The palace was never a fortified5 building, for it was not used as a regular royal residence until the more fierce days of warfare6 had vanished. Originally an abbey stood at the foot of Arthur's Seat, being founded by David I., in gratitude7 for his miraculous8 escape when out hunting. According to monkish9 tradition, the King was saved by the providential appearance of a cross which interposed between him and the infuriated stag. Therefore the name of the abbey was called the Holyrood.
The Bedchamber of Mary Queen
of Scots, in Holyrood Palace.
Though not a palace until the time of the Stuarts, the early Kings often held councils there, and continued to show royal favour to the monks10, who had given the name of Canongate to the burgh which arose outside the city walls. James II., who lies buried in the royal vault11 in the chapel12, was the first to erect13 any kind of royal apartments in the abbey. His successor, James III., lived there, but it was James IV. who really was the builder of the palace, to which he brought his wife, Margaret Tudor, the English bride who was eventually to bring about the union of the crowns. James V. carried on the brilliance14 of his father's Court, his two French wives bringing many of the fashions of their own country to grace their new home. His first [pg 84] wife died soon after her arrival, but his second wife, Mary of Guise15, lived to rule Scotland through many anxious years of regency, while her infant daughter was being brought up away from her in distant France.
But it was under Mary Queen of Scots that Holyrood became really famous. She made it her constant and favourite residence. After her many years of education in France, and her brief career as the wife of the sickly Francis II., she returned to her native country in August, 1561. John Knox, with the superstition16 of the age, comments upon the peculiar17 fogginess and darkness of the weather which marked the young Queen's arrival, saying, "that forewarning gave God unto us, but alas18! the most were blind." Bonfires were lit, and great demonstrations19 of joy were manifested when Mary took up her abode20 at Holyrood. A band of musicians with much zeal21 but little skill played outside her bedroom window, being courteously22 thanked by the Queen; but Brant?me, the French courtier, who had accompanied Queen Mary from France, complains in his memoirs23 of the terrible noise of these musicians who sang psalms24 all out of tune25; "Quelle musique! et quel repos pour sa nuit" he writes. The very first Sunday after her arrival was marred26 by a tumult27 outside the Chapel Royal, where Mass was being performed, a disturbance28 which was only checked by Lord James Stuart, the Queen's natural brother, who stood in front of the chapel door, and being a zealous29 Protestant himself, managed to check the Reformers.
The palace witnessed three interviews between the great reformer, John Knox, and his young and beautiful Queen. Using his pulpit as the opportunity for declaiming against the doings of the Queen and that of [pg 85] idolators generally, John Knox was called to task by Mary, who ordered him to appear before her at Holyrood. The first interview took place in the audience-chamber, leading into the Queen's bedchamber. Only Lord James Stuart, afterwards the Regent Moray, was present at the interview, in which Knox answered the Queen's accusations30 very cleverly. The second interview was held in the Queen's bedroom, the room which remains31 much as she left it, with the actual bed in which she slept. Off this room were two small rooms, in one of which she was supping with her Italian secretary, David Riccio, when the band of armed men, headed by her husband Darnley, burst into the room. Riccio clung to the Queen's dress, but was torn apart, stabbed, and dragged out to be despatched with many wounds at the top of the staircase.
Queen Mary's son, James VI., spent some time of every year in the palace, and restored it when he was expecting his Danish bride.
Charles I., who had been crowned King of Scotland in the chapel at Holyrood, restored the building, which was wrecked32 by a mob in 1688, after James VII. (James II. of England) had endeavoured to set up the Roman Catholic worship there. The chapel suffered another disaster about the middle of the eighteenth century, when the architect who had been entrusted33 with the work of restoring the building put on too heavy a roof, which fell in, destroying all but the bare walls. The royal vault at the east end of the south aisle34 still remains, containing the bodies of David II., James II., James V., and his Queen, Magdalen of France, and Henry Lord Darnley.
