STYLE.

It is very strange that since the French people became literary they have had no book written in a good style, until the year 1654, when the “Provincial Letters” appeared; and why had no one written history in a suitable tone, previous to that of the “Conspiracy of Venice” of the Abbé St. Réal? How is it that Pellisson was the first who adopted the true Ciceronian style, in his memoir¹ for the superintendent² Fouquet?

Nothing is more difficult and more rare than a style altogether suitable to the subject in hand.

The style of the letters of Balzac would not be amiss for funeral orations³; and we have some physical treatises⁶ in the style of the epic⁷ poem or the ode. It is proper that all things occupy their own places.

Affect not strange terms of expression, or new words, in a treatise⁵ on religion, like the Abbé Houteville; neither declaim in a physical treatise. Avoid pleasantry in the mathematics, and flourish and extravagant⁸ figures in a pleading. If a poor intoxicated⁹ woman dies of an apoplexy, you say that she is in the regions of death; they bury her, and you exclaim that her mortal remains¹⁰ are confided¹¹ to the earth. If the bell tolls¹² at her burial, it is her funeral knell¹³ ascending¹⁴ to the skies. In all this you think you imitate Cicero, and you only copy Master Littlejohn. . . . .

Without style, it is impossible that there can be a good work in any kind of eloquence¹⁵ or poetry. A profusion¹⁶ of words is the great vice¹⁷ of all our modern philosophers and anti-philosophers. The “Système de la Nature” is a great proof of this truth. It is very difficult to give just ideas of God and nature, and perhaps equally so to form a good style.

As the kind of execution to be employed by every artist depends upon the subject of which he treats — as the line of Poussin is not that of Teniers, nor the architecture of a temple that of a common house, nor music of a serious opera that of a comic one — so has each kind of writing its proper style, both in prose and verse. It is obvious that the style of history is not that of a funeral oration⁴, and that the despatch¹⁸ of an ambassador ought not to be written like a sermon; that comedy is not to borrow the boldness of the ode, the pathetic expression of the tragedy, nor the metaphors¹⁹ and similes²¹ of the epic.

Every species has its different shades, which may, however, be reduced to two, the simple and the elevated. These two kinds, which embrace so many others, possess essential beauties in common, which beauties are accuracy of idea, adaptation, elegance²², propriety²³ of expression, and purity of language. Every piece of writing, whatever its nature, calls for these qualities; the difference consists in the employment of the corresponding tropes. Thus, a character in comedy will not utter sublime²⁴ or philosophical²⁵ ideas, a shepherd spout²⁶ the notions of a conqueror²⁷, not a didactic epistle breathe forth²⁸ passion; and none of these forms of composition ought to exhibit bold metaphor²⁰, pathetic exclamation²⁹, or vehement³⁰ expression.

Between the simple and the sublime there are many shades, and it is the art of adjusting them which contributes to the perfection of eloquence and poetry. It is by this art that Virgil frequently exalts³¹ the eclogue. This verse: Ut vidi ut perii, ut me malus abstulit error! (Eclogue viii, v. 41)— I saw, I perished, yet indulged my pain! (Dryden)— would be as fine in the mouth of Dido as in that of a shepherd, because it is nature, true and elegant, and the sentiment belongs to any condition. But this:

Castaneasque nuces me quas Amaryllis amabat.

— Eclogue, ii, v. 52

And pluck the chestnuts³² from the neigboring grove³³,

Such as my Amaryllis used to love.

— Dryden.

belongs not to an heroic personage, because the allusion³⁴ is not such as would be made by a hero.

These two instances are examples of the cases in which the mingling³⁵ of styles may be defended. Tragedy may occasionally stoop; it even ought to do so. Simplicity³⁶, according to the precept³⁷ of Horace, often relieves grandeur³⁸. Et tragicus plerumque dolet sermone pedestri (Ars Poet., v. 95)— And oft the tragic³⁹ language humbly⁴⁰ flows (Francis).

These two verses in Titus, so natural and so tender:

Depuis cinq ans entiers chaque jour je la vois.

Et crois toujours la voir pour la première fois.

— Bérénice, acte ii, scene 1.

Each day, for five years, have I seen her face,

And each succeeding time appears the first.

would not be at all out of place in serious comedy; but the following verse of Antiochus: Dans l’orient desert quel devint mon ennui⁴¹! (Id., acte i, scene 4)— The lonely east, how wearisome to me! — would not suit a lover in comedy; the figure of the “lonely east” is too elevated for the simplicity of the buskin. We have already remarked, that an author who writes on physics, in allusion to a writer on physics, called Hercules, adds that he is not able to resist a philosopher so powerful. Another who has written a small book, which he imagines to be physical and moral, against the utility of inoculation⁴², says that if the smallpox⁴³ be diffused⁴⁴ artificially, death will be defrauded⁴⁵.

