With flakes1 of feather’d snow the ground is spread;
To step, with mincing2 pace, to early prayer,
Our clay-cold vestal leaves her downy bed.
And here the reeling sons of riot see,
After a night of senseless revelry.
Poor, trembling, old, her suit the beggar plies3;
But frozen chastity the little boon4 denies.
This withered5 representative of Miss Bridget Alworthy, with a shivering foot-boy carrying her prayer-book, never fails in her attendance at morning service. She is a symbol of the season. —
—————— Chaste6 as the icicle
That’s curdled7 by the frost from purest snow,
And hangs on Dian’s temple
she looks with scowling8 eye, and all the conscious pride of severe and stubborn virginity, on the poor girls who are suffering the embraces of two drunken beaux that are just staggered out of Tom King’s Coffee-house. One of them, from the basket on her arm, I conjecture9 to be an orange girl: she shows no displeasure at the boisterous10 salute11 of her Hibernian lover. That the hero in a laced hat is from the banks of the Shannon, is apparent in his countenance12. The female whose face is partly concealed13, and whose neck has a more easy turn than we always see in the works of this artist, is not formed of the most inflexible14 materials.
An old woman, seated upon a basket; the girl, warming her hands by a few withered sticks that are blazing on the ground, and a wretched mendicant,3 wrapped in a tattered15 and parti-coloured blanket, entreating16 charity from the rosy-fingered vestal who is going to church, complete the group. Behind them, at the door of Tom King’s Coffee-house, are a party engaged in a fray17, likely to create business for both surgeon and magistrate18: we discover swords and cudgels in the combatants’ hands.
On the opposite side of the print are two little schoolboys. That they have shining morning faces we cannot positively19 assert, but each has a satchel20 at his back, and according with the description given by the poet of nature, is
Creeping, like snail21, unwillingly22 to school.
The lantern appended to the woman who has a basket on her head, proves that these dispensers of the riches of Pomona rise before the sun, and do part of their business by an artificial light. Near her, that immediate24 descendant of Paracelsus, Dr. Rock, is expatiating25 to an admiring audience, on the never-failing virtues26 of his wonder-working medicines. One hand holds a bottle of his miraculous27 panacea28, and the other supports a board, on which is the king’s arms, to indicate that his practice is sanctioned by royal letters patent. Two porringers and a spoon, placed on the bottom of an inverted29 basket, intimate that the woman seated near them, is a vender30 of rice-milk, which was at that time brought into the market every morning.
A fatigued31 porter leans on a rail; and a blind beggar is going towards the church: but whether he will become one of the congregation, or take his stand at the door, in the hope that religion may have warmed the hearts of its votaries32 to “Pity the sorrows of a poor blind man,” is uncertain.
Snow on the ground, and icicles hanging from the penthouse, exhibit a very chilling prospect33; but, to dissipate the cold, there is happily a shop where spirituous liquors are sold pro23 bono publico, at a very little distance. A large pewter measure is placed upon a post before the door, and three of a smaller size hang over the window of the house.
The character of the principal figure is admirably delineated. She is marked with that prim34 and awkward formality which generally accompanies her order, and is an exact type of a hard winter; for every part of her dress, except the flying lappets and apron35, ruffled36 by the wind, is as rigidly37 precise as if it were frozen. It has been said that this incomparable figure was designed as the representative of either a particular friend, or a relation. Individual satire38 may be very gratifying to the public, but is frequently fatal to the satirist39. Churchill, by the lines,
———————— Fam’d Vine-street,
Where Heaven, the kindest wish of man to grant,
Gave me an old house, and an older aunt,
lost a considerable legacy40; and it is related that Hogarth, by the introduction of this withered votary41 of Diana into this print, induced her to alter a will which had been made considerably42 in his favour: she was at first well enough satisfied with her resemblance, but some designing people taught her to be angry.
Extreme cold is very well expressed in the slip-shod footboy, and the girl who is warming her hands. The group of which she is a part, is well formed, but not sufficiently43 balanced on the opposite side.
