He paid the bill and gave a handsome tip to the sommelier. Vesper rose and led the way out of the restaurant and out on to the steps of the hotel.
The big Bentley was waiting and Bond drove Vesper over, parking as close to the entrance as he could. As they walked through the ornate ante-rooms, he hardly spoke4. She looked at him and saw that his nostrils5 were slightly flared6. In other respects he seemed completely at ease, acknowledging cheerfully the greetings of the Casino functionaries7. At the door to the salle privée they were not asked for their membership cards. Bond's high gambling8 had already made him a favoured client and any companion of his shared in the glory.
Before they had penetrated9 very far into the main room, Felix Leiter detached himself from one of the roulette tables and greeted Bond as an old friend. After being introduced to Vesper Lynd and exchanging a few remarks, Leiter said: 'Well, since you're playing baccarat this evening, will you allow me to show Miss Lynd how to break the bank at roulette? I've got three lucky numbers that are bound to show soon, and I expect Miss Lynd has some too. Then perhaps we could come and watch you when your game starts to warm up.'
Bond looked inquiringly at Vesper.
'I should love that,' she said, 'but will you give me one of your lucky numbers to play on?'
'I have no lucky numbers,' said Bond unsmilingly. 'I only bet on even chances, or as near them as I can get. Well, I shall leave you then.' He excused himself. 'You will be in excellent hands with my friend Felix Leiter.' He gave a short smile which embraced them both and walked with an unhurried gait towards the caisse.
Leiter sensed the rebuff.
'He's a very serious gambler, Miss Lynd,' he said. 'And I guess he has to be. Now come with me and watch Number 17 obey my extra-sensory perceptions. You'll find it quite a painless sensation being given plenty of money for nothing.'
Bond was relieved to be on his own again and to be able to clear his mind of everything but the task on hand. He stood at the caisse and took his twenty-four million francs against the receipt which had been given him that afternoon. He divided the notes into equal packets and put half the sum into his right-hand coat pocket and the other half into the left. Then he strolled slowly across the room between the thronged10 tables until he came to the top of the room where the broad baccarat table waited behind the brass11 rail.
The table was filling up and the cards were spread face down being stirred and mixed slowly in what is known as the 'croupiers' shuffle12', supposedly the shuffle which is most effective and least susceptible13 to cheating.
The chef de partie lifted the velvet-covered chain which allowed entrance through the brass rail.
'I've kept Number 6 as you wished, Monsieur Bond.'
There were still three other empty places at the table. Bond moved inside the rail to where a huissier was holding out his chair. He sat down with a nod to the players on his right and left. He took out his wide gunmetal cigarette-case and his black lighter14 and placed them on the green baize at his right elbow. The huissier wiped a thick glass ash-tray with a cloth and put it beside them. Bond lit a cigarette and leant back in his chair.
Opposite him, the banker's chair was vacant. He glanced round the table. He knew most of the players by sight, but few of their names. At Number 7, on his right, there was a Monsieur Sixte, a wealthy Belgian with metal interests in the Congo. At Number 9 there was Lord Danvers, a distinguished15 but weak-looking man whose francs were presumably provided by his rich American wife, a middle-aged16 woman with the predatory mouth of a barracuda, who sat at Number 3. Bond reflected that they would probably play a pawky and nervous game and be amongst the early casualties. At Number 1, to the right of the bank was a well-known Greek gambler who owned, as in Bond's experience apparently17 everyone does in the Eastern Mediterranean18, a profitable shipping19 line. He would play coldly and well and would be a stayer.
Bond asked the huissier for a card and wrote on it, under a neat question mark, the remaining numbers, 2, 4, 5, 8, 10, and asked the huissier to give it to the chef de partie.
Soon it came back with the names filled in.
Number 2, still empty, was to be Carmel Delane, the American film star with alimony from three husbands to burn and, Bond assumed, a call on still more from whoever her present companion at Royale might be. With her sanguine20 temperament21 she would play gaily22 and with panache23 and might run into a vein24 of luck.
Then came Lady Danvers at Number 3 and Numbers 4 and 5 were a Mr and Mrs Du Pont, rich-looking and might or might not have some of the real Du Pont money behind them. Bond guessed they would be stayers. They both had a business-like look about them and were talking together easily and cheerfully as if they felt very much at home at the big game. Bond was quite happy to have them next to him - Mrs Du Pont sat at Number 5 - and he felt prepared to share with them or with Monsieur Sixte on his right, if they found themselves faced with too big a bank.