The above defect springs from a ridiculous affectation. There is another which is the result of negligence⁴⁶, which is that of mingling with the simple and noble style required by history, popular phrases and low expressions, which are inimical to good taste. We often read in Mézeray, and even in Daniel, who, having written so long after him, ought to be more correct, that “a general pursued at the heels of the enemy, followed his track, and utterly⁴⁷ basted⁴⁸ him”— à plate couture. We read nothing of this kind in Livy, Tacitus, Guicciardini, or Clarendon.

Let us observe, that an author accustomed to this kind of style can seldom change it with his subject. In his operas, La Fontaine composed in the style of his fables⁴⁹; and Benserade, in his translation of Ovid’s “Metamorphoses,” exhibited the same kind of pleasantry which rendered his madrigals successful. Perfection consists in knowing how to adapt our style to the various subjects of which we treat; but who is altogether the master of his habits, and able to direct his genius at pleasure?

1 memoir   

n.[pl.]回忆录，自传；记事录

参考例句：

• He has just published a memoir in honour of his captain.他刚刚出了一本传记来纪念他的队长。
• In her memoir,the actress wrote about the bittersweet memories of her first love.在那个女演员的自传中，她写到了自己苦乐掺半的初恋。

2 superintendent   

n.监督人，主管，总监；(英国)警务长

参考例句：

• He was soon promoted to the post of superintendent of Foreign Trade.他很快就被擢升为对外贸易总监。
• He decided to call the superintendent of the building.他决定给楼房管理员打电话。

3 orations   

n.（正式仪式中的）演说，演讲( oration的名词复数 )

参考例句：

• The young official added a genuine note of emotion amid the pompous funeral orations. 这位年轻的高级官员，在冗长的葬礼演讲中加了一段充满感情的话。 来自辞典例句
• It has to go down as one of the great orations of all times. 它去作为一个伟大的演讲所有次。 来自互联网

4 oration   

n.演说，致辞，叙述法

参考例句：

• He delivered an oration on the decline of family values.他发表了有关家庭价值观的衰退的演说。
• He was asked to deliver an oration at the meeting.他被邀请在会议上发表演说。

5 treatise   

n.专著；(专题)论文

参考例句：

• The doctor wrote a treatise on alcoholism.那位医生写了一篇关于酗酒问题的论文。
• This is not a treatise on statistical theory.这不是一篇有关统计理论的论文。

6 treatises   

n.专题著作，专题论文，专著( treatise的名词复数 )

参考例句：

• Many treatises in different languages have been published on pigeons. 关于鸽类的著作，用各种文字写的很多。 来自辞典例句
• Many other treatises incorporated the new rigor. 许多其它的专题论文体现了新的严密性。 来自辞典例句

7 epic   

n.史诗，叙事诗；adj.史诗般的，壮丽的

参考例句：

• I gave up my epic and wrote this little tale instead.我放弃了写叙事诗，而写了这个小故事。
• They held a banquet of epic proportions.他们举行了盛大的宴会。

8 extravagant   

adj.奢侈的；过分的；(言行等)放肆的

参考例句：

• They tried to please him with fulsome compliments and extravagant gifts.他们想用溢美之词和奢华的礼品来取悦他。
• He is extravagant in behaviour.他行为放肆。

9 intoxicated   

喝醉的，极其兴奋的

参考例句：

• She was intoxicated with success. 她为成功所陶醉。
• They became deeply intoxicated and totally disoriented. 他们酩酊大醉，东南西北全然不辨。

10 remains   

n.剩余物，残留物；遗体，遗迹

参考例句：

• He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
• The remains of the meal were fed to the dog.残羹剩饭喂狗了。

11 confided   

v.吐露（秘密，心事等）( confide的过去式和过去分词 )；（向某人）吐露（隐私、秘密等）

参考例句：

• She confided all her secrets to her best friend. 她向她最要好的朋友倾吐了自己所有的秘密。
• He confided to me that he had spent five years in prison. 他私下向我透露，他蹲过五年监狱。 来自《简明英汉词典》

12 tolls   

（缓慢而有规律的）钟声( toll的名词复数 )； 通行费； 损耗； （战争、灾难等造成的）毁坏

参考例句：

• A man collected tolls at the gateway. 一个人在大门口收通行费。
• The long-distance call tolls amount to quite a sum. 长途电话费数目相当可观。

13 knell   

n.丧钟声；v.敲丧钟

参考例句：

• That is the death knell of the British Empire.这是不列颠帝国的丧钟。
• At first he thought it was a death knell.起初，他以为是死亡的丧钟敲响了。

