As the months went by, and his lesson papers were daily found to be correct,[Pg 72] the teacher's reports of Master Gainsborough's progress proved highly gratifying to the boy's parents. But while Jack5 supplied his answers in arithmetic, and Joe prompted him with names and dates at history time, Tommy Gainsborough's ignorance of these subjects was deplorable, and his conduct towards parents and teachers was deceiving indeed.
As spring came on he grew restless under the confinement6 of walls and rules, and longed for the dewy fields and fragrant7 lanes. If only he might spend the days outside, he thought, instead of sitting mewed up in this dreary8 schoolroom, what splendid woodland pictures he could draw. Twice he asked the schoolmaster to excuse him, but Mr. Burroughs curtly9 refused, since it would be unfair to dismiss one pupil to roam the meadows and keep the others at their tasks. Tommy next tried his father, but that gentleman replied with all seriousness,—
[Pg 73]
"My son, you have worked so well this term that I wish you to keep a perfect record until the end of the year. When vacation comes you will be free to spend every day out of doors, but your education is too important to be slighted for pleasure."
Tommy was much disappointed at this decision, and, I am sorry to say, closed the door quite ungently as he started for school.
The day was an enchanting11 one, and as the boy trudged12 along the unpaved streets that ran between rows of quaint13 and ancient houses, a feeling of hot rebellion took possession of him.
"Father does as he likes," he muttered, "and I think I ought to do the same way once in a while. What is the sense in listening to old Burroughs drone all day about nouns and divisors?"
The fresh spring breeze, with its scents14 of green things growing, was so tantalizing15 that he paused before the schoolhouse door and thoughtfully wrinkled his brow.[Pg 74] Presently his face grew defiant16, and he dashed into the schoolroom with the look of a man who had made up his mind to do as he pleased.
Finding himself to be the first arrival, he hurried to his desk. Deftly17 tearing from his copy-book a slip of paper resembling those upon which Mr. Gainsborough wrote Tommy's occasional excuses, the boy dipped his pen and quickly wrote the words,—
"Give Tom a holiday."
Now if he had used his own style of penmanship the ruse18 would have been readily understood by the schoolmaster; but he boldly imitated his father's finely pointed10 lettering to a nicety, and at the end jotted19 down the initials, "J. G.," with two short lines drawn20 under them, just as his father would have signed the note.
Carefully drying his pen, he closed his desk and left the building before any one else arrived. He waited around the corner until almost time for school to[Pg 75] begin, then rushed into the schoolroom, now filled with noisy pupils, marched straight up to the master's desk, and presented his forged excuse.
Mr. Burroughs read the slip with some surprise.
"Of course, Tom," he said, "if your father wishes you to have a holiday, I shall not refuse permission; but I understood that he wished you to remain steadily21 at school until vacation time."
"May I go?" queried22 the boy hastily, not caring to discuss the question.
Mr. Burroughs bowed, but laid the slip of paper in his desk. Tommy, not lingering for further debate, sped from the room; and when he reached the place in the next street, where, under Dame23 Curran's rosebush, he had hidden his sketch2-book, he threw his cap high in air from sheer joy of springtime and freedom.
Out from the town he hurried, and soon was tramping through the forest that furnished the banks of the winding[Pg 76] river Stour. All day long he revelled24 in the glory of the woods, and hour after hour he worked with his pencil, striving to put into his book the charming bits of landscape that greeted his eye on every side. One sketch comprised a bend in the river, with grassy25 meads beyond; another, an old vine-covered bridge, now fallen into disuse; a third merely pictured a broken tree lying across the sunlit path.
Occasionally he experienced a sharp twinge somewhere when he remembered that all this pleasure was stolen. "But then," he argued, "what difference does it make? Old Burroughs didn't know, and father will never find it out!"
