We lash1 the vices2, but the persons spare.
Prints should be priz’d, as authors should be read,
Who sharply smile prevailing3 folly4 dead.
So Rabelais laugh’d, and so Cervantes thought;
So nature dictated5 what art has taught.”
Notwithstanding this inscription6, which was engraved7 on the plate some time after its publication, it is very certain that most of these figures were intended for individual portraits; but Mr. Hogarth, not wishing to be considered as a personal satirist8, and fearful of making enemies among his contemporaries, would never acknowledge who were the characters. Some of them the world might perhaps mistake; for though the author was faithful in delineating whatever he intended to portray9, complete intoxication10 so far caricatures the countenance11, that, according to the old, though trite12 proverb, “the man is not himself.” His portrait, though given with the utmost fidelity13, will scarcely be known by his most intimate friends, unless they have previously14 seen him in this degrading disguise. Hence, it becomes difficult to identify men whom the painter did not choose to point out at the time; and a century having elapsed, it becomes impossible, for all who composed the group, with the artist by whom it was delineated,
Shake hands with dust, and call the worm their kinsman15.
Mrs. Piozzi was of opinion that the divine with a cork-screw, occasionally used as a tobacco-stopper, hanging upon his little finger, was the portrait of parson Ford16, Dr. Johnson’s uncle; though, upon the authority of Sir John Hawkins, of anecdotish memory, it has been generally supposed to be intended for Orator17 Henley. As both these worthies18 were distinguished19 by that rubicundity20 of face with which it is marked, the reader may decree the honour of a sitting to which he pleases.
The roaring bacchanalian21 who stands next him, waving his glass in the air, has pulled off his wig22, and, in the zeal23 of his friendship, crowns the divine’s head. He is evidently drinking destruction to fanatics24, and success to mother church, or a mitre to the jolly parson whom he addresses.
The lawyer, who sits near him, is a portrait of one Kettleby, a vociferous25 bar-orator, who, though an utter barrister, chose to distinguish himself by wearing an enormous full-bottom wig, in which he is here represented. He was farther remarkable26 for a diabolical27 squint28, and a satanic smile.
A poor maudlin29 miserable30, who is addressing him, when sober, must be a fool; but, in this state, it would puzzle Lavater to assign him a proper class. He seems endeavouring to demonstrate to the lawyer, that, in a poi — poi — point of law, he has been most cruelly cheated, and lost a cau — cau — cause, that he ought to have got — and all this was owing to his attorney being an infernal villain31. This may very probably be true; for the poor man’s tears show that, like the person relieved by the good Samaritan, he has been among thieves. The barrister grins horribly at his misfortunes, and tells him he is properly punished for not employing a gentleman.
Next to him sits a gentleman in a black periwig. He politely turns his back to the company, that he may have the pleasure of smoking a sociable32 pipe.
The justice, “in fair round belly33, with good capon lin’d,"— the justice, having hung up his hat, wig, and cloak, puts on his nightcap, and, with a goblet34 of superior capacity before him, sits in solemn cogitation35. His left elbow, supported by the table, and his right by a chair, with a pipe in one hand, and a stopper in the other, he puffs36 out the bland37 vapour with the dignity of an alderman, and fancies himself as great as Jupiter, seated upon the summit of Mount Olympus, enveloped38 by the thick cloud which his own breath has created.
With folded arms and open mouth, another leans back in his chair. His wig is dropped from his head, and he is asleep; but though speechless, he is sonorous39; for you clearly perceive that, where nasal sounds are the music, he is qualified40 to be leader of the band.
The fallen hero, who with his chair and goblet has tumbled to the floor, by the cockade in his hat, we suppose to be an officer. His forehead is marked, perhaps with honourable41 scars. To wash his wounds, and cool his head, the staggering apothecary42 bathes it with brandy.
A gentleman in the corner, who, from having the Craftsman43 and London Evening in his pocket, we determine to be a politician, very unluckily mistakes his ruffle44 for the bowl of his pipe, and sets fire to it.
The person in a bag-wig and solitaire, with his hand upon his head, would not now pass for a fine gentleman, but in the year 1735 was a complete beau. Unaccustomed to such joyous45 company, he appears to have drank rather more than agrees with him.
The company consists of eleven, and on the chimney-piece, floor, and table, are three and twenty empty flasks46. These, added to a bottle which the apothecary holds in his hand, prove that this select society have not lost a moment. The overflowing47 bowl, full goblets48, and charged glasses, prove that they think, “’Tis too early to part,” though the dial points to four in the morning.
The different degrees of drunkenness are well discriminated49, and its effects admirably described. The poor simpleton, who is weeping out his woes50 to honest lawyer Kettleby, it makes mawkish51; the beau it makes sick; and the politician it stupifies. One is excited to roaring, and another lulled52 to sleep. It half closes the eyes of justice, renders the footing of physic unsure, and lays prostrate53 the glory of his country, and the pride of war.

