“‘Hen it comes to fiddlin’,” the Chronic16 Loafer was saying, “they is few men can beat Sam Washin’ton. Why I’ve knowd him to set down at a party at seven at night an’ fiddle17 till six next mornin’ an’ play a different tune18 every time.”
“Did you ever hear o’ Hiram Gum?” asked the Patriarch.
“Hiram Gum!” cried the G. A. R. Man. “My father used often to speak o’ him, but he was afore my time. Drowned in the canal.”
“Wonderful, wonderful, I’ve heard tell,” exclaimed the Miller. “I can jest remember seein’ him oncet ’hen I was a wee bit o’ a boy—a leetle man with long hair an’ big eyes an’ a withered19 arm.”
“Yes, yes,” the old man murmured, beating his stick upon the porch. “An’ a wonderful fiddler was Hiram Gum. They was few ’round these parts could han’le a bow with that man.”
“But Sam Washin’ton’s the best fiddler they is,” the Loafer interposed emphatically.
“My dear man, Hiram Gum was more’n an earthly fiddler,” the Patriarch retorted. “He hed charms. He knowd words.”
“I don’t b’lieve in them charms furder then they ’fect snakes an’ bees.”
[185]
“But Hiram Gum was more’n an ord’nary man, an’ I otter21 know, fer I remember him well. He was leetle, ez the Miller sayd, an’ hed long black hair an’ a red beard that waved all around his neck, an’ big black eyes, an’ cheeks that shined like they was scoured22. Then his left arm was all withered an’ wasn’t no use exceptin’ that he could crook23 it up like an’ work the long fingers on the fiddle-strings24. No one knowd how old Hiram was, no more’n they knowd where he come from ’hen he settled up the walley sixty years ago, fer he never sayd. No one ever dast ask him ’bout sech things, fer he’d jest look black an’ say nawthin’, an’ give you sech a glance with them big eyes that you felt all creepy. Aside from that he was allus a pleasant, cheery kind of a man, an’ talked entertainin’, fer he’d traveled a heap.
“Hiram settled in a little lawg house that stood on South Ridge14 near where Silver’s peach orchard25 is now. Peter Billings’s farm joined his lot, an’ it wasn’t long ’fore the leetle man tuk to strollin’ over to see his neighbors of an evenin’. By an’ by he seemed to take a considerable shine fer Peter’s dotter Susan. First no one thot nawthin’ of it, fer it hairdly seemed likely that ez pretty a girl ez she would care much about sech a dried-up leetle speciment ez Hiram Gum. Besides, fer a long time she’d ben keepin’ company with young Jawhn McCullagh, whose father owned ’bout the best piece o’ farmin’ land up the walley.[186] He was a big, fine-lookin’ felly, a bit o’ a boaster, an’ with a likin’ fer his own way.
“So no one ever dreamt anything ’ud come o’ Hiram Gum loafin’ over at Billings’s. But, boys, ’hen you’ve lived ez long ez I hev, an’ seen ez much o’ the worl’ ez I hev, you’ll come to the conclusion that they is a heap o’ truth in the old sayin’ that matches is made in Heaven. But it do seem sometim’s like they wasn’t much time or thot spent in the makin’. Fust thing we heard that Hi hed ben drove off the Billings’s place an’ Susan was kep’ locked in her room fer a week. An’ sech a change ez come over that man. It was airly in the spring ’hen it happened. He’d allus met a man with a hearty26 ‘howde’ before, but after that he never spoke27 ’hen he passed. From one o’ the pleasantest o’ men he become one o’ the blackest. From comin’ to store every day, he got to comin’ only ’hen he needed things. The rest o’ the time he spent mopin’ up in his placet on the hill. Susan changed too. She lost color an’ got solemn like. Many a time I seen her leanin’ over the gate, lookin’ away up the ridge to where Hiram’s placet lay.
“Then come the Lander’s big party. It was the last o’ the season fer the hot weather was near ’hen they wasn’t no time fer swingin’ corners, let alone the overheatin’ that ’ud come by it, so everybody in the walley was there. Young an’ old danced that night. They was three sets in[187] the settin’-room an’ two in the kitchen; they was two in the entry an’ one on the porch. Save fer layin’ off at ten o’clock fer sweet-cake an’ cider we done wery leetle restin’. They was mighty28 few wanted to rest much ’hen Hiram Gum played. He’d no sooner tuk his placet in the corner then every inch o’ the floor was covered with sets. Bow yer corners! an’ we was off.”
The old man beat his stick on the porch and waved his body to and fro.
