While M. Hollydorf was soothing24 the wounded enthusiasm of Correliana’s affection, the instinctively26 sensitive curators passed the case, with its instrument, from one to the other, with an expression, kindred in acting27 translation, to the effect likely to be produced upon two civilized28 or savage29 bachelors in the armed disposal of an infant which had been subjected to their inspection30, for commendation, by a fond mother. Finding that their former criticisms of Heraclean music had placed them in a dilemma31 that required vindication32, they questioned each other’s ability for extrication33. Pettynose having used an accordion in boyhood as a dernier Alma Mater for the nursing of his musical faculties34, offered in acknowledgment of his debt of gratitude35, with manifest reluctance36, the tribute of his experience in expiation37 of his long neglect and indifference38 to the rudimentary ties of affection. With the first out-breathings 339of the foundling, as his fingers deftly39 caressed40 with familiar touch the well known features, he became conscious that the ties of relationship had been rendered harmonious41 by a foreign marriage. Reassured42 by this discovery the petulant43 asperities44 of his face vanished; then after a short wandering prelude45 for thoughtful familiarization, he lapsed46 into a musical reverie of the past, that gradually caused his disembodiment from the petty assumptions of instinct, leaving his natural spirit of goodness to soar in flight upon the wings of sympathy. In a few moments he became lost to material impressions, other than from the imposed invocation of his fingers, causing the colonnades47 and courts to become tremulous with the lulling48 concord49 of sweet sounds. Correliana with hands reverentially folded over her breast leaned against a vine-wreathed pillar, regarding his face and fingers with her large luminous50 eyes overshadowed with a misty51 veil of thoughtful inspiration, as if in search for the mazy source of the mysterious influence that held her entranced within the spell of inwrought concord. But the motor spirit of memory in reviving vision bore upon its talismanic53 wings the artist far away from self to roam among scenes bright with the revels54 of childhood in the land of his birth, on the banks of the swift flowing Amaril, whose cascades55 embowered by the tropical hill groves56 of Brazil had inspired with the rippling57 flow of their echoes his love for music. The reveried air of “Home, sweet home” surprised his listeners with a responsive echo, that held them immovable in hushed silence, with a controlling power that banished58 self. Even the harsh discordant59 screams of the parrots, calling for the vesper notice of their mistress, were hushed, as if suddenly made aware of their voiced defects; while birds with voices attuned60 to song in cadenced61 time swayed silently listening upon their sprayed perches62, eying askance as if in search of the new songster from 340whom the sweet notes came. As minutes unheeded winged their way into the current of the past, and the night shades of twilight deepened, stronger grew the charmed bondage63 that held Correliana and her mother dumb and motionless, bound by the sweet chords of melodious64 inspiration. But alas65, as if to typify the ephemeral pleasures of sense, the spell was rudely broken by the grosser instinctive25 impressions of the unfortunate padre, who recalled the wandering spirit of Pettynose, by asking, “Can’t you play Yankee Doodle, Jim Crow, God Save the Queen, or something we know?”
The reader has undoubtedly66 felt the chill of sudden obscurity when the mellow67 light of a declining summer sun had been intercepted68 by a thunder gust69, and the startling effect produced by the lightning’s dazzling gleam that makes murky70 darkness palpable after its transient blaze. This gleam the aroused Pettynose darted71 on the padre, as he thundered with quavering voice: “You soulless son of a paddy! are you so dead to the divine influence of harmony that you could not feel that I was moved by an inspiration beyond the reach of the time-serving twaddle of national humbuggery72 and the idol73 worship of sectarian selfishness?”