He stifled26 these pricking27 thoughts as fast as they arose, not permitting them seriously to disturb his holiday. He whistled, he sang, he lay on his back and looked up at the sky through the chinks in the tender foliage28. Sometimes he closed his eyes and listened, and the mysterious woodland sounds, mingled29 with the purling of the river, yielded[Pg 77] him boundless30 enjoyment31. When, however, the shadows of the trees fell at a certain angle, Tommy closed his sketch-book with a sigh and went swiftly homeward.
"I must get there at the usual time," he meditated32, "else they'll ask me where I've been."
As he came in sight of the "Black Horse," the public inn of bygone times, where armored knights33 had claimed food and shelter, but which was now the comfortable residence of John Gainsborough, Tommy began to whistle airily.
Approaching nearer, he discovered that his father had come with pipe and chair to the front stoop, and was sitting with his face turned down the street, as though watching for somebody.
Tommy began to whistle louder, and as he turned in at the gate, his countenance34 was beaming with innocence35.
He bounded up the steps with the intention of getting into the house as quickly as possible, but as his hand[Pg 78] touched the latch36 a stentorian37 voice said,—
"Thomas!"
The boy stopped short, his eyes round with surprise, his lips still puckered38 for the whistling that had been so abruptly39 quelled40.
"I called for you at school to-day."
"Called for me at school to-day," echoed Tommy, reddening in dismay.
"I did. I found that I must drive out to Squire41 Bagley's place, and I decided42 to take you along. It seems that you had already given Mr. Burroughs an excuse from me."
Tommy's fingers began to pick at his jacket, and he racked his brains for a story that would fit the occasion.
"Well, father, I thought—"
"Silence, if you please! I am terribly shocked to find that my son would deliberately43 write and act a lie. Such conduct deserves the severest punishment. Will you take your whipping before tea or after?"
[Pg 79]
"After," said Tommy promptly44; and accepting this as a dismissal he vanished into the house.
The evening meal was not a joyous45 one for the culprit, owing to his foretaste of what was coming later. His brothers and sisters evidently knew nothing of his escapade, and chattered46 among themselves as usual; but his mother's eyes rested upon him from time to time with sorrow in their depths. Once a sob47 came into Tommy's throat, but he fiercely choked it back, scorning to weep even under such harrowing circumstances.
As the family rose from the table, Mr. Gainsborough, pointing to the stairway, said sternly,—
"To your own room, Thomas!"
Very slowly the boy obeyed, and when the upper door had closed upon him, Mrs. Gainsborough laid a detaining hand upon her husband's arm.
"Wait for a moment, John, and look at the child's work."
Mrs. Gainsborough, who was herself[Pg 80] an accomplished48 painter of flowers, opened Tommy's sketch-book, and laid before her husband's eyes the record of the day's outlawry49.
A whispered consultation50 followed, then Mr. Gainsborough ascended51 the stair with a heavy, portentous52 tread.
Tommy, sitting miserably53 on the side of his bed, heard the measured tramp, tramp along the corridor; and folding his arms he set his teeth grimly and waited for the worst.
Mr. Gainsborough entered the room and closed the door behind him.
"Thomas," he began in a relentless54 tone, "you have disgraced yourself and your family by your behavior to-day, but I have decided not to give you a whipping."
Tommy leaped from the bed with an exclamation55 of puzzled relief.
"Instead, my son, I shall take away all your pencils and drawing materials for a month, and shall see that you do not have access to any at school."
[Pg 81]
"Oh, father," howled Tommy despairingly, "I'd rather take the whipping—even two of 'em, if you'll give me back my things! Please whip me, father, as you said you would, and let me have my sketch-book!"
"At the end of a month, and not one day sooner."
Mr. Gainsborough kept his word, and throughout the following weeks Tommy's fingers fairly tingled56 for the touch of his beloved instruments. Pencils and paper were so costly57 at that time that it was useless for him to save his pennies in the hope of buying them for himself; and during the weary days of waiting, Tommy decided positively58 that his pen should never again perform dishonest tricks, plunging59 him into such trouble.
