Where come the merry mummers all,
The minstrels sing their roundelay
Of doughty1 knights2 and ladies gay,
And as the carol music swells3
The jester shakes his cap and bells,
While lords and dames4 of high degree
Approve the Christ-tide revelry
And happy in the pleasant din6
Amazed the foolish rustics7 grin.
The school-room was a long, old-fashioned apartment, with plain oak walls and a high roof. The wide windows were set low down, and when seated at their desks the scholars could look out and see the old stone cross of the market-place and the heavily foliaged elms that waved their green leaves in front of the queer red-tiled houses. The walls were hung round with maps of the five divisions of the world, and above the teacher's desk, which was set on a raised da?s, appeared a map of the world itself. On this occasion the ink-splashed desk of the teacher was removed and in its place stood a small cottage piano. Dark red curtains hung down from brass8 rods on either side so that the dais was transformed into a very fair stage, while at the back decorative9 effect was obtained by a union Jack10 being gracefully11 festooned over the Royal arms, painted by the village artist.
The desks of the scholars being immovable were left in their places, and the audience--which comprised nearly the whole population of the village--sat like rows of elderly pupils ready to be instructed. Forms and desks were ranged in the centre of the room and there was a narrow walk on either side leading down to the wide door at the end of the building which was continually opening and shutting to admit late arrivals and exclude a view of the festive13 preparations from the penniless crowd outside who could not afford the necessary coppers14 for entrance fee. Illumination was provided by six oil lamps, three on each side, set in metal brackets, and from the centre of the roof over the stage hung a larger lamp, while the piano was further adorned15 with two weakly-looking tallow candles for the convenience of the musician.
The school-mistress, Miss Busky, a dried-up prim-looking little woman, who resembled a cork16 fairy more than anything else, had further ornamented17 the bare room by wreathing round the maps and lamps strings18 of coloured paper flowers manufactured by artistically19 inclined pupils, and even the legs of the piano were swathed in these tissue paper decorations. Over the stage there was also a large placard bearing the word "Welcome" wreathed with artificial flowers, so that Miss Busky on surveying her handiwork felt quite content with the general effect of luxury produced by herself and her satellites. The programme was neatly20 written out by the best writers in the school, and handed only to favoured visitors as these efforts of penmanship were few in number. The visitors themselves, red, lusty country folk, had come from far and near to the concert, and the little school-room was uncomfortably full, but owing to the fierce efforts of Miss Busky, who bounced about like an india-rubber ball, everyone was at last comfortably settled.
Mrs. Larcher and Pumpkin21 taking no part in the performance were accommodated with front seats, together with many of the country gentry22, who always patronised these entertainments at the urgent request of the vicar, who greatly believed in good feeling and friendliness23 existing between the lords of the soil and their tenants24.
And now amid a great clapping of hands and stamping of heavily shod feet the popular vicar himself appeared on the stage as chairman, and took his seat beside a small table adorned with a jug25 of water, a glass and a programme.
Dr. Larcher made a short speech, ending with a quotation26 from his favourite poet:
"Et thure et fidibus juvat
Placare,"
which hardly anyone understood, and then the serious business of the evening commenced.
The concert was opened by the indefatigable27 Miss Busky and Cecilia, who played a duet by a popular composer on popular airs, in which said airs were almost smothered28 in variations, and blended one with the other in a most surprising manner, for just as the audience recognized "Rule Britannia" and had settled themselves down for an intellectual treat the players broke off into "The Last Rose of Summer," and thence bursting into "Auld29 Lang Syne," melting, amid a perfect fire-work of runs, into "The British Grenadiers," which latter being played with full force by four hands, the loud pedal pressed down, brought the overture30 to an end in a noisy manner which delighted the audience.
Reginald then sang "Come into the garden, Maud," but this number evidently did not please them very much as they could not make out what it was all about and, preferring noise to delicacy31, did not appreciate the beauty of the singer's voice. Beaumont, however, who was present, admired the item greatly, and said as much to Mrs. Larcher who, armed with a fan and a smelling bottle, sat next to him fighting with "The Affliction."
"Oh yes," sighed Mrs. Larcher when she had got "The Affliction" well under and did not feel inclined to faint, scream, or kick, or give way to any other eccentricities32 which "The Affliction" was fond of doing at unseasonable hours, "his voice is beautiful, no doubt, but so loud, it goes through my head and rattles33 my nerves. I love soft songs that soothe34 me--something cradle-like--a Berceuse, you understand. I'm afraid you find me rather hard to please, but it's my affliction and not myself. I assure you, Mr. Beaumont, that a loud voice often prostrates35 me for days and leaves me a perfect object, does it not, Eleanora Gwendoline?"
