“We lived there,” Rosemary suddenly pointed9 to a building in the Rue10 des Saints-Péres.
“That’s strange. Because when I was twelve Mother and Baby and I once spent a winter there,” and she pointed to a hotel directly across the street. The two dingy11 fronts stared at them, gray echoes of girlhood.
“We’d just built our Lake Forest house and we were economizing12,” Nicole continued. “At least Baby and I and the governess economized13 and Mother travelled.”
“We were economizing too,” said Rosemary, realizing that the word meant different things to them.
“Mother always spoke14 of it very carefully as a small hotel —” Nicole gave her quick magnetic little laugh, “— I mean instead of saying a ‘cheap’ hotel. If any swanky friends asked us our address we’d never say, ‘We’re in a dingy little hole over in the apache quarter where we’re glad of running water,’— we’d say ‘We’re in a small hotel.’ As if all the big ones were too noisy and vulgar for us. Of course the friends always saw through us and told everyone about it, but Mother always said it showed we knew our way around Europe. She did, of course: she was born a German citizen. But her mother was American, and she was brought up in Chicago, and she was more American than European.”
They were meeting the others in two minutes, and Rosemary reconstructed herself once more as they got out of the taxi in the Rue Guynemer, across from the Luxembourg Gardens. They were lunching in the Norths’ already dismantled15 apartment high above the green mass of leaves. The day seemed different to Rosemary from the day before — When she saw him face to face their eyes met and brushed like birds’ wings. After that everything was all right, everything was wonderful, she knew that he was beginning to fall in love with her. She felt wildly happy, felt the warm sap of emotion being pumped through her body. A cool, clear confidence deepened and sang in her. She scarcely looked at Dick but she knew everything was all right.
After luncheon16 the Divers and the Norths and Rosemary went to the Franco-American Films, to be joined by Collis Clay, her young man from New Haven17, to whom she had telephoned. He was a Georgian, with the peculiarly regular, even stencilled18 ideas of Southerners who are educated in the North. Last winter she had thought him attractive — once they held hands in an automobile19 going from New Haven to New York; now he no longer existed for her.
In the projection20 room she sat between Collis Clay and Dick while the mechanic mounted the reels of Daddy’s Girl and a French executive fluttered about her trying to talk American slang. “Yes, boy,” he said when there was trouble with the projector21, “I have not any benenas.” Then the lights went out, there was the sudden click and a flickering22 noise and she was alone with Dick at last. They looked at each other in the half darkness.
“Dear Rosemary,” he murmured. Their shoulders touched. Nicole stirred restlessly at the end of the row and Abe coughed convulsively and blew his nose; then they all settled down and the picture ran.
There she was — the school girl of a year ago, hair down her back and rippling23 out stiffly like the solid hair of a tanagra figure; there she was — SO young and innocent — the product of her mother’s loving care; there she was — embodying24 all the immaturity25 of the race, cutting a new cardboard paper doll to pass before its empty harlot’s mind. She remembered how she had felt in that dress, especially fresh and new under the fresh young silk.
Daddy’s girl. Was it a ‘itty-bitty bravekins and did it suffer? Ooo-ooo-tweet, de tweetest thing, wasn’t she dest too tweet? Before her tiny fist the forces of lust26 and corruption27 rolled away; nay28, the very march of destiny stopped; inevitable29 became evitable, syllogism30, dialectic, all rationality fell away. Women would forget the dirty dishes at home and weep, even within the picture one woman wept so long that she almost stole the film away from Rosemary. She wept all over a set that cost a fortune, in a Duncan Phyfe dining-room, in an aviation port, and during a yacht-race that was only used in two flashes, in a subway and finally in a bathroom. But Rosemary triumphed. Her fineness of character, her courage and steadfastness31 intruded32 upon by the vulgarity of the world, and Rosemary showing what it took with a face that had not yet become mask-like — yet it was actually so moving that the emotions of the whole row of people went out to her at intervals33 during the picture. There was a break once and the light went on and after the chatter34 of applause Dick said to her sincerely: “I’m simply astounded35. You’re going to be one of the best actresses on the stage.”
Then back to Daddy’s Girl: happier days now, and a lovely shot of Rosemary and her parent united at the last in a father complex so apparent that Dick winced36 for all psychologists at the vicious sentimentality. The screen vanished, the lights went on, the moment had come.
“I’ve arranged one other thing,” announced Rosemary to the company at large, “I’ve arranged a test for Dick.”
“A what?”
“A screen test, they’ll take one now.”
There was an awful silence — then an irrepressible chortle from the Norths. Rosemary watched Dick comprehend what she meant, his face moving first in an Irish way; simultaneously37 she realized that she had made some mistake in the playing of her trump38 and still she did not suspect that the card was at fault.
“I don’t want a test,” said Dick firmly; then, seeing the situation as a whole, he continued lightly, “Rosemary, I’m disappointed. The pictures make a fine career for a woman — but my God, they can’t photograph me. I’m an old scientist all wrapped up in his private life.”
Nicole and Mary urged him ironically to seize the opportunity; they teased him, both faintly annoyed at not having been asked for a sitting. But Dick closed the subject with a somewhat tart39 discussion of actors: “The strongest guard is placed at the gateway40 to nothing,” he said. “Maybe because the condition of emptiness is too shameful41 to be divulged42.”
In the taxi with Dick and Collis Clay — they were dropping Collis, and Dick was taking Rosemary to a tea from which Nicole and the Norths had resigned in order to do the things Abe had left undone43 till the last — in the taxi Rosemary reproached him.
