For two months Vi and I had never allowed ourselves the chance of being alone together; yet every day we had met. To her I was “Mr. Cardover”; to me she was “Mrs. Carpenter.” Even my grandmother had ceased to suspect that any liking2 deeper than friendship existed between us. She loved to have young people about her, and therefore encouraged Vi and Dorrie. She thought that we were perfectly3 safe now that we had Ruthita. Through the last two months we four had been inseparable, rambling4 about, lazy and contented5. Our conversations had all been general, Vi and I had never trusted ourselves to talk of things personal. If, when walking in the country, Ruthita and Dorrie had run on ahead to gather wild flowers, we had made haste to follow them, so betraying to each other the tantalizing6 fear we had one of another. We were vigilant7 in postponing8 the crisis of our danger, but neither of us had the strength to bring the danger to an end by leaving Ransby, lest our separation should be forever.
If our tongues were silent, there were other ways of communicating. Did I take her hand to help her over a stile, it trembled. Did I lift her wraps and lean over her in placing them about her shoulders, I could see the faint rise of her color. Her eyes spoke9, mocked, laughed, dared, and pleaded, when no other eyes were watching.
Since the one occasion that has been related, Vi had not mentioned her husband. Whether he was still urging her to return, or had extended her respite10, or was on his way to fetch her, I had no means of guessing. I lived in a secret delirium11 of exalted12 happiness and torturing foreboding. Each day as it ended was tragic13 with farewell. The hour was coming when I must return to Oxford14 and when she must return to America. Soon we should have nothing but memories. However well we might disguise our motives15 for dawdling16 in Ransby, it could not be long before their hollowness would be detected. Already Sir Charles had ceased to serve me as an excuse; I had not seen him since my departure from Woadley.
The very suavity17 of our interchanged courtesies and unsatisfying pretense18 of frank friendship gave edge to my yearning19.
I had come at last to the breaking-point. I did not know it. I still told myself that we were both too honorable to step aside: that we had too much to lose by it; that I loved her too dearly to let her be anything to me unless she could be my wife. The casuistry of this attitude was patent.
As my hunger increased I grew more daring. No thoughts that were not of her could find room in my mind. I had lost my interest in books—they were mere20 reports on the thing I was enduring. Nature was only my experience made external on a lower physical plane. My imagination swept me on to depths and heights which once would have terrified. I grew accustomed to picturing myself as the hero of situations which I had formerly21 studied with puzzled amazement22 in other men’s lives.
The face of Lottie, encountered daily in the gray streets of Ransby, which had at first restrained me by reminding me of sin’s ultimate ugliness, ceased to warn me.
When Ruthita made the suggestion that we should go for our walk alone together, I had expected a prompt refusal from Vi. She rose from the disordered tea-table and walked over to the window, turning her back on us. I could see by the poise24 of her head that she was gazing down the gardens, across the denes to the wreck25, where everything important had taken place. I could guess the memories that were in her mind.
From where I sat I could see her head, framed in the window against the slate-colored expanse of water, the curved edge of the horizon, and the orange-tinted sky.
Creeping across the panes26 under full sail came a fleet of fishing smacks27, losing themselves one by one as they advanced into the tangled28 amber29 of her hair. I counted them, telling myself that she would speak when the foremost had re-appeared on the other side. Then it occurred to me that she was waiting for me to urge her.
“Mrs. Carpenter,” I said casually30, “won’t you come? It’s going to be a jolly evening. We can go by way of St. Margaret’s Church to the Broads and watch the sunset.”
Without moving her body, she commenced to drum with her fingers on the panes.
“That would take time,” she procrastinated31. “We couldn’t get back before eight. Who’d put Dorrie Darling to bed?”
“Don’t worry,” Ruthita broke in with eagerness. “I’d love to do it. Dorrie and I’ll take care of one another and play on the sands till bedtime.”
“Yeth, do go,” lisped Dorrie. “I want Ruthita all to mythelf.”
These two who had stood between us, for whose sakes we had striven to do right, were pushing wide the door that led into the freedom of temptation.
A shiver ran through her. She turned. The battle against desire in her face was ended.
“I will come,” she said slowly.