14 ascending   

adj.上升的，向上的

参考例句：

• Now draw or trace ten dinosaurs in ascending order of size.现在按照体型由小到大的顺序画出或是临摹出10只恐龙。

15 eloquence   

n.雄辩；口才，修辞

参考例句：

• I am afraid my eloquence did not avail against the facts.恐怕我的雄辩也无补于事实了。
• The people were charmed by his eloquence.人们被他的口才迷住了。

16 profusion   

n.挥霍；丰富

参考例句：

• He is liberal to profusion.他挥霍无度。
• The leaves are falling in profusion.落叶纷纷。

17 vice   

n.坏事；恶习；[pl.]台钳，老虎钳；adj.副的

参考例句：

• He guarded himself against vice.他避免染上坏习惯。
• They are sunk in the depth of vice.他们堕入了罪恶的深渊。

18 despatch   

n./v.(dispatch)派遣；发送；n.急件；新闻报道

参考例句：

• The despatch of the task force is purely a contingency measure.派出特遣部队纯粹是应急之举。
• He rushed the despatch through to headquarters.他把急件赶送到总部。

19 metaphors   

隐喻( metaphor的名词复数 )

参考例句：

• I can only represent it to you by metaphors. 我只能用隐喻来向你描述它。
• Thus, She's an angel and He's a lion in battle are metaphors. 因此她是天使，他是雄狮都是比喻说法。

20 metaphor   

n.隐喻，暗喻

参考例句：

• Using metaphor,we say that computers have senses and a memory.打个比方，我们可以说计算机有感觉和记忆力。
• In poetry the rose is often a metaphor for love.玫瑰在诗中通常作为爱的象征。

21 similes   

（使用like或as等词语的）明喻( simile的名词复数 )

参考例句：

• Similes usually start with "like" or "as". 明喻通常以like或as开头。
• All similes and allegories concerning her began and ended with birds. 要比仿她，要模拟她，总得以鸟类始，还得以鸟类终。

22 elegance   

n.优雅；优美，雅致；精致，巧妙

参考例句：

• The furnishings in the room imparted an air of elegance.这个房间的家具带给这房间一种优雅的气氛。
• John has been known for his sartorial elegance.约翰因为衣着讲究而出名。

23 propriety   

n.正当行为；正当；适当

参考例句：

• We hesitated at the propriety of the method.我们对这种办法是否适用拿不定主意。
• The sensitive matter was handled with great propriety.这件机密的事处理得极为适当。

24 sublime   

adj.崇高的，伟大的；极度的，不顾后果的

参考例句：

• We should take some time to enjoy the sublime beauty of nature.我们应该花些时间去欣赏大自然的壮丽景象。
• Olympic games play as an important arena to exhibit the sublime idea.奥运会，就是展示此崇高理念的重要舞台。

25 philosophical   

adj.哲学家的，哲学上的，达观的

参考例句：

• The teacher couldn't answer the philosophical problem.老师不能解答这个哲学问题。
• She is very philosophical about her bad luck.她对自己的不幸看得很开。

26 spout   

v.喷出，涌出；滔滔不绝地讲；n.喷管；水柱

参考例句：

• Implication in folk wealth creativity and undertaking vigor spout.蕴藏于民间的财富创造力和创业活力喷涌而出。
• This acts as a spout to drain off water during a rainstorm.在暴风雨季，这东西被用作喷管来排水。

27 conqueror   

n.征服者，胜利者

参考例句：

• We shall never yield to a conqueror.我们永远不会向征服者低头。
• They abandoned the city to the conqueror.他们把那个城市丢弃给征服者。

28 forth   

adv.向前；向外，往外

参考例句：

• The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
• He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。

29 exclamation   

n.感叹号，惊呼，惊叹词

参考例句：

• He could not restrain an exclamation of approval.他禁不住喝一声采。
• The author used three exclamation marks at the end of the last sentence to wake up the readers.作者在文章的最后一句连用了三个惊叹号，以引起读者的注意。

30 vehement   

adj.感情强烈的；热烈的；(人)有强烈感情的

参考例句：

• She made a vehement attack on the government's policies.她强烈谴责政府的政策。
• His proposal met with vehement opposition.他的倡导遭到了激烈的反对。

31 exalts   

赞扬( exalt的第三人称单数 )； 歌颂； 提升； 提拔

参考例句：

• How the thought exalts me in my own eyes! 这种思想在我自己的眼睛里使我身价百倍啊！
• Fancy amuses; imagination expands and exalts us. 幻想使人乐，想象则使我们开阔和升华。

