PREFACE TO PYGMALION.

A Professor of Phonetics.

As will be seen later on, Pygmalion needs, not a preface, but a sequel, which I have supplied in its due place. The English have no respect for their language, and will not teach their children to speak it. They spell it so abominably³ that no man can teach himself what it sounds like. It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him. German and Spanish are accessible to foreigners: English is not accessible even to Englishmen. The reformer England needs today is an energetic phonetic² enthusiast⁴: that is why I have made such a one the hero of a popular play. There have been heroes of that kind crying in the wilderness⁵ for many years past. When I became interested in the subject towards the end of the eighteen-seventies, Melville Bell was dead; but Alexander J. Ellis was still a living patriarch, with an impressive head always covered by a velvet⁶ skull⁷ cap, for which he would apologize to public meetings in a very courtly manner. He and Tito Pagliardini, another phonetic veteran, were men whom it was impossible to dislike. Henry Sweet, then a young man, lacked their sweetness of character: he was about as conciliatory to conventional mortals as Ibsen or Samuel Butler. His great ability as a phonetician (he was, I think, the best of them all at his job) would have entitled him to high official recognition, and perhaps enabled him to popularize his subject, but for his Satanic contempt for all academic dignitaries and persons in general who thought more of Greek than of phonetics. Once, in the days when the Imperial Institute rose in South Kensington, and Joseph Chamberlain was booming the Empire, I induced the editor of a leading monthly review to commission an article from Sweet on the imperial importance of his subject. When it arrived, it contained nothing but a savagely⁸ derisive⁹ attack on a professor of language and literature whose chair Sweet regarded as proper to a phonetic expert only. The article, being libelous¹⁰, had to be returned as impossible; and I had to renounce¹¹ my dream of dragging its author into the limelight. When I met him afterwards, for the first time for many years, I found to my astonishment¹² that he, who had been a quite tolerably presentable young man, had actually managed by sheer scorn to alter his personal appearance until he had become a sort of walking repudiation¹³ of Oxford¹⁴ and all its traditions. It must have been largely in his own despite that he was squeezed into something called a Readership of phonetics there. The future of phonetics rests probably with his pupils, who all swore by him; but nothing could bring the man himself into any sort of compliance¹⁵ with the university, to which he nevertheless clung by divine right in an intensely Oxonian way. I daresay his papers, if he has left any, include some satires¹⁶ that may be published without too destructive results fifty years hence. He was, I believe, not in the least an ill-natured man: very much the opposite, I should say; but he would not suffer fools gladly.