Left in the room by myself while they went upstairs to dress, I did not think; I abandoned myself to sensations. I could hear their footsteps go back and forth32 above my head. The running ones were Dorrie’s. The light, quick ones were Ruthita’s. The deliberate ones, postponing and anticipating forbidden pleasures—they were Vi’s. The sound of her footsteps, so stealthy and determined33, combined with the long gray sight of the German Ocean, sent my mind back to Guinevere’s description of her sinning, which covered all our joint35 emotions:
“As if one should
Slip slowly down some path worn smooth and even,
Down to a cool sea on a summer day;
Yet still in slipping there was some small leaven36
Of stretched hands catching37 small stones by the way
Until one surely reached the sea at last,
And felt strange new joy as the worn head lay
Back, with the hair like sea-weed; yea, all past
Sweat of the forehead, dryness of the lips
Washed utterly38 out by the dear waves o’ercast,
In a lone1 sea, far off from any ships!”
She entered. She was alone. The others were not yet ready. I could not speak to her. “Come,” she whispered hoarsely39. Her voice had the distressed40 note of hurry.
We hastened up the High Street like fugitives41. Windows of the stern red houses were eyes. They knew all about us. They had watched my mother before me; by experience they had become wise. At the top of the town we turned to the left, going inland towards the hill on which the tower of St. Margaret’s rose gray against the sky, beyond which lay the open country. We did not walk near together, but with a foot between us. Now we slackened our pace and I observed her out of the corners of my eyes. She was dressed in white, all billowy and blowy, with a wrap of white lace thrown over her shoulders, and a broad white hat from which drooped42 a blue ostrich43 feather. Whatever had been her intention, she looked bridal. The slim slope of her shoulders was unmatronly. Her long neck curved forward, giving her an attitude of listening demureness44. Her mass of hair and large hat scarcely permitted me to see her face.
We came to St. Margaret’s and passed. Was it a sense of the religious restraints that it represented, that made us hurry our footsteps? We turned off into a maze23 of shadowy lanes. We were happier now that we were safe from observation. We could no longer fancy that we saw our own embarrassment45 reflected as suspicion in strangers’ eyes. We drew together. My hand brushed hers. She did not start away. I let my fingers close on it.
The golden glow of evening was in the tree-tops. The first breath of autumn had scorched46 their leaves to scarlet47 and russet. Behind their branches long scarves of cloud hung pink and green and blood-red. Far away, on either side, the yellow standing48 wheat rustled49. Nearer, where it had been cut, the soil showed brown beneath the close-cropped stubble. Honeysuckle, climbing through the hedges, threw out its fragrance50. Evening birds were calling. Distantly we could hear the swish of scythes51 and the cries of harvesters to their horses. Hidden from the field-workers, we stole between the hedges with the radiant peace of the sunset-on our faces. As yet we had said nothing.
She drew her hand free from mine and halted. Scrambling52 up the bank, she pulled down a spray of black-berries. I held the branch while she plucked them. We dawdled53 up the dusty lane, eating them from her hand.
“Vi,” I said softly, “we have tried to be only friends. What next?”
I was smiling. She knew that I did not hint at parting. She smiled back into my eyes; then looked away sharply. I put my arm about her and drew her to me. Without a struggle, she lifted up to me her mouth, all stained with blackberries like any school-girl’s. I kissed her; a long contented sigh escaped her. “We have fought against it,” she whispered.
“Yes, dearest, we have fought against it.”
A rabbit popped out into the road; seeing us, it doubled and scuttled54 back into the hedge. The smoke of a cottage drifted up in spirals. We approached it, walking sedate55 and separate. A young mother, seated on the threshold, was suckling her child. A man, who talked to her while he worked, was trimming a rose-bed. They glanced up at us with a friendly understanding smile, as much as to say, “We were as you are now last September.”
When a corner of the lane had hidden us, I again placed my arm about her. “Tell me, what have you to lose by it?”
“Lose by it?”
“Yes. I know so little of your life. What is he like?”
“My husband?”
She flushed as she named him. I nodded.
“He is kind.”
“You always say that.”
“I say it because it is all that there is to say. He is a good man, but——”
“And in spite of that but you married him.”