“My, but that was fiddlin’! It jest went th’oo a man like one o’ them ’lectric shockin’ machines. Yer feet was started an’ away ye went; ole Hiram settin’ there with his withered arm crooked29 up to hold the fiddle, the long, crooked fingers flyin’ over the strings, the bow goin’ so fast ye could hairdly see it, his big black eyes lookin’ down inter20 the instermen’, his long hair an’ beard wavin’ ez he swung to an’ fro. Now yer own! Oh, them was dancin’ days ’hen Hi Gum played!
“They never was a more inweterate hat-passer then Hiram, fer be his playin’ he made his livin’, an’ never a note ’ud he make tell they was fifty cents in his ole white beaver30. Then he’d play that out an’ ’round he’d come agin. That night he didn’t ast a cent, but jest sat there glum31 an’ never oncet stopped the music.
“Susan was a wonderful dancer—jest ez quick ez a flash, untirin’, an’ so light on her feet that ye[188] felt like ye was holtin’ to a fairy ’hen ye swung corners with her. She was on the floor continual’. I done one set with her an’ noticed how she could scarce keep her eyes offen Hi. She only danced one set with McCullagh an’ lay kind o’ limp like in swingin’ corners an’ didn’t say nawthin’, so ’hen they finished he left the house. I seen him go out o’ the door with a black look in his face.
“Most all hed gone ’hen I left Lander’s airly in the mornin’. We lived over the river, an’ ez they wasn’t no bridge we use to cross in a couple o’ ole boats that was kep’ tied along the bank jest below the canal lock. I went down over the flat an’ th’oo the woods tell I come to the canal, where I crossed the lock an’ walked along the towpath, whistlin’ all the time fer company. It was a clear night. The moon was shinin’ bright th’oo the trees. The canal was on one side o’ me, an’ th’oo the open places in the bushes on the other I could see the river gleamin’ along. I got to the bend jest a couple of hundred yards above where the boats lay an’ was jest steppin’ out inter the clearin’ there ’hen sudden I heard a loud voice. I stopped. Then it come louder, an’ I recognized Jawhn McCullagh’s rough talk. I went cautious tell I was out o’ the woods. There, jest ahead, I seen him, near the path, facin’ ole Hiram Gum, who, with his fiddle under his arm, was standin’ with his back to the canal, lookin’ quiet at the[189] big felly. I dropped to the ground an’ watched, scarce breathin’ I was so excited.
“Jawhn raised a heavy stick, an’ shook it, an’ stepped slow-like toward the leetle fiddler, crowdin’ him nearer the bank.
“‘Hiram Gum!’ he sayd, ‘I’ve hed ’nough o’ you. Git out o’ this country an’ never come back, or you’ll never fiddle agin!’
“Hiram lowered his fiddle an’ answered, ‘You can’t skeer me, Jawhn McCullagh, fer Susan doesn’t keer fer you!’
“‘You sha’n’t run off with her!’ the other yelled, shakin’ his stick.
“I could see his face workin’ ez he swung his club up an’ down, an’ step be step kep’ edgin’ the leetle felly nearer the wotter. I jest lay tremblin’, I was that frightened, fer I was but a lad in them days. I knowd I otter run out an’ stop it, but ’fore I got me couritch up I hear the soft notes o’ the fiddle. There was ole Hiram with his withered hand holdin’ the instermen’, his long fingers flyin’ over the strings, the bow slidin’ slow like up an’ down.
“‘Swing yer corners, Jawhn!’ he cried, fixin’ them black eyes on the big feller.
“Then the notes come quick an’ short. Jawhn’s stick dropped, an’ his arm fell limp like. He passed one hand confused over his forehead. He bowed. The notes come faster. In another minute he was swingin’ corners with his arms graspin’[190] the air. The dead sticks cracked under his feet ez he flung around. An’ ez ole Hi called the figgers he followed him, yellin’ ’em louder an’ kickin’ like mad. It was the wildest dancin’ ever I seen. He bowed an’ twisted, back’ard an’ for’a’d, an’ chassayed an’ chained, his feet movin’ faster an’ faster ez the notes come quicker an’ quicker an’ the bow slid to an’ fro like lightnin’. Ole Hiram kep’ movin’ ’round cautious like, never takin’ his eyes off the dancer tell he was on the river side an’ Jawhn skippin’ ’round on the beaten towpath.
“Them was awful minutes fer me. I could do nawthin’, fer the playin’ kind o’ spelled me. ’Hen I seen the fiddler begin to move toward the canal an’ the mad dancin’ felly backin’ nearer an’ nearer the bank, I tried to git up but I kicked out with both feet an’ fell sprawlin’ on the groun’.
“‘Back to your corner, Jawhn!’ the ole man called.
“‘Corners next!’ yelled the dancer, kickin’ up his heels an’ th’owin’ out his arms like he was grabbin’ somethin’. Then come an awful cry. They was a splash. He’d gone over the bank.
