A very curious group surround the old nobleman, who is adorned8 with a riband, a star, and a pair of spectacles. The whole weight of an overgrown carpenter being laid upon his shoulder, forces our illustrious personage upon a man beneath; who being thus driven downward, falls upon a fourth, and the fourth, by the accumulated pressure of this ponderous9 trio, composed of the upper and lower house, loses his balance, and tumbling against the edge of the partition, his head is broke, and his wig10, shook from the seat of reason, falls into the cockpit.
A man adjoining enters into the spirit of the battle — his whole soul is engaged. From his distorted countenance11, and clasped hands, we see that he feels every stroke given to his favourite bird in his heart’s core — ay, in his heart of hearts! A person at the old peer’s left hand is likely to be a loser. Ill-humour, vexation, and disappointment are painted in his countenance. The chimney-sweeper above, is the very quintessence of affectation. He has all the airs and graces of a boarding-school miss. The sanctified quaker adjoining, and the fellow beneath, who, by the way, is a very similar figure to Captain Stab, in the Rake’s Progress, are finely contrasted.
A French marquis on the other side, astonished at this being called amusement, is exclaiming Sauvages! Sauvages! Sauvages! — Engrossed12 by the scene, and opening his snuff-box rather carelessly, its contents fall into the eyes of a man below, who, sneezing and swearing alternately, imprecates bitter curses on this devil’s dust, that extorts13 from his inflamed14 eyes, “A sea of melting pearls, which some call tears.”
Adjoining is an old cripple, with a trumpet15 at his ear, and in this trumpet a person in a bag-wig roars in a manner that cannot much gratify the auricular nerves of his companions; but as for the object to whom the voice is directed, he seems totally insensible to sounds, and if judgment16 can be formed from appearances, might very composedly stand close to the clock of St. Paul’s Cathedral, when it was striking twelve.
The figure with a cock peeping out of a bag, is said to be intended for Jackson, a jockey; the gravity of this experienced veteran, and the cool sedateness17 of a man registering the wagers18, are well opposed by the grinning woman behind, and the heated impetuosity of a fellow, stripped to his shirt, throwing his coin upon the cockpit, and offering to back Ginger20 against Pye for a guinea.
On the lower side, where there is only one tier of figures, a sort of an apothecary21, and a jockey, are stretching out their arms, and striking together the handles of their whips, in token of a bet. An hiccuping22 votary23 of Bacchus, displaying a half-emptied purse, is not likely to possess it long, for an adroit24 professor of legerdemain25 has taken aim with a hooked stick, and by one slight jerk, will convey it to his own pocket. The profession of a gentleman in a round wig is determined26 by a gibbet chalked upon his coat. An enraged27 barber, who lifts up his stick in the corner, has probably been refused payment of a wager19, by the man at whom he is striking.
A cloud-capt philosopher at the top of the print, coolly smoking his pipe, unmoved by this crash of matter, and wreck28 of property, must not be overlooked: neither should his dog be neglected; for the dog, gravely resting his fore29 paws upon the partition, and contemplating30 the company, seems more interested in the event of the battle than his master.
Like the tremendous Gog, and terrific Magog, of Guildhall, stand the two cock-feeders; a foot of each of these consequential31 purveyors is seen at the two extremities32 of the pit.
As to the birds, whose attractive powers have drawn33 this admiring throng34 together, they deserved earlier notice:
Each hero burns to conquer or to die,
What mighty35 hearts in little bosoms36 lie!
Having disposed of the substances, let us now attend to the shadow on the cockpit, and this it seems is the reflection of a man drawn up to the ceiling in a basket, and there suspended, as a punishment for having betted more money than he can pay. Though suspended, he is not reclaimed37; though exposed, not abashed38; for in this degrading situation he offers to stake his watch against money, in another wager on his favourite champion.
The decorations of this curious theatre are, a portrait of Nan Rawlins, and the King’s arms.
In the margin39 at the bottom of the print is an oval, with a fighting cock, inscribed40 royal sport.
Of the characteristic distinctions in this heterogeneous41 assembly, it is not easy to speak with sufficient praise. The chimney-sweeper’s absurd affectation sets the similar airs of the Frenchman in a most ridiculous point of view. The old fellow with a trumpet at his ear, has a degree of deafness that I never before saw delineated; he might have lived in the same apartment with Xantippe, or slept comfortably in Alexander the copper-smith’s first floor. As to the nobleman in the centre, in the language of the turf, he is a mere42 pigeon; and the peer, with a star and garter, in the language of Cambridge, we must class as — a mere quiz. The man sneezing — you absolutely hear; and the fellow stealing a bank note — has all the outward and visible marks of a perfect and accomplished43 pick-pocket; Mercury himself could not do that business in a more masterly style.
Tyers tells us that “Pope, while living with his father at Chiswick, before he went to Binfield, took great delight in cock-fighting, and laid out all his school-boy money, and little perhaps it was, in buying fighting cocks.” Lord Orrery observes, “If we may judge of Mr. Pope from his works, his chief aim was to be esteemed44 a man of virtue45.” When actions can be clearly ascertained46, it is not necessary to seek the mind’s construction in the writings: and we must regret being compelled to believe that some of Mr. Pope’s actions, at the same time that they prove him to be querulous and petulant47, lead us to suspect that he was also envious48, malignant49, and cruel. How far this will tend to confirm the assertion, that when a boy, he was an amateur of this royal sport, I do, says Mr. Ireland, not pretend to decide: but were a child, in whom I had any interest, cursed with such a propensity50, my first object would be to correct it: if that were impracticable, and he retained a fondness for the cockpit, and the still more detestable amusement of Shrove Tuesday, I should hardly dare to flatter myself that he could become a merciful man. — The subject has carried me farther than I intended: I will, however, take the freedom of proposing one query51 to the consideration of the clergy52 — Might it not have a tendency to check that barbarous spirit, which has more frequently its source in an early acquired habit, arising from the prevalence of example, than in natural depravity, if every divine in Great Britain were to preach at least one sermon every twelve months, on our universal insensibility to the sufferings of the brute53 creation?
