When Mr. Beaumont arrived at "The House of Good Living" about six o'clock, he proposed first to have his dinner, and then to go in for a good night's work in arranging all the details of his scheme to place Reginald Blake in the possession of the Garsworth estate.
Though he had told Patience that he would not admit Reginald into his confidence in order to spare the moral nature of the young man, this was hardly the true reason, as, in the first place, he was afraid, from what he had seen of his son, that the young man would not consent to be a party to the swindle, and, in the second, he wished to keep the true facts of the case to himself, lest Reginald should prove difficult to deal with, in which case, by threatening to dispossess him of the estate, he could keep a firm hand over the unconscious victim of his scheme. Thus, by a little dexterous1 lying, he benefited in two ways, appearing kindly-disposed in the eyes of Patience, and yet keeping his own secret as a useful weapon in time of need.
As soon as he discovered the squire2's secret, he foresaw that he would have to imitate the old man's penmanship in order to fill up the blank spaces in the document addressed by Garsworth to his supposed son, and therefore, having obtained a specimen3 of the dead man's handwriting he practised assiduously, in order to commit the forgery4 as dexterously5 as possible. This was to him a comparatively easy matter, as he had a pretty talent for imitating handwriting, which he had exercised before, though not in any fashion likely to bring him within reach of the law. Luckily, he had not to sign any name, as the squire had already attested6 his signature to the paper, and all he had to do was to fill up the blanks left in the body of the letter. It had evidently not been written very long, and, the ink not having faded, he had to make no preparation to imitate the colour, but merely allow the words he inserted to grow black like the rest of the contents of the document.
He therefore intended to fill up the blanks with the necessary details, re-seal the envelope directed by the squire to Reginald Blake which had contained the cheque, with the seal-ring in his possession, and then, after placing the letter and ring inside the envelope, re-seal it in such a way as to avert7 all suspicion.
To this end he shut himself up in his bedroom on finishing his dinner, and spread out before him the document which he had abstracted from its hiding-place in the ball-room. The letter addressed by the old man to his supposed son was as follows:
"My dear Son,
"You will, doubtless, be surprised at receiving a letter from me, but I have the strongest claim to write to you, as I am your father. I know that you are under the impression that you have a father and mother already: but they are not your real parents. I, Randal Garsworth, am your true father, and of was your mother, and you were born in Your true parentage was concealed8 for reasons of my own. I now make the only reparation in my power, which is to put you in possession of my property; for, though you are not my lawful9 son, you are certainly my lawful heir. Take this letter and the seal-ring enclosed (bearing my crest), which will be found among my papers after my decease, and see my lawyers, Messrs. Binks & Bolby, of Glutcher's Lane in the City of London, and they will be sufficient to prove your identity as my son. I have made my will in your favour, saying you will produce the ring and this letter as a proof of your identity. The will is, of course, in the possession of my lawyers as above mentioned, and I hope you will carry out the instructions regarding legacies10, etc., mentioned in my said will. As we have been strangers, it would be folly11 for me to express any regret, and all I can say is, that I hope the amount of the estate I leave you will compensate12 for the moral stain on your name.
"I remain,
"Your affectionate father,
"Randal Garsworth."
After reading this extraordinary document Beaumont laid it down and laughed heartily13. Of course, Garsworth was quite mad, therefore his folly was excusable; but that he should think to claim his property on such flimsy evidence was really the strongest proof of his insanity14.
"Luckily," observed Mr. Beaumont to himself, "I can supply all the missing links by bringing forward Patience to prove the birth of Reginald as Fanny Blake's child in London, explain the absence of registration15 and baptismal certificates, and give a much more definite birthplace than he was likely to give."
He thereupon applied16 himself to his work and, after practising the names he wished to fill in on pieces of waste-paper, he inserted them in the original document, the clause which gave him all the work reading as follows:
"I, Randal Garsworth, am your true father, and Fanny Blake, of Garsworth, was your mother, and you were born in Chelsea, London."
Having finished this with infinite pains, Mr. Beaumont eyed his work in a very complacent17 manner.
