I am indebted to Judge Haliburton's "History of Nova Scotia" for the main body of historical facts in this volume. Let me acknowledge my obligations. His researches and impartiality3 are most creditable, and worthy4 of respect and attention. I have also drawn5 as liberally as time [Pg iv]and space would permit from chronicles contemporary with the events of those early days, as well as from a curious collection of items relating to the subject, cut from the London newspapers a hundred years ago, and kindly6 furnished me by Geo. P. Putnam, Esq. These are always the surest guides. To Mrs. Kate Williams, of Providence7, R. I., I am indebted also. Her story of the "Neutral French," no doubt, inspired the author of the most beautiful pastoral in the language. The "Evangeline" of Longfellow, and the "Pauline" of this lady's legend, are pictures of the same individual, only drawn by different hands.
A word in regard to the two Acadian portraits. These are literal ambrotypes, to which Sarony has added a few touches of his artistic8 crayon. It may interest the reader to know that these are the first, the only likenesses of the real Evangelines of Acadia. The women of Chezzetcook appear at day-break in the city of Halifax, and as soon as the sun is up vanish like the dew. They have usually a basket of fresh eggs, a brace9 or two of worsted socks, a bottle of fir-balsam to sell. These comprise their simple commerce. When the market-bell rings you find them not. To catch such fleeting10 phantoms11, and to transfer them to the frontispiece of a book published here, is like painting the burnished12 wings of a humming-bird. A friend, however, undertook the task. He rose before the sun, he bought eggs, worsted socks, and fir-balsam of the Acadians. By constant attentions he became acquainted [Pg v]with a pair of Acadian women, niece and aunt. Then he proposed the matter to them:
"I want you to go with me to the daguerreotype13 gallery."
"What for?"
"To have your portraits taken."
"What for?"
"To send to a friend in New York."
"What for?"
"To be put in a book."
"What for?"
"Never mind 'what for,' will you go?"
Aunt and niece—both together in a breath—"No."
So my friend, who was a wise man, wrote to the priest of the settlement of Chezzetcook, to explain the "what for," and the consequence was—these portraits! But these women had a terrible time at the head of the first flight of stairs. Not an inch would these shy creatures budge14 beyond. At last, the wife of the operator induced them to rise to the high flight that led to the Halifax skylight, and there they were painted by the sun, as we see them now.
Nothing more! Ring the bell, prompter, and draw the curtain.
点击收听单词发音
1 intrude | |
vi.闯入;侵入;打扰,侵扰 | |
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2 penurious | |
adj.贫困的 | |
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3 impartiality | |
n. 公平, 无私, 不偏 | |
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4 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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5 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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6 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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7 providence | |
n.深谋远虑,天道,天意;远见;节约;上帝 | |
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8 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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9 brace | |
n. 支柱,曲柄,大括号; v. 绷紧,顶住,(为困难或坏事)做准备 | |
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10 fleeting | |
adj.短暂的,飞逝的 | |
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11 phantoms | |
n.鬼怪,幽灵( phantom的名词复数 ) | |
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12 burnished | |
adj.抛光的,光亮的v.擦亮(金属等),磨光( burnish的过去式和过去分词 );被擦亮,磨光 | |
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13 daguerreotype | |
n.银板照相 | |
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14 budge | |
v.移动一点儿;改变立场 | |
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