第三人称单数 );发牢骚;抱怨;受苦 | |
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41 crumbling | |
adj.摇摇欲坠的 | |
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42 monks | |
n.修道士,僧侣( monk的名词复数 ) | |
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43 naves | |
n.教堂正厅( nave的名词复数 );本堂;中央部;车轮的中心部 | |
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44 crumbled | |
(把…)弄碎, (使)碎成细屑( crumble的过去式和过去分词 ); 衰落; 坍塌; 损坏 | |
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45 intensity | |
n.强烈,剧烈;强度;烈度 | |
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46 disorder | |
n.紊乱,混乱;骚动,骚乱;疾病,失调 | |
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47 plentifully | |
adv. 许多地,丰饶地 | |
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48 interspersed | |
adj.[医]散开的;点缀的v.intersperse的过去式和过去分词 | |
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49 narration | |
n.讲述,叙述;故事;记叙体 | |
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50 conciseness | |
n.简洁,简短 | |
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51 judicious | |
adj.明智的,明断的,能作出明智决定的 | |
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