SINGING.

Questions on Singing, Music, Modulation¹, Gesticulation, etc.

Could a Turk conceive that we have one kind of singing for the first of our mysteries when we celebrate it in music, another kind which we call “motetts” in the same temple, a third kind at the opera, and a fourth at the theatre?

In like manner, can we imagine how the ancients blew their flutes², recited on their theatres with their heads covered by enormous masks, and how their declamation³ was written down.

Law was promulgated⁴ in Athens nearly as in Paris we sing an air on the Pont-Neuf. The public crier sang an edict, accompanying himself on the lyre.

It is thus that in Paris the rose in bud is cried in one tone; old silver lace to sell in another; only in the streets of Paris the lyre is dispensed⁵ with.

After the victory of Ch?ronea, Philip, the father of Alexander, sang the decree by which Demosthenes had made him declare war, and beat time with his foot. We are very far from singing in our streets our edicts, or finances, or upon the two sous in the livre.

It is very probable that the melopée, or modulation, regarded by Aristotle in his poetic⁶ art as an essential part of tragedy, was an even, simple chant, like that which we call the preface to mass, which in my opinion is the Gregorian chant, and not the Ambrosian, and which is a true melopée.

When the Italians revived tragedy in the sixteenth century the recitative was a melopée which could not be written; for who could write inflections of the voice which are octaves and sixths of tone? They were learned by heart. This custom was received in France when the French began to form a theatre, more than a century after the Italians. The “Sophonisba” of Mairet was sung like that of Trissin, but more grossly; for throats as well as minds were then rather coarser at Paris. All the parts of the actors, but particularly of the actresses, were noted⁷ from memory by tradition. Mademoiselle Bauval, an actress of the time of Corneille, Racine, and Molière, recited to me, about sixty years ago or more, the commencement of the part of Emilia, in “Cinna,” as it had been played in the first representations by La Beaupré. This modulation resembled the declamation of the present day much less than our modern recitative resembles the manner of reading the newspaper.

I cannot better compare this kind of singing, this modulation, than to the admirable recitative of Lulli, criticised by adorers of double crochets⁸, who have no knowledge of the genius of our language, and who are ignorant what help this melody furnishes to an ingenious and sensible actor.

Theatrical⁹ modulation perished with the comedian¹⁰ Duclos, whose only merit being a fine voice without spirit and soul, finally rendered that ridiculous which had been admired in Des ?uillets, and in Champmeslé.

Tragedy is now played dryly; if we were not heated by the pathos¹¹ of the spectacle and the action, it would be very insipid¹². Our age, commendable¹³ in other things, is the age of dryness.

It is true that among the Romans one actor recited and another made gestures. It was not by chance that the abbé Dubos imagined this pleasant method of declaiming. Titus Livius, who never fails to instruct us in the manners and customs of the Romans, and who, in that respect is more useful than the ingenious and satirical Tacitus, informs us, I say, that Andronicus, being hoarse¹⁴ while singing in the interludes, got another to sing for him while he executed the dance; and thence came the custom of dividing interludes between dancers and singers: “Dicitur cantum egisse magis vigente motu quum nihil vocis usis impediebat.” The song is expressed by the dance. “Cantum egisse magis vigente motu.” With more vigorous movements.

But they divided not the story of the piece between an actor who only gesticulates and another who only sings. The thing would have been as ridiculous as impracticable.

The art of pantomimes, which are played without speaking, is quite different, and we have seen very striking examples of it; but this art can please only when a marked action is represented, a theatrical event which is easily presented to the imagination of the spectator. It can represent Orosmanes killing¹⁵ Za?re and killing himself; Semiramis wounded, dragging herself on the frontiers to the tomb of Ninus, and holding her son in her arms. There is no occasion for verses to express these situations by gestures to the sound of a mournful and terrible symphony. But how would two pantomimes paint the dessertation of Maximus and Cinna on monarchical¹⁶ and popular governments?

Apropos¹⁷ of the theatrical execution of the Romans, the abbé Dubos says that the dancers in the interludes were always in gowns. Dancing requires a closer dress. In the Pays de Vaud, a suite¹⁸ of baths built by the Romans, is carefully preserved, the pavement of which is mosaic¹⁹. This mosaic, which is not decayed, represents dancers dressed like opera dancers. We make not these observations to detect errors in Dubos; there is no merit in having seen this antique monument which he had not seen; and besides, a very solid and just mind might be deceived by a passage of Titus Livius.

