“So, ho!” he exclaimed. Just as, Jeanne thought, a bear might should he enter a cave filled with rabbits.
“Fine place here.” He advanced toward the fire. “All very cheerful. Delightful4 company. May I sit down?”
Without waiting for an answer, he took a chair by the fire.
215
An awkward silence followed. Petite Jeanne wiggled her bare toes; she had danced a little that evening. Swen pawed his blonde mane. Dan Baker5 stared dreamily into the fire.
The stranger’s eyes wandered from one to the other of them. They rested longest on Petite Jeanne. This made her uncomfortable.
“My name,” said the stranger, crashing the silence and indulging in a broad grin that completely transformed his face, “is Abraham Solomon. You’d say my parents left nothing to the imagination when they named me, now wouldn’t you?” He laughed uproariously.
“Well, they didn’t. And neither do I. Never have. Never will. What I want to know is, have you placed that light opera?” He turned an enquiring6 eye on Angelo.
“No, er—” the Italian youth stammered7, “we—we haven’t.”
“Then,” said Solomon, “suppose you show it to me now.” He nodded toward the miniature stage at the back of the studio. “That is, as much of it as you can—first act at least.”
“Gladly.
216
“On your toes!” Angelo smiled as his friends leaped from their places by the fire. Not one of them could guess what it meant. But, like Petite Jeanne, they believed more or less in fairies, goblins, and Santa Claus.
The performance they put on that night for the benefit of their audience of one, who sat like a Sphinx with his back to the fire, would have done credit to a broader stage.
When they had finished, the look on the stranger’s face had not changed.
Rising suddenly from his chair, he seemed about to depart without a word.
Petite Jeanne could have wept. She had hoped—what had she not hoped? And now—
But no. The man turned to Angelo. “Got a phone here?”
“Yonder.” Angelo pointed8 a trembling finger toward the corner. There was a strange glow on his face. Perhaps he read character better than Jeanne.
They heard Solomon call a number. Then:
“That you, Mister Mackenzie? Solomon speaking. Is the Junior Ballet there?
217
“Spare ’em for an hour? In costume? Put on their fur coats and send ’em over.”
“Where?”
“What’s this number?” He whirled about to ask Angelo.
“Six—six—eight.”
“Six—six—eight on the boulevard. Send ’em in taxis. I’ll meet ’em at the sidewalk and pay the fares.
“Fifteen minutes? Great!”
Without a word he drew on his great coat and, slamming the door behind him, went thumping9 down the stairs.
“What—what—” Jeanne was too astonished for speech.
Angelo seized her hand. He drew their friends into the circle and pulled them into a wild roundo-rosa about the room.
“We’re made!” he exclaimed as, out of breath, he released them. “Abraham Solomon is the greatest genius of a manager and producer the world has ever known.
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“And the Junior Ballet! Oh, la la! You never have seen so many natural beauties before, and never will again. They are in training for Grand Opera. So you see they must be most beautiful and good.
“And to think,” he cried, almost in dismay, “they will be here, here in my studio in fifteen minutes! Every one of you give me a hand. Let’s put it in order.”
As she assisted in the re-arranging of the studio, Petite Jeanne found her head all awhirl. Half an hour before she had listened with a pain in her heart to Dan Baker discussing dry bread or a full meal over a small gold piece he had gained by begging in the snow. And now all this. How could she stand it? She wanted to run away.
“But I must not,” she told herself stoutly10. “I must not! For this is our golden hour.”
Scarcely had she regained11 her composure when there came the sound of many pairs of feet ascending12 the stairs.
“They come,” Angelo whispered.
“Oh, my good Father of Love!” Petite Jeanne murmured faintly. “Is it for this that I have danced so long?”
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“It is for this.”
“Then—” In the girl’s eyes was a prayer. “Then, good Father, give me courage for one short hour.”
A moment later Angelo and Swen were assisting in the removal of fur coats from visions of loveliness that surpassed the most gorgeous butterflies. For this, you must know, was the Junior Ballet of the Grand Opera. Selected for beauty and grace, they would have shone in any ballroom13 of the land.
