Replying to a reflection of Vivian Bell on marriage and love:
“A woman must choose,” he said. “With a man whom women love her heart is not quiet. With a man whom the women do not love she is not happy.”
“Darling,” asked Miss Bell, “what would you wish for a friend dear to you?”
“I should wish, Vivian, that my friend were happy. I should wish also that she were quiet. She should be quiet in hatred11 of treason, humiliating suspicions, and mistrust.”
“But, darling, since the Prince has said that a woman can not have at the same time happiness and security, tell me what your friend should choose.”
“One never chooses, Vivian; one never chooses. Do not make me say what I think of marriage.”
At this moment Choulette appeared, wearing the magnificent air of those beggars of whom small towns are proud. He had played briscola with peasants in a coffeehouse of Fiesole.
“Here is Monsieur Choulette,” said Miss Bell. “He will teach what we are to think of marriage. I am inclined to listen to him as to an oracle12. He does not see the things that we see, and he sees things that we do not see. Monsieur Choulette, what do you think of marriage?”
He took a seat and lifted in the air a Socratic finger:
“Are you speaking, Mademoiselle, of the solemn union between man and woman? In this sense, marriage is a sacrament. But sometimes, alas13! it is almost a sacrilege. As for civil marriage, it is a formality. The importance given to it in our society is an idiotic14 thing which would have made the women of other times laugh. We owe this prejudice, like many others, to the bourgeois15, to the mad performances of a lot of financiers which have been called the Revolution, and which seem admirable to those that have profited by it. Civil marriage is, in reality, only registry, like many others which the State exacts in order to be sure of the condition of persons: in every well organized state everybody must be indexed. Morally, this registry in a big ledger16 has not even the virtue17 of inducing a wife to take a lover. Who ever thinks of betraying an oath taken before a mayor? In order to find joy in adultery, one must be pious18.”
“But, Monsieur,” said Therese, “we were married at the church.”
Then, with an accent of sincerity19:
“I can not understand how a man ever makes up his mind to marry; nor how a woman, after she has reached an age when she knows what she is doing, can commit that folly20.”
The Prince looked at her with distrust. He was clever, but he was incapable21 of conceiving that one might talk without an object, disinterestedly22, and to express general ideas. He imagined that Countess Martin-Belleme was suggesting to him projects that she wished him to consider. And as he was thinking of defending himself and also avenging23 himself, he made velvet24 eyes at her and talked with tender gallantry:
“You display, Madame, the pride of the beautiful and intelligent French women whom subjection irritates. French women love liberty, and none of them is as worthy25 of liberty as you. I have lived in France a little. I have known and admired the elegant society of Paris, the salons26, the festivals, the conversations, the plays. But in our mountains, under our olive-trees, we become rustic27 again. We assume golden-age manners, and marriage is for us an idyl full of freshness.”
Vivian Bell examined the statuette which Dechartre had left on the table.
“Oh! it was thus that Beatrice looked, I am sure. And do you know, Monsieur Dechartre, there are wicked men who say that Beatrice never existed?”
Choulette declared he wished to be counted among those wicked men. He did not believe that Beatrice had any more reality than other ladies through whom ancient poets who sang of love represented some scholastic28 idea, ridiculously subtle.
Impatient at praise which was not destined29 for himself, jealous of Dante as of the universe, a refined man of letters, Choulette continued:
“I suspect that the little sister of the angels never lived, except in the imagination of the poet. It seems a pure allegory, or, rather, an exercise in arithmetic or a theme of astrology. Dante, who was a good doctor of Bologna and had many moons in his head, under his pointed30 cap — Dante believed in the virtue of numbers. That inflamed31 mathematician32 dreamed of figures, and his Beatrice is the flower of arithmetic, that is all.”
And he lighted his pipe.
Vivian Bell exclaimed:
“Oh, do not talk in that way, Monsieur Choulette. You grieve me much, and if our friend Monsieur Gebhart heard you, he would not be pleased with you. To punish you, Prince Albertinelli will read to you the canticle in which Beatrice explains the spots on the moon. Take the Divine Comedy, Eusebio. It is the white book which you see on the table. Open it and read it.”
During the Prince’s reading, Dechartre, seated on the couch near Countess Martin, talked of Dante with enthusiasm as the best sculptor33 among the poets. He recalled to Therese the painting they had seen together two days before, on the door of the Servi, a fresco34 almost obliterated35, where one hardly divined the presence of the poet wearing a laurel wreath, Florence, and the seven circles. This was enough to exalt36 the artist. But she had distinguished37 nothing, she had not been moved. And then she confessed that Dante did not attract her. Dechartre, accustomed to her sharing all his ideas of art and poetry, felt astonishment38 and some discontent. He said, aloud:
“There are many grand and strong things which you do not feel.”