“No, I was married to him. He was over forty, and I was only eighteen at the time. He was in love with me. My father was a banker; he lent my father money to tide him over a crisis. Then they told me I must marry him. I was only a child.”
“And you never loved him? Say you never loved him!”
She raised her head from my shoulder and looked me in the face with her fearless eyes. “I never loved him. I have been a sort of daughter to him. I scarcely knew what marriage meant until—until it was all over. Then for a time I hated him; I felt myself degraded. Dorrie came. I fought against her coming. Then I grew reconciled. I tried to be true to him because he was her father. He made me respect him, because he was so patient. Dante, when I think of him, I become ashamed of what we are doing.”
Her nostrils56 quivered, betraying her suppressed emotion. She had spoken with effort.
“Why did you leave him? Did you intend to go back to him?”
She became painfully confused.
“Why do you put so many questions?” she cried. “Don’t you trust me?”
“Vi, I trust you so much that for you I’m going to alter all my life. I’m so glad that you too are willing to be daring.”
“Then why do you question me?”
“Because I want to be more sure that he has no moral right to you.”
“I left him,” she said, “because I could no longer refuse him. He was breaking down my resistance with his terrible kindness. If he had only been unjust and had given me some excuse for anger, I could have endured it. But day after day went by with its comfort, and its heartache, and its outward smoothness. And day after day he was looking older and more patient, and making me feel sorrier for him. He got to calling me ‘My child.’ People said how beautiful we were together. I couldn’t bear to stay and watch him humbling57 himself and breaking his heart about me. So I asked him to let me go traveling with Dorrie. He let me go, thinking that absence and a change of scene might teach me how to love him.”
She hid her face against me. It was burning.
“He thinks you are coming back again?”
“He thinks so in every letter he writes. I thought so too when I went away.”
“Vi, you never wear a wedding ring. Why is that if you meant to return to him?”
“I wanted to be young just for a little while. They made me a woman when I was only a child.”
“And that was why you taught Dorrie to call you Vi?” The pity of it got me by the throat. I kissed her eyes as she leant against me. “Poor girl, then let us forget it.” She struggled feebly, making a half-hearted effort to tear herself away. “But we can’t forget it,” she whispered. “We can’t, however we try. There’s Dorrie. He loves her terribly. He would give me anything, except Dorrie.”
“And we both love Dorrie,” I said; “we could never do anything that would spoil her life—that would make her ashamed of us one day. You’re trembling like a leaf, Vi. You mustn’t look afraid of me.”
Gradually she nestled closer in my embrace. It was not me that she had feared, but consequences. We became sparing in our words; words stated things too boldly.
Coming to the end of the lane, we sauntered out on to a broad white road. It wound across long flat marshes59 where the wind from the sea is never quiet. The marshes are intersected with dikes and ditches, dotted with windbreaks for the cattle, and bridged here and there with planks60. One can see for miles. There is nothing to break the distance save square Norman towers of embowered churches in solitary61 hamlets and oddly barrel-shaped windmills with sails turning, for all the world like stout62 giants, gesticulating and pummeling the sky. Here the orchestra of nature is always practising; its strings63, except when a storm is brewing64, are muted. From afar comes the constant bass65 of the sea, striking the land in deep arpeggios. Drawing nearer is the soprano humming of the wind or the staccato cry of some startled bird. Then comes a multitude of intermittent66 soloists,—frogs croaking67, reeds rustling68, cattle lowing, the rumbling69 wheels of a wagon70. They clamor in subdued71 ecstasy72, now singly and now together. Through all their song runs the murmuring accompaniment of water lapping.
In gleaming curves across this green wilderness73 flow fresh-water lagoons74 and rivers which are known as the Broads. Dotted with water-lilies, barriered with bulrushes, they reflect the sky’s vast emptiness. Brimming their channels they slip over into the meadows, flashing like quicksilver through ashen75 sedges.
The sun had vanished. The lip of the horizon was scarlet. The dust of twilight76 was drifting down. In this primitive77 spaciousness78 and freedom one’s thoughts expanded.
“Vi,” I whispered, “we’re two sensible persons. Of what have we to be afraid? Only ourselves.”
