“I was desirous to add my name to this illustrious fraternity. I read all the poets of Persia and Arabia, and was able to repeat by memory the volumes that are suspended in the mosque6 of Mecca. But I soon found that no man was ever great by imitations. My desire of excellence7 impelled8 me to transfer my attention to nature and to life. Nature was to be my subject, and men to be my auditors9. I could never describe what I had not seen. I could not hope to move those with delight or terror whose interests and opinions I did not understand.
Being now resolved to be a poet, I saw everything with a new purpose; my sphere of attention was suddenly magnified; no kind of knowledge was to be overlooked. I ranged mountains and deserts for images and resemblances, and pictured upon my mind every tree of the forest and flower of the valley. I observed with equal care the crags of the rock and the pinnacles10 of the palace. Sometimes I wandered along the mazes11 of the rivulet12, and sometimes watched the changes of the summer clouds. To a poet nothing can be useless. Whatever is beautiful and whatever is dreadful must be familiar to his imagination; he must be conversant13 with all that is awfully14 vast or elegantly little. The plants of the garden, the animals of the wood, the minerals of the earth, and meteors of the sky, must all concur15 to store his mind with inexhaustible variety; for every idea is useful for the enforcement or decoration of moral or religious truth, and he who knows most will have most power of diversifying16 his scenes and of gratifying his reader with remote allusions17 and unexpected instruction.
“All the appearances of nature I was therefore careful to study, and every country which I have surveyed has contributed something to my poetical18 powers.”
“In so wide a survey,” said the Prince, “you must surely have left much unobserved. I have lived till now within the circuit of the mountains, and yet cannot walk abroad without the sight of something which I had never beheld19 before, or never heeded20.”
“This business of a poet,” said Imlac, “is to examine, not the individual, but the species; to remark general properties and large appearances. He does not number the streaks21 of the tulip, or describe the different shades of the verdure of the forest. He is to exhibit in his portraits of nature such prominent and striking features as recall the original to every mind, and must neglect the minuter discriminations, which one may have remarked and another have neglected, for those characteristics which are alike obvious to vigilance and carelessness.
“But the knowledge of nature is only half the task of a poet; he must be acquainted likewise with all the modes of life. His character requires that he estimate the happiness and misery22 of every condition, observe the power of all the passions in all their combinations, and trace the changes of the human mind, as they are modified by various institutions and accidental influences of climate or custom, from the sprightliness23 of infancy24 to the despondence of decrepitude25. He must divest26 himself of the prejudices of his age and country; he must consider right and wrong in their abstracted and invariable state; he must disregard present laws and opinions, and rise to general and transcendental truths, which will always be the same. He must, therefore, content himself with the slow progress of his name, contemn27 the praise of his own time, and commit his claims to the justice of posterity28. He must write as the interpreter of nature and the legislator of mankind, and consider himself as presiding over the thoughts and manners of future generations, as a being superior to time and place.
“His labour is not yet at an end. He must know many languages and many sciences, and, that his style may be worthy29 of his thoughts, must by incessant30 practice familiarise to himself every delicacy31 of speech and grace of harmony.”
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1 veneration | |
n.尊敬,崇拜 | |
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2 attained | |
(通常经过努力)实现( attain的过去式和过去分词 ); 达到; 获得; 达到(某年龄、水平、状况) | |
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3 followers | |
追随者( follower的名词复数 ); 用户; 契据的附面; 从动件 | |
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4 elegance | |
n.优雅;优美,雅致;精致,巧妙 | |
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5 refinement | |
n.文雅;高尚;精美;精制;精炼 | |
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6 mosque | |
n.清真寺 | |
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7 excellence | |
n.优秀,杰出,(pl.)优点,美德 | |
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8 impelled | |
v.推动、推进或敦促某人做某事( impel的过去式和过去分词 ) | |
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9 auditors | |
n.审计员,稽核员( auditor的名词复数 );(大学课程的)旁听生 | |
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10 pinnacles | |
顶峰( pinnacle的名词复数 ); 顶点; 尖顶; 小尖塔 | |
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11 mazes | |
迷宫( maze的名词复数 ); 纷繁复杂的规则; 复杂难懂的细节; 迷宫图 | |
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12 rivulet | |
n.小溪,小河 | |
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13 conversant | |
adj.亲近的,有交情的,熟悉的 | |
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14 awfully | |
adv.可怕地,非常地,极端地 | |
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15 concur | |
v.同意,意见一致,互助,同时发生 | |
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16 diversifying | |
v.使多样化,多样化( diversify的现在分词 );进入新的商业领域 | |
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17 allusions | |
暗指,间接提到( allusion的名词复数 ) | |
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18 poetical | |
adj.似诗人的;诗一般的;韵文的;富有诗意的 | |
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19 beheld | |
v.看,注视( behold的过去式和过去分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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20 heeded | |
v.听某人的劝告,听从( heed的过去式和过去分词 );变平,使(某物)变平( flatten的过去式和过去分词 ) | |
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21 streaks | |
n.(与周围有所不同的)条纹( streak的名词复数 );(通常指不好的)特征(倾向);(不断经历成功或失败的)一段时期v.快速移动( streak的第三人称单数 );使布满条纹 | |
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22 misery | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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23 sprightliness | |
n.愉快,快活 | |
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24 infancy | |
n.婴儿期;幼年期;初期 | |
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25 decrepitude | |
n.衰老;破旧 | |
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26 divest | |
v.脱去,剥除 | |
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27 contemn | |
v.蔑视 | |
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28 posterity | |
n.后裔,子孙,后代 | |
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29 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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30 incessant | |
adj.不停的,连续的 | |
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31 delicacy | |
n.精致,细微,微妙,精良;美味,佳肴 | |
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