One midsummer morning, weeks after Tommy's pencils had been restored to him, Mrs. Gainsborough appeared at the corner of the garden, where the boy was busily digging worms for fish bait.
"Tommy," she inquired in a vexed[Pg 82] tone, "have you been gathering60 my yellow pears?"
"No," returned he, pushing his hat back and looking up at the distressed61 lady.
Now Tommy was guilty of so many mischievous63 doings that when anything went wrong about the place he was always suspected of being in the plot somewhere, though sometimes he was truly innocent, as happened to be the case just now.
"No," he repeated, "I haven't touched a single one of the yellow pears. Honor bright!"
"Then some one else has," declared Mrs. Gainsborough. "For three days, since they have been ripening64 so beautifully, I have tried to find enough to fill a fancy basket for the dean; and although each evening I have seen ten or twelve that would be perfect in another day, I have gone the following morning to gather them, and have found only hard and green ones hanging. The other[Pg 83] children know nothing about it, so I suppose some one has stolen the pears. It is too provoking!"
Mrs. Gainsborough turned away, and her son went on with his digging, giving no further thought to the missing fruit.
The next morning he awoke very early, so early that the great red sun was just peeping over the hill. He turned drowsily65 on his pillow and was preparing to launch into another delicious nap, when it occurred to him that sunrise was a capital time for the drawing of shadows.
Instantly he scrambled66 out of bed, and five minutes later was on his way through the orchard67 with his sketch-book under his arm.
Dew lay thickly upon the grass and leaves, and even the ruddy fruit hanging overhead sparkled brightly as the first rays of the sun shone upon its clinging drops.
"Now for the shadows," thought Tommy, glancing about the orchard.[Pg 84] "I think I'll draw that clump68 of currant bushes, if I can get a good position."
He walked up and down several times, trying to find a place where his view would be unobstructed. This was no easy matter amid so many trees, but at length he found that by sitting inside the entrance of an old rustic69 summer-house he could command his model exactly.
A few feet at his left, and close beside the stone wall dividing the orchard from the public road, grew his mother's pear-tree, laden70 with ripe, rich fruit.
Tommy had opened his book, and with half-closed eyes and uplifted pencil was measuring the height of the currant bushes, when, to his surprise, a head suddenly appeared above the wall, at the very spot shaded by the pear-tree.
A head suddenly appeared above the wall
"A head suddenly appeared above the wall."
The stranger cast a quick, cautious glance about the premises71, showing that his errand was no friendly one, then threw back his head and gazed greedily at the luscious72 pears that grew above[Pg 85] him. As he stood thus, with the morning light falling brightly across his visage, Tommy saw that his features were strongly marked and prominent, his face seamed by deep and vicious lines.
The boy, accustomed to study the form and appearance of things, quickly comprehended the stranger's long nose, low brow, pointed chin, and hollow cheeks.
The man looked furtively73 about for the second time and sprang to the top of the wall. Quite unconscious that a spectator was eagerly watching from the covered structure near by, the intruder ascended boldly into the pear-tree and proceeded to fill his pockets and hat with the juicy fruit.
Never a sound came from the summer-house, but before the rogue74 had completed his stolen harvest, Tommy's cunning pencil had drawn the robber's portrait, with the narrowed eyes, leering lips, unkempt hair, and rakish hat, exactly as they had impressed him at[Pg 86] the moment when the vagabond stood gazing aloft at the fruit overhead. Tommy finished the sketch with a few hasty strokes, then closed his book and burst suddenly from the summer-house, shouting "Wow, wow!" at the top of his voice.
Down leaped the man to the earth, and scaling the wall at a bound, he fled, dropping many of the pears as he ran.
Tommy's unearthly shrieks75 had roused the household, and he hurriedly explained to his mother the cause of her daily vanishing pears, displaying his sketch as proof of his argument.
An hour later Mr. Gainsborough opened Tommy's book before the squire, pointed to the drawing upon the last page, and related the story of the boy's early morning experience.