“There’s the future.”
“The future doesn’t belong to us. We have the present. All our lives we’ve wanted to be happy. Don’t let’s spoil our happiness now that we have it. Just for to-night we’ll forget you’re married. We’ll be lovers together—as alone as if no one else was in the world.”
“And afterwards?”
“Afterwards I’ll wait for you. Afterwards can take care of itself.”
The misshapen shadow of sin which had followed and stood between us, holding us at arm’s length, awkward and embarrassed, was banished79. If this was sin, then wrongdoing was lovely.
We began to talk of how everything had happened—how, out of the great nothingness of the unknown, we had been flung together. How easy it would have been for us to have lived out our lives in ignorance of one another and therefore free from this temptation. We justified80 ourselves in the belief that our meeting had been fated. It could not have been avoided. We were pawns81 on a chess-board, manipulated by the hand of an unseen player. We had tried to escape one another and had been forced together against our wills. The outcome of the game did not come within the ruling of our decision.
The theory brought re-assurance. It excused us. We were not responsible. Then my mind fled back to my mother. She and my father had had these same thoughts as they had wandered side by side through these same fields and hedges. Why had I been brought back to the country of their courting to pass through their ordeal82?
Night was coming down, covering up landmarks83. Darkness lent our actions modesty84; they lost something of their sharpened meaning because we could not see ourselves acting85. We lived unforgettable moments. Passing over narrow plank-bridges from meadow to meadow, we seemed to be traveling out of harsh reality into a world which was dream-created.
She carried her hat in her hand. A soft wind played in her hair and loosened it in places. Her filmy white dress was all a-flutter. Mists began to rise from the marshlands, making us vague to one another. Traveling out of the east swam the harvest moon, nearing its fullness.
“Vi,” I whispered, taking both her hands in mine, “you don’t know yourself—you’re splendid.”
She laughed up into my eyes with elfin daring and abandon.
“You’re the kind of woman for whom a man would willingly die.”
“I ought to know that,” she mocked me, “for one tried.”
“If this were five hundred years ago, do you know what I’d do to-night?”
“It isn’t five hundred years ago—that makes all the difference. But, if it were, what would you do?”
“I’d ride off with you.”
“Oh, no, you wouldn’t.”
“I should. I shouldn’t care what happened a week later. They might kill me like a robber. It wouldn’t matter—a week alone with you would have been worth it.”
“But you wouldn’t,” she insisted; “you wouldn’t ride off with me.”
“Shouldn’t I? And why?”
She freed her hands from mine and placed her arms about my neck. The laughter had gone from her face.
“Dear Dante, you wouldn’t do it, because you are you.” The burning thoughts I had had died down. We wandered on in silence.
Ahead of us a flickering86 light sprang up. Out of curiosity we went towards it. We found ourselves treading a rutted field-path which led back in the direction of the main road. Out of the mist grew up a clump87 of marsh-poplars. The light became taller and redder. We saw that it was the beginning of a camp-fire. Over the flames hung a stooping figure.
“Good-evening.”
The figure turned. It was that of a shriveled mummy of a woman—gray-haired, fantastic, bent88, with face seamed and lined from exposure. A yellow shawl covered her head and shoulders. She held a burning twig89 in her hand, with which she was lighting90 her pipe.
“Good-evening, mother. Good luck to you.”
“Nowt o’ luck th’ day, lad,” she grumbled91. “All the folks is in the fields at th’ ’arvest.”
We seated ourselves at the blaze. She went back into the darkness. We heard the snapping of branches. She returned out of the clump of poplars with a companion; each of them was carrying a bundle of dead wood for fuel. Her companion was a younger woman of about thirty. She nodded to us with a proud air of gipsy defiance92 and sat herself down on the far side of the fire, holding her face away from the light of the flames. The one glimpse I had had of her had shown me that she was handsome.
“There’s bin34 nowt o’ luck th’ day,” the older woman continued. “They hain’t got their wage for th’ ’arvest yet and they be too cumbered wi’ work for fortune-tellin’.”
“Do you tell fortunes?” asked Vi.
