‘Why, really,’ says Timotheus, ‘it is no such easy matter, Harmonides, to become a public character, or to gain the prestige and distinction to which you aspire13; and if you propose to set about it by performing in public, you will find it a long business, and at the best will never achieve a universal reputation. Where will you find a theatre or circus large enough to admit the whole nation as your audience? But if you would attain14 your object and become known, take this hint. By all means perform occasionally in the theatres, but do not concern yourself with the public. Here is the royal road to fame: get together a small and select audience of connoisseurs15, real experts, whose praise, whose blame are equally to be relied upon; display your skill to these; and if you can win their approval, you may rest content that in a single hour you have gained a national reputation. I argue thus. If you are known to be an admirable performer by persons who are themselves universally known and admired, what have you to do with public opinion? Public opinion must inevitably16 follow the opinion of the best judges. The public after all is mainly composed of untutored minds, that know not good from bad themselves; but when they hear a man praised by the great authorities, they take it for granted that he is not undeserving of praise, and praise him accordingly. It is the same at the games: most of the spectators know enough to clap or hiss17, but the judging is done by some five or six persons.’
Harmonides had no time to put this policy into practice. The story goes that in his first public competition he worked so energetically at his flute, that he breathed his last into it, and expired then and there, before he could be crowned. His first Dionysiac performance was also his last.
But Timotheus’s remarks need not be confined to Harmonides, nor to his profession: they seem applicable to all whose ambition prompts them to exhibit their talents and to aim at the approbation18 of the public. Accordingly, when I, like Harmonides, was debating within myself the speediest means of becoming known, I took Timotheus’s advice: ‘Who,’ I asked myself, ‘is the foremost man in all this city? Whose credit is highest with his neighbours? Who shall be my multum in parvo?’ Only one name could reasonably suggest itself — your own; which stands for the perfection of every excellence19, the glass of culture and the mould of wit. To submit my works to you, to win your approbation — if such a thing might be! — were to reach the goal of my desire; for your suffrage20 carries the rest with it. Whom, indeed, could I substitute in your place, and hope to preserve a reputation for sanity21? In a sense, no doubt, I shall be hazarding all on one cast of the die: yet with more truth I might be said to have summoned the whole population into one audience-chamber; for your single judgement must assuredly outweigh22 the rest, taken individually or collectively. The Spartan23 kings had two votes each to the ordinary man’s one: but you are a whole Privy24 Council and Senate in yourself. Your influence is unequalled in the Court of Literature, and, above all, yours is the casting-vote of acquittal; an encouraging thought for me, who might well be uneasy otherwise at the extent of my hardihood. Moreover, I am not wholly without a claim on your interest, as belonging to that city which has so often enjoyed peculiar25 benefits at your hand, in addition to those which it has shared with the nation at large; and this encourages me to hope that in the present instance, if judgement is going against me, and the votes of acquittal are in a minority, you will use your prerogative26, and make all right with that casting-vote of yours. I may have had successes, I may have made a name, my lectures may have been well received:— all this amounts to nothing; it is visionary; it is a mere27 bubble. The truth must come to light now; I am put to a final test; there will be no room for doubt or hesitation28 after this. It rests with you, whether my literary rank shall be assured, or my pretensions29 — but no! with such a contest before me, I will abstain30 from words of evil omen31.
Ye Gods, give me approval here, and set the seal upon my reputation! I may then face the world with a light heart: he who has carried the prize at Olympia need fear no other course.
点击收听单词发音
1 flute | |
n.长笛;v.吹笛 | |
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2 rendering | |
n.表现,描写 | |
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3 rhythmical | |
adj.有节奏的,有韵律的 | |
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4 exalted | |
adj.(地位等)高的,崇高的;尊贵的,高尚的 | |
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5 joyous | |
adj.充满快乐的;令人高兴的 | |
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6 majestic | |
adj.雄伟的,壮丽的,庄严的,威严的,崇高的 | |
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7 voluptuous | |
adj.肉欲的,骄奢淫逸的 | |
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8 aspirations | |
强烈的愿望( aspiration的名词复数 ); 志向; 发送气音; 发 h 音 | |
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9 esteem | |
n.尊敬,尊重;vt.尊重,敬重;把…看作 | |
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10 owl | |
n.猫头鹰,枭 | |
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11 toil | |
vi.辛劳工作,艰难地行动;n.苦工,难事 | |
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12 debtor | |
n.借方,债务人 | |
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13 aspire | |
vi.(to,after)渴望,追求,有志于 | |
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14 attain | |
vt.达到,获得,完成 | |
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15 connoisseurs | |
n.鉴赏家,鉴定家,行家( connoisseur的名词复数 ) | |
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16 inevitably | |
adv.不可避免地;必然发生地 | |
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17 hiss | |
v.发出嘶嘶声;发嘘声表示不满 | |
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18 approbation | |
n.称赞;认可 | |
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19 excellence | |
n.优秀,杰出,(pl.)优点,美德 | |
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20 suffrage | |
n.投票,选举权,参政权 | |
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21 sanity | |
n.心智健全,神智正常,判断正确 | |
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22 outweigh | |
vt.比...更重,...更重要 | |
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23 spartan | |
adj.简朴的,刻苦的;n.斯巴达;斯巴达式的人 | |
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24 privy | |
adj.私用的;隐密的 | |
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25 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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26 prerogative | |
n.特权 | |
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27 mere | |
adj.纯粹的;仅仅,只不过 | |
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28 hesitation | |
n.犹豫,踌躇 | |
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29 pretensions | |
自称( pretension的名词复数 ); 自命不凡; 要求; 权力 | |
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30 abstain | |
v.自制,戒绝,弃权,避免 | |
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31 omen | |
n.征兆,预兆;vt.预示 | |
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