It is intended, in a word — celebrare domestica facta — to give an imitation of the shifting manners of our own time, and paint scenes, the originals of which are daily passing round us, so that a minute’s observation may compare the copies with the originals. It must be confessed that this style of composition was adopted by the author rather from the tempting2 circumstance of its offering some novelty in his compositions, and avoiding worn-out characters and positions, than from the hope of rivalling the many formidable competitors who have already won deserved honours in this department. The ladies, in particular, gifted by nature with keen powers of observation and light satire3, have been so distinguished4 by these works of talent, that, reckoning from the authoress of Evelina to her of Marriage, a catalogue might be made, including the brilliant and talented names of Edgeworth, Austin, Charlotte Smith, and others, whose success seems to have appropriated this province of the novel as exclusively their own. It was therefore with a sense of temerity5 that the author intruded6 upon a species of composition which had been of late practised with such distinguished success. This consciousness was lost, however, under the necessity of seeking for novelty, without which, it was much to be apprehended7, such repeated incursions on his part would nauseate8 the long indulgent public at the last.
The scene chosen for the author’s little drama of modern life was a mineral spring, such as are to be found in both divisions of Britain, and which are supplied with the usual materials for redeeming9 health, or driving away care. The invalid10 often finds relief from his complaints, less from the healing virtues11 of the Spa itself, than because his system of ordinary life undergoes an entire change, in his being removed from his ledger12 and account-books — from his legal folios and progresses of title-deeds — from his counters and shelves — from whatever else forms the main source of his constant anxiety at home, destroys his appetite, mars the custom of his exercise, deranges13 the digestive powers, and clogs14 up the springs of life. Thither15, too, comes the saunterer, anxious to get rid of that wearisome attendant himself, and thither come both males and females, who, upon a different principle, desire to make themselves double.
The society of such places is regulated, by their very nature, upon a scheme much more indulgent than that which rules the world of fashion, and the narrow circles of rank in the metropolis16. The titles of rank, birth, and fortune, are received at a watering-place without any very strict investigation17, as adequate to the purpose for which they are preferred; and as the situation infers a certain degree of intimacy18 and sociability19 for the time, so to whatever heights it may have been carried, it is not understood to imply any duration beyond the length of the season. No intimacy can be supposed more close for the time, and more transitory in its endurance, than that which is attached to a watering-place acquaintance. The novelist, therefore, who fixes upon such a scene for his tale, endeavours to display a species of society, where the strongest contrast of humorous characters and manners may be brought to bear on and illustrate20 each other with less violation21 of probability, than could be supposed to attend the same miscellaneous assemblage in any other situation.
In such scenes, too, are frequently mingled23 characters, not merely ridiculous, but dangerous and hateful. The unprincipled gamester, the heartless fortune-hunter, all those who eke24 out their means of subsistence by pandering25 to the vices26 and follies28 of the rich and gay, who drive, by their various arts, foibles into crimes, and imprudence into acts of ruinous madness, are to be found where their victims naturally resort, with the same certainty that eagles are gathered together at the place of slaughter29. By this the author takes a great advantage for the management of his story, particularly in its darker and more melancholy30 passages. The impostor, the gambler, all who live loose upon the skirts of society, or, like vermin, thrive by its corruptions31, are to be found at such retreats, when they easily, and as a matter of course, mingle22 with those dupes, who might otherwise have escaped their snares32. But besides those characters who are actually dangerous to society, a well-frequented watering-place generally exhibits for the amusement of the company, and the perplexity and amazement33 of the more inexperienced, a sprinkling of persons called by the newspapers eccentric characters — individuals, namely, who, either from some real derangement34 of their understanding, or, much more frequently, from an excess of vanity, are ambitious of distinguishing themselves by some striking peculiarity35 in dress or address, conversation or manners, and perhaps in all. These affectations are usually adopted, like Drawcansir’s extravagances, to show they dare; and I must needs say, those who profess36 them are more frequently to be found among the English, than among the natives of either of the other two divisions of the united kingdoms. The reason probably is, that the consciousness of wealth, and a sturdy feeling of independence, which generally pervade37 the English nation, are, in a few individuals, perverted38 into absurdity39, or at least peculiarity. The witty40 Irishman, on the contrary, adapts his general behaviour to that of the best society, or that which he thinks such; nor is it any part of the shrewd Scot’s national character unnecessarily to draw upon himself public attention. These rules, however, are not without their exceptions; for we find men of every country playing the eccentric at these independent resorts of the gay and the wealthy, where every one enjoys the license41 of doing what is good in his own eyes.
It scarce needed these obvious remarks to justify42 a novelist’s choice of a watering-place as the scene of a fictitious43 narrative44. Unquestionably, it affords every variety of character, mixed together in a manner which cannot, without a breach45 of probability, be supposed to exist elsewhere; neither can it be denied that in the concourse which such miscellaneous collections of persons afford, events extremely different from those of the quiet routine of ordinary life may, and often do, take place.
It is not, however, sufficient that a mine be in itself rich and easily accessible; it is necessary that the engineer who explores it should himself, in mining phrase, have an accurate knowledge of the country, and possess the skill necessary to work it to advantage. In this respect, the author of Saint Ronan’s Well could not be termed fortunate. His habits of life had not led him much, of late years at least, into its general or bustling46 scenes, nor had he mingled often in the society which enables the observer to “shoot folly47 as it flies.” The consequence perhaps was, that the characters wanted that force and precision which can only be given by a writer who is familiarly acquainted with his subject. The author, however, had the satisfaction to chronicle his testimony48 against the practice of gambling49, a vice27 which the devil has contrived50 to render all his own, since it is deprived of whatever pleads an apology for other vices, and is founded entirely51 on the cold-blooded calculation of the most exclusive selfishness. The character of the traveller, meddling52, self-important, and what the ladies call fussing, but yet generous and benevolent53 in his purposes, was partly taken from nature. The story, being entirely modern, cannot require much explanation, after what has been here given, either in the shape of notes, or a more prolix54 introduction.
