Plate II.

Surrounded by Artists and Professors.

Prosperity (with harlot’s smiles,

Most pleasing when she most beguiles),

How soon, great foe¹, can all thy train

Of false, gay, frantic², loud, and vain,

Enter the unprovided mind,

And memory in fetters³ bind⁴?

Load faith and love with golden chain,

And sprinkle Lethe o’er the brain!

Pleasure, on her silver throne,

Smiling comes, nor comes alone;

Venus comes with her along,

And smooth Ly?us, ever young;

And in their train, to fill the press,

Come apish Dance and swoln Excess,

Mechanic Honour, vicious Taste,

And Fashion in her changing vest.

Hoadley.

We are next to consider our hero as launched into the world, and having equipped himself with all the necessaries to constitute him a man of taste, he plunges⁵ at once into all the fashionable excesses, and enters with spirit into the character he assumes.

The avarice⁶ of the penurious⁷ father then, in this print, is contrasted by the giddy profusion⁸ of his prodigal⁹ son. We view him now at his levee, attended by masters of various professions, supposed to be here offering their interested services. The foremost figure is readily known to be a dancing-master; behind him are two men, who at the time when these prints were first published, were noted¹⁰ for teaching the arts of defence by different weapons, and who are here drawn¹¹ from the life; one of whom is a Frenchman, teacher of the small-sword, making a thrust with his foil; the other an Englishman, master of the quarter-staff; the vivacity¹² of the first, and the cold contempt visible in the face of the second, beautifully describe the natural disposition¹³ of the two nations. On the left of the latter stands an improver of gardens, drawn also from the life, offering a plan for that purpose. A taste for gardening, carried to excess, must be acknowledged to have been the ruin of numbers, it being a passion that is seldom, if ever, satisfied, and attended with the greatest expense. In the chair sits a professor of music, at the harpsichord¹⁴, running over the keys, waiting to give his pupil a lesson; behind whose chair hangs a list of the presents, one Farinelli, an Italian singer, received the next day after his first performance at the Opera House; amongst which, there is notice taken of one, which he received from the hero of our piece, thus: “A gold snuff-box, chased, with the story of Orpheus charming the brutes¹⁵, by J. Rakewell, esq.” By these mementos¹⁶ of extravagance and pride, (for gifts of this kind proceed oftener from ostentation¹⁷ than generosity,) and by the engraved¹⁸ frontispiece to a poem, dedicated¹⁹ to our fashionable spendthrift, lying on the floor, which represents the ladies of Britain sacrificing their hearts to the idol²⁰ Farinelli, crying out, with the greatest earnestness, “one G— d, one Farinelli,” we are given to understand the prevailing²¹ dissipation and luxury of the times. Near the principal figure in this plate is that of him, with one hand on his breast, the other on his sword, whom we may easily discover to be a bravo; he is represented as having brought a letter of recommendation, as one disposed to undertake all sorts of service. This character is rather Italian than English; but is here introduced to fill up the list of persons at that time too often engaged in the service of the votaries²³ of extravagance and fashion. Our author would have it imagined in the interval²⁴ between the first scene and this, that the young man whose history he is painting, had now given himself up to every fashionable extravagance; and among others, he had imbibed²⁵ a taste for cock-fighting and horse-racing; two amusements, which, at that time, the man of fashion could not dispense²⁶ with. This is evident, from his rider bringing in a silver punch-bowl, which one of his horses is supposed to have won, and his saloon being ridiculously ornamented²⁷ with the portraits of celebrated²⁸ cocks. The figures in the back part of this plate represent tailors, peruke-makers, milliners, and such other persons as generally fill the antichamber of a man of quality, except one, who is supposed to be a poet, and has written some panegyric²⁹ on the person whose levee he attends, and who waits for that approbation³⁰ he already vainly anticipates. Upon the whole, the general tenor³¹ of this scene is to teach us, that the man of fashion is too often exposed to the rapacity³² of his fellow creatures, and is commonly a dupe to the more knowing part of the world.

“How exactly,” says Mr. Ireland, “does Bramston describe the character in his Man of Taste:—

‘Without Italian, and without an ear,

To Bononcini’s music I adhere. ——

To boon³³ companions I my time would give,

With players, pimps, and parasites³⁴ I’d live;

I would with jockeys from Newmarket dine,

And to rough riders give my choicest wine.