The squire immediately recognized the picture as of a ne'er-do-weel who had been loitering about Sudbury for some time, and who had more than once been convicted of petty thieving.
[Pg 87]
"I'll send for him," declared the magistrate76; and that very afternoon the offender77 was brought in.
Mr. Gainsborough accused him of invading his orchard and attempting to carry away his fruit; but the culprit stoutly78 denied all knowledge of the episode.
Quietly the squire opened Tommy's book, and held it before the defendant's astonished gaze.
He uttered a baffled whine79, then, with a laugh that was like a snarl80, he admitted his guilt62 of the morning, and also confessed to having robbed the pear-tree upon three previous occasions.
"My man," announced the squire sternly, "I shall let you go free this time upon your promise of good behavior, but if you ever repeat the offence I'll give you a sentence of confinement on bread and water. There is plenty of honest employment to be had in Sudbury, and I advise you to go to work and live as a decent citizen."
[Pg 88]
The man shambled out, and from that day forth81 was seen no more about the village.
Mr. Gainsborough, concluding from the day's developments that he could justly afford to encourage this play-work of Tommy's, which was beginning to take on a shade of importance, bought a large new sketch-book and presented it to the boy.
Tommy turned five somersaults to express the warmth of his gratitude82; but before despatching the old book to its future home on the closet shelf, he opened it and, with his bravest flourishes, wrote beneath the sketch on the final page,—
"Tom Pear-tree's Portrait."
When years had gone by and Thomas Gainsborough had arrived at manhood, he astonished all England by his remarkable83 paintings. His pictures of woods and lanes, fields and shining water, captivated the country folk by presenting so[Pg 89] perfectly84 the scenes before their doors; and the city dwellers85 were awakened86 by his colors to the charms of the wide, sweet country they had forgotten.
These landscape studies set Thomas Gainsborough high in the world of art, but when at length he turned his cunning brush to the task of painting portraits, his fame was heralded87 from city to province. He began by making likenesses of his wife and daughters, and when these were exhibited at the Royal Academy, people exclaimed at the skill and dignity of the work. Even King George III., who chanced to visit the gallery on one of these occasions, paused before Gainsborough's canvas, and clasped his hands in admiration88.
"Summon this painter to the palace," commanded he, "and let him paint his sovereign and his queen."
This order from the king made Gainsborough's portraits the fashion at court, and straightway all the ladies of rank[Pg 90] and beauty came to him, entreating89 him to paint their pictures.
His fortune and reputation, by these well-earned favors, rose far beyond anything he had expected, and if ever a man was truly happy in his life and work, that man was Thomas Gainsborough.
He was so generous, so good-humored, so lovable in his old-time frankness, that people who sought his acquaintance because he was a famous artist quickly forgot his amazing skill in the pleasure of his ever-boyish company.
It was supposed that he had reached the climax90 of his art when he exhibited a picture of the Duchess of Devonshire, for this set Great Britain agog91 with praise and wonder; but Thomas Gainsborough was destined92 to climb yet one step higher in the ladder of public esteem93, and the work that crowned his success and brought the world to his feet was a childish portrait entitled "Blue Boy." This was hung on the wall of the Royal Academy, and when the spectators came[Pg 91] surging through the gallery, chattering94 amiably95 of this canvas and that, they halted speechless before the boy with the thoughtful eyes, the fresh brown skin, and the pale-blue dress. The lad was so young, so sweet, so lifelike in his quiet pose, that not a word was uttered by the critics standing96 by. One by one they slipped away, aware that Thomas Gainsborough had not attained97 the goal of his greatness by pictures of kings, queens, court beauties, and mighty98 soldiers, but by the youthful, innocent portrait entitled simply "Blue Boy."