“Do I tell fortunes!” the crone repeated scornfully. “I should think I did tell fortunes. Every kind o’ folk comes ter me wot wants ter read the future. Farmers whose sheep is dyin’. Wimmem as wants childen and hasn’t got ’em. Gals93 as is goin’ ter have childen and oughtn’t ter have ’em. Wives whose ’usbands don’t love ’em. Lovers as want ter get married, but shouldn’t. Lovers as should get married, but don’t want ter. They all comes to their grannie. I’ve seen a lot o’ human natur’ in my day, I ’ave.”
“And what do you tell them?” asked Vi.
“I tell ’em wot’s preparin’ for or agen ’em. I read th’ stars and I warn ’em.”
“Can they escape by taking your advice?”
“That’s more’n I can say. Thar was Joe Moyer, wot was hanged at Norwich for murthering ’is sweetheart. I telt ’im.‘is fortune a year ago come St. Valentine’s Day. ‘Joe,’ says I, ‘your ’and ’ll be red before the poppies blow agen and you neck ’ll be bruk before th’ wheat is ripe. Leave off a-goin’ wi’ ’er,’ says I. And the lassie a-standin’ thar by ’is side, she laughs at her grannie. But it all come true, wot I telt ’im.”
“Could you read the stars for me?” asked Vi.
Her voice was so thin and eager that it pierced me like a knife. I quivered with fearful anticipation94. All our future might depend on what this hag by the roadside might say. I did not want to hear her. She might release terror from the ghost-chamber of conscience. However much we scoffed95 at her words, they would influence our actions and haunt our minds. Who could say, perhaps Joe Moyer would never have murdered his sweetheart and would not have been hanged at Norwich, if she hadn’t suggested his crime.
“Vi,” I said sternly, “you don’t believe in fortune-telling. We must be going; it’s getting late.”
“Hee-hee-hee!” the gipsy tittered, “if she don’t believe in fortune-tellin’, we knows who do. Come, don’t be afeard, me dearie. Cross me ’and wi siller and I’ll read the stars for ’ee.”
Vi crossed her palm with a shilling. The gipsy flung fresh twigs96 on the fire, that she might study the lines in Vi’s hands more clearly. As the flames shot up, they illumined the other woman. Her features were strongly Romany, dark and fierce and shy. Somewhere I had seen them; their memory was pleasant. She regarded me fixedly97, as though in a trance, across the fire. She too was trying to remember. Then, rising noiselessly, she stole like a panther into the poplars away from the circle of light. From out there in the darkness I felt that her eyes were still watching.
The old fortune-teller had flung back her shawl from her head. Her grizzled hair broke loose about her shoulders. She was peering over Vi’s hand, tracing out the lines with the stem of her foul98 pipe. Every now and then she paused to ask a whispered question or make a whispered statement. Now she would look up at the stars, and now would pucker99 her brows. Her head was near to Vi’s. The flames jumped up and showed their faces clearly: the one white and pure, and crowned with gold; the other cunning, mahogany-colored, and witch-like. The flames died down; the shadows danced in again.
I drew nearer and heard the gipsy muttering, “You was born under Venus, dearie. Love’ll be the makin’ o’ yer, an’ love’ll be the ruin o’ yer. You’ll always be longin’ an’ longin’ an’ lookin’ for the face o’ ’im as is comin’. You’re married, dearie, but it warn’t to the right ‘un, and yer’ve ‘ad childen by ‘un. Cross me ‘and wi’ siller, dearie. Cross me ‘and wi’ siller. I can’t see plain. That’s better. Now I see un. ’E’s comin’, dearie, and ’e’ll be tall and masterfu’, yer ‘ll ’ave ter sin ter get ’un. Aye, it’s all writ58 ’ere, but it gets mazed100—the lines rin t’gether.”
She dragged Vi’s hand lower to the ground, nearer the fire. She was excited and clearly puzzled. She kept on croaking out what she had said already, “Yer ’ll ’ave ter sin ter get ‘un. It’s all writ ’ere. Aye, but it can’t be—it can’t be for sartin. It gets all mazed and tangled.”
She turned her head, blinking across the blaze to where her companion had been sitting.