It may be remarked, that the English critics, in many instances, though none of great influence, pursued Saint Ronan’s Well with hue55 and cry, many of the fraternity giving it as their opinion that the author had exhausted56 himself, or, as the technical phrase expresses it, written himself out; and as an unusual tract57 of success too often provokes many persons to mark and exaggerate a slip when it does occur, the author was publicly accused, in prose and verse, of having committed a literary suicide in this unhappy attempt. The voices, therefore, were, for a time, against Saint Ronan’s on the southern side of the Tweed.
In the author’s own country, it was otherwise. Many of the characters were recognised as genuine Scottish portraits, and the good fortune which had hitherto attended the productions of the Author of Waverley, did not desert, notwithstanding the ominous58 vaticinations of its censurers, this new attempt, although out of his ordinary style.
1st February, 1832.
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1 legitimate | |
adj.合法的,合理的,合乎逻辑的;v.使合法 | |
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2 tempting | |
a.诱人的, 吸引人的 | |
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3 satire | |
n.讽刺,讽刺文学,讽刺作品 | |
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4 distinguished | |
adj.卓越的,杰出的,著名的 | |
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5 temerity | |
n.鲁莽,冒失 | |
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6 intruded | |
n.侵入的,推进的v.侵入,侵扰,打扰( intrude的过去式和过去分词 );把…强加于 | |
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7 apprehended | |
逮捕,拘押( apprehend的过去式和过去分词 ); 理解 | |
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8 nauseate | |
v.使作呕;使感到恶心;使厌恶 | |
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9 redeeming | |
补偿的,弥补的 | |
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10 invalid | |
n.病人,伤残人;adj.有病的,伤残的;无效的 | |
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11 virtues | |
美德( virtue的名词复数 ); 德行; 优点; 长处 | |
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12 ledger | |
n.总帐,分类帐;帐簿 | |
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13 deranges | |
v.疯狂的,神经错乱的( deranged的现在分词 );混乱的 | |
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14 clogs | |
木屐; 木底鞋,木屐( clog的名词复数 ) | |
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15 thither | |
adv.向那里;adj.在那边的,对岸的 | |
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16 metropolis | |
n.首府;大城市 | |
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17 investigation | |
n.调查,调查研究 | |
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18 intimacy | |
n.熟悉,亲密,密切关系,亲昵的言行 | |
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19 sociability | |
n.好交际,社交性,善于交际 | |
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20 illustrate | |
v.举例说明,阐明;图解,加插图 | |
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21 violation | |
n.违反(行为),违背(行为),侵犯 | |
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22 mingle | |
vt.使混合,使相混;vi.混合起来;相交往 | |
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23 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
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24 eke | |
v.勉强度日,节约使用 | |
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25 pandering | |
v.迎合(他人的低级趣味或淫欲)( pander的现在分词 );纵容某人;迁就某事物 | |
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26 vices | |
缺陷( vice的名词复数 ); 恶习; 不道德行为; 台钳 | |
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27 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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28 follies | |
罪恶,时事讽刺剧; 愚蠢,蠢笨,愚蠢的行为、思想或做法( folly的名词复数 ) | |
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29 slaughter | |
n.屠杀,屠宰;vt.屠杀,宰杀 | |
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30 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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31 corruptions | |
n.堕落( corruption的名词复数 );腐化;腐败;贿赂 | |
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32 snares | |
n.陷阱( snare的名词复数 );圈套;诱人遭受失败(丢脸、损失等)的东西;诱惑物v.用罗网捕捉,诱陷,陷害( snare的第三人称单数 ) | |
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33 amazement | |
n.惊奇,惊讶 | |
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34 derangement | |
n.精神错乱 | |
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35 peculiarity | |
n.独特性,特色;特殊的东西;怪癖 | |
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36 profess | |
v.声称,冒称,以...为业,正式接受入教,表明信仰 | |
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37 pervade | |
v.弥漫,遍及,充满,渗透,漫延 | |
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38 perverted | |
adj.不正当的v.滥用( pervert的过去式和过去分词 );腐蚀;败坏;使堕落 | |
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39 absurdity | |
n.荒谬,愚蠢;谬论 | |
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40 witty | |
adj.机智的,风趣的 | |
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41 license | |
n.执照,许可证,特许;v.许可,特许 | |
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42 justify | |
vt.证明…正当(或有理),为…辩护 | |
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43 fictitious | |
adj.虚构的,假设的;空头的 | |
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44 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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45 breach | |
n.违反,不履行;破裂;vt.冲破,攻破 | |
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46 bustling | |
adj.喧闹的 | |
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47 folly | |
n.愚笨,愚蠢,蠢事,蠢行,傻话 | |
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48 testimony | |
n.证词;见证,证明 | |
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49 gambling | |
n.赌博;投机 | |
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50 contrived | |
adj.不自然的,做作的;虚构的 | |
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51 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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52 meddling | |
v.干涉,干预(他人事务)( meddle的现在分词 ) | |
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53 benevolent | |
adj.仁慈的,乐善好施的 | |
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54 prolix | |
adj.罗嗦的;冗长的 | |
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55 hue | |
n.色度;色调;样子 | |
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56 exhausted | |
adj.极其疲惫的,精疲力尽的 | |
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57 tract | |
n.传单,小册子,大片(土地或森林) | |
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58 ominous | |
adj.不祥的,不吉的,预兆的,预示的 | |
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