Being thus in a position to sing and act the part, my greatest difficulties commenced, and I can safely say that I never met a more unscrupulous set of scoundrels than these sixth-rate impresarios13 who go about Milan, like degraded Satans, seeking whom they may devour15. English students, being popularly supposed to be made of money, are their favourite victims, and they demand from these the sum of four or five hundred francs as the price of a scrittura, i.e., an appearance on the stage. In a playful, ironical16 fashion they call this sum a present, I suppose after the fashion of Henry VIII.--I think it was that king--who dubbed17 his taxes "Benevolences;" and if you do not make the impresario14 "a present," you certainly will not get an appearance in Italy. With this money they take a theatre in a small town and put on the opera in which you desire to sing, but even then it is doubtful whether the déb?t so dearly purchased will come off at all.
The first impresario with whom I had to deal was a dingy18 individual, who, according to his own account, had brought out all the greatest singers of Europe for the last twenty years, and, having made him "a present" of two hundred francs--he was a modest man and asked no more--it was arranged that I should make my déb?t at Como but on arriving there for rehearsals19 I found that both the present and the impresario had vanished, like Macbeth's witches, into thin air. Considerably20 disheartened by this sample of Italian honesty, I yet had sufficient faith to trust another gentleman in the same fashion, but he must have been a brother of the first impresario, for he too vanished. I now began to perceive that there were still brigands21 in Italy, but that having become civilised, they were either hotel-keepers or impresarios, and as my two unfortunate attempts to get a scrittura had ended in disaster, I was not very anxious to make any one a third "present."
However, it was no use turning back when within the sight of the goal, so I consulted Maestro Biagio, who kindly22 interested himself on my behalf, and introduced me to an honest impresario, who required the necessary present, but nevertheless fulfilled his promise of introducing me to the Italian public. I made my déb?t at Brescia with great success, and at the conclusion of the season, for which, of course, I did not receive a penny, I had plenty of offers from all parts of the Continent. To make a long story short, I sang everywhere I possibly could, and, having secured an excellent reputation, by an unexpected stroke of good fortune I was engaged to sing at the Paris Opera House two years after my déb?t. I think Dame23 Fortune was anxious to make reparation to Hugo Urbino for the misfortunes of Hugh Cranston, for, to my great delight, I was favourably24 received by the critical Parisians, and before the season ended was overwhelmed with offers of lucrative25 engagements.
What with my good fortune and the constant excitement of the life of an artiste, I had almost forgotten the episode of Verona when I was reminded of it by the unexpected appearance of Luigi Beltrami, who came to my dressing-room one night at the conclusion of "Il Barbiere," in which I had been singing the part of Figaro.
He was changed, this cynical26 Marchese, since I had last seen him, and changed for the better, as he had lost his former sinister27 air and looked much happier and brighter than formerly28. Since our parting in Milan he had written me frequently, but of late his letters ceased, so I was somewhat puzzled how to account for this new air of cheerfulness. However, we shook hands heartily29, being glad to see one another, and Beltrami, lighting30 one of his eternal cigarettes, sat down to wait until I was ready to leave the theatre.
"Eh! Hugo," he said, gaily31 blowing a cloud of smoke, "so things have gone well with you, mon ami?"
"Exceedingly well, Beltrami, or you would not see me in this room."
"Bene! I congratulate you."
"Many thanks, Marchese; but you look as if life were agreeing with you."
Beltrami laughed, not with his former sardonic32 merriment, but with a hearty33 sense of enjoyment34.
"Ma foi, yes! I am married again!"
"Oh! I hope I can congratulate you this time," I said with great significance.
"The present Marchesa is an angel, mon ami. Dame! I had enough of demons36 with the Contessa Morone."
"Well, she was punished for her sins."
"Eh! what would you? There is a God, mon ami, and He was wearied of the crimes of that Lucrezia Borgia. But what about the poor girl she tried to poison?"
"Signora Pallanza! Oh, I hear she is in America with her husband. He has made a wonderful success in New York, and Bianca tells me they have two children, a boy and a girl."
"A new Mario and Patti, I suppose. Diavolo! what a pity the old Maestro is not alive to train the voices of his great-grandchildren!"
"Yes, he is dead, poor old man! I heard all about it in Vienna, and Petronella has gone to America to look after her beloved piccola. Well, Angello had a long life, but he was not immortal37."
"Dame! perhaps his system is immortal. It ought to be if your singing is an example."
"Ah, flatterer!"
"No; upon my word your Figaro was delightful38. It is such a relief to hear a voice without that awful tremolo. But come, are you ready? I want you to sup with me."
"I will be delighted, Beltrami. Is the Marchesa in Paris?"