32 chestnuts   

n.栗子( chestnut的名词复数 )；栗色；栗树；栗色马

参考例句：

• A man in the street was selling bags of hot chestnuts. 街上有个男人在卖一包包热栗子。 来自《简明英汉词典》
• Talk of chestnuts loosened the tongue of this inarticulate young man. 因为栗子，正苦无话可说的年青人，得到同情他的人了。 来自汉英文学 - 中国现代小说

33 grove   

n.林子，小树林，园林

参考例句：

• On top of the hill was a grove of tall trees.山顶上一片高大的树林。
• The scent of lemons filled the grove.柠檬香味充满了小树林。

34 allusion   

n.暗示，间接提示

参考例句：

• He made an allusion to a secret plan in his speech.在讲话中他暗示有一项秘密计划。
• She made no allusion to the incident.她没有提及那个事件。

35 mingling   

adj.混合的

参考例句：

• There was a spring of bitterness mingling with that fountain of sweets. 在这个甜蜜的源泉中间，已经掺和进苦涩的山水了。
• The mingling of inconsequence belongs to us all. 这场矛盾混和物是我们大家所共有的。

36 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

37 precept   

n.戒律；格言

参考例句：

• It occurs to me that example is always more efficacious than precept.我想到身教重于言教。
• The son had well profited by the precept and example of the father.老太爷的言传身教早已使他儿子获益无穷。

38 grandeur   

n.伟大，崇高，宏伟，庄严，豪华

参考例句：

• The grandeur of the Great Wall is unmatched.长城的壮观是独一无二的。
• These ruins sufficiently attest the former grandeur of the place.这些遗迹充分证明此处昔日的宏伟。

39 tragic   

adj.悲剧的，悲剧性的，悲惨的

参考例句：

• The effect of the pollution on the beaches is absolutely tragic.污染海滩后果可悲。
• Charles was a man doomed to tragic issues.查理是个注定不得善终的人。

40 humbly   

adv. 恭顺地，谦卑地

参考例句：

• We humbly beg Your Majesty to show mercy. 我们恳请陛下发发慈悲。
• "You must be right, Sir,'said John humbly. “你一定是对的，先生，”约翰恭顺地说道。

41 ennui   

n.怠倦，无聊

参考例句：

• Since losing his job,he has often experienced a profound sense of ennui.他自从失业以来，常觉百无聊赖。
• Took up a hobby to relieve the ennui of retirement.养成一种嗜好以消除退休后的无聊。

42 inoculation   

n.接芽；预防接种

参考例句：

• Travellers are reminded that inoculation against yellow fever is advisable. 提醒旅游者接种预防黄热病的疫苗是明智的。 来自《简明英汉词典》
• Travelers are reminded that inoculation against yellow fever is advisable. 旅客们被提醒，注射黄热病预防针是明智的。 来自辞典例句

43 smallpox   

n.天花

参考例句：

• In 1742 he suffered a fatal attack of smallpox.1742年，他染上了致命的天花。
• Were you vaccinated against smallpox as a child?你小时候打过天花疫苗吗？

44 diffused   

散布的，普及的，扩散的

参考例句：

• A drop of milk diffused in the water. 一滴牛奶在水中扩散开来。
• Gases and liquids diffused. 气体和液体慢慢混合了。

45 defrauded   

v.诈取，骗取( defraud的过去式和过去分词 )

参考例句：

• He defrauded his employers of thousands of dollars. 他诈取了他的雇主一大笔钱。 来自《简明英汉词典》
• He defrauded them of their money. 他骗走了他们的钱。 来自辞典例句

46 negligence   

n.疏忽，玩忽，粗心大意

参考例句：

• They charged him with negligence of duty.他们指责他玩忽职守。
• The traffic accident was allegedly due to negligence.这次车祸据说是由于疏忽造成的。

47 utterly   

adv.完全地，绝对地

参考例句：

• Utterly devoted to the people,he gave his life in saving his patients.他忠于人民，把毕生精力用于挽救患者的生命。
• I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。

48 basted   

v.打( baste的过去式和过去分词 )；粗缝；痛斥；（烤肉等时）往上抹[浇]油

参考例句：

• The turkey is basted to keep it from drying out. 烤火鸡时润以油脂以免烤干。 来自《简明英汉词典》
• Meat is basted to keep it from drying out and to improve its flavour. 烤肉时润以脂油使不致烤焦并可增加香味。 来自《简明英汉词典》

49 fables   

n.寓言( fable的名词复数 )；神话，传说

参考例句：

• Some of Aesop's Fables are satires. 《伊索寓言》中有一些是讽刺作品。 来自《现代英汉综合大词典》
• Little Mexican boys also breathe the American fables. 墨西哥族的小孩子对美国神话也都耳濡目染。 来自辞典例句