Those who knew him will recognize in my third act the allusion¹⁷ to the patent Shorthand in which he used to write postcards, and which may be acquired from a four and six-penny manual published by the Clarendon Press. The postcards which Mrs. Higgins describes are such as I have received from Sweet. I would decipher a sound which a cockney would represent by zerr, and a Frenchman by seu, and then write demanding with some heat what on earth it meant. Sweet, with boundless¹⁸ contempt for my stupidity, would reply that it not only meant but obviously was the word Result, as no other Word containing that sound, and capable of making sense with the context, existed in any language spoken on earth. That less expert mortals should require fuller indications was beyond Sweet's patience. Therefore, though the whole point of his "Current Shorthand" is that it can express every sound in the language perfectly¹⁹, vowels²⁰ as well as consonants²¹, and that your hand has to make no stroke except the easy and current ones with which you write m, n, and u, l, p, and q, scribbling²² them at whatever angle comes easiest to you, his unfortunate determination to make this remarkable²³ and quite legible script serve also as a Shorthand reduced it in his own practice to the most inscrutable of cryptograms. His true objective was the provision of a full, accurate, legible script for our noble but ill-dressed language; but he was led past that by his contempt for the popular Pitman system of Shorthand, which he called the Pitfall²⁴ system. The triumph of Pitman was a triumph of business organization: there was a weekly paper to persuade you to learn Pitman: there were cheap textbooks and exercise books and transcripts²⁵ of speeches for you to copy, and schools where experienced teachers coached you up to the necessary proficiency²⁶. Sweet could not organize his market in that fashion. He might as well have been the Sybil who tore up the leaves of prophecy that nobody would attend to. The four and six-penny manual, mostly in his lithographed handwriting, that was never vulgarly advertized, may perhaps some day be taken up by a syndicate and pushed upon the public as The Times pushed the Encyclopaedia²⁷ Britannica; but until then it will certainly not prevail against Pitman. I have bought three copies of it during my lifetime; and I am informed by the publishers that its cloistered²⁸ existence is still a steady and healthy one. I actually learned the system two several times; and yet the shorthand in which I am writing these lines is Pitman's. And the reason is, that my secretary cannot transcribe²⁹ Sweet, having been perforce taught in the schools of Pitman. Therefore, Sweet railed at Pitman as vainly as Thersites railed at Ajax: his raillery, however it may have eased his soul, gave no popular vogue³⁰ to Current Shorthand. Pygmalion Higgins is not a portrait of Sweet, to whom the adventure of Eliza Doolittle would have been impossible; still, as will be seen, there are touches of Sweet in the play. With Higgins's physique and temperament³¹ Sweet might have set the Thames on fire. As it was, he impressed himself professionally on Europe to an extent that made his comparative personal obscurity, and the failure of Oxford to do justice to his eminence³², a puzzle to foreign specialists in his subject. I do not blame Oxford, because I think Oxford is quite right in demanding a certain social amenity³³ from its nurslings (heaven knows it is not exorbitant³⁴ in its requirements!); for although I well know how hard it is for a man of genius with a seriously underrated subject to maintain serene³⁵ and kindly³⁶ relations with the men who underrate it, and who keep all the best places for less important subjects which they profess¹ without originality³⁷ and sometimes without much capacity for them, still, if he overwhelms them with wrath³⁸ and disdain³⁹, he cannot expect them to heap honors on him.

Of the later generations of phoneticians I know little. Among them towers the Poet Laureate, to whom perhaps Higgins may owe his Miltonic sympathies, though here again I must disclaim⁴⁰ all portraiture⁴¹. But if the play makes the public aware that there are such people as phoneticians, and that they are among the most important people in England at present, it will serve its turn.

I wish to boast that Pygmalion has been an extremely successful play all over Europe and North America as well as at home. It is so intensely and deliberately⁴² didactic, and its subject is esteemed⁴³ so dry, that I delight in throwing it at the heads of the wiseacres who repeat the parrot cry that art should never be didactic. It goes to prove my contention⁴⁴ that art should never be anything else.

Finally, and for the encouragement of people troubled with accents that cut them off from all high employment, I may add that the change wrought⁴⁵ by Professor Higgins in the flower girl is neither impossible nor uncommon⁴⁶. The modern concierge's daughter who fulfils her ambition by playing the Queen of Spain in Ruy Blas at the Theatre Francais is only one of many thousands of men and women who have sloughed⁴⁷ off their native dialects and acquired a new tongue. But the thing has to be done scientifically, or the last state of the aspirant⁴⁸ may be worse than the first. An honest and natural slum dialect is more tolerable than the attempt of a phonetically⁴⁹ untaught person to imitate the vulgar dialect of the golf club; and I am sorry to say that in spite of the efforts of our Academy of Dramatic Art, there is still too much sham⁵⁰ golfing English on our stage, and too little of the noble English of Forbes Robertson.

1 profess   

v.声称，冒称，以...为业，正式接受入教，表明信仰

参考例句：

• I profess that I was surprised at the news.我承认这消息使我惊讶。
• What religion does he profess?他信仰哪种宗教？

2 phonetic   

adj.语言的，语言上的，表示语音的

参考例句：

• Our department has engaged a foreign teacher as phonetic adviser.我们系已经聘请了一位外籍老师作为语音顾问。
• English phonetic teaching is an important teaching step in elementary stages.语音教学是英语基础阶段重要的教学环节。

3 abominably   

adv. 可恶地，可恨地，恶劣地

参考例句：

• From her own point of view Barbara had behaved abominably. 在她看来，芭芭拉的表现是恶劣的。
• He wanted to know how abominably they could behave towards him. 他希望能知道他们能用什么样的卑鄙手段来对付他。

4 enthusiast   

n.热心人，热衷者

参考例句：

• He is an enthusiast about politics.他是个热衷于政治的人。
• He was an enthusiast and loved to evoke enthusiasm in others.他是一个激情昂扬的人，也热中于唤起他人心中的激情。