Eleanora Gwendoline, alias37 Pumpkin, assented38 with alacrity39 to this remark, upon which Beaumont observed that he never should have thought it to look at her, thereby40 inciting41 Mrs. Larcher to a weakly spasm42 of coquetry for she tapped Basil feebly with her fan and said he was a naughty man, then settled herself to listen to a glee by the choir43.
The choirmaster, Simon Ruller, a long, thin individual, in a frantic44 state of excitement, having reduced his chorus to a state of abject45 nervousness started them off in the glee "Glorious Apollo," and after two or three false starts they managed to begin. Having begun, their great aim was to get over the ground as rapidly as possible, and they rushed it through at lightning speed, Mr. Ruller imploring46 them in fierce whispers to observe the rallentando, which advice, however, they did not take. On disappearing from the stage, chased off by the excited Ruller, they were succeeded by Miss Cassy, attired47 in a startling costume of blue and yellow.
This lady's contribution to the proceedings48 was a milk and water ballad49 of a semi-jocular kind, called "Almost a Case," and the way in which she leered and smirked50 at the audience from behind her music in order to point the meaning of the verses, was quite alarming. She paid no attention to time, and poor Cecilia was obliged to stop one minute and play furiously the next in order to follow Miss Cassy's spasmodic idea of rendering51 the song.
"So flippant," commented Mrs. Larcher when the fair songstress had retired52, "a great want of decorum--she makes my nerves jump."
"It's the style of song, mama," said Pumpkin generously.
"Then why doesn't she choose less hoppy53 music?" retorted the matron fanning herself vigorously, "it makes me twitch54 to hear her. Ah, if she only had my affliction she wouldn't sing at all."
Beaumont privately55 thought this would be an excellent thing for everyone, but did not say so, knowing Mrs. Larcher to be a great friend of Miss Cassy's.
Dick Pemberton gave a sea song with great vigour56, and received genuine applause, then Una and Reginald sang "Oh, that we two were Maying," which the audience did not care about. The vicar then read Poe's poem of "The Bells" in a ponderous57 manner, which crushed the airy lines, and after another song from Reginald, Mr. Ferdinand Priggs appeared to recite an original poem "My Ladye Fayre."
Mr. Priggs was ushered58 in by a melancholy59 strain from the piano, and placing one hand in his breast and tossing back his long hair with the other he burst into a series of questions about the fayre lady.
"Was it a dream of sadness
That reeled my brain to madness,
Or how
Did I see her brow
With its crown of golden gladness?"
After asking these questions Mr. Priggs proved conclusively60 that it was no dream, but
"A wild, weird61, wandering, warning dame5
Who set the ears of all aflame
With loud acclaim62."
The poet treated his audience to about twenty verses of this gruesome production, and having ended with a long sigh stood on the stage for fully12 a minute. Everyone waited to hear what he was going to say next, but the poetic63 Ferdinand doubled up his limp body into what he called a bow, and slowly drifted out of sight, his legs apparently64 taking him wherever they chose to go.
On the conclusion of this dismal65 poem the full company sang "God save the Queen," and the concert ended amid the congratulations of all concerned, as they decided66 it was a great success.
The vicar heartily67 congratulated the performers on the receipts, as after paying all expenses there remained fully five pounds for the almshouse fund, to aid which the concert had been got up.
"Where is Doctor Nestley, to-night?" asked Beaumont as they went out.
"He had to stay with the squire68," replied Una, who was leaning on Reginald's arm, "he's not at all well."
"Nerves?" asked Mrs. Larcher anxiously, taking a medical interest in the case.
"Oh, dear no," said Miss Cassy lightly, "though he has got nerves--so very odd, isn't it? but this time the dear doctor says it's lungs--something gone wrong--a kind of what's-his-name thing, you know--if he doesn't take care he'll get that disease--so odd--something about a moan."
"Oh, pneumonia," observed Beaumont gravely. "I hope not, it's very dangerous, and to an old man like the squire, doubly so."
"I have had it," said Mrs. Larcher, who by her own showing possessed69 every disease under the sun. "Acute inflammation of the lungs, it left me a wreck--a prostrate36 wreck--did it not, Eleanora Gwendoline?"