"When that ink is dry," he said, thoughtfully, "it will turn as black as the rest of the writing. I'll wait till to-morrow morning before I put it into the envelope, just to see how the names look by daylight."
He took the letter written by the squire to Reginald and also the cheque, and placed them carefully away in one compartment18 of his pocket-book, then he placed the envelope, the seal-ring and the original document, wide open, in a small despatch-box, so that the ink would dry properly. Having locked the box, he put the key in his pocket, lighted a cigarette, and considered his next move.
"I must get the letter locked up in the squire's desk," he said to himself. "But how? Very likely Nestley has given the keys to Una Challoner, then there will be no chance. If I can't get the keys to lock it up I'll slip it among some loose papers in the desk to-morrow--but it would look better locked up. I think I'll walk over to the Grange and find out if Nestley has the keys still."
On going down stairs, however, he discovered that there was no need for him to walk to the Grange, as he found Nestley seated in the parlour, apparently19 in very low spirits, drinking hot whisky and water. When he saw Beaumont his face flushed, and he looked away, for the unhappy man, having lost his self-respect, felt his moral degradation20 keenly. Beaumont, however, pretended not to notice his action, but advancing towards him shook hands warmly, and asked after his health in the friendliest manner possible. Nestley was cold and short in his replies at first, but under the quiet warmth of Beaumont's fascinating manner began to talk more amiably21.
"Excuse me drinking this hot whisky. It's so very cold, to-night," he said, in a deprecating tone, "and I've had a long walk from the Grange."
"Yes, and you'll have a cold walk back," said Beaumont, in a sympathetic manner.
"I'm not going back," replied Nestley sadly, looking down at the table.
"Not going back," echoed the artist; "why not?"
"I've finished my business at the Grange, and it is no use my staying there; besides, Miss Challoner dislikes me so much that it was painful for me to live in the same house with her."
"How do you know she dislikes you?"
"It's easily seen; her manner is quite sufficient--besides, by persuading me to give way to this again," he added vehemently22, touching23 his glass, "you have caused me to lose all hope and self-respect; every person who looks at me seems to be pitying my downfall."
"Well then, give up the drink."
"What's the good?" said Nestley despairingly. "I left it off for five years, yet such is my weak nature that I yielded to your persuasions24, and now it has got complete mastery of me again."
"You seem determined25 to regard me as your evil genius," said the artist deliberately26. "Why I do not know. I suggested a little wine on that evening, in order to cheer you up--that is all."
"All! and quite enough too. You knew, in the old days, when I took one glass it meant more."
"I am not to blame for your weakness."
"No doubt--but knowing that weakness you might have left me alone."
"Well, well," said Beaumont impatiently, "my back is broad enough to bear your sins as well as my own. What are you going to do now?"
"Stay here for two or three days, and then go away," replied Nestley. "I've risked my all on the cast of a die--and lost, so I'm going back to my own town, and live out the remainder of my life as best I can."
"Have you said good-bye to Miss Challoner?"
"No, nor do not intend to; she knows my degradation. I can see it in her eyes, in her manner, in the way she shrinks from me. I have lost the best part of myself--my self-respect."
Beaumont was hard and callous27 as a rule, but he could not help feeling a pang28 of pity for the abject29 misery30 of the man whom he had brought so low.
"Come, come, Nestley," he said cheerily, patting the doctor on the back, "I'm truly sorry I ever persuaded you to touch the wine, but you'd better leave this place at once. When you are back again, in your own home, you will once more take up your old life of temperance and hard work."
"It is too late--the evil is done."
"Rubbish! it's never too late to mend; leave Garsworth without delay."
"And leave you to make love to Miss Challoner!"
"I," said Beaumont, with an enigmatic smile, "nonsense--I'm past the age of love--you can make your mind easy on that score; but, as I will probably see Miss Challoner, shall I make your adieux to her?"
"If you like," returned Nestley gloomily, "and give her these keys--they belonged to the Squire, and I forgot to give them into her possession."