5 wilderness   

n.杳无人烟的一片陆地、水等，荒漠

参考例句：

• She drove the herd of cattle through the wilderness.她赶着牛群穿过荒野。
• Education in the wilderness is not a matter of monetary means.荒凉地区的教育不是钱财问题。

6 velvet   

n.丝绒，天鹅绒；adj.丝绒制的，柔软的

参考例句：

• This material feels like velvet.这料子摸起来像丝绒。
• The new settlers wore the finest silk and velvet clothing.新来的移民穿着最华丽的丝绸和天鹅绒衣服。

7 skull   

n.头骨；颅骨

参考例句：

• The skull bones fuse between the ages of fifteen and twenty-five.头骨在15至25岁之间长合。
• He fell out of the window and cracked his skull.他从窗子摔了出去，跌裂了颅骨。

8 savagely   

adv. 野蛮地，残酷地

参考例句：

• The roses had been pruned back savagely. 玫瑰被狠狠地修剪了一番。
• He snarled savagely at her. 他向她狂吼起来。

9 derisive   

adj.嘲弄的

参考例句：

• A storm of derisive applause broke out.一阵暴风雨般的哄笑声轰然响起。
• They flushed,however,when she burst into a shout of derisive laughter.然而，当地大声嘲笑起来的时候，她们的脸不禁涨红了。

10 libelous   

adj.败坏名誉的，诽谤性的

参考例句：

• No evidence has been found in the case so far and therefore it is probably a libelous suit.查无实据，恐怕是诬告。
• The book was libelous,so the publishers had to call in all copies of it from the bookshops.这是一本诽谤性的书，所以出版商必须把店里的书全收回去。

11 renounce   

v.放弃；拒绝承认，宣布与…断绝关系

参考例句：

• She decided to renounce the world and enter a convent.她决定弃绝尘世去当修女。
• It was painful for him to renounce his son.宣布与儿子脱离关系对他来说是很痛苦的。

12 astonishment   

n.惊奇，惊异

参考例句：

• They heard him give a loud shout of astonishment.他们听见他惊奇地大叫一声。
• I was filled with astonishment at her strange action.我对她的奇怪举动不胜惊异。

13 repudiation   

n.拒绝；否认；断绝关系；抛弃

参考例句：

• Datas non-repudiation is very important in the secure communication. 在安全数据的通讯中，数据发送和接收的非否认十分重要。 来自互联网
• There are some goals of Certified E-mail Protocol: confidentiality non-repudiation and fairness. 挂号电子邮件协议需要具备保密性、不可否认性及公平性。 来自互联网

14 Oxford   

n.牛津（英国城市）

参考例句：

• At present he has become a Professor of Chemistry at Oxford.他现在已是牛津大学的化学教授了。
• This is where the road to Oxford joins the road to London.这是去牛津的路与去伦敦的路的汇合处。

15 compliance   

n.顺从；服从；附和；屈从

参考例句：

• I was surprised by his compliance with these terms.我对他竟然依从了这些条件而感到吃惊。
• She gave up the idea in compliance with his desire.她顺从他的愿望而放弃自己的主意。

16 satires   

讽刺，讥讽( satire的名词复数 )； 讽刺作品

参考例句：

• Some of Aesop's Fables are satires. 《伊索寓言》中有一些是讽刺作品。
• Edith Wharton continued writing her satires of the life and manners of the New York aristocracy. 伊迪丝·沃顿继续写讽刺纽约贵族生活和习俗的作品。

17 allusion   

n.暗示，间接提示

参考例句：

• He made an allusion to a secret plan in his speech.在讲话中他暗示有一项秘密计划。
• She made no allusion to the incident.她没有提及那个事件。

18 boundless   

adj.无限的；无边无际的；巨大的

参考例句：

• The boundless woods were sleeping in the deep repose of nature.无边无际的森林在大自然静寂的怀抱中酣睡着。
• His gratitude and devotion to the Party was boundless.他对党无限感激、无限忠诚。

19 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

20 vowels   

n.元音，元音字母( vowel的名词复数 )

