Nevertheless, a reception was to be given that winter at the Princess Kornakoff’s, and to it she sent us personal invitations — to myself among the rest! Consequently, I was to attend my first ball. Before starting, Woloda came into my room to see how I was dressing3 myself — an act on his part which greatly surprised me and took me aback. In my opinion (it must be understood) solicitude4 about one’s dress was a shameful5 thing, and should be kept under, but he seemed to think it a thing so natural and necessary that he said outright6 that he was afraid I should be put out of countenance7 on that score. Accordingly, he bid me don my patent leather boots, and was horrified8 to find that I wanted to put on gloves of peau de chamois. Next, he adjusted my watch-chain in a particular manner, and carried me off to a hairdresser’s near the Kuznetski Bridge to have my locks coiffured. That done, he withdrew to a little distance and surveyed me.
“Yes, he looks right enough now” said he to the hairdresser. “Only — couldn’t you smooth those tufts of his in front a little?” Yet, for all that Monsieur Charles treated my forelocks with one essence and another, they persisted in rising up again when ever I put on my hat. In fact, my curled and tonsured9 figure seemed to me to look far worse than it had done before. My only hope of salvation10 lay in an affectation of untidiness. Only in that guise11 would my exterior12 resemble anything at all. Woloda, apparently, was of the same opinion, for he begged me to undo13 the curls, and when I had done so and still looked unpresentable, he ceased to regard me at all, but throughout the drive to the Kornakoffs remained silent and depressed14.
Nevertheless, I entered the Kornakoffs’ mansion15 boldly enough, and it was only when the Princess had invited me to dance, and I, for some reason or another (though I had driven there with no other thought in my head than to dance well), had replied that I never indulged in that pastime, that I began to blush, and, left solitary16 among a crowd of strangers, became plunged17 in my usual insuperable and ever-growing shyness. In fact, I remained silent on that spot almost the whole evening!
Nevertheless, while a waltz was in progress, one of the young princesses came to me and asked me, with the sort of official kindness common to all her family, why I was not dancing. I can remember blushing hotly at the question, but at the same time feeling — for all my efforts to prevent it — a self-satisfied smile steal over my face as I began talking, in the most inflated18 and long-winded French, such rubbish as even now, after dozens of years, it shames me to recall. It must have been the effect of the music, which, while exciting my nervous sensibility, drowned (as I supposed) the less intelligible19 portion of my utterances20. Anyhow, I went on speaking of the exalted21 company present, and of the futility22 of men and women, until I had got myself into such a tangle23 that I was forced to stop short in the middle of a word of a sentence which I found myself powerless to conclude.
Even the worldly-minded young Princess was shocked by my conduct, and gazed at me in reproach; whereat I burst out laughing. At this critical moment, Woloda, who had remarked that I was conversing24 with great animation25, and probably was curious to know what excuses I was making for not dancing, approached us with Dubkoff. Seeing, however, my smiling face and the Princess’s frightened mien26, as well as overhearing the appalling27 rubbish with which I concluded my speech, he turned red in the face, and wheeled round again. The Princess also rose and left me. I continued to smile, but in such a state of agony from the consciousness of my stupidity that I felt ready to sink into the floor. Likewise I felt that, come what might, I must move about and say something, in order to effect a change in my position. Accordingly I approached Dubkoff, and asked him if he had danced many waltzes with her that night. This I feigned28 to say in a gay and jesting manner, yet in reality I was imploring29 help of the very Dubkoff to whom I had cried “Hold your tongue!” on the night of the matriculation dinner. By way of answer, he made as though he had not heard me, and turned away. Next, I approached Woloda, and said with an effort and in a similar tone of assumed gaiety: “Hullo, Woloda! Are you played out yet?” He merely looked at me as much as to say, “You wouldn’t speak to me like that if we were alone,” and left me without a word, in the evident fear that I might continue to attach myself to his person.
“My God! Even my own brother deserts me!” I thought to myself.
Yet somehow I had not the courage to depart, but remained standing30 where I was until the very end of the evening. At length, when every one was leaving the room and crowding into the hall, and a footman slipped my greatcoat on to my shoulders in such a way as to tilt31 up my cap, I gave a dreary32, half-lachrymose smile, and remarked to no one in particular: “Comme c’est gracieux!”
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1
vow
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n.誓(言),誓约;v.起誓,立誓 | |
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2
apparently
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adv.显然地;表面上,似乎 | |
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3
dressing
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n.(食物)调料;包扎伤口的用品,敷料 | |
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4
solicitude
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n.焦虑 | |
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5
shameful
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adj.可耻的,不道德的 | |
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6
outright
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adv.坦率地;彻底地;立即;adj.无疑的;彻底的 | |
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7
countenance
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n.脸色,面容;面部表情;vt.支持,赞同 | |
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8
horrified
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a.(表现出)恐惧的 | |
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9
tonsured
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v.剃( tonsure的过去式和过去分词 ) | |
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10
salvation
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n.(尤指基督)救世,超度,拯救,解困 | |
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11
guise
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n.外表,伪装的姿态 | |
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12
exterior
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adj.外部的,外在的;表面的 | |
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13
undo
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vt.解开,松开;取消,撤销 | |
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14
depressed
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adj.沮丧的,抑郁的,不景气的,萧条的 | |
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15
mansion
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n.大厦,大楼;宅第 | |
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16
solitary
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adj.孤独的,独立的,荒凉的;n.隐士 | |
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17
plunged
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v.颠簸( plunge的过去式和过去分词 );暴跌;骤降;突降 | |
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18
inflated
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adj.(价格)飞涨的;(通货)膨胀的;言过其实的;充了气的v.使充气(于轮胎、气球等)( inflate的过去式和过去分词 );(使)膨胀;(使)通货膨胀;物价上涨 | |
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19
intelligible
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adj.可理解的,明白易懂的,清楚的 | |
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20
utterances
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n.发声( utterance的名词复数 );说话方式;语调;言论 | |
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21
exalted
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adj.(地位等)高的,崇高的;尊贵的,高尚的 | |
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22
futility
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n.无用 | |
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23
tangle
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n.纠缠;缠结;混乱;v.(使)缠绕;变乱 | |
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24
conversing
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v.交谈,谈话( converse的现在分词 ) | |
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25
animation
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n.活泼,兴奋,卡通片/动画片的制作 | |
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26
mien
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n.风采;态度 | |
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27
appalling
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adj.骇人听闻的,令人震惊的,可怕的 | |
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28
feigned
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a.假装的,不真诚的 | |
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29
imploring
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恳求的,哀求的 | |
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30
standing
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n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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31
tilt
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v.(使)倾侧;(使)倾斜;n.倾侧;倾斜 | |
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32
dreary
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adj.令人沮丧的,沉闷的,单调乏味的 | |
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