As the rumbling74 growl75 of the enraged76 musician ceased, the soft expression of Correliana’s face was for a moment lighted with an expression of reproach directed to the reproved and reprover. The padre, whose lack of thoughtful impression had invoked77 this outburst, turned with flushing winces78 from face to face, questioning the source of his error, but only met frowns of pitying, or disdainful reproof79, which prudently80 inclined him to silence. Pettynose, restored to his instinctive self, examined the instrument to discover the attachment81 that had contributed by its aid for the production of sounds of such pure accord, in freedom from the drone of its prototype. Sliding 341back the key-board his vision was introduced to a novel mechanism82, bearing but a slight resemblance to that of the accordion, except in formulistic fabrication. In the place of a reed-board of wood it had one of glass. Covering the openings were reeds of bamboo answering to the stops of the keys. Raising the plate he discovered on its under side longitudinal foss? corresponding in length and form with the string attachments83 of the harp84, which it represented in miniature; over this the peculiar strings85 were strung. The wind in passing from the bellow’s font through the open slots caused an ?olian vibration86, which was increased in volume and sweetness of sound by the vibrating accord of the reeds. The spirits of the two curators of sound were highly elated by the discovery of this rare musical waif; at the same time were surprised to learn that it had been the companion of their river voyage; but readily accounted for its concealment87 with the supposition that Captain Greenwood withheld88 it from the idea that it was to them an object of aversion. Pettynose, when leaving, would, in his heedless selfishness, have taken the instrument with him, but M. Hollydorf, anticipating Correliana’s anxiety, bade him recollect89 that it was a gage90 of affection.
When the music ceased, a raven and parrot, who had perched upon the padre’s broad-brimmed hat, commenced a gossiping promenade91, backwards92 and forwards upon the diametric extremes of its circumference93, alternating the rise and descent of its rim15 from his nose to the back of his coat-collar, to his great annoyance, which added to the comical effect. But the padre continued silent, notwithstanding the birds’ quotations94 of his familiar phrases, “Well, I declare! my conscience’ sake!” and the like, which seemed to be prompted by the changes wrought52 in the position of his hat. At length Correliana became mindful of their annoyance, and despatched them to their roosts; 342then she apologized to the padre for the liberty she had taken, by saying, that they had imitated her when she was repeating his phrases to familiarize her ear with the intonations95 of the English language. “But I am not alone accountable,” she said, “for that demure96 personage,” pointing to the pr?tor, “has largely contributed by his patience and perseverance97 to their proficiency98. The Doschessa wishes to have me remind you that their imitations are an apt example of ritual observances, classical educations, and fashionable accomplishments99, which are styled the progressive features of Giga civilization.”
“It pleases me to hear you try to make the padre understand the difference between a practical education and one of words,” patronizingly added Dr. Baāhar.
This assumption of the doctor’s dispersed100 the depressing cloud that weighed upon the padre’s spirits, who replied, “Ah doctor, you forget that to-day you were unable to make the material distinction between an ancient goddess of your fathers, and a Heraclean statue crowned with Kyronese mousetraps, even with the advantage of your wordy education?”
Mr. Welson laughingly commended Correliana and the pr?tor for their successful essay in the professorial art, offering to recommend their talents to the Dominican College of Guatemala, or its Jesuitical propagandic rival institution of Chinandagua of Nicaragua, which were devoted101 to the education of parrots for the dissemination102 of their tenets among the people, if disposed to enlarge their sphere of usefulness. Declining, in the same vein103, his intercession in their behalf, the members of the corps were invited to join the family of the pr?tor at the table, where they could have the advantage of seeing and hearing the Manatitlans, as the Dosch was desirous of joining in the conversation. The voice of Correliana aroused chirping104 murmurs105 from the leafy coverts106 343of tree and bush, but with such drowsy107 pipes of recognition it was easy to discover that the notes were muffled108 in the head’s feathery couch beneath the wings. When seated, the Dosch addressed the padre as follows, “Your race claim that the chief object of their lives is to obtain present and future happiness; now I would like to ask you whether your ‘system of education,’ founded upon the parotic rehearsal109 of progenitorial110 self-inflicted woes111, has any tendency for the fulfillment of their hopes? Then answer, with thoughtful consideration drawn112 from your day’s experience, whether you have ever approached so near the shrine113 of an enjoyment114, so pure and unadulterated, in joyful115 impression, as that of to-day?”
Padrex. “I declare to gracious, never!”
Dosch. “But would you not relapse at the sight of a priest, as the converted Jew did at the chink of the shekels?”