The church dial, a few minutes before seven; marks of little shoes and pattens in the snow, and various productions of the season in the market, are an additional proof of that minute accuracy with which this artist inspected and represented objects, which painters in general have neglected.
Govent Garden is the scene, but in the print every building is reversed. This was a common error with Hogarth; not from his being ignorant of the use of the mirror, but from his considering it as a matter of little consequence.

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1
flakes
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小薄片( flake的名词复数 ); (尤指)碎片; 雪花; 古怪的人 | |
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2
mincing
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adj.矫饰的;v.切碎;切碎 | |
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3
plies
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v.使用(工具)( ply的第三人称单数 );经常供应(食物、饮料);固定往来;经营生意 | |
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4
boon
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n.恩赐,恩物,恩惠 | |
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5
withered
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adj. 枯萎的,干瘪的,(人身体的部分器官)因病萎缩的或未发育良好的 动词wither的过去式和过去分词形式 | |
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6
chaste
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adj.贞洁的;有道德的;善良的;简朴的 | |
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7
curdled
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v.(使)凝结( curdle的过去式和过去分词 ) | |
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8
scowling
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怒视,生气地皱眉( scowl的现在分词 ) | |
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9
conjecture
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n./v.推测,猜测 | |
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10
boisterous
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adj.喧闹的,欢闹的 | |
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11
salute
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vi.行礼,致意,问候,放礼炮;vt.向…致意,迎接,赞扬;n.招呼,敬礼,礼炮 | |
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12
countenance
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n.脸色,面容;面部表情;vt.支持,赞同 | |
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13
concealed
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a.隐藏的,隐蔽的 | |
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14
inflexible
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adj.不可改变的,不受影响的,不屈服的 | |
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15
tattered
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adj.破旧的,衣衫破的 | |
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16
entreating
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恳求,乞求( entreat的现在分词 ) | |
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17
fray
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v.争吵;打斗;磨损,磨破;n.吵架;打斗 | |
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18
magistrate
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n.地方行政官,地方法官,治安官 | |
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19
positively
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adv.明确地,断然,坚决地;实在,确实 | |
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20
satchel
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n.(皮或帆布的)书包 | |
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21
snail
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n.蜗牛 | |
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22
unwillingly
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adv.不情愿地 | |
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23
pro
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n.赞成,赞成的意见,赞成者 | |
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24
immediate
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adj.立即的;直接的,最接近的;紧靠的 | |
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25
expatiating
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v.详述,细说( expatiate的现在分词 ) | |
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26
virtues
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美德( virtue的名词复数 ); 德行; 优点; 长处 | |
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27
miraculous
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adj.像奇迹一样的,不可思议的 | |
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28
panacea
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n.万灵药;治百病的灵药 | |
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29
inverted
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adj.反向的,倒转的v.使倒置,使反转( invert的过去式和过去分词 ) | |
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30
vender
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n.小贩 | |
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31
fatigued
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adj. 疲乏的 | |
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32
votaries
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n.信徒( votary的名词复数 );追随者;(天主教)修士;修女 | |
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33
prospect
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n.前景,前途;景色,视野 | |
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34
prim
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adj.拘泥形式的,一本正经的;n.循规蹈矩,整洁;adv.循规蹈矩地,整洁地 | |
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35
apron
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n.围裙;工作裙 | |
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36
ruffled
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adj. 有褶饰边的, 起皱的 动词ruffle的过去式和过去分词 | |
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37
rigidly
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adv.刻板地,僵化地 | |
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38
satire
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n.讽刺,讽刺文学,讽刺作品 | |
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39
satirist
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n.讽刺诗作者,讽刺家,爱挖苦别人的人 | |
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40
legacy
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n.遗产,遗赠;先人(或过去)留下的东西 | |
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41
votary
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n.崇拜者;爱好者;adj.誓约的,立誓任圣职的 | |
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42
considerably
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adv.极大地;相当大地;在很大程度上 | |
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43
sufficiently
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adv.足够地,充分地 | |
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