From the time of Charles II., who rebuilt the palace [pg 86] much as we see it now, and James VII., who stayed in the palace when Duke of York, Holyrood became deserted35, the later Stuarts and the Georges not visiting their northern capital. But in September, 1745, the palace once more broke into gaiety and splendour, when Prince Charles Edward entered Edinburgh and held high court in the home of his ancestors. His father was proclaimed as King James VIII., ladies flocked to the balls to win a gracious smile from the handsome Prince, and the kingdom seemed almost won. But in the midst of all the apparent brightness, the Prince realized that his cause was not so successful as he had at first hoped; the Highlanders, indeed, were flocking in, but the Lowlanders held aloof36. After a few weeks Prince Charlie determined37 to risk all on the desperate march into England, leaving Edinburgh never to return again.
Since then Holyrood has only once rejoiced in the presence of the monarch38, when in 1822 George IV. visited Edinburgh and received an enthusiastic welcome, chiefly through the fervid39 loyalty40 of Sir Walter Scott, who devoted41 all his energies to the success of the first royal visit since the time of Charles I.
For nearly a century the palace has not been used as a royal residence, but is merely occupied once a year when the Lord High Commissioner42 to the Assembly comes in state to the capital.
点击收听单词发音
1 glamour | |
n.魔力,魅力;vt.迷住 | |
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2 prosaic | |
adj.单调的,无趣的 | |
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3 mansion | |
n.大厦,大楼;宅第 | |
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4 fascinations | |
n.魅力( fascination的名词复数 );有魅力的东西;迷恋;陶醉 | |
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5 fortified | |
adj. 加强的 | |
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6 warfare | |
n.战争(状态);斗争;冲突 | |
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7 gratitude | |
adj.感激,感谢 | |
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8 miraculous | |
adj.像奇迹一样的,不可思议的 | |
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9 monkish | |
adj.僧侣的,修道士的,禁欲的 | |
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10 monks | |
n.修道士,僧侣( monk的名词复数 ) | |
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11 vault | |
n.拱形圆顶,地窖,地下室 | |
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12 chapel | |
n.小教堂,殡仪馆 | |
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13 erect | |
n./v.树立,建立,使竖立;adj.直立的,垂直的 | |
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14 brilliance | |
n.光辉,辉煌,壮丽,(卓越的)才华,才智 | |
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15 guise | |
n.外表,伪装的姿态 | |
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16 superstition | |
n.迷信,迷信行为 | |
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17 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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18 alas | |
int.唉(表示悲伤、忧愁、恐惧等) | |
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19 demonstrations | |
证明( demonstration的名词复数 ); 表明; 表达; 游行示威 | |
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20 abode | |
n.住处,住所 | |
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21 zeal | |
n.热心,热情,热忱 | |
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22 courteously | |
adv.有礼貌地,亲切地 | |
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23 memoirs | |
n.回忆录;回忆录传( mem,自oir的名词复数) | |
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24 psalms | |
n.赞美诗( psalm的名词复数 );圣诗;圣歌;(中的) | |
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25 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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26 marred | |
adj. 被损毁, 污损的 | |
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27 tumult | |
n.喧哗;激动,混乱;吵闹 | |
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28 disturbance | |
n.动乱,骚动;打扰,干扰;(身心)失调 | |
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29 zealous | |
adj.狂热的,热心的 | |
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30 accusations | |
n.指责( accusation的名词复数 );指控;控告;(被告发、控告的)罪名 | |
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31 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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32 wrecked | |
adj.失事的,遇难的 | |
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33 entrusted | |
v.委托,托付( entrust的过去式和过去分词 ) | |
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34 aisle | |
n.(教堂、教室、戏院等里的)过道,通道 | |
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35 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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36 aloof | |
adj.远离的;冷淡的,漠不关心的 | |
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37 determined | |
adj.坚定的;有决心的 | |
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38 monarch | |
n.帝王,君主,最高统治者 | |
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39 fervid | |
adj.热情的;炽热的 | |
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40 loyalty | |
n.忠诚,忠心 | |
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41 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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42 commissioner | |
n.(政府厅、局、处等部门)专员,长官,委员 | |
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