"It did, mama," replied the dutiful Pumpkin.
"It might come on again," said Mrs. Larcher, opening her smelling-bottle. "I'll have a cup of hot tea when I go home, and a hot bottle to my feet."
"I wonder she doesn't have a mustard plaster and a fly blister," whispered Dick to Una, "might draw some of the bosh out of her."
Una laughed, and the great lumbering70 barouche of the Grange having arrived, driven by the stony71 Munks, she preferred to enter it, followed by the chattering72 Cassy.
"So cold, isn't it?" said that lady, "quite like the North Pole. Captain what's-his-name, you know, Parry, puts me in mind of Paris--French style--so odd. I'll see you to-morrow, Mr. Beaumont, and oh, Mrs. Larcher, will you come to tea next week--Thursday--what do you say, Una? Friday, oh yes--Friday."
"If my affliction permits me," said Mrs. Larcher in a stately tone, "I will try."
"So glad," replied the volatile73 Cassy, "and you come also Mr. Blake, and of course Mr. Pemberton, not forgetting Mr. Beaumont; so very nice to see one's friends. Oh, yes, Munks, we're quite ready, good-night--so pleased--delightful concert--odd--very odd."
Further talk on the part of Miss Cassandra was checked by the sudden start of the barouche, and what with the uneven74 road and the worn-out springs of the coach, Miss Cassy had enough to do to look after herself without talking.
Mrs. Larcher, leaning on the vicar's arm, walked home, followed by Pumpkin and the three pupils, Dick chaffing Ferdinand over his poem till that poetic soul was nearly out of his mind with anger.
Beaumont, left alone at the school-room door, lit a cigarette, and was about to go when he heard a faint sigh behind him, and on turning saw Cecilia and the lively Busky.
"I enjoyed the concert very much, Miss Mosser," he said gracefully as they passed him.
"I'm glad of that, sir," said Cecilia, who looked tired, "it went off very well. Was--was Doctor Nestley here?"
"No, he had to stay with Squire Garsworth."
The blind girl sighed again, and after saying good-night, went away followed by Miss Busky, who bounded along in the moonlight like a marionette75.
"Poor girl," said Beaumont thoughtfully, "she loves Nestley, and won't have the slightest chance with him, he's too much in love with Una Challoner. By-the-way, I must see Nestley; if I want to find out the squire's secret, I'll have to arrange matters with him--I hate watch-dogs."
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1
doughty
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| adj.勇猛的，坚强的 | |
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2
knights
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| 骑士； （中古时代的）武士( knight的名词复数 )； 骑士； 爵士； （国际象棋中）马 | |
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3
swells
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| 增强( swell的第三人称单数 )； 肿胀； （使）凸出； 充满（激情） | |
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4
dames
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| n.（在英国）夫人（一种封号），夫人（爵士妻子的称号）( dame的名词复数 )；女人 | |
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dame
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| n.女士 | |
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6
din
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| n.喧闹声，嘈杂声 | |
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7
rustics
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| n.有农村或村民特色的( rustic的名词复数 )；粗野的；不雅的；用粗糙的木材或树枝制作的 | |
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8
brass
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| n.黄铜；黄铜器，铜管乐器 | |
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decorative
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| adj.装饰的，可作装饰的 | |
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10
jack
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| n.插座，千斤顶，男人；v.抬起，提醒，扛举；n.（Jake）杰克 | |
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11
gracefully
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| ad.大大方方地；优美地 | |
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12
fully
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| adv.完全地，全部地，彻底地；充分地 | |
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13
festive
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| adj.欢宴的，节日的 | |
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14
coppers
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| 铜( copper的名词复数 )； 铜币 | |
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15
adorned
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| [计]被修饰的 | |
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16
cork
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| n.软木，软木塞 | |
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17
ornamented
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| adj.花式字体的v.装饰，点缀，美化( ornament的过去式和过去分词 ) | |
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18
strings
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| n.弦 | |
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19
artistically
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| adv.艺术性地 | |
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20
neatly
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| adv.整洁地，干净地，灵巧地，熟练地 | |
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21
pumpkin
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| n.南瓜 | |
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22
gentry
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| n.绅士阶级，上层阶级 | |
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23
friendliness
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| n.友谊，亲切，亲密 | |
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24
tenants
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| n.房客( tenant的名词复数 )；佃户；占用者；占有者 | |
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25
jug
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| n.(有柄，小口，可盛水等的)大壶，罐，盂 | |
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26
quotation
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| n.引文，引语，语录；报价，牌价，行情 | |
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27
indefatigable
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| adj.不知疲倦的，不屈不挠的 | |
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28
smothered
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| （使）窒息， （使）透不过气( smother的过去式和过去分词 )； 覆盖； 忍住； 抑制 | |
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29
auld
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| adj.老的，旧的 | |
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30
overture