Padre. (Scratching his head.) “Well, you know it’s a hard thing for one to abjure116 his religion, altogether?”
Dr. Baāhar. (Testily.) “He’s doomed117 to blind martyrdom in defense118 of his idols119!”
Padre. “But I know those that belong to my own creed120, and am not willing to be caught with mousetraps! Besides, when we were together on board of the Tortuga, after our good luck, I asked you to advise me about the education of my children; and you replied, ‘Let them glean121 all the knowledge they can from the schools of their country, until they arrive at the age of twenty; then send them to Germany, and they will then be able to appreciate the rudimentary principles of our philosophical122 course of study, if they are well posted in physical gymnastics and sword exercise.’ Of course the Manatitlans are well acquainted with the gigantic self-esteem of the French ideas of education, which is expressed in the proverb, ‘Live in Paris a year, and then die, content.’”
344Dosch. “The philosophical self-complacency of the Germans with regard to the benefits of what they are pleased to style their system of education, is dependant123 upon habit rather than merit, even in the scale of civilized estimation. But when reduced from its superflage to reality, the course of study pursued in a German university, of sufficient celebrity124 to attract foreign students, commences with the majority,—from the boasting authority of their own statements,—by a test of the body’s capacity to hold beer, saur-kraut, and sausage, seasoned with tobacco smoke, for the encouragement of philosophical ruminations. When the freshman125 devotee’s body has become adequately distended126, ethics127 and the art of disputatious war are inaugurated, with the premeditated intention of testing antagonistic128 skill in the gentle art of tattooing129. Although lacking in the graceful130 designs of the more primitive races, the facial carvings131 in these friendly encounters indicate a nosological taste for depiction132, characterized with boldness of touch on the part of the successful aspirant133 for honors. After having had his passions slaked134 by sword indenture135 indemnification, for the aggravations of guttural opprobriums, swilled136 at the collateral137 troughs of learning, the candidate for high collegiate honors, with his initiatory138 degree tattooed139 in autographic commendation of his skillful attainments140, enters upon his second term. This completed, his body has become seasoned to saturation141 with the constituent142 elements of lager bier, schnapps, saur-kraut, pickled herring, sausage, and like condimental retainers, which are incorporated with tobacco-smoke in preparation for the study of the Oriental languages. At the expiration143 of three or more years employed in hard smoking, drinking,—or lageration, as it is classically termed,—with concomitant study, and wrangling144, he reaches the acme145 of Teutonic elaboration; becoming to all intents and purposes as useless a casket of automatical 345movements and articulate sounds, as the feathered theologians educated in the Jesuit and Dominican Colleges of Chinandagua and Guatemala. His sympathetic impressibility can be truly likened to the saw of the surgical146 sawyer, in feeling for the suffering it imparts to the integuments and bone in separation. The French proverb, which you quoted, is certainly apt. For those who have engaged in the follies147 of Paris for a year, of self accord, we have found so utterly148 absorbed in the vanities of selfish gratification, that even the legendary149 memory of an instinctive soul has been lost, as well as all thoughts of purity and goodness in devisement for reciprocation150. The real fact must now be apparent to your impressions, that the generations of your race have turned their backs to the realities of the future,—which could be secured for those that are to succeed them,—in pursuit of the will o’ wisp phantoms151 of the past. To-morrow, you will be able to realize how we preserve and improve the germs of purity and goodness for transmission, in freedom from the frivolous152 vanities of sense. In parting for the night all united in expressing their appreciation153 of the Dosch’s truthful154 portrayal155.”