“I thought if the test turned out to be good I could take it to California with me. And then maybe if they liked it you’d come out and be my leading man in a picture.”
He was overwhelmed. “It was a darn sweet thought, but I’d rather look at YOU. You were about the nicest sight I ever looked at.”
“That’s a great picture,” said Collis. “I’ve seen it four times. I know one boy at New Haven who’s seen it a dozen times — he went all the way to Hartford to see it one time. And when I brought Rosemary up to New Haven he was so shy he wouldn’t meet her. Can you beat that? This little girl knocks them cold.”
Dick and Rosemary looked at each other, wanting to be alone, but Collis failed to understand.
“I’ll drop you where you’re going,” he suggested. “I’m staying at the Lutetia.”
“We’ll drop you,” said Dick.
“It’ll be easier for me to drop you. No trouble at all.”
“I think it will be better if we drop you.”
“But —” began Collis; he grasped the situation at last and began discussing with Rosemary when he would see her again.
Finally, he was gone, with the shadowy unimportance but the offensive bulk of the third party. The car stopped unexpectedly, unsatisfactorily, at the address Dick had given. He drew a long breath.
“Shall we go in?”
“I don’t care,” Rosemary said. “I’ll do anything you want.”
He considered.
“I almost have to go in — she wants to buy some pictures from a friend of mine who needs the money.”
Rosemary smoothed the brief expressive44 disarray45 of her hair.
“We’ll stay just five minutes,” he decided46. “You’re not going to like these people.”
She assumed that they were dull and stereotyped47 people, or gross and drunken people, or tiresome48, insistent49 people, or any of the sorts of people that the Divers avoided. She was entirely50 unprepared for the impression that the scene made on her.
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1
reassure
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| v.使放心，使消除疑虑 | |
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2
awakened
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| v.（使）醒( awaken的过去式和过去分词 )；（使）觉醒；弄醒；（使）意识到 | |
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ordeal
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| n.苦难经历，（尤指对品格、耐力的）严峻考验 | |
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4
divers
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| adj.不同的；种种的 | |
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impermeable
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| adj.不能透过的，不渗透的 | |
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apropos
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| adv.恰好地；adj.恰当的；关于 | |
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7
disapproval
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| n.反对，不赞成 | |
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8
concealed
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| a.隐藏的，隐蔽的 | |
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pointed
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| adj.尖的，直截了当的 | |
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10
rue
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| n.懊悔，芸香，后悔；v.后悔，悲伤，懊悔 | |
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11
dingy
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| adj.昏暗的，肮脏的 | |
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12
economizing
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| v.节省，减少开支( economize的现在分词 ) | |
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economized
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| v.节省，减少开支( economize的过去式和过去分词 ) | |
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14
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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15
dismantled
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| 拆开( dismantle的过去式和过去分词 )； 拆卸； 废除； 取消 | |
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16
luncheon
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| n.午宴，午餐，便宴 | |
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17
haven
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| n.安全的地方，避难所，庇护所 | |
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18
stencilled
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| v.用模板印（文字或图案）( stencil的过去式和过去分词 ) | |
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19
automobile
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| n.汽车，机动车 | |
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projection
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| n.发射，计划，突出部分 | |
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projector
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| n.投影机，放映机，幻灯机 | |
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flickering
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| adj.闪烁的，摇曳的，一闪一闪的 | |
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rippling
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| 起涟漪的，潺潺流水般声音的 | |
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embodying
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| v.表现( embody的现在分词 )；象征；包括；包含 | |
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25
immaturity
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| n.不成熟；未充分成长；未成熟；粗糙 | |
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lust
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| n.性(淫)欲；渴(欲)望；vi.对…有强烈的欲望 | |
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corruption
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| n.腐败，堕落，贪污 | |
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28
nay
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| adv.不；n.反对票，投反对票者 | |
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29
inevitable
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| adj.不可避免的，必然发生的 | |
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30
syllogism
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| n.演绎法，三段论法 | |
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31
steadfastness
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| n.坚定，稳当 | |
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32
intruded
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| n.侵入的，推进的v.侵入，侵扰，打扰( intrude的过去式和过去分词 )；把…强加于 | |
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33
intervals
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| n.[军事]间隔( interval的名词复数 )；间隔时间；[数学]区间；（戏剧、电影或音乐会的）幕间休息 | |
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34
chatter
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| vi.／n.喋喋不休；短促尖叫；(牙齿)打战 | |
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35
astounded
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| v.使震惊(astound的过去式和过去分词)；愕然；愕；惊讶 | |
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36
winced
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| 赶紧避开，畏缩( wince的过去式和过去分词 ) | |
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37
simultaneously
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| adv.同时发生地，同时进行地 | |
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38
trump
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| n.王牌，法宝；v.打出王牌，吹喇叭 | |
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39
tart
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| adj.酸的；尖酸的，刻薄的；n.果馅饼；淫妇 | |
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40
gateway
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| n.大门口，出入口，途径，方法 | |
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41
shameful
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| adj.可耻的，不道德的 | |
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42
divulged
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| v.吐露，泄露( divulge的过去式和过去分词 ) | |
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43
undone
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| a.未做完的，未完成的 | |
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44
expressive
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| adj.表现的，表达…的，富于表情的 | |
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45
disarray
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| n.混乱，紊乱，凌乱 | |
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46
decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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47
stereotyped
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| adj.(指形象、思想、人物等)模式化的 | |
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48
tiresome
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| adj.令人疲劳的，令人厌倦的 | |
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49
insistent
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| adj.迫切的，坚持的 | |
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50
entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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