“I jumped out, fer the music hed stopped, an’ started toward the spot. But ’fore I got there Hiram hed th’owed away his fiddle an’ run to the canal, an’ was down on his knees starin’ inter the wotter. A head come above the surface.[191] Then an arm reached wildly out. The ole man bent32 over an’ grasped the hand. But it wasn’t no uset, fer he’d nawthin’ to support himself with. He took holt o’ the bank with his withered fingers, but the arm give ’way an’ he toppled over. Fer a minute all was still. I leaned over the wotter an’ waited. They was a ripple33 toward the middle, an’ two heads come up. I seen Hiram Gum’s long black hair an’ beard an’ his drawn face ez he looked at the sky overhead. Then they disappeared agin. The surface of the canal become quiet an’ still like nawthin’ hed ben happenin’. Then I turned an’ run.
“I flew along the towpath, acrosst the clearin’, inter the woods agin, an’ down toward the river where the boats lay hid among the willer bushes. An’ ez I went crashin’ th’oo the branches I hear a girl’s voice callin’.
“‘Hiram,’ she sais, ‘why was you fiddlin’? I thot you was never comin’.’
“Another second an’ I was th’oo the willers an’ on the bank. There, settin’ in a boat, her hands on the oars34 ready to pull away, was Susan Billings.”
The Patriarch beat his cane35 softly on the floor and hummed a snatch of a tune.
There came a short, quick puffing36 as the Loafer drew on his pipe, until the bright coals shone in the darkness.
“But Sam Washin’ton——”
[192]
The old man arose slowly.
“I don’t keer ’bout Sam Washin’ton. I must be goin’ home. I’ll git the rhuem’tism on sech a night sure, fer I’ve no horse-chestnut in me pocket.”
点击收听单词发音
1 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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2 rumbling | |
n. 隆隆声, 辘辘声 adj. 隆隆响的 动词rumble的现在分词 | |
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3 mower | |
n.割草机 | |
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4 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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5 creek | |
n.小溪,小河,小湾 | |
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6 plover | |
n.珩,珩科鸟,千鸟 | |
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7 lark | |
n.云雀,百灵鸟;n.嬉戏,玩笑;vi.嬉戏 | |
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8 robins | |
n.知更鸟,鸫( robin的名词复数 );(签名者不分先后,以避免受责的)圆形签名抗议书(或请愿书) | |
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9 chirped | |
鸟叫,虫鸣( chirp的过去式 ) | |
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10 impending | |
a.imminent, about to come or happen | |
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11 clattered | |
发出咔哒声(clatter的过去式与过去分词形式) | |
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12 miller | |
n.磨坊主 | |
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13 trudged | |
vt.& vi.跋涉,吃力地走(trudge的过去式与过去分词形式) | |
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14 ridge | |
n.山脊;鼻梁;分水岭 | |
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15 propping | |
支撑 | |
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16 chronic | |
adj.(疾病)长期未愈的,慢性的;极坏的 | |
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17 fiddle | |
n.小提琴;vi.拉提琴;不停拨弄,乱动 | |
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18 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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19 withered | |
adj. 枯萎的,干瘪的,(人身体的部分器官)因病萎缩的或未发育良好的 动词wither的过去式和过去分词形式 | |
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20 inter | |
v.埋葬 | |
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21 otter | |
n.水獭 | |
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22 scoured | |
走遍(某地)搜寻(人或物)( scour的过去式和过去分词 ); (用力)刷; 擦净; 擦亮 | |
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23 crook | |
v.使弯曲;n.小偷,骗子,贼;弯曲(处) | |
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24 strings | |
n.弦 | |
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25 orchard | |
n.果园,果园里的全部果树,(美俚)棒球场 | |
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26 hearty | |
adj.热情友好的;衷心的;尽情的,纵情的 | |
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27 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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28 mighty | |
adj.强有力的;巨大的 | |
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29 crooked | |
adj.弯曲的;不诚实的,狡猾的,不正当的 | |
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30 beaver | |
n.海狸,河狸 | |
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31 glum | |
adj.闷闷不乐的,阴郁的 | |
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32 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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33 ripple | |
n.涟波,涟漪,波纹,粗钢梳;vt.使...起涟漪,使起波纹; vi.呈波浪状,起伏前进 | |
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34 oars | |
n.桨,橹( oar的名词复数 );划手v.划(行)( oar的第三人称单数 ) | |
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35 cane | |
n.手杖,细长的茎,藤条;v.以杖击,以藤编制的 | |
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36 puffing | |
v.使喷出( puff的现在分词 );喷着汽(或烟)移动;吹嘘;吹捧 | |
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