“Lil, Lil,” she cried hoarsely, “come ’ere. I can’t see plain. Young eyes is better.”
Lil emerged out of the shadows, treading as softly as retribution following temptation. She bent over the hand, unraveling the lines to which the fortune-teller pointed101 with her pipe-stem.
Lil! Lil! Where had I heard that name before? The wind rustled the leaves of the poplars and caused the ash of the fire to scatter102.
“Whenever he hears your voice, it shall speak to him of me. If he goes where you do not grow, oh, grass, then the trees shall call him back. If he goes where you do not grow, oh, trees, then the wind shall tell him. His hand shall be as ours, against the works of men. When he hears your voices, he shall turn his face from walls and come back.”
“Do you want to know the future?” she asked, peering into Vi’s face gravely.
Vi hesitated. “Is it so terrible?” she whispered.
“Not terrible as we gipsies reckon it; but sweet and dangerous and reckless, and it ends in——”
“Lilith.”
I caught her by the wrist. She shot upright and faced me.
“Don’t you know me? I’m Dante—Dante Cardover.”
Vi had sunk upon her knees and stared up at us, steadying herself with her hands. The old hag gazed angrily from behind Lilith, stretching out her long thin neck.
“I remember you, brother,” said Lilith. “You are one of us. I knew that one day you would hear us calling.”
“Wot did ’ee see in the lady’s ’and?”
The fortune-teller laid a skinny claw on Lilith’s shoulder; her voice quavered with eagerness.
“I will not tell,” said Lilith.
“Did ’ee see——?”
Lilith clapped her hand over the woman’s mouth. “You shan’t tell, grannie,” she said; “it’s not good to tell.”
Down the field-track came the creaking sound of wheels. I looked up and saw through the poplars the swinging lanterns of a caravan103.
Vi touched me on the arm. She was unnerved and trembling. “Take me home, Dante.”
I turned to Lilith. “Who is that?”
“G’liath.”
“Where’ll you be camping to-morrow? At Woadley Ham?”
A cloud passed over her face. “We never camp there, now.”
The crone broke in with a spiteful titter: “But we used ter, until she wouldn’t let us.”
Lilith spoke hastily. “We’re going to Yarminster Fair. We get there to-morrow.”
“Then I’ll see you there,” I told her.
The caravan had come to a halt. I could see the tall form of G’liath moving about the horses. I did not want to meet him just then. Skirting the encampment, we hurried off across fields to the highroad.
A sleepy irritable104 landlady105 opened the door to Vi. By the time I had walked down the High Street to the shop, it was nearly midnight. Ruthita was sitting up for me; my grandmother had been in bed two hours. She eyed me curiously106. “You had a long walk,” she said.
“Yes, longer than we expected.” I spoke brusquely. I was afraid she would question me.
At the top of the stairs, just as I was entering my room, she stole near to me.
“Dante, ar’n’t you going to kiss me good-night?”
I was bending perfunctorily over her lifted face, when I saw by the light of the candle in my hand that her eyes were red.
“Ruthie, you little goose, you’ve been crying. What’ve you been crying about?”
“I’ve not,” she denied indignantly, and broke from me. After she had entered her room I tiptoed down the passage and listened outside her door.
In the stillness of the house I could hear her sobbing107.
