Mr. Percival printed his last book of poems sixteen years ago, and every school-boy learned to declaim his “Bunker Hill,” since which time, he informs us, his studies have been for the most part very adverse2 to poetic3 inspirations. Yet here we have specimens4 of no less than one hundred and fifty different forms of stanza5. Such thorough workmanship in the poetical6 art is without example or approach in this country, and deserves all honor. We have imitations of four of the leading classes of ancient measures, — the Dactylic, Iambic, Anapestic, and Trochaic, to say nothing of rarer measures, now never known out of colleges. Then come songs for national airs, formed on the rhythm of the music, including Norwegian, German, Russian, Bohemian, Gaelic, and Welsh, — Teutonian and Slavonian. But unhappily this diligence is not without its dangers. It has prejudiced the creative power,
“And made that art, which was a rage.”
Neatness, terseness7, objectivity, or at any rate the absence of subjectivity8, characterize these poems. Our bard9 has not quite so much fire as we had looked for, grows warm but does not ignite; those sixteen years of “adverse” studies have had their effect on Pegasus, who now trots10 soundly and resolutely11 on, but forbears rash motions, and never runs away with us. The old critics of England were hardly steadier to their triad of “Gower, Lydgate, and Chaucer,” than our American magazines to the trinity of “Bryant, Dana, and Percival.” A gentle constellation12 truly, all of the established religion, having the good of their country and their species at heart. Percival has not written anything quite as good on the whole as his two fast associates, but surpasses them both in labor13, in his mimetic skill, and in his objectiveness. He is the most objective of the American poets. Bryant has a superb propriety14 of feeling, has plainly always been in good society, but his sweet oaten pipe discourses15 only pastoral music. Dana has the most established religion, more sentiment, more reverence16, more of England; whilst Mr. Percival is an upright, soldierly, free-spoken man, very much of a patriot17, hates cant18, and does his best.
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1 haven | |
n.安全的地方,避难所,庇护所 | |
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2 adverse | |
adj.不利的;有害的;敌对的,不友好的 | |
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3 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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4 specimens | |
n.样品( specimen的名词复数 );范例;(化验的)抽样;某种类型的人 | |
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5 stanza | |
n.(诗)节,段 | |
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6 poetical | |
adj.似诗人的;诗一般的;韵文的;富有诗意的 | |
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7 terseness | |
简洁,精练 | |
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8 subjectivity | |
n.主观性(主观主义) | |
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9 bard | |
n.吟游诗人 | |
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10 trots | |
小跑,急走( trot的名词复数 ); 匆匆忙忙地走 | |
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11 resolutely | |
adj.坚决地,果断地 | |
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12 constellation | |
n.星座n.灿烂的一群 | |
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13 labor | |
n.劳动,努力,工作,劳工;分娩;vi.劳动,努力,苦干;vt.详细分析;麻烦 | |
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14 propriety | |
n.正当行为;正当;适当 | |
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15 discourses | |
论文( discourse的名词复数 ); 演说; 讲道; 话语 | |
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16 reverence | |
n.敬畏,尊敬,尊严;Reverence:对某些基督教神职人员的尊称;v.尊敬,敬畏,崇敬 | |
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17 patriot | |
n.爱国者,爱国主义者 | |
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18 cant | |
n.斜穿,黑话,猛扔 | |
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