And rend3, with savage4 roar, the echoing air:
The sounds terrific he with horror hears;
His fiddle5 throws aside — and stops his ears.”
We have seen displayed the distress6 of a poet; in this the artist has exhibited the rage of a musician. Our poor bard7 bore his misfortunes with patience, and, rich in his Muse9, did not much repine at his poverty. Not so this master of harmony, of heavenly harmony! To the evils of poverty he is now a stranger; his adagios10 and cantabiles have procured11 him the protection of nobles; and, contrary to the poor shirtless mendicant12 of the Muses13 that we left in a garret, he is arrayed in a coat decorated with frogs, a bag-wig, solitaire, and ruffled14 shirt. Waiting in the chamber15 of a man of fashion, whom he instructs in the divine science of music, having first tuned16 his instrument, he opens his crotchet-book, shoulders his violin, flourishes his fiddle-stick, and,
Softly sweet, in Lydian measure,
Soon he soothes17 his soul to pleasure.
Rapt in Elysium at the divine symphony, he is awakened18 from his beatific19 vision, by noises that distract him.
————— An universal hubbub20 wild,
Of stunning21 sounds, and voices all confus’d,
Assails22 his ears with loudest vehemence23.
Confounded with the din24, and enraged25 by the interruption, our modern Terpander starts from his seat, and opens the window. This operates as air to a kindling26 fire; and such a combination of noises burst upon the auricular nerve, that he is compelled to stop his ears — but to stop the torrent27 is impossible!
A louder yet, and yet a louder strain,
Break his bands of thought asunder28!
And rouse him, like a rattling29 peal30 of thunder;
At the horrible sound
He has rais’d up his head,
As awak’d from the dead,
And amazed he stares all around.
In this situation he is delineated; and those who for a moment contemplate31 the figures before him, cannot wonder at his rage.
A crew of hell-hounds never ceasing bark,
With wide Cerberean mouth, full loud, and ring
A hideous32 peal.
Of the dramatis person? who perform the vocal33 parts, the first is a fellow, in a tone that would rend hell’s concave, bawling34, “Dust, ho! dust, ho! dust!” Next to him, an amphibious animal, who nightly pillows his head on the sedgy bosom35 of old Thames, in a voice that emulates36 the rush of many waters, or the roaring of a cataract37, is bellowing38 “Flounda,a,a,ars!” A daughter of May-day, who dispenses39 what in London is called milk, and is consequently a milk-maid, in a note pitched at the very top of her voice, is crying, “Be-louw!” While a ballad-singer dolefully drawls out The Ladie’s Fall, an infant in her arms joins its treble pipe in chorus with the screaming parrot, which is on a lamp-iron over her head. On the roof of an opposite house are two cats, performing what an amateur of music might perhaps call a bravura40 duet; near them appears
A sweep, shrill41 twittering on the chimney-top.
A little French drummer, singing to his rub-a-dub, and the agreeable yell of a dog, complete the vocal performers.
Of the instrumental, a fellow blowing a horn, with a violence that would have almost shaken down the walls of Jericho, claims the first notice; next to him, the dustman rattles43 his bell with ceaseless clangour, until the air reverberates44 the sound.
The intervals45 are filled up by a paviour, who, to every stroke of his rammer46, adds a loud, distinct, and echoing, Haugh! The pedestrian cutler is grinding a butcher’s cleaver47 with such earnestness and force, that it elicits48 sparks of fire. This, added to the agonizing49 howls of his unfortunate dog, must afford a perfect specimen50 of the ancient chromatic51. The poor animal, between a man and a monkey, piping harsh discords52 upon a hautboy, the girl whirling her crepitaculum, or rattle42, and the boy beating his drum, conclude the catalogue of this harmonious53 band.
This delineation54 originated in a story which was told to Hogarth by the late Mr. John Festin, who is the hero of the print. He was eminent55 for his skill in playing upon the German flute56 and hautboy, and much employed as a teacher of music. To each of his scholars he devoted57 one hour each day. “At nine o’clock in the morning,” said he, “I once waited upon my lord Spencer, but his lordship being out of town, from him I went to Mr. V——n. It was so early that he was not arisen. I went into his chamber, and, opening a shutter58, sat down in the window-seat. Before the rails was a fellow playing upon the hautboy. A man with a barrow full of onions offered the piper an onion if he would play him a tune8. That ended, he offered a second onion for a second tune; the same for a third, and was going on: but this was too much; I could not bear it; it angered my very soul —‘Zounds!’ said I, ‘stop here! This fellow is ridiculing59 my profession; he is playing on the hautboy for onions!’”
The whole of this bravura scene is admirably represented. A person quaintly60 enough observed, that it deafens61 one to look at it.