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lone
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| adj.孤寂的，单独的；唯一的 | |
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liking
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| n.爱好；嗜好；喜欢 | |
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3
perfectly
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| adv.完美地，无可非议地，彻底地 | |
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rambling
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| adj.[建]凌乱的，杂乱的 | |
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contented
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| adj.满意的，安心的，知足的 | |
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tantalizing
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| adj.逗人的；惹弄人的；撩人的；煽情的v.逗弄，引诱，折磨( tantalize的现在分词 ) | |
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vigilant
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| adj.警觉的，警戒的，警惕的 | |
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postponing
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| v.延期，推迟( postpone的现在分词 ) | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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respite
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| n.休息，中止，暂缓 | |
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delirium
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| n. 神智昏迷,说胡话;极度兴奋 | |
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exalted
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| adj.(地位等)高的，崇高的；尊贵的，高尚的 | |
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tragic
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| adj.悲剧的，悲剧性的，悲惨的 | |
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Oxford
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| n.牛津（英国城市） | |
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motives
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| n.动机，目的( motive的名词复数 ) | |
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dawdling
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| adj.闲逛的，懒散的v.混（时间）( dawdle的现在分词 ) | |
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suavity
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| n.温和；殷勤 | |
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pretense
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| n.矫饰，做作，借口 | |
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yearning
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| a.渴望的；向往的；怀念的 | |
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20
mere
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| adj.纯粹的；仅仅，只不过 | |
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21
formerly
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| adv.从前，以前 | |
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22
amazement
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| n.惊奇，惊讶 | |
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23
maze
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| n.迷宫，八阵图，混乱，迷惑 | |
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24
poise
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| vt./vi. 平衡，保持平衡；n.泰然自若，自信 | |
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25
wreck
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| n.失事，遇难；沉船；vt.(船等)失事，遇难 | |
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26
panes
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| 窗玻璃( pane的名词复数 ) | |
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27
smacks
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| 掌掴（声）( smack的名词复数 )； 海洛因； （打的）一拳； 打巴掌 | |
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28
tangled
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| adj. 纠缠的，紊乱的 动词tangle的过去式和过去分词 | |
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29
amber
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| n.琥珀；琥珀色；adj.琥珀制的 | |
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30
casually
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| adv.漠不关心地，无动于衷地，不负责任地 | |
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31
procrastinated
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| 拖延，耽搁( procrastinate的过去式和过去分词 ) | |
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32
forth
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| adv.向前；向外，往外 | |
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33
determined
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| adj.坚定的；有决心的 | |
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34
bin
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| n.箱柜；vt.放入箱内；[计算机] DOS文件名:二进制目标文件 | |
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35
joint
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| adj.联合的，共同的；n.关节，接合处；v.连接，贴合 | |
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36
leaven
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| v.使发酵；n.酵母；影响 | |
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37
catching
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| adj.易传染的，有魅力的，迷人的，接住 | |
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38
utterly
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| adv.完全地，绝对地 | |
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39
hoarsely
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| adv.嘶哑地 | |
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40
distressed
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| 痛苦的 | |
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41
fugitives
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| n.亡命者，逃命者( fugitive的名词复数 ) | |
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42
drooped
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| 弯曲或下垂，发蔫( droop的过去式和过去分词 ) | |
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43
ostrich
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| n.鸵鸟 | |
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44
demureness
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| n.demure（拘谨的，端庄的）的变形 | |
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45
embarrassment
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| n.尴尬；使人为难的人(事物)；障碍；窘迫 | |
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46
scorched
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| 烧焦，烤焦( scorch的过去式和过去分词 )； 使（植物）枯萎，把…晒枯； 高速行驶； 枯焦 | |
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47
scarlet
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| n.深红色，绯红色，红衣；adj.绯红色的 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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49
rustled
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| v.发出沙沙的声音( rustle的过去式和过去分词 ) | |
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50
fragrance
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| n.芬芳，香味，香气 | |
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51
scythes
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| n.（长柄）大镰刀( scythe的名词复数 )v.（长柄）大镰刀( scythe的第三人称单数 ) | |
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52
scrambling
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| v.快速爬行( scramble的现在分词 )；攀登；争夺；（军事飞机）紧急起飞 | |
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53
dawdled
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| v.混（时间）( dawdle的过去式和过去分词 ) | |
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54
scuttled
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| v.使船沉没( scuttle的过去式和过去分词 )；快跑，急走 | |
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55