点击收听单词发音
1 corps | |
n.(通信等兵种的)部队;(同类作的)一组 | |
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2 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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3 slant | |
v.倾斜,倾向性地编写或报道;n.斜面,倾向 | |
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4 vocal | |
adj.直言不讳的;嗓音的;n.[pl.]声乐节目 | |
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5 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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6 raven | |
n.渡鸟,乌鸦;adj.乌亮的 | |
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7 perch | |
n.栖木,高位,杆;v.栖息,就位,位于 | |
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8 beckoned | |
v.(用头或手的动作)示意,召唤( beckon的过去式和过去分词 ) | |
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9 forth | |
adv.向前;向外,往外 | |
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10 accordion | |
n.手风琴;adj.可折叠的 | |
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11 touching | |
adj.动人的,使人感伤的 | |
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12 apprehension | |
n.理解,领悟;逮捕,拘捕;忧虑 | |
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13 affinity | |
n.亲和力,密切关系 | |
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14 primitive | |
adj.原始的;简单的;n.原(始)人,原始事物 | |
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15 rim | |
n.(圆物的)边,轮缘;边界 | |
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16 bagpipes | |
n.风笛;风笛( bagpipe的名词复数 ) | |
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17 discord | |
n.不和,意见不合,争论,(音乐)不和谐 | |
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18 monotonous | |
adj.单调的,一成不变的,使人厌倦的 | |
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19 chagrin | |
n.懊恼;气愤;委屈 | |
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20 annoyance | |
n.恼怒,生气,烦恼 | |
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21 resuscitation | |
n.复活 | |
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22 retentive | |
v.保留的,有记忆的;adv.有记性地,记性强地;n.保持力 | |
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23 rejection | |
n.拒绝,被拒,抛弃,被弃 | |
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24 soothing | |
adj.慰藉的;使人宽心的;镇静的 | |
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25 instinctive | |
adj.(出于)本能的;直觉的;(出于)天性的 | |
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26 instinctively | |
adv.本能地 | |
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27 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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28 civilized | |
a.有教养的,文雅的 | |
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29 savage | |
adj.野蛮的;凶恶的,残暴的;n.未开化的人 | |
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30 inspection | |
n.检查,审查,检阅 | |
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31 dilemma | |
n.困境,进退两难的局面 | |
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32 vindication | |
n.洗冤,证实 | |
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33 extrication | |
n.解脱;救出,解脱 | |
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34 faculties | |
n.能力( faculty的名词复数 );全体教职员;技巧;院 | |
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35 gratitude | |
adj.感激,感谢 | |
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36 reluctance | |
n.厌恶,讨厌,勉强,不情愿 | |
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37 expiation | |
n.赎罪,补偿 | |
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38 indifference | |
n.不感兴趣,不关心,冷淡,不在乎 | |
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39 deftly | |
adv.灵巧地,熟练地,敏捷地 | |
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40 caressed | |
爱抚或抚摸…( caress的过去式和过去分词 ) | |
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41 harmonious | |
adj.和睦的,调和的,和谐的,协调的 | |
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42 reassured | |
adj.使消除疑虑的;使放心的v.再保证,恢复信心( reassure的过去式和过去分词) | |
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43 petulant | |
adj.性急的,暴躁的 | |
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44 asperities | |
n.粗暴( asperity的名词复数 );(表面的)粗糙;(环境的)艰苦;严寒的天气 | |
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45 prelude | |
n.序言,前兆,序曲 | |
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46 lapsed | |
adj.流失的,堕落的v.退步( lapse的过去式和过去分词 );陷入;倒退;丧失 | |
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47 colonnades | |
n.石柱廊( colonnade的名词复数 ) | |
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48 lulling | |
vt.使镇静,使安静(lull的现在分词形式) | |
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49 concord | |
n.和谐;协调 | |
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50 luminous | |
adj.发光的,发亮的;光明的;明白易懂的;有启发的 | |
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51 misty | |
adj.雾蒙蒙的,有雾的 | |
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52 wrought | |
v.引起;以…原料制作;运转;adj.制造的 | |
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53 talismanic | |
adj.护身符的,避邪的 | |