My evenings all I would with sharpers spend,

And make the thief-taker my bosom³⁵ friend;

In Figg, the prize-fighter, by day delight,

And sup with Colley Cibber every night.’

“Of the expression in this print, we cannot speak more highly than it deserves. Every character is marked with its proper and discriminative³⁶ stamp. It has been said by a very judicious³⁷ critic (the Rev²². Mr. Gilpin) from whom it is not easy to differ without being wrong, that the hero of this history, in the first plate of the series, is unmeaning, and in the second ungraceful. The fact is admitted; but, for so delineating him, the author is entitled to our praise, rather than our censure³⁸. Rakewell’s whole conduct proves he was a fool, and at that time he had not learned how to perform an artificial character; he therefore looks as he is, unmeaning, and uninformed. But in the second plate he is ungraceful. — Granted. The ill-educated son of so avaricious³⁹ a father could not have been introduced into very good company; and though, by the different teachers who surround him, it evidently appears that he wishes to assume the character of a gentleman, his internal feelings tell him he has not attained⁴⁰ it. Under that consciousness, he is properly and naturally represented as ungraceful, and embarrassed in his new situation.”

1 foe   

n.敌人，仇敌

参考例句：

• He knew that Karl could be an implacable foe.他明白卡尔可能会成为他的死敌。
• A friend is a friend;a foe is a foe;one must be clearly distinguished from the other.敌是敌，友是友，必须分清界限。

2 frantic   

adj.狂乱的，错乱的，激昂的

参考例句：

• I've had a frantic rush to get my work done.我急急忙忙地赶完工作。
• He made frantic dash for the departing train.他发疯似地冲向正开出的火车。

3 fetters   

n.脚镣( fetter的名词复数 )；束缚v.给…上脚镣，束缚( fetter的第三人称单数 )

参考例句：

• They were at last freed from the fetters of ignorance. 他们终于从愚昧无知的束缚中解脱出来。
• They will run wild freed from the fetters of control. 他们一旦摆脱了束缚，就会变得无法无天。 来自《简明英汉词典》

4 bind   

vt.捆，包扎；装订；约束；使凝固；vi.变硬

参考例句：

• I will let the waiter bind up the parcel for you.我让服务生帮你把包裹包起来。
• He wants a shirt that does not bind him.他要一件不使他觉得过紧的衬衫。

5 plunges   

n.跳进，投入vt.使投入，使插入，使陷入vi.投入，跳进，陷入v.颠簸( plunge的第三人称单数 )；暴跌；骤降；突降

参考例句：

• Even before he plunges into his program, he has his audience in his pocket. 他的节目甚至还没有出场，就已控制住了观众。 来自《简明英汉词典》
• 'Monseigneur, he precipitated himself over the hill-side, head first, as a person plunges into the river.' “大人，他头冲下跳下山坡去了，像往河里跳一样。” 来自英汉文学 - 双城记

6 avarice   

n.贪婪；贪心

参考例句：

• Avarice is the bane to happiness.贪婪是损毁幸福的祸根。
• Their avarice knows no bounds and you can never satisfy them.他们贪得无厌，你永远无法满足他们。

7 penurious   

adj.贫困的

参考例句：

• One penurious year,my parents used Swiss cheese plant.经济拮据的一年，我父母曾用绳状藤来代替圣诞树。
• Raised on a hog farm in Hunan Province,she laughs off the penurious ways of her parents and grandparents.李小姐在湖南省的一家养猪场长大，她嘲笑祖父母及父母吝啬的生活方式。

8 profusion   

n.挥霍；丰富

参考例句：

• He is liberal to profusion.他挥霍无度。
• The leaves are falling in profusion.落叶纷纷。

9 prodigal   

adj.浪费的，挥霍的，放荡的

参考例句：

• He has been prodigal of the money left by his parents.他已挥霍掉他父母留下的钱。
• The country has been prodigal of its forests.这个国家的森林正受过度的采伐。

10 noted   

adj.著名的，知名的

参考例句：

• The local hotel is noted for its good table.当地的那家酒店以餐食精美而著称。
• Jim is noted for arriving late for work.吉姆上班迟到出了名。