At Number 8 was the Maharajah of a small Indian state, probably with all his wartime sterling25 balances to play with. Bond's experience told him that few of the Asiatic races were courageous26 gamblers, even the much-vaunted Chinese being inclined to lose heart if the going was bad. But the Maharajah would probably stay in the game and stand some heavy losses if they were gradual.
Number 10 was a prosperous-looking young Italian, Signor Tomelli, who possibly had plenty of money from rackrents in Milan and would probably play a dashing and foolish game. He might lose his temper and make a scene.
Bond had just finished his sketchy27 summing-up of the players when Le Chiffre, with the silence and economy of movement of a big fish, came through the opening in the brass rail and, with a cold smile of welcome for the table, took his place directly opposite Bond in the banker's chair.
With the same economy of movements the thick slab28 of cards which the croupier had placed on the table squarely between his blunt relaxed hands. Then, as the croupier fitted the six packs with one swift exact motion into the metal and wooden shoe, Le Chiffre said something quietly to him.
'Messieurs, mesdames, les jeux sont faits. Un banco de cinq cent mille,' and as the Greek at Number 1 tapped the table in front of his fat pile of hundred-mille plaques30, 'Le banco est fait.'
Le Chiffre crouched31 over the shoe. He gave it a short deliberate slap to settle the cards, the first of which showed its semicircular pale pink tongue through the slanting32 aluminium33 mouth of the shoe. Then, with a thick white fore-finger he pressed gently on the pink tongue and slipped out the first card six inches or a foot towards the Greek on his right hand. Then he slipped out a card for himself, then another for the Greek, then one more for himself
He sat immobile, not touching34 his own cards.
He looked at the Greek's face.
With his flat wooden spatula35, like a long bricklayer's trowel, the croupier delicately lifted up the Greek's two cards and dropped them with a quick movement an extra few inches to the right so that they lay just before the Greek's pale hairy hands which lay inert36 like two watchful37 pink crabs38 on the table.
The two pink crabs scuttled39 out together and the Greek gathered the cards into his wide left hand and cautiously bent3 his head so that he could see, in the shadow made by his cupped hand, the value of the bottom of the two cards. Then he slowly inserted the forefinger40 of his right hand and slipped the bottom card slightly sideways so that the value of the top card was also just perceptible.
His face was quite impassive. He flattened41 out his left hand on the table and then withdrew it, leaving the two pink cards face down before him, their secret unrevealed.
Then he lifted his head and looked Le Chiffre in the eye.
'Non,' said the Greek flatly.
From the decision to stand on his two cards and not ask for another, it was clear that the Greek had a five, or a six, or a seven. To be certain of winning, the banker had to reveal an eight or a nine. If the banker failed to show either figure, he also had the right to take another card which might or might not improve his count.
Le Chiffre's hands were clasped in front of him, his two cards three or four inches away. With his right hand he picked up the two cards and turned them face upwards42 on the table with a faint snap.
They were a four and a five, an undefeatable natural nine.
He had won.
'Neuf à la banque,' quietly said the croupier. With his spatula he faced the Greek's two cards, 'Et le sept,' he said unemotionally, lifting up gently the corpses43 of the seven and queen and slipping them through the wide slot in the table near his chair which leads into the gib metal canister to which all dead cards are consigned44. Le Chiffre's two cards followed them with a faint rattle45 which comes from the canister at the beginning of each session before the discards have made a cushion over the metal floor of their oubliette.
The Greek pushed forward five plaques of one hundred thousand and the croupier added these to Le Chiffre's half million plaque29 which lay in the centre of the table. From each bet the Casino takes a tiny percentage, the cagnotte, but it is usual at a big game for the banker to subscribe46 this himself either in a prearranged lump or by contributions at the end of each hand, so that the amount of the bank's stake can always be a round figure. Le Chiffre had chosen the second course.
The croupier slipped some counters through the slot in the table which receives the cagnotte and announced quietly:
'Un banco d'un million.'
'Suivi,' murmured the Greek, meaning that he exercised his right to follow up his lost bet.
Bond lit a cigarette and settled himself in his chair. The long game was launched and the sequence of these gestures and the reiteration47 of this subdued48 litany would continue until the end came and the players dispersed49. Then the enigmatic cards would be burnt or defaced, a shroud50 would be draped over the table and the grass-green baize battlefield would soak up the blood of its victims and refresh itself.