参考例句：

• Vowels possess greater sonority than consonants. 元音比辅音响亮。 来自《现代英汉综合大词典》
• Note the various sounds of vowels followed by r. 注意r跟随的各种元音的发音。 来自超越目标英语 第3册

21 consonants   

n.辅音，子音( consonant的名词复数 )；辅音字母

参考例句：

• Consonants are frequently assimilated to neighboring consonants. 辅音往往被其邻近的辅音同化。 来自《简明英汉词典》
• Vowels possess greater sonority than consonants. 元音比辅音响亮。 来自《现代英汉综合大词典》

22 scribbling   

n.乱涂[写]胡[乱]写的文章[作品]v.潦草的书写( scribble的现在分词 )；乱画；草草地写；匆匆记下

参考例句：

• Once the money got into the book, all that remained were some scribbling. 折子上的钱只是几个字！ 来自汉英文学 - 骆驼祥子
• McMug loves scribbling. Mama then sent him to the Kindergarten. 麦唛很喜欢写字，妈妈看在眼里，就替他报读了幼稚园。 来自互联网

23 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

24 pitfall   

n.隐患，易犯的错误；陷阱，圈套

参考例句：

• The wolf was caught in a pitfall.那只狼是利用陷阱捉到的。
• The biggest potential pitfall may not be technical but budgetary.最大的潜在陷阱可能不是技术问题，而是预算。

25 transcripts   

n.抄本（ transcript的名词复数 ）；转写本；文字本；副本

参考例句：

• Like mRNA, both tRNA and rRNA are transcripts of chromosomal DNA. tRNA及rRNA同mRNA一样，都是染色体DNA的转录产物。 来自辞典例句
• You can't take the transfer students'exam without your transcripts. 没有成绩证明书，你就不能参加转学考试。 来自辞典例句

26 proficiency   

n.精通，熟练，精练

参考例句：

• He plied his trade and gained proficiency in it.他勤习手艺，技术渐渐达到了十分娴熟的地步。
• How do you think of your proficiency in written and spoken English?你认为你的书面英语和口语熟练程度如何？

27 encyclopaedia   

n.百科全书

参考例句：

• An encyclopaedia contains a lot of knowledge.百科全书包含很多知识。
• This is an encyclopaedia of philosophy.这是本哲学百科全书。

28 cloistered   

adj.隐居的，躲开尘世纷争的v.隐退，使与世隔绝( cloister的过去式和过去分词 )

参考例句：

• the cloistered world of the university 与世隔绝的大学
• She cloistered herself in the office. 她呆在办公室里好像与世隔绝一样。 来自《简明英汉词典》

29 transcribe   

v.抄写，誉写；改编(乐曲)；复制，转录

参考例句：

• We need volunteers to transcribe this manuscript.我们需要自愿者来抄写这个文稿。
• I am able to take dictation in English and transcribe them rapidly into Chinese.我会英文记录，还能立即将其改写成中文。

30 Vogue   

n.时髦，时尚；adj.流行的

参考例句：

• Flowery carpets became the vogue.花卉地毯变成了时髦货。
• Short hair came back into vogue about ten years ago.大约十年前短发又开始流行起来了。

31 temperament   

n.气质，性格，性情

参考例句：

• The analysis of what kind of temperament you possess is vital.分析一下你有什么样的气质是十分重要的。
• Success often depends on temperament.成功常常取决于一个人的性格。

32 eminence   

n.卓越，显赫；高地，高处；名家

参考例句：

• He is a statesman of great eminence.他是个声名显赫的政治家。
• Many of the pilots were to achieve eminence in the aeronautical world.这些飞行员中很多人将会在航空界声名显赫。

33 amenity   

n.pl.生活福利设施，文娱康乐场所；（不可数）愉快，适意

参考例句：

• The amenity of his manners won him many friends.他和悦的态度替他赢得很多朋友。
• Teachers' good amenity and culture have important educational value.教师良好的礼仪修养具有重要的教育价值。

34 exorbitant   

adj.过分的；过度的

参考例句：

• More competition should help to drive down exorbitant phone charges.更多的竞争有助于降低目前畸高的电话收费。
• The price of food here is exorbitant. 这儿的食物价格太高。