Here was a wonderful piece of luck; the very keys he was in search of, delivered into his hands without any difficulty whatsoever31. Beaumont did not believe in astrology, but surely at that moment he must have thought his lucky star was in the ascendant. With his habitual32 craftiness33, however, he suppressed all outward manifestations34 of joy, and took the keys from Nestley with an assenting35 smile.
"I won't forget," he said calmly, slipping them into his pocket, "and you will take my advice about leaving the village."
"Why are you so anxious for me to go?" asked Nestley suspiciously.
"For your own good."
"And for your own ends too, I've no doubt," retorted the doctor bitterly. "You never did anything in your life without a motive36."
"Very well," said Beaumont, strolling to the door, "if you don't choose to take my advice, stay here and drink yourself to death, as you will surely do--please yourself, my friend."
"Please myself," echoed Nestley, when the door closed on Beaumont. "I intend to, Basil Beaumont--you've got some plan to carry out, or you would not remain so placidly37 in this dull village--so I'll stay and see the game out; and, if I can thwart38 you I will, if it's only to punish you for the evil you have done to me."
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1 dexterous | |
adj.灵敏的;灵巧的 | |
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2 squire | |
n.护卫, 侍从, 乡绅 | |
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3 specimen | |
n.样本,标本 | |
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4 forgery | |
n.伪造的文件等,赝品,伪造(行为) | |
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5 dexterously | |
adv.巧妙地,敏捷地 | |
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6 attested | |
adj.经检验证明无病的,经检验证明无菌的v.证明( attest的过去式和过去分词 );证实;声称…属实;使宣誓 | |
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7 avert | |
v.防止,避免;转移(目光、注意力等) | |
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8 concealed | |
a.隐藏的,隐蔽的 | |
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9 lawful | |
adj.法律许可的,守法的,合法的 | |
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10 legacies | |
n.遗产( legacy的名词复数 );遗留之物;遗留问题;后遗症 | |
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11 folly | |
n.愚笨,愚蠢,蠢事,蠢行,傻话 | |
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12 compensate | |
vt.补偿,赔偿;酬报 vi.弥补;补偿;抵消 | |
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13 heartily | |
adv.衷心地,诚恳地,十分,很 | |
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14 insanity | |
n.疯狂,精神错乱;极端的愚蠢,荒唐 | |
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15 registration | |
n.登记,注册,挂号 | |
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16 applied | |
adj.应用的;v.应用,适用 | |
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17 complacent | |
adj.自满的;自鸣得意的 | |
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18 compartment | |
n.卧车包房,隔间;分隔的空间 | |
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19 apparently | |
adv.显然地;表面上,似乎 | |
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20 degradation | |
n.降级;低落;退化;陵削;降解;衰变 | |
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21 amiably | |
adv.和蔼可亲地,亲切地 | |
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22 vehemently | |
adv. 热烈地 | |
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23 touching | |
adj.动人的,使人感伤的 | |
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24 persuasions | |
n.劝说,说服(力)( persuasion的名词复数 );信仰 | |
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25 determined | |
adj.坚定的;有决心的 | |
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26 deliberately | |
adv.审慎地;蓄意地;故意地 | |
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27 callous | |
adj.无情的,冷淡的,硬结的,起老茧的 | |
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28 pang | |
n.剧痛,悲痛,苦闷 | |
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29 abject | |
adj.极可怜的,卑屈的 | |
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30 misery | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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31 whatsoever | |
adv.(用于否定句中以加强语气)任何;pron.无论什么 | |
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32 habitual | |
adj.习惯性的;通常的,惯常的 | |
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33 craftiness | |
狡猾,狡诈 | |
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34 manifestations | |
n.表示,显示(manifestation的复数形式) | |
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35 assenting | |
同意,赞成( assent的现在分词 ) | |
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36 motive | |
n.动机,目的;adv.发动的,运动的 | |
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37 placidly | |
adv.平稳地,平静地 | |
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38 thwart | |
v.阻挠,妨碍,反对;adj.横(断的) | |
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