"Eh! no, not this time. I am here en gar?on for a few days. Madame is in Florence, where you must come and visit us. We are wonderfully happy. Dame! who wouldn't be with health, wealth, and an angel of a wife? Ecco!"
"You inherited the wealth of Madame Morone?"
"Ma foi! yes. It was the only good turn she ever did me."
"Oh!" I cried, with a revulsion of feeling, "you are becoming cynical again."
"I always become cynical when I think of that demon35."
"Beltrami," I said after a pause, as we left the Opera House, "there is a question I have often wished to ask you."
I felt the Marchese's arm tremble a little in mine, but he laughed in a nonchalant manner.
"Eh! ask what you will, mon ami."
"Did you put your hand through the curtains and change the position of those glasses?"
Beltrami stopped and looked at me steadily39 with a grave look in his bright eyes.
"Hugo, mon ami," he said slowly, "I neither deny nor affirm, what you say. Giulietta Morone was a demon who came into the world to work evil, and God, wearied of her crimes, sent her back to the hell from whence she came. I am not much given to religion, Hugo, as you know, but I believe in a God; and whosoever He chose as an instrument to destroy that which He permitted to exist, rest assured that such a one will be held guiltless for executing the just decree of Heaven!"
He ceased speaking, and we walked on in silence through the crowded streets under the dark-blue summer sky. I understood perfectly40 what he meant, and whether it was right or wrong it is not for me to say, still I firmly believe that this man obeyed his impulse at that terrible time, not from any selfish motive41, but because he saw clearly that in removing this frightful42 creature from the world he was doing a service to the humanity upon which she preyed43.
All the same, I do not intend to visit the Marchese Beltrami at his Florentine palazzo.
The End
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1 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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2 vocal | |
adj.直言不讳的;嗓音的;n.[pl.]声乐节目 | |
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3 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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4 thoroughly | |
adv.完全地,彻底地,十足地 | |
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5 perseverance | |
n.坚持不懈,不屈不挠 | |
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6 rendering | |
n.表现,描写 | |
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7 sufficiently | |
adv.足够地,充分地 | |
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8 instinctively | |
adv.本能地 | |
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9 engendered | |
v.产生(某形势或状况),造成,引起( engender的过去式和过去分词 ) | |
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10 mechanism | |
n.机械装置;机构,结构 | |
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11 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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12 precisely | |
adv.恰好,正好,精确地,细致地 | |
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13 impresarios | |
n.(演出的)主办人,经理( impresario的名词复数 ) | |
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14 impresario | |
n.歌剧团的经理人;乐团指挥 | |
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15 devour | |
v.吞没;贪婪地注视或谛听,贪读;使着迷 | |
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16 ironical | |
adj.讽刺的,冷嘲的 | |
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17 dubbed | |
v.给…起绰号( dub的过去式和过去分词 );把…称为;配音;复制 | |
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18 dingy | |
adj.昏暗的,肮脏的 | |
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19 rehearsals | |
n.练习( rehearsal的名词复数 );排练;复述;重复 | |
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20 considerably | |
adv.极大地;相当大地;在很大程度上 | |
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21 brigands | |
n.土匪,强盗( brigand的名词复数 ) | |
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22 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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23 dame | |
n.女士 | |
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24 favourably | |
adv. 善意地,赞成地 =favorably | |
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25 lucrative | |
adj.赚钱的,可获利的 | |
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26 cynical | |
adj.(对人性或动机)怀疑的,不信世道向善的 | |
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27 sinister | |
adj.不吉利的,凶恶的,左边的 | |
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28 formerly | |
adv.从前,以前 | |
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29 heartily | |
adv.衷心地,诚恳地,十分,很 | |
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30 lighting | |
n.照明,光线的明暗,舞台灯光 | |
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31 gaily | |
adv.欢乐地,高兴地 | |
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32 sardonic | |
adj.嘲笑的,冷笑的,讥讽的 | |
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33 hearty | |
adj.热情友好的;衷心的;尽情的,纵情的 | |
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34 enjoyment | |
n.乐趣;享有;享用 | |
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35 demon | |
n.魔鬼,恶魔 | |
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36 demons | |
n.恶人( demon的名词复数 );恶魔;精力过人的人;邪念 | |
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37 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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38 delightful | |
adj.令人高兴的,使人快乐的 | |
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39 steadily | |
adv.稳定地;不变地;持续地 | |
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40 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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41 motive | |
n.动机,目的;adv.发动的,运动的 | |
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42 frightful | |
adj.可怕的;讨厌的 | |
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43 preyed | |
v.掠食( prey的过去式和过去分词 );掠食;折磨;(人)靠欺诈为生 | |
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