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收听单词发音

1
lash
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v.系牢;鞭打;猛烈抨击;n.鞭打;眼睫毛 | |
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2
vices
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缺陷( vice的名词复数 ); 恶习; 不道德行为; 台钳 | |
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3
prevailing
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adj.盛行的;占优势的;主要的 | |
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4
folly
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n.愚笨,愚蠢,蠢事,蠢行,傻话 | |
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5
dictated
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v.大声讲或读( dictate的过去式和过去分词 );口授;支配;摆布 | |
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6
inscription
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n.(尤指石块上的)刻印文字,铭文,碑文 | |
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7
engraved
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v.在(硬物)上雕刻(字,画等)( engrave的过去式和过去分词 );将某事物深深印在(记忆或头脑中) | |
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8
satirist
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n.讽刺诗作者,讽刺家,爱挖苦别人的人 | |
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9
portray
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v.描写,描述;画(人物、景象等) | |
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10
intoxication
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n.wild excitement;drunkenness;poisoning | |
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11
countenance
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n.脸色,面容;面部表情;vt.支持,赞同 | |
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12
trite
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adj.陈腐的 | |
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13
fidelity
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n.忠诚,忠实;精确 | |
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14
previously
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adv.以前,先前(地) | |
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15
kinsman
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n.男亲属 | |
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16
Ford
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n.浅滩,水浅可涉处;v.涉水,涉过 | |
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17
orator
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n.演说者,演讲者,雄辩家 | |
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18
worthies
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应得某事物( worthy的名词复数 ); 值得做某事; 可尊敬的; 有(某人或事物)的典型特征 | |
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19
distinguished
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adj.卓越的,杰出的,著名的 | |
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20
rubicundity
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n.颜色发红,脸红 | |
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21
bacchanalian
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adj.闹酒狂饮的;n.发酒疯的人 | |
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22
wig
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n.假发 | |
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23
zeal
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n.热心,热情,热忱 | |
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24
fanatics
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狂热者,入迷者( fanatic的名词复数 ) | |
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25
vociferous
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adj.喧哗的,大叫大嚷的 | |
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26
remarkable
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adj.显著的,异常的,非凡的,值得注意的 | |
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27
diabolical
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adj.恶魔似的,凶暴的 | |
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28
squint
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v. 使变斜视眼, 斜视, 眯眼看, 偏移, 窥视; n. 斜视, 斜孔小窗; adj. 斜视的, 斜的 | |
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29
maudlin
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adj.感情脆弱的,爱哭的 | |
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30
miserable
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adj.悲惨的,痛苦的;可怜的,糟糕的 | |
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31
villain
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n.反派演员,反面人物;恶棍;问题的起因 | |
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32
sociable
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adj.好交际的,友好的,合群的 | |
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33
belly
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n.肚子,腹部;(像肚子一样)鼓起的部分,膛 | |
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34
goblet
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n.高脚酒杯 | |
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35
cogitation
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n.仔细思考,计划,设计 | |
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36
puffs
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n.吸( puff的名词复数 );(烟斗或香烟的)一吸;一缕(烟、蒸汽等);(呼吸或风的)呼v.使喷出( puff的第三人称单数 );喷着汽(或烟)移动;吹嘘;吹捧 | |
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37
bland
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adj.淡而无味的,温和的,无刺激性的 | |
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38
enveloped
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v.包围,笼罩,包住( envelop的过去式和过去分词 ) | |
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39
sonorous
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adj.响亮的,回响的;adv.圆润低沉地;感人地;n.感人,堂皇 | |
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40
qualified
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adj.合格的,有资格的,胜任的,有限制的 | |
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41
honourable
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adj.可敬的;荣誉的,光荣的 | |
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42
apothecary
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n.药剂师 | |
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43
craftsman
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n.技工,精于一门工艺的匠人 | |
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44
ruffle
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v.弄皱,弄乱;激怒,扰乱;n.褶裥饰边 | |
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45
joyous
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adj.充满快乐的;令人高兴的 | |
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46
flasks
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n.瓶,长颈瓶, 烧瓶( flask的名词复数 ) | |
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47
overflowing
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n. 溢出物,溢流 adj. 充沛的,充满的 动词overflow的现在分词形式 | |
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48
goblets
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n.高脚酒杯( goblet的名词复数 ) | |
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49
discriminated
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分别,辨别,区分( discriminate的过去式和过去分词 ); 歧视,有差别地对待 | |
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50
woes
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困境( woe的名词复数 ); 悲伤; 我好苦哇; 某人就要倒霉 | |
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51
mawkish
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adj.多愁善感的的;无味的 | |
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52
lulled
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vt.使镇静,使安静(lull的过去式与过去分词形式) | |
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53
prostrate
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v.拜倒,平卧,衰竭;adj.拜倒的,平卧的,衰竭的 | |
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