点击收听单词发音
1 possessed | |
adj.疯狂的;拥有的,占有的 | |
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2 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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3 sketches | |
n.草图( sketch的名词复数 );素描;速写;梗概 | |
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4 inscribed | |
v.写,刻( inscribe的过去式和过去分词 );内接 | |
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5 jack | |
n.插座,千斤顶,男人;v.抬起,提醒,扛举;n.(Jake)杰克 | |
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6 confinement | |
n.幽禁,拘留,监禁;分娩;限制,局限 | |
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7 fragrant | |
adj.芬香的,馥郁的,愉快的 | |
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8 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
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9 curtly | |
adv.简短地 | |
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10 pointed | |
adj.尖的,直截了当的 | |
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11 enchanting | |
a.讨人喜欢的 | |
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12 trudged | |
vt.& vi.跋涉,吃力地走(trudge的过去式与过去分词形式) | |
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13 quaint | |
adj.古雅的,离奇有趣的,奇怪的 | |
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14 scents | |
n.香水( scent的名词复数 );气味;(动物的)臭迹;(尤指狗的)嗅觉 | |
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15 tantalizing | |
adj.逗人的;惹弄人的;撩人的;煽情的v.逗弄,引诱,折磨( tantalize的现在分词 ) | |
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16 defiant | |
adj.无礼的,挑战的 | |
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17 deftly | |
adv.灵巧地,熟练地,敏捷地 | |
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18 ruse | |
n.诡计,计策;诡计 | |
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19 jotted | |
v.匆忙记下( jot的过去式和过去分词 );草草记下,匆匆记下 | |
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20 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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21 steadily | |
adv.稳定地;不变地;持续地 | |
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22 queried | |
v.质疑,对…表示疑问( query的过去式和过去分词 );询问 | |
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23 dame | |
n.女士 | |
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24 revelled | |
v.作乐( revel的过去式和过去分词 );狂欢;着迷;陶醉 | |
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25 grassy | |
adj.盖满草的;长满草的 | |
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26 stifled | |
(使)窒息, (使)窒闷( stifle的过去式和过去分词 ); 镇压,遏制; 堵 | |
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27 pricking | |
刺,刺痕,刺痛感 | |
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28 foliage | |
n.叶子,树叶,簇叶 | |
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29 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
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30 boundless | |
adj.无限的;无边无际的;巨大的 | |
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31 enjoyment | |
n.乐趣;享有;享用 | |
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32 meditated | |
深思,沉思,冥想( meditate的过去式和过去分词 ); 内心策划,考虑 | |
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33 knights | |
骑士; (中古时代的)武士( knight的名词复数 ); 骑士; 爵士; (国际象棋中)马 | |
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34 countenance | |
n.脸色,面容;面部表情;vt.支持,赞同 | |
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35 innocence | |
n.无罪;天真;无害 | |
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36 latch | |
n.门闩,窗闩;弹簧锁 | |
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37 stentorian | |
adj.大声的,响亮的 | |
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38 puckered | |
v.(使某物)起褶子或皱纹( pucker的过去式和过去分词 ) | |
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39 abruptly | |
adv.突然地,出其不意地 | |
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40 quelled | |
v.(用武力)制止,结束,镇压( quell的过去式和过去分词 ) | |
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41 squire | |
n.护卫, 侍从, 乡绅 | |
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42 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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43 deliberately | |
adv.审慎地;蓄意地;故意地 | |
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44 promptly | |
adv.及时地,敏捷地 | |
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45 joyous | |
adj.充满快乐的;令人高兴的 | |
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46 chattered | |
(人)喋喋不休( chatter的过去式 ); 唠叨; (牙齿)打战; (机器)震颤 | |
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47 sob | |
n.空间轨道的轰炸机;呜咽,哭泣 | |
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48 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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49 outlawry | |
宣布非法,非法化,放逐 | |
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50 consultation | |