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收听单词发音

1
azure
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adj.天蓝色的,蔚蓝色的 | |
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2
vault
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n.拱形圆顶,地窖,地下室 | |
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3
rend
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vt.把…撕开,割裂;把…揪下来,强行夺取 | |
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4
savage
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adj.野蛮的;凶恶的,残暴的;n.未开化的人 | |
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5
fiddle
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n.小提琴;vi.拉提琴;不停拨弄,乱动 | |
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6
distress
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n.苦恼,痛苦,不舒适;不幸;vt.使悲痛 | |
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7
bard
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n.吟游诗人 | |
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8
tune
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n.调子;和谐,协调;v.调音,调节,调整 | |
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9
muse
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n.缪斯(希腊神话中的女神),创作灵感 | |
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10
adagios
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n.柔板( adagio的名词复数 );慢板;柔板乐章;(男女二人或三人舞时女角保持高难度平衡的)缓慢动作 | |
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11
procured
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v.(努力)取得, (设法)获得( procure的过去式和过去分词 );拉皮条 | |
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12
mendicant
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n.乞丐;adj.行乞的 | |
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13
muses
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v.沉思,冥想( muse的第三人称单数 );沉思自语说(某事) | |
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14
ruffled
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adj. 有褶饰边的, 起皱的 动词ruffle的过去式和过去分词 | |
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15
chamber
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n.房间,寝室;会议厅;议院;会所 | |
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16
tuned
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adj.调谐的,已调谐的v.调音( tune的过去式和过去分词 );调整;(给收音机、电视等)调谐;使协调 | |
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17
soothes
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v.安慰( soothe的第三人称单数 );抚慰;使舒服;减轻痛苦 | |
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18
awakened
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v.(使)醒( awaken的过去式和过去分词 );(使)觉醒;弄醒;(使)意识到 | |
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19
beatific
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adj.快乐的,有福的 | |
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20
hubbub
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n.嘈杂;骚乱 | |
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21
stunning
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adj.极好的;使人晕倒的 | |
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22
assails
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v.攻击( assail的第三人称单数 );困扰;质问;毅然应对 | |
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23
vehemence
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n.热切;激烈;愤怒 | |
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24
din
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n.喧闹声,嘈杂声 | |
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25
enraged
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使暴怒( enrage的过去式和过去分词 ); 歜; 激愤 | |
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26
kindling
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n. 点火, 可燃物 动词kindle的现在分词形式 | |
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27
torrent
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n.激流,洪流;爆发,(话语等的)连发 | |
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28
asunder
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adj.分离的,化为碎片 | |
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29
rattling
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adj. 格格作响的, 活泼的, 很好的 adv. 极其, 很, 非常 动词rattle的现在分词 | |
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30
peal
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n.钟声;v.鸣响 | |
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31
contemplate
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vt.盘算,计议;周密考虑;注视,凝视 | |
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32
hideous
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adj.丑陋的,可憎的,可怕的,恐怖的 | |
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33
vocal
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adj.直言不讳的;嗓音的;n.[pl.]声乐节目 | |
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34
bawling
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v.大叫,大喊( bawl的现在分词 );放声大哭;大声叫出;叫卖(货物) | |
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35
bosom
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n.胸,胸部;胸怀;内心;adj.亲密的 | |
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36
emulates
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v.与…竞争( emulate的第三人称单数 );努力赶上;计算机程序等仿真;模仿 | |
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37
cataract
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n.大瀑布,奔流,洪水,白内障 | |
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38
bellowing
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v.发出吼叫声,咆哮(尤指因痛苦)( bellow的现在分词 );(愤怒地)说出(某事),大叫 | |
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39
dispenses
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v.分配,分与;分配( dispense的第三人称单数 );施与;配(药) | |
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40
bravura
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n.华美的乐曲;勇敢大胆的表现;adj.壮勇华丽的 | |
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41
shrill
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adj.尖声的;刺耳的;v尖叫 | |
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42
rattle
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v.飞奔,碰响;激怒;n.碰撞声;拨浪鼓 | |
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43
rattles
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(使)发出格格的响声, (使)作嘎嘎声( rattle的第三人称单数 ); 喋喋不休地说话; 迅速而嘎嘎作响地移动,堕下或走动; 使紧张,使恐惧 | |
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44
reverberates
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回响,回荡( reverberate的第三人称单数 ); 使反响,使回荡,使反射 | |
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45
intervals
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n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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46
rammer
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n.撞锤;夯土机;拨弹机;夯 | |
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47
cleaver
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n.切肉刀 | |
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48
elicits
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引出,探出( elicit的第三人称单数 ) | |
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49
agonizing
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adj.痛苦难忍的;使人苦恼的v.使极度痛苦;折磨(agonize的ing形式) | |
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50
specimen
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n.样本,标本 | |
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51
chromatic
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adj.色彩的,颜色的 | |
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52
discords
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不和(discord的复数形式) | |
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53
harmonious
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adj.和睦的,调和的,和谐的,协调的 | |
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54
delineation
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n.记述;描写 | |
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55
eminent
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adj.显赫的,杰出的,有名的,优良的 | |
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56
flute
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n.长笛;v.吹笛 | |
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57
devoted
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adj.忠诚的,忠实的,热心的,献身于...的 | |
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58
shutter
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n.百叶窗;(照相机)快门;关闭装置 | |
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59
ridiculing
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v.嘲笑,嘲弄,奚落( ridicule的现在分词 ) | |
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60
quaintly
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adv.古怪离奇地 | |
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61
deafens
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使聋( deafen的第三人称单数 ); 使隔音 | |
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