The Greek, after taking a third card, could achieve no better than a four to the bank's seven.
'Un banco de deux millions,' said the croupier.
The players on Bond's left remained silent.
'Banco,' said Bond.
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收听单词发音
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1
prospect
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| n.前景，前途；景色，视野 | |
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stimulated
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| a.刺激的 | |
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bent
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| n.爱好，癖好；adj.弯的；决心的，一心的 | |
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4
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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5
nostrils
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| 鼻孔( nostril的名词复数 ) | |
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6
Flared
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| adj. 端部张开的, 爆发的, 加宽的, 漏斗式的 动词flare的过去式和过去分词 | |
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7
functionaries
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| n.公职人员，官员( functionary的名词复数 ) | |
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8
gambling
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| n.赌博；投机 | |
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9
penetrated
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| adj. 击穿的，鞭辟入里的 动词penetrate的过去式和过去分词形式 | |
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10
thronged
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| v.成群，挤满( throng的过去式和过去分词 ) | |
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brass
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| n.黄铜；黄铜器，铜管乐器 | |
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12
shuffle
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| n.拖著脚走，洗纸牌；v.拖曳，慢吞吞地走 | |
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13
susceptible
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| adj.过敏的，敏感的；易动感情的，易受感动的 | |
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14
lighter
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| n.打火机，点火器；驳船；v.用驳船运送；light的比较级 | |
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15
distinguished
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| adj.卓越的，杰出的，著名的 | |
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16
middle-aged
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| adj.中年的 | |
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17
apparently
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| adv.显然地；表面上，似乎 | |
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18
Mediterranean
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| adj.地中海的；地中海沿岸的 | |
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19
shipping
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| n.船运（发货，运输，乘船） | |
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sanguine
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| adj.充满希望的，乐观的，血红色的 | |
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21
temperament
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| n.气质，性格，性情 | |
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gaily
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| adv.欢乐地，高兴地 | |
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panache
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| n.羽饰；假威风，炫耀 | |
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vein
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| n.血管，静脉；叶脉，纹理；情绪；vt.使成脉络 | |
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25
sterling
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| adj.英币的(纯粹的，货真价实的)；n.英国货币(英镑) | |
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courageous
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| adj.勇敢的，有胆量的 | |
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sketchy
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| adj.写生的，写生风格的，概略的 | |
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28
slab
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| n.平板，厚的切片；v.切成厚板，以平板盖上 | |
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29
plaque
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| n.饰板，匾，(医)血小板 | |
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30
plaques
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| （纪念性的）匾牌( plaque的名词复数 )； 纪念匾； 牙斑； 空斑 | |
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31
crouched
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| v.屈膝，蹲伏( crouch的过去式和过去分词 ) | |
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32
slanting
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| 倾斜的，歪斜的 | |
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33
aluminium
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| n.铝 (=aluminum) | |
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34
touching
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| adj.动人的，使人感伤的 | |
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35
spatula
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| n.抹刀 | |
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36
inert
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| adj.无活动能力的，惰性的；迟钝的 | |
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37
watchful
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| adj.注意的，警惕的 | |
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38
crabs
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| n.蟹( crab的名词复数 )；阴虱寄生病；蟹肉v.捕蟹( crab的第三人称单数 ) | |
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39
scuttled
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| v.使船沉没( scuttle的过去式和过去分词 )；快跑，急走 | |
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40
forefinger
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| n.食指 | |
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41
flattened
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| [医]（水）平扁的，弄平的 | |
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42
upwards
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| adv.向上，在更高处...以上 | |
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43
corpses
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| n.死尸，尸体( corpse的名词复数 ) | |
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44
consigned
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| v.把…置于（令人不快的境地）( consign的过去式和过去分词 )；把…托付给；把…托人代售；丟弃 | |
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45
rattle
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| v.飞奔，碰响；激怒；n.碰撞声；拨浪鼓 | |
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46
subscribe
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| vi.(to)订阅，订购；同意；vt.捐助，赞助 | |
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47
reiteration
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| n. 重覆, 反覆, 重说 | |
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48
subdued
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| adj. 屈服的，柔和的，减弱的 动词subdue的过去式和过去分词 | |
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49
dispersed
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| adj. 被驱散的, 被分散的, 散布的 | |
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50
shroud
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| n.裹尸布，寿衣；罩，幕；vt.覆盖，隐藏 | |
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