sedate
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| adj.沉着的，镇静的，安静的 | |
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56
nostrils
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| 鼻孔( nostril的名词复数 ) | |
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57
humbling
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| adj.令人羞辱的v.使谦恭( humble的现在分词 )；轻松打败（尤指强大的对手）；低声下气 | |
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58
writ
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| n.命令状，书面命令 | |
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59
marshes
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| n.沼泽，湿地( marsh的名词复数 ) | |
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60
planks
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| （厚）木板( plank的名词复数 )； 政纲条目，政策要点 | |
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solitary
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| adj.孤独的，独立的，荒凉的；n.隐士 | |
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63
strings
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| n.弦 | |
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64
brewing
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| n. 酿造, 一次酿造的量 动词brew的现在分词形式 | |
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65
bass
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| n.男低音(歌手)；低音乐器；低音大提琴 | |
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intermittent
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| adj.间歇的，断断续续的 | |
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67
croaking
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| v.呱呱地叫( croak的现在分词 )；用粗的声音说 | |
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68
rustling
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| n. 瑟瑟声，沙沙声 adj. 发沙沙声的 | |
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69
rumbling
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| n. 隆隆声, 辘辘声 adj. 隆隆响的 动词rumble的现在分词 | |
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70
wagon
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| n.四轮马车，手推车，面包车；无盖运货列车 | |
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71
subdued
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| adj. 屈服的，柔和的，减弱的 动词subdue的过去式和过去分词 | |
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72
ecstasy
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| n.狂喜，心醉神怡，入迷 | |
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73
wilderness
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| n.杳无人烟的一片陆地、水等，荒漠 | |
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74
lagoons
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| n.污水池( lagoon的名词复数 )；潟湖；（大湖或江河附近的）小而浅的淡水湖；温泉形成的池塘 | |
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75
ashen
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| adj.灰的 | |
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76
twilight
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| n.暮光，黄昏；暮年，晚期，衰落时期 | |
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77
primitive
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| adj.原始的；简单的；n.原(始)人，原始事物 | |
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78
spaciousness
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| n.宽敞 | |
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79
banished
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| v.放逐，驱逐( banish的过去式和过去分词 ) | |
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80
justified
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| a.正当的，有理的 | |
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81
pawns
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| n.（国际象棋中的）兵( pawn的名词复数 )；卒；被人利用的人；小卒v.典当，抵押( pawn的第三人称单数 )；以（某事物）担保 | |
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82
ordeal
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| n.苦难经历，（尤指对品格、耐力的）严峻考验 | |
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83
landmarks
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| n.陆标( landmark的名词复数 )；目标；（标志重要阶段的）里程碑 ~ (in sth)；有历史意义的建筑物（或遗址） | |
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84
modesty
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| n.谦逊，虚心，端庄，稳重，羞怯，朴素 | |
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85
acting
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| n.演戏，行为，假装；adj.代理的，临时的，演出用的 | |
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86
flickering
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| adj.闪烁的，摇曳的，一闪一闪的 | |
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87
clump
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| n.树丛，草丛；vi.用沉重的脚步行走 | |
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88
bent
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| n.爱好，癖好；adj.弯的；决心的，一心的 | |
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89
twig
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| n.小树枝，嫩枝；v.理解 | |
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90
lighting
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| n.照明，光线的明暗，舞台灯光 | |
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91
grumbled
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| 抱怨( grumble的过去式和过去分词 )； 发牢骚； 咕哝； 发哼声 | |
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92
defiance
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| n.挑战，挑衅，蔑视，违抗 | |
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93
gals
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| abbr.gallons （复数）加仑（液量单位）n.女孩，少女( gal的名词复数 ) | |
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94
anticipation
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| n.预期，预料，期望 | |
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95
scoffed
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| 嘲笑，嘲弄( scoff的过去式和过去分词 ) | |
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96
twigs
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| 细枝，嫩枝( twig的名词复数 ) | |
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97
fixedly
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| adv.固定地；不屈地，坚定不移地 | |
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98
foul
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| adj.污秽的；邪恶的；v.弄脏；妨害；犯规；n.犯规 | |
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99
pucker
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| v.撅起，使起皱；n.（衣服上的）皱纹，褶子 | |
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100
mazed
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| 迷惘的，困惑的 | |
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101
pointed
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| adj.尖的，直截了当的 | |
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102
scatter
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| vt.撒，驱散，散开；散布/播；vi.分散，消散 | |
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103
caravan
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| n.大蓬车；活动房屋 | |
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104
irritable
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| adj.急躁的；过敏的；易怒的 | |
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105
landlady
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| n.女房东，女地主 | |
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106
curiously
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| adv.有求知欲地；好问地；奇特地 | |
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107
sobbing
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| <主方>Ⅰ adj.湿透的 | |
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