“Of course,” she whispered charitably, “the Blackmoore was a horrible shell of a place. And it is easier to be happy and kind in beautiful surroundings. And yet I am sure that some of the most wonderful circles of friendship are found in the west side tenement1 region.” She was thinking of the blue-eyed Merry’s Golden Circle.
“Surely their lot is hard enough,” she told herself. “And yet they are happy in their own little circles.
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“What a sad place this grim old city would be,” she philosophized, “if it were not for the thousands upon thousands of these little golden circles of friendship we find everywhere! Sometimes it is a group that meets periodically in a pool room or a drug store. There are tiny club rooms everywhere. The people who work long days in downtown stores call one another Mary, Bob and Tom. They, too, are happy as they feel their tiny golden circle bind2 them round and round.
“But not one of them all,” she exclaimed loyally, “can boast of a more wonderful circle than ours!”
She thought of the Junior Ballet, those beautiful, talented young women who were being trained as her chorus. Their caresses3 and words of encouragement on that first night were not flattery. Every day, by little acts of kindness and courtesy, they proved this. They also bestowed4 their affections upon the old trouper, Dan Baker5.
“And how I love them for that!” the little French girl said fervently6.
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“And yet, who would not love him? His gray hair, his brooding blue eyes, his gentle, kindly7 manner toward all; how could anyone resist them?”
Soon enough she was to learn that there were those who could resist the old trouper’s kindly good nature. She was to learn, too, that this gentle old man held within his heart the courage of a soldier, the will and the power, if need be, to become a martyr8 for the right.
It was on that very evening that, as they loafed and talked over tea and toast in the studio, Dan Baker was called to the telephone, and Petite Jeanne heard him use language that she had believed quite foreign to his tongue.
“What’s that?” she heard him say. “A fund for actors? I have subscribed9 to the Fund for Aged10 Actors, yes. Yes. What’s that? Another fund? Five hundred dollars? Impossible!
“You will!” She saw his face turn red. His hands twisted themselves into livid knots. “Say, you! I know who you are now. It’s a racket! You’re trying to shake me down. You’ll never do it! Good-bye!”
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He slammed the receiver down on the hook and stood there until the hot blood drained from his face and left him white as marble. Watching him, Jeanne saw him totter11. Thinking he was about to fall she hurried up to encircle him with her slender arms.
“What is it, old trouper?” she asked gently.
“It—why, it’s nothing.”
“Please don’t lie to me,” she pleaded. “One has no need to lie to a friend.”
“Well, then, if you must have it.” On his face a curious smile formed itself. “There’s a racket been going on in this town for a long time. My old friend Barney Bobson told me about it.
“You see,” he explained, leading her back to the fire, “most actors are nervous, temperamental people. They can’t stand suspense12, lurking13 danger and all that. These crooks14, knowing that, have taken to demanding sums of money for what they term a good cause: The Actors’ Benefit. They are the only actors benefited, and they are not actors at all, but deep-dyed villains15. They have reaped a harvest.
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“But here—” He threw back his shock of gray hair. “Here is one golden harvest that will never be reaped. I’d rather die. I’m an old man. What’s a year more or less? How wonderful to go out like a candle; providing you go for a good cause!”
As Jeanne looked at him it seemed to her that his face was lit with a strange glory.
“But what will they do?” she asked. “And why do they come to you before the opera has gone on the stage?”
“They know we have had some advances; can perhaps get others. The opera may be a failure; at least that’s what they think. Now is the time to strike.”
“And if you continue to refuse?”
“I may meet them on a dark night. Or—” His face turned gray. “Or they may kidnap you.”
“Kidnap me?”
“Sometimes villains work through our friends to undo16 their victims,” he replied wearily. “You must be very careful. Never go out on the street without your capable Florence. And never walk when you can use a cab. So, I think you will be safe.
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“There!” he exclaimed, noting the wrinkles in her brow. “I have got you worrying. Do not think of it again. Those men are cowards. All evil doers are. We will not hear from them again.”
“No, no! Dear old trouper,” Jeanne said in the gentlest of tones, “I was not thinking of myself, but of you.
“However,” she added a moment later, “I shall be careful.”
Florence, in her big-hearted way, had given up her work at the settlement house and, casting her lot with the others, had once more become the little French girl’s stage “mother” and protector. She also became the guardian17 of his Majesty18 the God of Fire. And it seemed to her that he was quite as much in need of mothering as his youthful possessor. For was there not a dark-faced gypsy lurking, as she sometimes imagined, in every dark corner, ready at any moment to spring upon her and snatch her strange treasure away?
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She had fitted up a Boston bag with a chain, ending in a lock, run through the leather and clamping the top tight. This she carried when the ancient God of Fire, in pursuance of his art as a silent actor, was obliged to make his way from their room to the theatre and back again. At all other times his Highness continued to remain in hiding in the hole beneath the floor of the room.
At times Florence thought of the red-faced man, their chance enemy of Maxwell Street, the one who on that stormy night had apparently19 ridden half way across the city in order to take down their street address.
“He’s planning some meanness,” she assured herself. “What it will be only time can tell.”
When Petite Jeanne told her of the threat made to the old trouper over the telephone, she redoubled her vigil. They traveled only in taxicabs, and kept a sharp watch on every occasion. One other change was made by the stout20 young guardian. Whenever the gypsy god went with them she carried beneath her arm a rather heavy, paper-bound package, whose contents were her secret.
点击收听单词发音
1 tenement | |
n.公寓;房屋 | |
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2 bind | |
vt.捆,包扎;装订;约束;使凝固;vi.变硬 | |
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3 caresses | |
爱抚,抚摸( caress的名词复数 ) | |
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4 bestowed | |
赠给,授予( bestow的过去式和过去分词 ) | |
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5 baker | |
n.面包师 | |
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6 fervently | |
adv.热烈地,热情地,强烈地 | |
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7 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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8 martyr | |
n.烈士,殉难者;vt.杀害,折磨,牺牲 | |
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9 subscribed | |
v.捐助( subscribe的过去式和过去分词 );签署,题词;订阅;同意 | |
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10 aged | |
adj.年老的,陈年的 | |
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11 totter | |
v.蹒跚, 摇摇欲坠;n.蹒跚的步子 | |
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12 suspense | |
n.(对可能发生的事)紧张感,担心,挂虑 | |
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13 lurking | |
潜在 | |
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14 crooks | |
n.骗子( crook的名词复数 );罪犯;弯曲部分;(牧羊人或主教用的)弯拐杖v.弯成钩形( crook的第三人称单数 ) | |
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15 villains | |
n.恶棍( villain的名词复数 );罪犯;(小说、戏剧等中的)反面人物;淘气鬼 | |
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16 undo | |
vt.解开,松开;取消,撤销 | |
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17 guardian | |
n.监护人;守卫者,保护者 | |
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18 majesty | |
n.雄伟,壮丽,庄严,威严;最高权威,王权 | |
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19 apparently | |
adv.显然地;表面上,似乎 | |
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