11 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

12 vivacity   

n.快活，活泼，精神充沛

参考例句：

• Her charm resides in her vivacity.她的魅力存在于她的活泼。
• He was charmed by her vivacity and high spirits.她的活泼与兴高采烈的情绪把他迷住了。

13 disposition   

n.性情，性格；意向，倾向；排列，部署

参考例句：

• He has made a good disposition of his property.他已对财产作了妥善处理。
• He has a cheerful disposition.他性情开朗。

14 harpsichord   

n.键琴（钢琴前身）

参考例句：

• I can tune the harpsichord as well as play it.我会弹奏大键琴，同样地，我也会给大键琴调音。
• Harpsichord music is readily playable.古钢琴音乐可以随时演奏。

15 brutes   

兽( brute的名词复数 )； 畜生； 残酷无情的人； 兽性

参考例句：

• They're not like dogs; they're hideous brutes. 它们不像狗，是丑陋的畜牲。
• Suddenly the foul musty odour of the brutes struck his nostrils. 突然，他的鼻尖闻到了老鼠的霉臭味。 来自英汉文学

16 mementos   

纪念品，令人回忆的东西( memento的名词复数 )

参考例句：

• The museum houses a collection of mementos, materials and documents. 博物馆保存着很多回忆录以及文献资料。
• This meant, however, that no one was able to retrieve irreplaceable family mementos. 然而，这也意味着谁也没能把无可替代的家庭纪念品从火中救出来。

17 ostentation   

n.夸耀，卖弄

参考例句：

• Choose a life of action,not one of ostentation.要选择行动的一生，而不是炫耀的一生。
• I don't like the ostentation of their expensive life - style.他们生活奢侈，爱摆阔，我不敢恭维。

18 engraved   

v.在（硬物）上雕刻（字，画等）( engrave的过去式和过去分词 )；将某事物深深印在（记忆或头脑中）

参考例句：

• The silver cup was engraved with his name. 银杯上刻有他的名字。
• It was prettily engraved with flowers on the back. 此件雕刻精美，背面有花饰图案。 来自《简明英汉词典》

19 dedicated   

adj.一心一意的；献身的；热诚的

参考例句：

• He dedicated his life to the cause of education.他献身于教育事业。
• His whole energies are dedicated to improve the design.他的全部精力都放在改进这项设计上了。

20 idol   

n.偶像，红人，宠儿

参考例句：

• As an only child he was the idol of his parents.作为独子，他是父母的宠儿。
• Blind worship of this idol must be ended.对这个偶像的盲目崇拜应该结束了。

21 prevailing   

adj.盛行的；占优势的；主要的

参考例句：

• She wears a fashionable hair style prevailing in the city.她的发型是这个城市流行的款式。
• This reflects attitudes and values prevailing in society.这反映了社会上盛行的态度和价值观。

22 rev   

v.发动机旋转，加快速度

参考例句：

• It's his job to rev up the audience before the show starts.他要负责在表演开始前鼓动观众的热情。
• Don't rev the engine so hard.别让发动机转得太快。

23 votaries   

n.信徒( votary的名词复数 )；追随者；（天主教）修士；修女

参考例句：

24 interval   

n.间隔，间距；幕间休息，中场休息

参考例句：

• The interval between the two trees measures 40 feet.这两棵树的间隔是40英尺。
• There was a long interval before he anwsered the telephone.隔了好久他才回了电话。

25 imbibed   

v.吸收( imbibe的过去式和过去分词 )；喝；吸取；吸气

参考例句：

• They imbibed the local cider before walking home to dinner. 他们在走回家吃饭之前喝了本地的苹果酒。 来自《简明英汉词典》
• Hester Prynne imbibed this spirit. 海丝特 - 白兰汲取了这一精神。 来自英汉文学 - 红字

26 dispense   

vt.分配，分发；配(药)，发(药)；实施

参考例句：

• Let us dispense the food.咱们来分发这食物。
• The charity has been given a large sum of money to dispense as it sees fit.这个慈善机构获得一大笔钱，可自行适当分配。

