Shelley had to write the Prometheus Unbound, he was under compulsion; for a superhuman energy had come upon him, and he was forced to create a matter that would permit him to imagine, and think, and speak like a god. It was so with Blake, who willed to appear as a man but existed like a mountain; and, at their best, the work of these poets is inhuman1 and sacred. It does not greatly matter that they had or had not a message. It does not matter at all that either can be charged with nonsense or that both have been called madmen — the same charge might be laid against a volcano or a thunderbolt — or this book. It does not matter that they could transcend2 human endurance, and could move tranquilly3 in realms where lightning is the norm of speed. The work of such poets is sacred because it outpaces man, and, in a realm of their own, wins even above Shakespeare.
An energy such as came on the poets has visited the author of this book, and his dedicatory statement, that “it is neither allegory nor fable4 but a story to be read for its own sake,” puts us off with the assured arrogance5 for of the poet who is too busy creating to have time for school-mastering. But, waking or in dream, this author has been in strange regions and has supped at a torrent6 which only the greatest know of.
The story is a long one — this reader would have — liked it twice as long. The place of action is indicated, casually7, as the planet Mercury, and the story tells of the, wars between two great kingdoms of that planet, and the final overthrow8 of one.
Mr. Eddison is a vast man. He needed a whole cosmos9 to play in, and created one; and he forged a prose to tell of it that is as gigantic as his tale. In reading this book the reader must a little break his way in, and must surrender prejudices that are not allowed for. He may think that the language is more rotund than is needed for a tale, but, as he proceeds, he will see that only such a tongue could be spoken by these colossi; and, soon, he will delight in a prose that is as life-giving as it is magnificent.
Mr. Eddison’s prose never plays him false; it rises and falls with his subject, and is tender, humorous, sour, precipitate10 and terrific as the occasion warrants. How nicely the Kaga danced for the Red Foliot.
“Foxy-red above, but with black bellies11, round furry12 faces, innocent amber13 eyes and great soft paws. . . . On a sudden the music ceased, and the dancers were still, and standing14 side by side, paw in furry paw, they bowed shyly to the company, and the Red Foliot called them to, him, and kissed them on the mouth, and sent them to their seats.”
“Corund leaned on the parapet and shaded his eyes with his hand, that was broad as a smoked haddock, and covered on the back with yellow hairs growing somewhat sparsely15 as the hairs on the skin of a young elephant.”
“A dismal16 tempest suddenly surprised them. For forty days it swept them in hail and sleet17 over wide wallowing ocean, without a star, without a course.”
“Night came down on the hills. A great wind moaning out of the hueless18 west tore the clouds as a ragged19 garment, revealing the lonely moon that fled naked betwixt them.”
“Dawn came like a lily, saffron-hued, smirked21 with smoke-gray streaks22, that slanted23 from the north.”
“He was naked to the waist, his hair, breast and arms to the armpits clotted24 and adrop with blood and in his hands two bloody25 daggers26.”
Quotations27 can give some idea of the rhythm of his sentences, but it can give none of the massive sweep and intensity28 of his narrative29. Milton fell in love with the devil because the dramatic action lay with him, and, in this book, Mr. Eddison trounces his devils for being naughty (the word “bad” has not significance here), but he trounces the Wizard King and his kingdom with affection and delight. What gorgeous monsters are Gorice the Twelfth and Corund and Corinius. The reader will not easily forget them; nor Gorice’s great antagonist30 Lord Juss; nor the marvellous traitor31, Lord Gro, with whom the author was certainly in love; nor the great fights and the terrible fighters Lords Brandoch Daha and Goldry Bluszco, and a world of others and their wives; nor will he forget the mountain Koshtra Pivrarcha, that had to be climbed, and was climbed — as dizzying a feat32 as literature can tell of.
“So huge he was that even here at six miles distance the eye might not at a glance behold33 him, but must sweep back and forth34 as over a broad landscape, from the ponderous35 roots of the mountain, where they sprang black and sheer from the glacier36 up the vast face, where buttress37 was piled upon buttress, and tower upon tower, in a blinding radiance of ice-hung precipice38 and snow-filled gully, to the lone20 heights where, like spears menacing high heaven, the white teeth of the summit-ridge cleft39 the sky.”