Some were slender, some plump. There were black eyes, brown and blue. There were heads of black, brown and golden hue14. The costumes, too, were varied15. All were of the filmiest of fabrics16 and all were gorgeous.
“See!” exclaimed the miracle-working Solomon, spreading his hands wide. “I have brought these here that I may see you dancing with them. I wish to know how you fit in; how you will appear before them all.”
“Ah, poor me!” The little French girl covered her face. “Who am I that I should dance before these so beautiful ones?”
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“Come!” said the fairy godfather who had suddenly arrived in their midst. “It is for you only to do your dances as I have seen you here. Yes, and I once did over in the old Blackmoore. Ah, yes, I was a spy. I saw you dance, and how very well you did it, too.”
Jeanne wondered with a thrill whether he could have bribed17 some one to admit him to the theatre on one of those nights when she danced to the God of Fire alone.
“Let us see.” Solomon allowed his glance to fall upon the circle of dancers. “Perhaps we can find something you all know. Then you can do it together.”
He named one well known dance after another; this one from light opera and that from grand opera, without success until he came to the polka from The Bartered18 Bride.
At once all eyes shone. Even Dan Baker was prepared to do his part, and Swen to have a try at the music.
Never was the beautiful dance performed in such unusual surroundings. And seldom has it been done so well.
221
When the last graceful19 swing was executed, when whirling gowns were still, and the company had gathered in a circle before the fire with the girls reposing20 in colorful groups on his beloved rugs, and the men standing21 about, Angelo caught a long breath, and murmured:
“Perfect!”
“This,” said Solomon in a voice that trembled slightly, “is a great moment. The best, in a great profession, I have met. The result is beauty beyond compare, and a light opera that will outshine the sun.”
“But the playhouse.” Angelo strove to bring him down to earth.
“The house? The most beautiful in the city. Where else? The Civic22 Theatre. You know the place.”
“Know it?” How well he knew that place of beauty, that palace of gold and old rose!
“But—but you forget,” he stammered. “It is only for occasional things; recitals23, Shakespeare, the very unusual affairs!”
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“And this,” said Solomon, clapping him on the back, “This, my boy, will be the most unusual of all! We may remain as long as we are good. And we shall be good forever.
“But I promised to bring these ladies back promptly24.” He sprang into action. “Come! Coats on! And let’s be away.”
Though the ladies of the Junior Ballet were rushed into coats and fairly pushed down the stairs to waiting taxis, not one of them failed to pause and give Jeanne a hug and a smile or a whispered word of congratulation.
“How different!” she thought as a great lump came into her throat. “How very different from Eve and her circle!”
“Here!” Solomon turned from hurrying the girls away. “This will act as a binder25. Be here to-morrow at nine.” He thrust something into Angelo’s hand.
Angelo opened his hand after a time and spread out five fifty dollar bills.
“One for you, and you, and you, and you,” he chanted as he dealt them out, finally cramming26 one into his own pocket.
“Sit down,” he invited. “This is an hour for silent thanksgiving.”
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“And prayer,” the devout27 French girl murmured softly.
They had been sitting thus in absolute silence for some time when, with a rush that brought in a wave of cold air, Florence burst into the room.
“Oh, Florence! My own!” Jeanne cried, throwing herself into the big girl’s arms. “To-night fairies and angels and godfathers have been here and for you and me the world begins once more to roll round and round just as it used to do!”
“Steady there!” said Angelo soberly. “We have another opportunity to make good. That is all. We must all do our very best. We must guard our steps well. Then, perhaps, all our dreams will come true.”
A few minutes later, a sober but joyous28 company, they parted for the night.
224
As Jeanne left the room she allowed her eyes to stray to the corner where rested the three traveling bags. She heaved a great sigh of relief and crowded her life saving fifty dollar bill deeper into her small purse. She had not been obliged to sell the treasures of a friend, and for this she was more thankful than for her own good fortune.