27 ornamented   

adj.花式字体的v.装饰，点缀，美化( ornament的过去式和过去分词 )

参考例句：

• The desk was ornamented with many carvings. 这桌子装饰有很多雕刻物。 来自《简明英汉词典》
• She ornamented her dress with lace. 她用花边装饰衣服。 来自《简明英汉词典》

28 celebrated   

adj.有名的，声誉卓著的

参考例句：

• He was soon one of the most celebrated young painters in England.不久他就成了英格兰最负盛名的年轻画家之一。
• The celebrated violinist was mobbed by the audience.观众团团围住了这位著名的小提琴演奏家。

29 panegyric   

n.颂词，颂扬

参考例句：

• He made a speech of panegyric.他作了一个颂扬性的演讲。
• That is why that stock option enjoys panegyric when it appeared.正因为如此，股票期权从一产生就备受推崇。

30 approbation   

n.称赞；认可

参考例句：

• He tasted the wine of audience approbation.他尝到了像酒般令人陶醉的听众赞许滋味。
• The result has not met universal approbation.该结果尚未获得普遍认同。

31 tenor   

n.男高音（歌手），次中音（乐器），要旨，大意

参考例句：

• The tenor of his speech was that war would come.他讲话的大意是战争将要发生。
• The four parts in singing are soprano,alto,tenor and bass.唱歌的四个声部是女高音、女低音、男高音和男低音。

32 rapacity   

n.贪婪，贪心，劫掠的欲望

参考例句：

• Here was neither guile nor rapacity. 在她身上没有狡诈和贪婪。 来自英汉文学 - 嘉莉妹妹
• During the whole process of construction, the operational safty and rapacity of track must be guaranteed. 改建施工期内不影响正线运营安全，也不降低通过能力。 来自互联网

33 boon   

n.恩赐，恩物，恩惠

参考例句：

• A car is a real boon when you live in the country.在郊外居住，有辆汽车确实极为方便。
• These machines have proved a real boon to disabled people.事实证明这些机器让残疾人受益匪浅。

34 parasites   

寄生物( parasite的名词复数 )； 靠他人为生的人； 诸虫

参考例句：

• These symptoms may be referable to virus infection rather than parasites. 这些症状也许是由病毒感染引起的，而与寄生虫无关。
• Kangaroos harbor a vast range of parasites. 袋鼠身上有各种各样的寄生虫。

35 bosom   

n.胸，胸部；胸怀；内心；adj.亲密的

参考例句：

• She drew a little book from her bosom.她从怀里取出一本小册子。
• A dark jealousy stirred in his bosom.他内心生出一阵恶毒的嫉妒。

36 discriminative   

有判别力

参考例句：

• The measures are non-discriminative and not targeted at Mexican citizens. 有关措施并非针对墨西哥公民，没有歧视性。
• The Discriminative Common Vector (DCV) successfully overcomes this problem for FLDA. 近年来针对此问题提出了不同的解决方法，其中基于共同鉴别矢量(DCV)的方法成功克服了已有各种方法存在的缺点，有较好的数值稳定性和较低的计算复杂度。

37 judicious   

adj.明智的，明断的，能作出明智决定的

参考例句：

• We should listen to the judicious opinion of that old man.我们应该听取那位老人明智的意见。
• A judicious parent encourages his children to make their own decisions.贤明的父亲鼓励儿女自作抉择。

38 censure   

v./n.责备；非难；责难

参考例句：

• You must not censure him until you know the whole story.在弄清全部事实真相前不要谴责他。
• His dishonest behaviour came under severe censure.他的不诚实行为受到了严厉指责。

39 avaricious   

adj.贪婪的，贪心的

参考例句：

• I call on your own memory as witness:remember we have avaricious hearts.假使你想要保证和证明，你可以回忆一下我们贪婪的心。
• He is so avaricious that we call him a blood sucker.他如此贪婪，我们都叫他吸血鬼。

40 attained   

（通常经过努力）实现( attain的过去式和过去分词 )； 达到； 获得； 达到（某年龄、水平、状况）

参考例句：

• She has attained the degree of Master of Arts. 她已获得文学硕士学位。
• Lu Hsun attained a high position in the republic of letters. 鲁迅在文坛上获得崇高的地位。