Miss Bell, lifting her head, asked what were these things that “darling” did not feel; and when she learned that it was the genius of Dante, she exclaimed, in mock anger:
“Oh, do you not honor the father, the master worthy of all praise, the god? I do not love you any more, darling. I detest39 you.”
And, as a reproach to Choulette and to the Countess Martin, she recalled the piety40 of that citizen of Florence who took from the altar the candles that had been lighted in honor of Christ, and placed them before the bust41 of Dante.
The Prince resumed his interrupted reading. Dechartre persisted in trying to make Therese admire what she did not know. Certainly he would have easily sacrificed Dante and all the poets of the universe for her. But near him, tranquil42, and an object of desire, she irritated him, almost without his realizing it, by the charm of her laughing beauty. He persisted in imposing43 on her his ideas, his artistic44 passions, even his fantasy, and his capriciousness. He insisted in a low tone, in phrases concise45 and quarrelsome. She said:
“Oh, how violent you are!”
Then he bent to her ear, and in an ardent46 voice, which he tried to soften47:
“You must take me with my own soul!”
Therese felt a shiver of fear mingled48 with joy.
点击收听单词发音
1 salon | |
n.[法]沙龙;客厅;营业性的高级服务室 | |
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2 hearth | |
n.壁炉炉床,壁炉地面 | |
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3 fatigue | |
n.疲劳,劳累 | |
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4 intoxication | |
n.wild excitement;drunkenness;poisoning | |
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5 importunate | |
adj.强求的;纠缠不休的 | |
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6 cloisters | |
n.(学院、修道院、教堂等建筑的)走廊( cloister的名词复数 );回廊;修道院的生活;隐居v.隐退,使与世隔绝( cloister的第三人称单数 ) | |
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7 chiselled | |
adj.凿过的,凿光的; (文章等)精心雕琢的v.凿,雕,镌( chisel的过去式 ) | |
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8 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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9 caressed | |
爱抚或抚摸…( caress的过去式和过去分词 ) | |
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10 admiration | |
n.钦佩,赞美,羡慕 | |
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11 hatred | |
n.憎恶,憎恨,仇恨 | |
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12 oracle | |
n.神谕,神谕处,预言 | |
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13 alas | |
int.唉(表示悲伤、忧愁、恐惧等) | |
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14 idiotic | |
adj.白痴的 | |
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15 bourgeois | |
adj./n.追求物质享受的(人);中产阶级分子 | |
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16 ledger | |
n.总帐,分类帐;帐簿 | |
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17 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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18 pious | |
adj.虔诚的;道貌岸然的 | |
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19 sincerity | |
n.真诚,诚意;真实 | |
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20 folly | |
n.愚笨,愚蠢,蠢事,蠢行,傻话 | |
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21 incapable | |
adj.无能力的,不能做某事的 | |
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22 disinterestedly | |
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23 avenging | |
adj.报仇的,复仇的v.为…复仇,报…之仇( avenge的现在分词 );为…报复 | |
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24 velvet | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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25 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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26 salons | |
n.(营业性质的)店( salon的名词复数 );厅;沙龙(旧时在上流社会女主人家的例行聚会或聚会场所);(大宅中的)客厅 | |
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27 rustic | |
adj.乡村的,有乡村特色的;n.乡下人,乡巴佬 | |
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28 scholastic | |
adj.学校的,学院的,学术上的 | |
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29 destined | |
adj.命中注定的;(for)以…为目的地的 | |
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30 pointed | |
adj.尖的,直截了当的 | |
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31 inflamed | |
adj.发炎的,红肿的v.(使)变红,发怒,过热( inflame的过去式和过去分词 ) | |
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32 mathematician | |
n.数学家 | |
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33 sculptor | |
n.雕刻家,雕刻家 | |
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34 fresco | |
n.壁画;vt.作壁画于 | |
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35 obliterated | |
v.除去( obliterate的过去式和过去分词 );涂去;擦掉;彻底破坏或毁灭 | |
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36 exalt | |
v.赞扬,歌颂,晋升,提升 | |
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37 distinguished | |
adj.卓越的,杰出的,著名的 | |
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38 astonishment | |
n.惊奇,惊异 | |
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39 detest | |
vt.痛恨,憎恶 | |
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40 piety | |
n.虔诚,虔敬 | |
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41 bust | |
vt.打破;vi.爆裂;n.半身像;胸部 | |
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42 tranquil | |
adj. 安静的, 宁静的, 稳定的, 不变的 | |
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43 imposing | |
adj.使人难忘的,壮丽的,堂皇的,雄伟的 | |
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44 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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45 concise | |
adj.简洁的,简明的 | |
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46 ardent | |
adj.热情的,热烈的,强烈的,烈性的 | |
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47 soften | |
v.(使)变柔软;(使)变柔和 | |
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48 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
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