In comedy it is used with great gayety; Mercury in the “Amphitryon” (act i. scene 2), says: “Comment, bourreau! tu fais des cris!” —“How, hangman! thou bellowest!”
And even the Romans permitted themselves to say: “Quorsum vadis, carnifex?” —“Whither goest thou, hangman?”
The Encyclop?dia, under the word “Executioner,” details all the privileges of the Parisian executioner; but a recent author has gone farther. In a romance on education, not altogether equal to Xenophon’s “Cyrop?dia” or Fénelon’s “Telemachus,” he pretends that the monarch2 of a country ought, without hesitation3, to bestow4 the daughter of an executioner in marriage on the heir apparent of the crown, if she has been well educated, and if she is of a sufficiently5 congruous disposition6 with the young prince. It is a pity that he has not mentioned the precise sum she should carry with her as a dower, and the honors that should be conferred upon her father on the day of marriage.
It is scarcely possible, with due congruity7, to carry further the profound morality, the novel rules of decorum, the exquisite8 paradoxes9, and divine maxims10 with which the author I speak of has favored and regaled the present age. He would undoubtedly11 feel the perfect congruity of officiating as bridesman at the wedding. He would compose the princess’s epithalamium, and not fail to celebrate the grand exploits of her father. The bride may then possibly impart some acrid12 kisses; for be it known that this same writer, in another romance called “Hélo?se,” introduces a young Swiss, who had caught a particular disorder13 in Paris, saying to his mistress, “Keep your kisses to yourself; they are too acrid.”
A time will come when it will scarcely be conceived possible that such works should have obtained a sort of celebrity14; had the celebrity continued, it would have done no honor to the age. Fathers of families soon made up their minds that it was not exactly decorous to marry their eldest15 sons to the daughters of executioners, whatever congruity might appear to exist between the lover and the lady. There is a rule in all things, and certain limits which cannot be rationally passed.
Est modus in rebus16, sunt certi denique fines,
Quos ultra citraque nequit consistere rectum.
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1 disdained | |
鄙视( disdain的过去式和过去分词 ); 不屑于做,不愿意做 | |
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2 monarch | |
n.帝王,君主,最高统治者 | |
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3 hesitation | |
n.犹豫,踌躇 | |
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4 bestow | |
v.把…赠与,把…授予;花费 | |
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5 sufficiently | |
adv.足够地,充分地 | |
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6 disposition | |
n.性情,性格;意向,倾向;排列,部署 | |
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7 congruity | |
n.全等,一致 | |
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8 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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9 paradoxes | |
n.似非而是的隽语,看似矛盾而实际却可能正确的说法( paradox的名词复数 );用于语言文学中的上述隽语;有矛盾特点的人[事物,情况] | |
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10 maxims | |
n.格言,座右铭( maxim的名词复数 ) | |
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11 undoubtedly | |
adv.确实地,无疑地 | |
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12 acrid | |
adj.辛辣的,尖刻的,刻薄的 | |
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13 disorder | |
n.紊乱,混乱;骚动,骚乱;疾病,失调 | |
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14 celebrity | |
n.名人,名流;著名,名声,名望 | |
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15 eldest | |
adj.最年长的,最年老的 | |
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16 rebus | |
n.谜,画谜 | |
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