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54 revels | |
n.作乐( revel的名词复数 );狂欢;着迷;陶醉v.作乐( revel的第三人称单数 );狂欢;着迷;陶醉 | |
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55 cascades | |
倾泻( cascade的名词复数 ); 小瀑布(尤指一连串瀑布中的一支); 瀑布状物; 倾泻(或涌出)的东西 | |
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56 groves | |
树丛,小树林( grove的名词复数 ) | |
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57 rippling | |
起涟漪的,潺潺流水般声音的 | |
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58 banished | |
v.放逐,驱逐( banish的过去式和过去分词 ) | |
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59 discordant | |
adj.不调和的 | |
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60 attuned | |
v.使协调( attune的过去式和过去分词 );调音 | |
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61 cadenced | |
adj.音调整齐的,有节奏的 | |
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62 perches | |
栖息处( perch的名词复数 ); 栖枝; 高处; 鲈鱼 | |
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63 bondage | |
n.奴役,束缚 | |
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64 melodious | |
adj.旋律美妙的,调子优美的,音乐性的 | |
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65 alas | |
int.唉(表示悲伤、忧愁、恐惧等) | |
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66 undoubtedly | |
adv.确实地,无疑地 | |
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67 mellow | |
adj.柔和的;熟透的;v.变柔和;(使)成熟 | |
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68 intercepted | |
拦截( intercept的过去式和过去分词 ); 截住; 截击; 拦阻 | |
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69 gust | |
n.阵风,突然一阵(雨、烟等),(感情的)迸发 | |
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70 murky | |
adj.黑暗的,朦胧的;adv.阴暗地,混浊地;n.阴暗;昏暗 | |
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71 darted | |
v.投掷,投射( dart的过去式和过去分词 );向前冲,飞奔 | |
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72 humbuggery | |
欺骗 | |
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73 idol | |
n.偶像,红人,宠儿 | |
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74 rumbling | |
n. 隆隆声, 辘辘声 adj. 隆隆响的 动词rumble的现在分词 | |
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75 growl | |
v.(狗等)嗥叫,(炮等)轰鸣;n.嗥叫,轰鸣 | |
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76 enraged | |
使暴怒( enrage的过去式和过去分词 ); 歜; 激愤 | |
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77 invoked | |
v.援引( invoke的过去式和过去分词 );行使(权利等);祈求救助;恳求 | |
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78 winces | |
避开,畏缩( wince的名词复数 ) | |
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79 reproof | |
n.斥责,责备 | |
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80 prudently | |
adv. 谨慎地,慎重地 | |
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81 attachment | |
n.附属物,附件;依恋;依附 | |
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82 mechanism | |
n.机械装置;机构,结构 | |
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83 attachments | |
n.(用电子邮件发送的)附件( attachment的名词复数 );附着;连接;附属物 | |
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84 harp | |
n.竖琴;天琴座 | |
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85 strings | |
n.弦 | |
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86 vibration | |
n.颤动,振动;摆动 | |
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87 concealment | |
n.隐藏, 掩盖,隐瞒 | |
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88 withheld | |
withhold过去式及过去分词 | |
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89 recollect | |
v.回忆,想起,记起,忆起,记得 | |
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90 gage | |
n.标准尺寸,规格;量规,量表 [=gauge] | |
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91 promenade | |
n./v.散步 | |
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92 backwards | |
adv.往回地,向原处,倒,相反,前后倒置地 | |
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93 circumference | |
n.圆周,周长,圆周线 | |
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94 quotations | |
n.引用( quotation的名词复数 );[商业]行情(报告);(货物或股票的)市价;时价 | |
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95 intonations | |
n.语调,说话的抑扬顿挫( intonation的名词复数 );(演奏或唱歌中的)音准 | |
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96 demure | |
adj.严肃的;端庄的 | |
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97 perseverance | |
n.坚持不懈,不屈不挠 | |
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98 proficiency | |
n.精通,熟练,精练 | |
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99 accomplishments | |
n.造诣;完成( accomplishment的名词复数 );技能;成绩;成就 | |
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100 dispersed | |
adj. 被驱散的, 被分散的, 散布的 | |
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101 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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102 dissemination | |
传播,宣传,传染(病毒) | |
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103 vein | |
n.血管,静脉;叶脉,纹理;情绪;vt.使成脉络 | |
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104 chirping | |
鸟叫,虫鸣( chirp的现在分词 ) | |
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105 murmurs | |