35 serene   

adj. 安详的，宁静的，平静的

参考例句：

• He has entered the serene autumn of his life.他已进入了美好的中年时期。
• He didn't speak much,he just smiled with that serene smile of his.他话不多，只是脸上露出他招牌式的淡定的微笑。

36 kindly   

adj.和蔼的，温和的，爽快的；adv.温和地，亲切地

参考例句：

• Her neighbours spoke of her as kindly and hospitable.她的邻居都说她和蔼可亲、热情好客。
• A shadow passed over the kindly face of the old woman.一道阴影掠过老太太慈祥的面孔。

37 originality   

n.创造力，独创性；新颖

参考例句：

• The name of the game in pop music is originality.流行音乐的本质是独创性。
• He displayed an originality amounting almost to genius.他显示出近乎天才的创造性。

38 wrath   

n.愤怒，愤慨，暴怒

参考例句：

• His silence marked his wrath. 他的沉默表明了他的愤怒。
• The wrath of the people is now aroused. 人们被激怒了。

39 disdain   

n.鄙视，轻视；v.轻视，鄙视，不屑

参考例句：

• Some people disdain labour.有些人轻视劳动。
• A great man should disdain flatterers.伟大的人物应鄙视献媚者。

40 disclaim   

v.放弃权利，拒绝承认

参考例句：

• Scientists quickly disclaim the possibility.科学家们立刻否认了这种可能性。
• The manufacturers disclaim all responsibility for damage caused by misuse.使用不当而造成的损坏，生产厂家不负任何责任。

41 portraiture   

n.肖像画法

参考例句：

• I am going to have my portraiture taken.我请人给自己画张肖像。
• The painting of beautiful women was another field of portraiture.人物画中的另一个领域是仕女画。

42 deliberately   

adv.审慎地；蓄意地；故意地

参考例句：

• The girl gave the show away deliberately.女孩故意泄露秘密。
• They deliberately shifted off the argument.他们故意回避这个论点。

43 esteemed   

adj.受人尊敬的v.尊敬( esteem的过去式和过去分词 )；敬重；认为；以为

参考例句：

• The art of conversation is highly esteemed in France. 在法国十分尊重谈话技巧。 来自《简明英汉词典》
• He esteemed that he understood what I had said. 他认为已经听懂我说的意思了。 来自《简明英汉词典》

44 contention   

n.争论，争辩，论战；论点，主张

参考例句：

• The pay increase is the key point of contention. 加薪是争论的焦点。
• The real bone of contention,as you know,is money.你知道，争论的真正焦点是钱的问题。

45 wrought   

v.引起；以…原料制作；运转；adj.制造的

参考例句：

• Events in Paris wrought a change in British opinion towards France and Germany.巴黎发生的事件改变了英国对法国和德国的看法。
• It's a walking stick with a gold head wrought in the form of a flower.那是一个金质花形包头的拐杖。

46 uncommon   

adj.罕见的，非凡的，不平常的

参考例句：

• Such attitudes were not at all uncommon thirty years ago.这些看法在30年前很常见。
• Phil has uncommon intelligence.菲尔智力超群。

47 sloughed   

v.使蜕下或脱落( slough的过去式和过去分词 )；舍弃；除掉；摒弃

参考例句：

• Responsibilities are not sloughed off so easily. 责任不是那么容易推卸的。 来自《简明英汉词典》
• The scab has sloughed off. 痂脱落了。 来自辞典例句

48 aspirant   

n.热望者；adj.渴望的

参考例句：

• Any aspirant to the presidency here must be seriously rich.要想当这儿的主席一定要家财万贯。
• He is among the few aspirants with administrative experience.他是为数不多的几个志向远大而且有管理经验的人之一。

49 phonetically   

按照发音地，语音学上

参考例句：

• In actual speech, a phoneme is realized phonetically as a certain phone. 在实际会话中，音位总是以某个音素的形式得以体现出来。
• Though phonetically alike, they are written with different ideographs. 虽然语音相同，它们的书写却不同。

50 sham   

n./adj.假冒(的)，虚伪(的)

参考例句：

• They cunningly played the game of sham peace.他们狡滑地玩弄假和平的把戏。
• His love was a mere sham.他的爱情是虚假的。