Mr. Eddison’s prose does not derive40 from the English Bible. His mind has more affinities41 with Celtic imaginings and method, and his work is Celtic in that it is inspired by beauty and daring rather than by thoughts and moralities. He might be Scotch42 or Irish: scarcely the former, for, while Scotland loves full-mouthed verse, she, like England, is prose-shy. But, from whatever heaven Mr. Eddison come, he has added a masterpiece to English literature.
James Stephens

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收听单词发音

1
inhuman
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adj.残忍的,不人道的,无人性的 | |
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2
transcend
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vt.超出,超越(理性等)的范围 | |
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3
tranquilly
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adv. 宁静地 | |
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fable
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n.寓言;童话;神话 | |
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arrogance
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n.傲慢,自大 | |
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torrent
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n.激流,洪流;爆发,(话语等的)连发 | |
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7
casually
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adv.漠不关心地,无动于衷地,不负责任地 | |
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overthrow
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v.推翻,打倒,颠覆;n.推翻,瓦解,颠覆 | |
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9
cosmos
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n.宇宙;秩序,和谐 | |
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10
precipitate
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adj.突如其来的;vt.使突然发生;n.沉淀物 | |
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11
bellies
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n.肚子( belly的名词复数 );腹部;(物体的)圆形或凸起部份;腹部…形的 | |
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12
furry
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adj.毛皮的;似毛皮的;毛皮制的 | |
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13
amber
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n.琥珀;琥珀色;adj.琥珀制的 | |
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14
standing
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n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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15
sparsely
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adv.稀疏地;稀少地;不足地;贫乏地 | |
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16
dismal
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adj.阴沉的,凄凉的,令人忧郁的,差劲的 | |
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17
sleet
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n.雨雪;v.下雨雪,下冰雹 | |
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18
hueless
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19
ragged
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adj.衣衫褴褛的,粗糙的,刺耳的 | |
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20
lone
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adj.孤寂的,单独的;唯一的 | |
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21
smirked
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v.傻笑( smirk的过去分词 ) | |
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22
streaks
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n.(与周围有所不同的)条纹( streak的名词复数 );(通常指不好的)特征(倾向);(不断经历成功或失败的)一段时期v.快速移动( streak的第三人称单数 );使布满条纹 | |
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23
slanted
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有偏见的; 倾斜的 | |
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24
clotted
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adj.凝结的v.凝固( clot的过去式和过去分词 ) | |
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25
bloody
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adj.非常的的;流血的;残忍的;adv.很;vt.血染 | |
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26
daggers
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匕首,短剑( dagger的名词复数 ) | |
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27
quotations
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n.引用( quotation的名词复数 );[商业]行情(报告);(货物或股票的)市价;时价 | |
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28
intensity
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n.强烈,剧烈;强度;烈度 | |
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29
narrative
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n.叙述,故事;adj.叙事的,故事体的 | |
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30
antagonist
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n.敌人,对抗者,对手 | |
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31
traitor
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n.叛徒,卖国贼 | |
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32
feat
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n.功绩;武艺,技艺;adj.灵巧的,漂亮的,合适的 | |
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33
behold
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v.看,注视,看到 | |
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34
forth
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adv.向前;向外,往外 | |
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ponderous
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adj.沉重的,笨重的,(文章)冗长的 | |
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glacier
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n.冰川,冰河 | |
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37
buttress
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n.支撑物;v.支持 | |
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38
precipice
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n.悬崖,危急的处境 | |
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39
cleft
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n.裂缝;adj.裂开的 | |
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40
derive
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v.取得;导出;引申;来自;源自;出自 | |
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41
affinities
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n.密切关系( affinity的名词复数 );亲近;(生性)喜爱;类同 | |
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42
scotch
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n.伤口,刻痕;苏格兰威士忌酒;v.粉碎,消灭,阻止;adj.苏格兰(人)的 | |
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