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| n.前奏曲、序曲，提议，提案，初步交涉 | |
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31
delicacy
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| n.精致，细微，微妙，精良；美味，佳肴 | |
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32
eccentricities
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| n.古怪行为( eccentricity的名词复数 )；反常；怪癖 | |
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33
rattles
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| （使）发出格格的响声， （使）作嘎嘎声( rattle的第三人称单数 )； 喋喋不休地说话； 迅速而嘎嘎作响地移动，堕下或走动； 使紧张，使恐惧 | |
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34
soothe
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| v.安慰；使平静；使减轻；缓和；奉承 | |
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35
prostrates
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| v.使俯伏，使拜倒( prostrate的第三人称单数 )；（指疾病、天气等）使某人无能为力 | |
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36
prostrate
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| v.拜倒，平卧，衰竭；adj.拜倒的，平卧的，衰竭的 | |
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37
alias
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| n.化名；别名；adv.又名 | |
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38
assented
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| 同意，赞成( assent的过去式和过去分词 ) | |
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39
alacrity
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| n.敏捷，轻快，乐意 | |
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40
thereby
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| adv.因此，从而 | |
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41
inciting
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| 刺激的，煽动的 | |
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42
spasm
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| n.痉挛，抽搐；一阵发作 | |
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43
choir
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| n.唱诗班，唱诗班的席位，合唱团，舞蹈团；v.合唱 | |
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44
frantic
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| adj.狂乱的，错乱的，激昂的 | |
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45
abject
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| adj.极可怜的，卑屈的 | |
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46
imploring
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| 恳求的，哀求的 | |
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47
attired
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| adj.穿着整齐的v.使穿上衣服，使穿上盛装( attire的过去式和过去分词 ) | |
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48
proceedings
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| n.进程，过程，议程；诉讼(程序)；公报 | |
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49
ballad
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| n.歌谣，民谣，流行爱情歌曲 | |
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50
smirked
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| v.傻笑( smirk的过去分词 ) | |
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51
rendering
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| n.表现，描写 | |
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52
retired
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| adj.隐退的，退休的，退役的 | |
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53
hoppy
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| （指海洋）波浪起伏的 | |
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54
twitch
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| v.急拉，抽动，痉挛，抽搐；n.扯，阵痛，痉挛 | |
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55
privately
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| adv.以私人的身份，悄悄地，私下地 | |
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56
vigour
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| （=vigor）n.智力，体力，精力 | |
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57
ponderous
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| adj.沉重的，笨重的，(文章)冗长的 | |
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58
ushered
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| v.引，领，陪同( usher的过去式和过去分词 ) | |
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59
melancholy
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| n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的 | |
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60
conclusively
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| adv.令人信服地，确凿地 | |
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61
weird
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| adj.古怪的，离奇的；怪诞的，神秘而可怕的 | |
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62
acclaim
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| v.向…欢呼，公认；n.欢呼，喝彩，称赞 | |
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63
poetic
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| adj.富有诗意的，有诗人气质的，善于抒情的 | |
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64
apparently
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| adv.显然地；表面上，似乎 | |
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65
dismal
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| adj.阴沉的，凄凉的，令人忧郁的，差劲的 | |
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66
decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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heartily
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| adv.衷心地，诚恳地，十分，很 | |
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68
squire
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| n.护卫, 侍从, 乡绅 | |
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69
possessed
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| adj.疯狂的；拥有的，占有的 | |
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70
lumbering
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| n.采伐林木 | |
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71
stony
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| adj.石头的，多石头的，冷酷的，无情的 | |
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72
chattering
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| n. （机器振动发出的）咔嗒声，(鸟等)鸣，啁啾 adj. 喋喋不休的，啾啾声的 动词chatter的现在分词形式 | |
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73
volatile
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| adj.反复无常的，挥发性的，稍纵即逝的，脾气火爆的；n.挥发性物质 | |
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74
uneven
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| adj.不平坦的，不规则的，不均匀的 | |
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75
marionette
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| n.木偶 | |
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