1 modulation   

n.调制

参考例句：

• The soft modulation of her voice soothed the infant. 她柔和的声调使婴儿安静了。
• Frequency modulation does not allow static to creep in. 频率调制不允许静电干扰混入。

2 flutes   

长笛( flute的名词复数 )； 细长香槟杯（形似长笛）

参考例句：

• The melody is then taken up by the flutes. 接着由长笛奏主旋律。
• These flutes have 6open holes and a lovely bright sound. 笛子有6个吹气孔，奏出的声音响亮清脆。

3 declamation   

n. 雄辩，高调

参考例句：

• Declamation is a traditional Chinese teaching method.诵读教学是我国传统的语文教学方法。
• Were you present at the declamation contest of Freshmen?大一的朗诵比赛你参加了没有？

4 promulgated   

v.宣扬（某事物）( promulgate的过去式和过去分词 )；传播；公布；颁布（法令、新法律等）

参考例句：

• Hence China has promulgated more than 30 relevant laws, statutes and regulations. 中国为此颁布的法律、法规和规章多达３０余项。 来自汉英非文学 - 白皮书
• The shipping industry promulgated a voluntary code. 航运业对自律守则进行了宣传。 来自辞典例句

5 dispensed   

v.分配( dispense的过去式和过去分词 )；施与；配（药）

参考例句：

• Not a single one of these conditions can be dispensed with. 这些条件缺一不可。 来自《现代汉英综合大词典》
• They dispensed new clothes to the children in the orphanage. 他们把新衣服发给孤儿院的小孩们。 来自《现代英汉综合大词典》

6 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

7 noted   

adj.著名的，知名的

参考例句：

• The local hotel is noted for its good table.当地的那家酒店以餐食精美而著称。
• Jim is noted for arriving late for work.吉姆上班迟到出了名。

8 crochets   

v.用钩针编织( crochet的第三人称单数 )；趾钩

参考例句：

9 theatrical   

adj.剧场的，演戏的；做戏似的，做作的

参考例句：

• The final scene was dismayingly lacking in theatrical effect.最后一场缺乏戏剧效果，叫人失望。
• She always makes some theatrical gesture.她老在做些夸张的手势。

10 comedian   

n.喜剧演员；滑稽演员

参考例句：

• The comedian tickled the crowd with his jokes.喜剧演员的笑话把人们逗乐了。
• The comedian enjoyed great popularity during the 30's.那位喜剧演员在三十年代非常走红。

11 pathos   

n.哀婉，悲怆

参考例句：

• The pathos of the situation brought tears to our eyes.情况令人怜悯，看得我们不禁流泪。
• There is abundant pathos in her words.她的话里富有动人哀怜的力量。

12 insipid   

adj.无味的，枯燥乏味的，单调的

参考例句：

• The food was rather insipid and needed gingering up.这食物缺少味道，需要加点作料。
• She said she was a good cook,but the food she cooked is insipid.她说她是个好厨师，但她做的食物却是无味道的。

13 commendable   

adj.值得称赞的

参考例句：

• The government's action here is highly commendable.政府这样的行动值得高度赞扬。
• Such carping is not commendable.这样吹毛求疵真不大好。

14 hoarse   

adj.嘶哑的，沙哑的

参考例句：

• He asked me a question in a hoarse voice.他用嘶哑的声音问了我一个问题。
• He was too excited and roared himself hoarse.他过于激动，嗓子都喊哑了。

15 killing   

n.巨额利润；突然赚大钱，发大财

参考例句：

• Investors are set to make a killing from the sell-off.投资者准备清仓以便大赚一笔。
• Last week my brother made a killing on Wall Street.上个周我兄弟在华尔街赚了一大笔。

16 monarchical   

adj. 国王的，帝王的，君主的，拥护君主制的 =monarchic

参考例句：

• The Declaration represented a repudiation of the pre-Revolutionary monarchical regime. 这一宣言代表了对大革命前的君主政体的批判。
• The monarchical period established an essential background for the writing prophets of the Bible. 王国时期为圣经的写作先知建立了基本的背景。

17 apropos   

adv.恰好地；adj.恰当的；关于

参考例句：

• I thought he spoke very apropos.我认为他说得很中肯。
• He arrived very apropos.他来得很及时。

18 suite   

n.一套(家具)；套房；随从人员

参考例句：

• She has a suite of rooms in the hotel.她在那家旅馆有一套房间。
• That is a nice suite of furniture.那套家具很不错。

19 mosaic   

n./adj.镶嵌细工的，镶嵌工艺品的，嵌花式的

参考例句：

• The sky this morning is a mosaic of blue and white.今天早上的天空是幅蓝白相间的画面。
• The image mosaic is a troublesome work.图象镶嵌是个麻烦的工作。