n.咨询;商量;商议;会议 | |
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51 ascended | |
v.上升,攀登( ascend的过去式和过去分词 ) | |
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52 portentous | |
adj.不祥的,可怕的,装腔作势的 | |
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53 miserably | |
adv.痛苦地;悲惨地;糟糕地;极度地 | |
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54 relentless | |
adj.残酷的,不留情的,无怜悯心的 | |
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55 exclamation | |
n.感叹号,惊呼,惊叹词 | |
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56 tingled | |
v.有刺痛感( tingle的过去式和过去分词 ) | |
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57 costly | |
adj.昂贵的,价值高的,豪华的 | |
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58 positively | |
adv.明确地,断然,坚决地;实在,确实 | |
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59 plunging | |
adj.跳进的,突进的v.颠簸( plunge的现在分词 );暴跌;骤降;突降 | |
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60 gathering | |
n.集会,聚会,聚集 | |
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61 distressed | |
痛苦的 | |
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62 guilt | |
n.犯罪;内疚;过失,罪责 | |
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63 mischievous | |
adj.调皮的,恶作剧的,有害的,伤人的 | |
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64 ripening | |
v.成熟,使熟( ripen的现在分词 );熟化;熟成 | |
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65 drowsily | |
adv.睡地,懒洋洋地,昏昏欲睡地 | |
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66 scrambled | |
v.快速爬行( scramble的过去式和过去分词 );攀登;争夺;(军事飞机)紧急起飞 | |
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67 orchard | |
n.果园,果园里的全部果树,(美俚)棒球场 | |
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68 clump | |
n.树丛,草丛;vi.用沉重的脚步行走 | |
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69 rustic | |
adj.乡村的,有乡村特色的;n.乡下人,乡巴佬 | |
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70 laden | |
adj.装满了的;充满了的;负了重担的;苦恼的 | |
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71 premises | |
n.建筑物,房屋 | |
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72 luscious | |
adj.美味的;芬芳的;肉感的,引与性欲的 | |
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73 furtively | |
adv. 偷偷地, 暗中地 | |
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74 rogue | |
n.流氓;v.游手好闲 | |
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75 shrieks | |
n.尖叫声( shriek的名词复数 )v.尖叫( shriek的第三人称单数 ) | |
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76 magistrate | |
n.地方行政官,地方法官,治安官 | |
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77 offender | |
n.冒犯者,违反者,犯罪者 | |
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78 stoutly | |
adv.牢固地,粗壮的 | |
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79 whine | |
v.哀号,号哭;n.哀鸣 | |
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80 snarl | |
v.吼叫,怒骂,纠缠,混乱;n.混乱,缠结,咆哮 | |
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81 forth | |
adv.向前;向外,往外 | |
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82 gratitude | |
adj.感激,感谢 | |
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83 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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84 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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85 dwellers | |
n.居民,居住者( dweller的名词复数 ) | |
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86 awakened | |
v.(使)醒( awaken的过去式和过去分词 );(使)觉醒;弄醒;(使)意识到 | |
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87 heralded | |
v.预示( herald的过去式和过去分词 );宣布(好或重要) | |
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88 admiration | |
n.钦佩,赞美,羡慕 | |
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89 entreating | |
恳求,乞求( entreat的现在分词 ) | |
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90 climax | |
n.顶点;高潮;v.(使)达到顶点 | |
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91 agog | |
adj.兴奋的,有强烈兴趣的; adv.渴望地 | |
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92 destined | |
adj.命中注定的;(for)以…为目的地的 | |
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93 esteem | |
n.尊敬,尊重;vt.尊重,敬重;把…看作 | |
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94 chattering | |
n. (机器振动发出的)咔嗒声,(鸟等)鸣,啁啾 adj. 喋喋不休的,啾啾声的 动词chatter的现在分词形式 | |
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95 amiably | |
adv.和蔼可亲地,亲切地 | |
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96 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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97 attained | |
(通常经过努力)实现( attain的过去式和过去分词 ); 达到; 获得; 达到(某年龄、水平、状况) | |
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98 mighty | |
adj.强有力的;巨大的 | |
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