Wilt54 thou draw near the nature of the Gods,
Draw near them then in being merciful;
Sweet mercy is nobility’s true badge.

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1
denomination
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n.命名,取名,(度量衡、货币等的)单位 | |
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2
beset
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v.镶嵌;困扰,包围 | |
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3
filch
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v.偷窃 | |
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4
negligence
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n.疏忽,玩忽,粗心大意 | |
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5
dignified
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a.可敬的,高贵的 | |
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6
apprised
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v.告知,通知( apprise的过去式和过去分词 );评价 | |
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7
ragged
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adj.衣衫褴褛的,粗糙的,刺耳的 | |
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8
adorned
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[计]被修饰的 | |
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9
ponderous
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adj.沉重的,笨重的,(文章)冗长的 | |
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10
wig
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n.假发 | |
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11
countenance
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n.脸色,面容;面部表情;vt.支持,赞同 | |
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12
engrossed
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adj.全神贯注的 | |
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13
extorts
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v.敲诈( extort的第三人称单数 );曲解 | |
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14
inflamed
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adj.发炎的,红肿的v.(使)变红,发怒,过热( inflame的过去式和过去分词 ) | |
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15
trumpet
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n.喇叭,喇叭声;v.吹喇叭,吹嘘 | |
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16
judgment
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n.审判;判断力,识别力,看法,意见 | |
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17
sedateness
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n.安详,镇静 | |
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18
wagers
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n.赌注,用钱打赌( wager的名词复数 )v.在(某物)上赌钱,打赌( wager的第三人称单数 );保证,担保 | |
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19
wager
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n.赌注;vt.押注,打赌 | |
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20
ginger
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n.姜,精力,淡赤黄色;adj.淡赤黄色的;vt.使活泼,使有生气 | |
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21
apothecary
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n.药剂师 | |
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22
hiccuping
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v.嗝( hiccup的现在分词 );连续地打嗝;暂时性的小问题;短暂的停顿 | |
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23
votary
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n.崇拜者;爱好者;adj.誓约的,立誓任圣职的 | |
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24
adroit
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adj.熟练的,灵巧的 | |
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25
legerdemain
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n.戏法,诈术 | |
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26
determined
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adj.坚定的;有决心的 | |
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27
enraged
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使暴怒( enrage的过去式和过去分词 ); 歜; 激愤 | |
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28
wreck
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n.失事,遇难;沉船;vt.(船等)失事,遇难 | |
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29
fore
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adv.在前面;adj.先前的;在前部的;n.前部 | |
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30
contemplating
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深思,细想,仔细考虑( contemplate的现在分词 ); 注视,凝视; 考虑接受(发生某事的可能性); 深思熟虑,沉思,苦思冥想 | |
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31
consequential
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adj.作为结果的,间接的;重要的 | |
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32
extremities
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n.端点( extremity的名词复数 );尽头;手和足;极窘迫的境地 | |
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33
drawn
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v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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34
throng
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n.人群,群众;v.拥挤,群集 | |
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35
mighty
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adj.强有力的;巨大的 | |
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36
bosoms
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胸部( bosom的名词复数 ); 胸怀; 女衣胸部(或胸襟); 和爱护自己的人在一起的情形 | |
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37
reclaimed
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adj.再生的;翻造的;收复的;回收的v.开拓( reclaim的过去式和过去分词 );要求收回;从废料中回收(有用的材料);挽救 | |
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38
abashed
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adj.窘迫的,尴尬的v.使羞愧,使局促,使窘迫( abash的过去式和过去分词 ) | |
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39
margin
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n.页边空白;差额;余地,余裕;边,边缘 | |
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40
inscribed
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v.写,刻( inscribe的过去式和过去分词 );内接 | |
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41
heterogeneous
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adj.庞杂的;异类的 | |
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42
mere
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adj.纯粹的;仅仅,只不过 | |
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43
accomplished
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adj.有才艺的;有造诣的;达到了的 | |
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44
esteemed
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adj.受人尊敬的v.尊敬( esteem的过去式和过去分词 );敬重;认为;以为 | |
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45
virtue
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n.德行,美德;贞操;优点;功效,效力 | |
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46
ascertained
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v.弄清,确定,查明( ascertain的过去式和过去分词 ) | |
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47
petulant
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adj.性急的,暴躁的 | |
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48
envious
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adj.嫉妒的,羡慕的 | |
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49
malignant
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adj.恶性的,致命的;恶意的,恶毒的 | |
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50
propensity
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n.倾向;习性 | |
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51
query
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n.疑问,问号,质问;vt.询问,表示怀疑 | |
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52
clergy
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n.[总称]牧师,神职人员 | |
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53
brute
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n.野兽,兽性 | |
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54
wilt
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v.(使)植物凋谢或枯萎;(指人)疲倦,衰弱 | |
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