But would this friend ever come for his property? She wondered.
As they made their way through the driving snow to the street car Florence thought she caught a glimpse of a dark, bulky figure following in the shadows. Seizing Petite Jeanne by the arm she hurried along.
A car came rolling up on the padded snow just as they arrived. Soon they were stowed away in its warm depths. Not, however, until Florence had noted29 that the bulky figure was a large man in a green overcoat.
“We lost him,” she thought with some satisfaction.
She was wrong. As they rose to leave the car she saw, seated at the back, that same man. She knew in an instant who he was. For ten seconds her brain whirled. She was obliged to grip the edge of a seat for support.
Regaining30 control of herself she passed out without so much as glancing in his direction.
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To her surprise the man did not follow.
“May not have recognized us.” This was more a wish than a hope.
Hurrying across the street they mounted to their room.
“Um-m! How cozy31!” she exclaimed. “Let’s not put the light on for awhile.”
Stepping to the window, she saw the car stop at the next crossing. A man got off.
Turning, he walked back in the direction in which he had come.
“He will ring our bell,” she told herself in a small panic. “And then?”
But he did not ring. After a tremulous ten minutes of waiting, she whispered to herself:
“Came back for our street number. That’s bad. Angelo was right. The fight of Maxwell Street is not our fight.”
The man in the green overcoat was the one who had started the riot on Maxwell Street by nearly running Jeanne down in his big car, and who had come to grief later.
“We’ll be long in knowing the last of that!” she told herself, and she was right.
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2
engulfed
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| v.吞没，包住( engulf的过去式和过去分词 ) | |
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dismal
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| adj.阴沉的，凄凉的，令人忧郁的，差劲的 | |
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delightful
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| adj.令人高兴的，使人快乐的 | |
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baker
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| n.面包师 | |
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enquiring
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| a.爱打听的，显得好奇的 | |
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stammered
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| v.结巴地说出( stammer的过去式和过去分词 ) | |
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pointed
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| adj.尖的，直截了当的 | |
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9
thumping
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| adj.重大的，巨大的；重击的；尺码大的；极好的adv.极端地；非常地v.重击(thump的现在分词)；狠打；怦怦地跳；全力支持 | |
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stoutly
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| adv.牢固地，粗壮的 | |
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11
regained
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| 复得( regain的过去式和过去分词 )； 赢回； 重回； 复至某地 | |
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ascending
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| adj.上升的，向上的 | |
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ballroom
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| n.舞厅 | |
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hue
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| n.色度；色调；样子 | |
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varied
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| adj.多样的，多变化的 | |
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fabrics
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| 织物( fabric的名词复数 )； 布； 构造； （建筑物的）结构（如墙、地面、屋顶）：质地 | |
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17
bribed
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| v.贿赂( bribe的过去式和过去分词 )；向（某人）行贿，贿赂 | |
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18
bartered
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| v.作物物交换，以货换货( barter的过去式和过去分词 ) | |
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graceful
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| adj.优美的，优雅的；得体的 | |
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reposing
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| v.将（手臂等）靠在某人（某物）上( repose的现在分词 ) | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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civic
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| adj.城市的，都市的，市民的，公民的 | |
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recitals
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| n.独唱会( recital的名词复数 )；独奏会；小型音乐会、舞蹈表演会等；一系列事件等的详述 | |
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promptly
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| adv.及时地，敏捷地 | |
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binder
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| n.包扎物，包扎工具；[法]临时契约；粘合剂；装订工 | |
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cramming
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| n.塞满，填鸭式的用功v.塞入( cram的现在分词 )；填塞；塞满；（为考试而）死记硬背功课 | |
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devout
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| adj.虔诚的，虔敬的，衷心的 (n.devoutness) | |
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joyous
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| adj.充满快乐的；令人高兴的 | |
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noted
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| adj.著名的，知名的 | |
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regaining
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| 复得( regain的现在分词 )； 赢回； 重回； 复至某地 | |
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cozy
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| adj.亲如手足的，密切的，暖和舒服的 | |
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