n.低沉、连续而不清的声音( murmur的名词复数 );低语声;怨言;嘀咕 | |
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106 coverts | |
n.隐蔽的,不公开的,秘密的( covert的名词复数 );复羽 | |
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107 drowsy | |
adj.昏昏欲睡的,令人发困的 | |
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108 muffled | |
adj.(声音)被隔的;听不太清的;(衣服)裹严的;蒙住的v.压抑,捂住( muffle的过去式和过去分词 );用厚厚的衣帽包着(自己) | |
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109 rehearsal | |
n.排练,排演;练习 | |
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110 progenitorial | |
adj.祖先的 | |
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111 woes | |
困境( woe的名词复数 ); 悲伤; 我好苦哇; 某人就要倒霉 | |
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112 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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113 shrine | |
n.圣地,神龛,庙;v.将...置于神龛内,把...奉为神圣 | |
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114 enjoyment | |
n.乐趣;享有;享用 | |
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115 joyful | |
adj.欢乐的,令人欢欣的 | |
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116 abjure | |
v.发誓放弃 | |
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117 doomed | |
命定的 | |
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118 defense | |
n.防御,保卫;[pl.]防务工事;辩护,答辩 | |
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119 idols | |
偶像( idol的名词复数 ); 受崇拜的人或物; 受到热爱和崇拜的人或物; 神像 | |
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120 creed | |
n.信条;信念,纲领 | |
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121 glean | |
v.收集(消息、资料、情报等) | |
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122 philosophical | |
adj.哲学家的,哲学上的,达观的 | |
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123 dependant | |
n.依靠的,依赖的,依赖他人生活者 | |
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124 celebrity | |
n.名人,名流;著名,名声,名望 | |
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125 freshman | |
n.大学一年级学生(可兼指男女) | |
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126 distended | |
v.(使)膨胀,肿胀( distend的过去式和过去分词 ) | |
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127 ethics | |
n.伦理学;伦理观,道德标准 | |
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128 antagonistic | |
adj.敌对的 | |
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129 tattooing | |
n.刺字,文身v.刺青,文身( tattoo的现在分词 );连续有节奏地敲击;作连续有节奏的敲击 | |
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130 graceful | |
adj.优美的,优雅的;得体的 | |
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131 carvings | |
n.雕刻( carving的名词复数 );雕刻术;雕刻品;雕刻物 | |
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132 depiction | |
n.描述 | |
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133 aspirant | |
n.热望者;adj.渴望的 | |
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134 slaked | |
v.满足( slake的过去式和过去分词 ) | |
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135 indenture | |
n.契约;合同 | |
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136 swilled | |
v.冲洗( swill的过去式和过去分词 );猛喝;大口喝;(使)液体流动 | |
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137 collateral | |
adj.平行的;旁系的;n.担保品 | |
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138 initiatory | |
adj.开始的;创始的;入会的;入社的 | |
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139 tattooed | |
v.刺青,文身( tattoo的过去式和过去分词 );连续有节奏地敲击;作连续有节奏的敲击 | |
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140 attainments | |
成就,造诣; 获得( attainment的名词复数 ); 达到; 造诣; 成就 | |
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141 saturation | |
n.饱和(状态);浸透 | |
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142 constituent | |
n.选民;成分,组分;adj.组成的,构成的 | |
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143 expiration | |
n.终结,期满,呼气,呼出物 | |
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144 wrangling | |
v.争吵,争论,口角( wrangle的现在分词 ) | |
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145 acme | |
n.顶点,极点 | |
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146 surgical | |
adj.外科的,外科医生的,手术上的 | |
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147 follies | |
罪恶,时事讽刺剧; 愚蠢,蠢笨,愚蠢的行为、思想或做法( folly的名词复数 ) | |
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148 utterly | |
adv.完全地,绝对地 | |
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149 legendary | |
adj.传奇(中)的,闻名遐迩的;n.传奇(文学) | |
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150 reciprocation | |
n.互换 | |
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151 phantoms | |
n.鬼怪,幽灵( phantom的名词复数 ) | |
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152 frivolous | |
adj.轻薄的;轻率的 | |
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153 appreciation | |
n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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154 truthful | |
adj.真实的,说实话的,诚实的 | |
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155 portrayal | |
n.饰演;描画 | |
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